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Joined: September 16 2010
Location: WA, USA
Status: Offline
Points: 29
Posted: September 19 2010 at 16:36
Most synthesizers can produce a sound similar to that. I have an Alesis Micron. Despite not being that customizable (in terms of sounds), I can still coax something similar to that out of it.
Joined: February 06 2004
Location: France
Status: Offline
Points: 8138
Posted: September 19 2010 at 16:48
You can hear this on this song as well :
Given that Geddy is credited with bass, Oberheim Polyphonic, OB-X, Mini-Moog, taurus pedal synths and vocals I hesitate between taurus bass pedals and the Oberheim OB-X
Listen to the demo (at 1:02) :
but on the other hand you have the OB-X
"Magma was the very first gothic rock band" (Didier Lockwood)
Joined: September 19 2010
Status: Offline
Points: 8
Posted: September 19 2010 at 17:36
It is a cool sound. I have an Alesis QS 8.2 from back in the day... would that be capable of making that sound? I imagine I would have to use the mod wheel to control whatever it is in that note that is changing... but I can't get my mod wheel to work because obviously I am not as smart as a 5th grader.
Joined: January 03 2010
Location: Lowell, MA
Status: Offline
Points: 3247
Posted: September 20 2010 at 06:09
Might be a Moog. My brother used one in our old band and could make sounds like that. It sounds like Banks is just playing with the oscillator frequencies.
Joined: May 20 2010
Location: Australia
Status: Offline
Points: 5575
Posted: September 20 2010 at 12:16
Arp Pro Soloist i believe. It is a sound you can get from most synthesisers i messed around with a Roland Sh201 and managed to get almost identical sound recently
Joined: September 19 2010
Status: Offline
Points: 8
Posted: September 20 2010 at 16:01
I have no analog controls, so I would have to figure a way to assign the ocillator frequency to a slider or the mod wheel. But I don't know how. Any tips??
Joined: May 20 2010
Location: Australia
Status: Offline
Points: 5575
Posted: September 20 2010 at 16:33
Musician78 wrote:
I have no analog controls, so I would have to figure a way to assign the ocillator frequency to a slider or the mod wheel. But I don't know how. Any tips??
i have the same problem i have use midi to control a great mono synth through pro tools but only have a yamaha keyboard to do it with so cant tweek the oscilators and envolopes without the computer mouse
Joined: January 20 2009
Status: Offline
Points: 1601
Posted: September 20 2010 at 17:09
Casimir wrote:
Most synthesizers can produce a sound similar to that. I have an Alesis Micron. Despite not being that customizable (in terms of sounds), I can still coax something similar to that out of it.
This. You could achieve that sound with an Arp (check out Hancock's Chameleon live, he does something very similar with an Arp), you could achieve it with a Moog. I can definitely get it with my Micron as well. And if you can't set the frequency then you're not getting it.
Edited by himtroy - September 20 2010 at 17:10
Which of you to gain me, tell, will risk uncertain pains of hell?
I will not forgive you if you will not take the chance.
Joined: January 04 2007
Location: Grok City
Status: Offline
Points: 18261
Posted: September 21 2010 at 16:10
topographicbroadways wrote:
Musician78 wrote:
I have no analog controls, so I would have to figure a way to assign the ocillator frequency to a slider or the mod wheel. But I don't know how. Any tips??
i have the same problem i have use midi to control a great mono synth through pro tools but only have a yamaha keyboard to do it with so cant tweek the oscilators and envolopes without the computer mouse
I'll listen to it at home and check it out ...
But I bet I can plug this in to my Jupiter 8 software (Arturia's) and come up with it ... a lot of the music in those days, was about "sound" and how well you could modulate it and change it ... remember that in those days the sliders and knobs were all there for you ... but today, most people learning to play a synthesizer, are simply doing orchestra takes and parts, and don't really know how to work the analog side of it, or create new sounds like we did way back when ... in those days, that sound alone became the song or a part of the piece ... today, some insipid lyrics or overly loud guitar gets the credit!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told! www.pedrosena.com
Joined: September 19 2010
Status: Offline
Points: 8
Posted: September 21 2010 at 20:07
I really wish it was analog. Just having different knobs to mess with is so much easier than adjusting parameters on things that you don't really know.
If I could make that sound with my synth, I would never leave the house. :)
Joined: November 01 2012
Status: Offline
Points: 1
Posted: November 02 2012 at 09:29
The sound was created with the Arp Pro Soloist. I'm not sure which patch it is, but he's moving the brilliance slider up and down to get the sweeping effect.
Joined: September 03 2005
Location: Olympus Mons
Status: Offline
Points: 15926
Posted: November 05 2012 at 02:59
No keyboard expert here, but I'm familiar with Banks' rig around this time - his main synth was an ARP Pro-Soloist, but he also used a huge ARP 2600, which has a wall of dials and such. I actually thought Banks' option to use ARP's instead of the more popular Moogs/Mini-Moogs was refreshing. I also love his smooth Hammond T sound, more 'swirly' than 'grindy'. Banks is a virtuoso, and has great taste and technique. He also used a Mellotron up until around 1979. His rig changed a lot for the Duke period (bless the 80's ).
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