Herbie Hancock vs. Keith Emerson

Herbie Hancock, no question.

I've got more albums with Keith on it, but I still like Herbie.  Duet anyone?  That would be really interesting.  Herb's certainly more funky but when you really want to go with the funk, Bernie Worrell. 

interesting... more comments suporrting Herbie but more votes to Emerson.

Wow.  I know this is a prog site, but I'm still surprised Emerson has such a commanding lead.

I voted Herbie.  Which reminds me that I haven't  listen to Crossings lately.


Edited by Stooge - May 04 2010 at 19:30

thellama73 wrote: I wasn't going to vote in this, but given that Herbie is getting creamed, I will step up to help. Emerson is a hack. A talented hack, but a hack no less.

You might want to be careful because he could throw knives at you.  I don't know if Hancock has been into throwing knives.  Of course with Hancock you should watch out for your head.

I like both.  I think that Emeson is more talented, but Hancock's style and jazz sensibilities are better so he gets my vote.

RoyFairbank wrote: I DL'd Crossings, one of his few, few albums with even a few tracks not locked on Napster, others were parts of Monster and Perfect Machine. Crossings is pretty good but I've only given it one "spin."  Didn't hear any Emerson like theatrics though. One prob I have with Emerson is all his stuff sounds the same in a way.... like he's hitting all the keys at once or something... he stands out, but not in the same amazing way as say, Moon or Entwistle or Gilmour or Hendrix with their respective instruments. Wakeman sounds just silly all the time.... bottle-blowing noises and what not.... I'd go for Tony Banks as the definite best to me... methinks

Emerson and Hancock's styles are very different of course.

Good, and you can check out Sextant on youtube.  I love his earlier albums too, and a couple of later ones. I'm not so keen on his Head Hunters album, though that was a much talked about one when his admission to PA was suggested.

Since you've heard Crossings, it's neat to compare the Maupin-penned versions of "Quasar" and "Water Torture" off Crossings and Maupin's later (1977) Slow Traffic to the Right (I love those too -- such good funk, and more accessible):





Interestingly, I had written this as a Hancock versus Banks poll, but changed it just before posting.

If you like Crossings (and Sextant when you hear it -- see youtube), there are many excellent related albums by performers on it (the Mwandishi Players) -- my particular faves being Julain Priester's Love, Love aand Eddie Henderson's Realization.

Excuse me if I -re-post something I wrote in my Henderson - Realization review:

"[Realization] is an absolutely essential album for those who like Herbie Hancock and friends Mwandishi trilogy. Aside from "Crossings", "Sextant", and "Mwandishi", albums with a musical relation to "Realization" worth getting include: Eddie Henderson's "Inside Out" (if you don't have Anthology, Vol. II) and "Sunburst"; Julian Priester's fantastic "Love, Love" and his "Polarization"; Bennie Maupin's "The Jewel in the Lotus" and "Slow Traffic to the Right";  Buster Williams Pinnacle; and Norman Connors - "Dance of Magic" and "Dark of Light".

Lenny White, who performed on Realization, released to my mind one of the most stunning Fusion tracks with "Venusian Summer"... Billy Hart's "Enchance is good", and, though different, Pat Gleeson's electronic explorations in "Beyond the Sun" are very good."

Herbie Hancock cuz I'm familiar with both.

(the only correct answer)

Emerson ofcourse

harmonium.ro wrote: Considering we're on a Prog forum the results are interesting. I would have expected Emerson crushing Herbie.

I would expect many not to vote who like Emerson, though, because they're not really familiar with Hancock.  I know I wouldn't vote in such a poll unless I felt that I was sufficiently familiar with both to make a choice.