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SAPIENS

Crossover Prog • Guatemala


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Sapiens biography
Sapiens is an experimental rock band from Guatemala that fuses different musical genres and experiments with different meters, groupings of notes, artificial groupings, polyrhythms and polymetry, which is also known as super-imposed metric modulation, resulting in the unique sound of Sapiens.

Formed in September 1996, initially made up of Fernando Martín (drums), José Manuel Briz (bass), Manuel García (guitar) and Fernando Scheel (keyboards and vocals) who have had a great friendship since they were very young.

From Sapiens' first rehearsal, the ideas flowed naturally and after three or four months the songs that make up their first album were ready to be produced. Between the months of May and July 1997 the album was recorded and at the beginning of 1998 Aureola Gris was released on the market. The years 97 and 98 were perhaps the years in which Sapiens made the greatest number of performances.

In '99 they began composing songs for their second album, of which only three were finally released on the EP 7-82 in 2000. The other songs remain unreleased, as do those composed in 2001.

At the end of 2000, the bassist left the group, returning to the group in 2002, the year in which the third stage of the group began, where the vocals disappeared as such to become an instrumental group. The maturity of the group is reflected in their new compositions full of strength and creativity.

After several years of hiatus, they reunited in 2007 with two new members: Renee Celada on lead vocals and Carlos Meza on bass. In 2010 they released the EP It Came to the Hour, which includes 6 songs.

The band's line-up in 2010 was made up of Fernando Martin (drums), Manuel García (guitar), Fernando Scheel (keyboards and vocals), Renne Celada (Vocals), Carlos Meza (bass).

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SAPIENS discography


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SAPIENS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
Aureola Gris
1998

SAPIENS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SAPIENS Videos (DVD, Blu-ray, VHS etc)

SAPIENS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SAPIENS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Llegó la Hora
2010

SAPIENS Reviews


Showing last 10 reviews only
 Aureola Gris by SAPIENS album cover Studio Album, 1998
3.00 | 1 ratings

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Aureola Gris
Sapiens Crossover Prog

Review by judahbenkenobi

— First review of this album —
3 stars I first heard from Sapiens when they were performing live in a club in Guatemala City. I was immediately awed by their proficiency and virtuosity, but mainly because of the genre they were playing; prog is not a common thing in Central America. As a matter of fact, vocalist Fernando Scheel was and still is prominent in the pop and folk scene in Guatemala, as well as in production of many local artists, Fernando Martín is widely known as a jazz and fusion drummer, and José Manuel Briz was my schoolmate (although a few years older than me, so he never knew me), whom I had heard playing the bass with school bands.

A good friend of mine, close to Martín and an absolute jazz fan, gave me this debut album as a gift, and I still keep it close to my heart as one of a few published examples of prog rock in Guatemala.

There's not much I can say about the production quality, since I am not knowledgeable on the matter. I can only say that it sounds way better than what was produced in the Guatemalan rock scene of the 90s.

Musically, however, Aureola Gris excels by far from most of the music around here at the time. Although I would say that Scheel's pop influence is predominant, given that he is the main composer, the jazzy style of Martín and the complexity of García and Briz all contribute to a well executed album.

Highlights of the album are the strong opener "Sharalalala", the absolute prog of title track and "Mar Abierto". Not so prog but certainly very characteristic of Guatemalan rock are "Control" and "Congélame Si No". I would say that the rest of the tracks are pure Guatemalan pop rock with prog elements, and not all of them are lyrically or musically strong, although they all contribute to the good vibe of the whole album.

My main complain about the album is definitely Scheel's voice. It's not that he has a bad voice; absolutely not. It just doesn't fit the music. I would also complain a bit about the lack of keyboard leads; Scheel's keys only serve as texture and fill, which leave me wanting more. The rest of the instrumentation is excellent and leaves nothing to be desired.

As a rare example of Guatemalan prog and for the virtuosity of the performers, this is definitely a very good addition to my prog collection. 3.5 stars.

Thanks to cristi for the artist addition.

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