BEFORE THE EYEWALL

Before the Eyewall

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Experimental/Post Metal

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Before the Eyewall Before the Eyewall album cover

3.00 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2013

Songs / Tracks Listing

1. SKYRISES (9:18)
2. Path of Ash and Desperation (15:52)
3. Tome of the Concentric Eye (14:24)
4. SKYFALLS (3:28)

Total time (43:02)

Line-up / Musicians

- Garrett LoConti / Guitars, keyboards, samples
- Aaron O'Brien-Eichman / Percussion, keyboards
- Scott Hyatt / Bass guitar

Releases information

Self released on 14 March 2013.

Thanks to NecronCommander for the addition
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BEFORE THE EYEWALL Before the Eyewall ratings distribution

3.00
(2 ratings)

Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (100%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

BEFORE THE EYEWALL Before the Eyewall reviews

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Collaborators/Experts Reviews

Review by Epignosis
SPECIAL COLLABORATOR Honorary Collaborator

Slightly better than generic post-metal, the self-titled album from Before the Eyewall has all the ingredients: Detuned, thick guitar, powerful drums, and a near constant emphasis on the low end. It's a clear exposition of raw talent; I only wish there were something unique to better set this music apart from the many other bands of the genre.

"SKYRISES" After some vacuum-like droning, the band erupts in a low rumbling sludge that wanes to something enigmatic and coherent. The second half provides fiendish dual lead guitar.

"Path of Ash and Desperation" A desolate atmosphere collapses under the weight of thick, snarling guitars. More than a few interesting textures provide this lengthy piece with an eclecticism that still never moves away from post-metal territory.

"Tome of the Concentric Eye" More moderately paced sludge metal, this third track has more concentrated punch than the previous ones.

"SKYFALLS" Before I even heard this track, I correctly predicted that it would be a mellow bit of tranquility. Perhaps ironically, it's the best piece on the album, suggestive of star gazing on a cool October night.

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