FEAR OF A BLANK PLANET

Social discussion and commentary have always been popular subject matter for albums of all genres in modern music. When writing with his band for their ninth studio album since their formation around 1990, lead singer and guitarist, Steven Wilson, decided that this latest release would be a departure from the traditional story-based concept albums, such as ghost story, "Deadwing," and "In Absentia," which is about the development of a serial killer from childhood to adulthood. Instead, this latest release is a group of tracks concerning the issues of the modern age, such as technology replacing human contact and an increased reliance on drugs. With their switch to a major label before this album, Porcupine Tree is growing in popularity and recognition. Luckily, they did not sacrifice the quality of their music, creating what is easily one of the most interesting, skillful, and creative albums so far this year.

One thing that the band is noted for is its unique style, which often shows dynamic changes between progressive metal outbursts amongst ethereal serenity. Generally, the album is very catchy and melodic. Despite mood and tempo changes, the band remains consistent in musicianship. For example, this album is easily drummer Gavin Harrison's best performance. This style is enhanced by guest musicians, such as Alex Lifeson and Robert Fripp, guitarists for Rush and King Crimson respectively; both of which have strong influences on the band's sound. As far as the general wave of modern progressive bands goes, Porcupine Tree is probably just as accessible as their more popular contemporaries Dredg and The Mars Volta.

The album is a slim six songs, but totals over fifty minutes. This is mostly thanks to the third track, the 18 minute monster, "Anesthetize." A prime example of the complexity of their music, this song is comprised of three parts, each linked with musical interludes showing impressive guitar. The lyrics are relevant to the album's concept discussing modern apathy paired with an obsession with technology. Don't be fooled in to thinking that this album is a rant against modern culture with music in the background. It is, at heart, music first that happens to have lyrics concerning this subject matter. This band obviously finds that the music, the blending of the instruments with the vocals, takes prevalence and is therefore the highlight of the album. This is shown through the long instrumental passages found not only on "Anesthetize" but one all of the tracks. For example, even the first single, title track "Fear of a Blank Planet" only follows the traditional pattern of verse-chorus-verse and so on for a portion of the song. This is what makes this band's music a cut above the traditional alternative fare.

The lyrics are told in the first person and are intended to give insight as to the effects that technology and pharmaceuticals have had as far as damaging the psyche of kids goes. The lyrics get quite blatant at times, examples being lines such as "I'm stoned in the mall again/terminally bored/shuffling through the stores/and shoplifting's getting so last year's thing." Of course, these are probably some of the weakest lines on the album, but one can not deny their effectiveness. However, it is not a discussion of the problem that truly captivates the listener as much as the effects that it has. For example, "My Ashes," a slower piece, goes in to the psychological effects such as the shortening of childhood and the lack of happiness. And eventually, especially on songs "Way out of Here" and "Sleep Together," the desire to break this cycle of despondency is explored. The whole topic is presented vividly and insightfully through the eyes of the fictional character that moves through Wilson's mellifluous voice. The message isn't bludgeoned over the listener's head, but rather is just one element that creates the whole of a truly impressive album.

Overall, I have to admit that it's the musical quality that takes full prevalence as to what sets this album apart from others of a similar nature. The talent of Porcupine Tree is in full force on this album and the creative delivery of each song makes me want to keep listening to this album. I can't recommend this album for those with short attention spans or for those who just don't get or don't enjoy complex rock music. However, if you're looking for an album to push the boundaries of what you thought music was supposed to sound like and enjoy all forms both melodic and heavy, have no "Fear" in purchasing this well-executed album.