Challenge to early Supertramp fans
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Topic: Challenge to early Supertramp fans
Posted By: claugroi
Subject: Challenge to early Supertramp fans
Date Posted: April 01 2014 at 17:52
Hi, people. I'm going to explain the background story first and then propose a challenge:
I'm a wikipedian. I frequently contribute to music articles, mainly prog ones. About a month ago, I started an editing war on Supertramp's debut album because the article was stating Rick Davies was the lead singer on Shadow Song, which is one of my favourites (reason why I listened to it several times). I've always known, like any true Supertramp fan should, that the lead vocals on that song were not Davies's, but Palmer's. It turns out that the information for Rick's vocals come from Richard Palmer-James himself ! He was interviewed in 2011, 41 years after the album was recorded, and stated that Rick was the lead singer on that song. The way he answered the question and the obvious fact (to me) that the voice in Shadow Song is not Rick's led me an obstination about this ! I'm really looking for an evidence that I'm right. I even thought about contacting Richard Palmer, but I guess that would be a bit hard ! The only thing I found so far was this certified review of the album in which the writer states "Turns out Rick Davies sings lead on only one song ("Nothing to Show"), meaning all the rest of the vocals are handled by Hodgson (before his voice became annoying - it's actually quite good here) and Palmer": http://starling.rinet.ru/music/supertrc.htm" rel="nofollow - http://starling.rinet.ru/music/supertrc.htm
Here is the article: https://en.wikipedia.org/wiki/Supertramp_(album)
Here is the discussion I had with 2 wikipedians about this, both saying that if the source says it's Rick, then it's "clearly" Rick: https://en.wikipedia.org/wiki/Talk:Supertramp_(album)
Challenge:
Are you a true Supertramp follower ? Do you know the band's career well enough to recognise its members' voices ? Do you enjoy the superb early Supertramp album ? Then tell me: who sings LEAD vocals on Shadow Song ? (we know the harmony is by Hodgson)
------------- Symphonic Prog Master
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Replies:
Posted By: Chris S
Date Posted: April 01 2014 at 22:19
hmmm.....absolutely love their debut album. Surely if Richard Palmer says he did not sing the lead vocal, you have to believe him? Still listening to Shadow Song I could easily believe that that is Rick singing and don't have any of Palmer's vocals to compare with. it could easily be a young Davies vocal :-) Listen to Davies sing " Forever" on Indelibly Stamped from 1971 and there appears to be a slight similarity but hey good luck finding evidence to prove Richard Palmer is wrong
------------- <font color=Brown>Music - The Sound Librarian
...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Posted By: lazland
Date Posted: April 02 2014 at 05:22
In much the same way I always knew Phil Collins sang For Absent Friends on Nursery Cryme (even though it was not published as such), I have always thought it was Rick Davies singing on Shadow Song, and I have seen or heard nothing credible to doubt that at all.
Heck, if Palmer says so, why do you have any credible reason to doubt him?
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Posted By: Icarium
Date Posted: April 02 2014 at 06:22
Hodgson and Palmer is singing wonderfully on Try Again 
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Posted By: Tom Ozric
Date Posted: April 02 2014 at 06:30
Good call - I always thought it was Palmer-James. Just listened to it now and find it difficult to grasp it's Davies. Sounds more Hodgson than Davies.......
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Posted By: Icarium
Date Posted: April 02 2014 at 07:30
Shadow Song us utterly beautifull, and the lyrics which IS Palmer-James is very touching
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Posted By: lazland
Date Posted: April 02 2014 at 10:04
aginor wrote:
Shadow Song us utterly beautifull, and the lyrics which IS Palmer-James is very touching |
He wrote the lyrics, that is not in doubt, given that he wrote all the lyrics for that album.
However, he did not sing on that track. Davies and Hodgson did. He confirms that himself in interviews I have looked at today. Why would we doubt his word?
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Posted By: Icarium
Date Posted: April 02 2014 at 10:06
lazland wrote:
aginor wrote:
Shadow Song us utterly beautifull, and the lyrics which IS Palmer-James is very touching |
He wrote the lyrics, that is not in doubt, given that he wrote all the lyrics for that album.
However, he did not sing on that track. Davies and Hodgson did. He confirms that himself in interviews I have looked at today. Why would we doubt his word? |
i dont.
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Posted By: lazland
Date Posted: April 02 2014 at 10:11
aginor wrote:
lazland wrote:
aginor wrote:
Shadow Song us utterly beautifull, and the lyrics which IS Palmer-James is very touching |
He wrote the lyrics, that is not in doubt, given that he wrote all the lyrics for that album.
However, he did not sing on that track. Davies and Hodgson did. He confirms that himself in interviews I have looked at today. Why would we doubt his word? |
i dont. |
Okay  I am obviously having a confused day! 
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Posted By: claugroi
Date Posted: April 02 2014 at 13:59
Chris S wrote:
hmmm.....absolutely love their debut album. Surely if Richard Palmer says he did not sing the lead vocal, you have to believe him? Still listening to Shadow Song I could easily believe that that is Rick singing and don't have any of Palmer's vocals to compare with. it could easily be a young Davies vocal :-) Listen to Davies sing " Forever" on Indelibly Stamped from 1971 and there appears to be a slight similarity but hey good luck finding evidence to prove Richard Palmer is wrong |
Why simply believe if I'm disputing that information ? If I thought it was him, I would have no problem believing in him. It's exacly because it doesn't sound like Davies that I doubt him. As I said, he recorded only one album with Supertramp and it was 41 years before the interview he gave. So he had two reasons not to remember very well who sang lead on that song. Actually, he might have even confused the songs, but that's just a possibility... Anyway, it doesn't sound like Davies at all. The voice timbre is very different. On Forever it does sound like a young Davies. And of course you have Palmer's vocals to compare ! Just listen to Maybe I'm a Beggar. It's the same man singing those songs ! It's Palmer all the way ! Give it a try... Notice the trembling voice in some specific words. This happens in both songs. Just compare.
See more of this discussion here: https://en.wikipedia.org/wiki/Talk:Supertramp_(album)
lazland wrote:
In much the same way I always knew Phil Collins sang For Absent Friends on Nursery Cryme (even though it was not published as such), I have always thought it was Rick Davies singing on Shadow Song, and I have seen or heard nothing credible to doubt that at all.
Heck, if Palmer says so, why do you have any credible reason to doubt him? |
Well, imagine that Phil Collins gave an interview in 2012 commenting about the recording of Nursery Cryme, which took place 41 years before. Imagine that he had stated "It's Peter singing in For Absent Friends". Wouldn't you doubt him ? I mean, no one is perfect. Our brain does fail sometimes. Our memory cannot remember some details about things we did 41 years before, mainly if those things were not really important. Palmer only recorded one album with Supertramp and he didn't sing a lot there. Those reasons are enough for me to believe that he might have commited a human mistake, which is something very very normal. Have you seen the review I talked about ? http://starling.rinet.ru/music/supertrc.htm The reviewer says that Rick only sang one song in the album, and it was Nothing to Show. I agree because the voice in Nothing to show does sound like Davies's, but it doesn't in Shadow Song.
See more of this discussion here: https://en.wikipedia.org/wiki/Talk:Supertramp_(album)
Tom Ozric wrote:
Good call - I always thought it was Palmer-James. Just listened to it now and find it difficult to grasp it's Davies. Sounds more Hodgson than Davies....... |
Finally ! Now two people agree with me. We either have great accurate ears or are all crazy. I'm pretty sure it's the first option.
------------- Symphonic Prog Master
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Posted By: lazland
Date Posted: April 02 2014 at 14:45
^ my dear chap, if I relied upon every obscure review on the intertit, especially those with a Russian address, to provide me with such facts, or leads, I would be in a pretty sorry state.
Also, old Phil has never stated in a interview that Gabriel sang For Absent Friends. Quite the opposite 
Now then. 41 years ago. 1973. April. The second.
I was living in Harlow, Essex. I was 8 years old (nine in that year). We lived in a place called Red Lion Crescent. My best mate was a lad called Paul Mason. I used to fight a lot with Wayne Bowden.
At this time on that night, I had just finished watching Alias Smith & Jones, one of the finest tv shows ever made. My Mum had just smacked me for telling my annoying little sister to feck off.
How's that, then? 
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Posted By: claugroi
Date Posted: April 02 2014 at 15:08
lazland wrote:
^ my dear chap, if I relied upon every obscure review on the intertit, especially those with a Russian address, to provide me with such facts, or leads, I would be in a pretty sorry state.
Also, old Phil has never stated in a interview that Gabriel sang For Absent Friends. Quite the opposite 
Now then. 41 years ago. 1973. April. The second.
I was living in Harlow, Essex. I was 8 years old (nine in that year). We lived in a place called Red Lion Crescent. My best mate was a lad called Paul Mason. I used to fight a lot with Wayne Bowden.
At this time on that night, I had just finished watching Alias Smith & Jones, one of the finest tv shows ever made. My Mum had just smacked me for telling my annoying little sister to feck off.
How's that, then?  |
Sorry, but you weren't very fortunate in your commentary. First of all, you seem to mistrust the source because it's Russian. It might be because of historical problems between the UK and Russia, and I have nothing to do with this, nor does it have to do with our main concern here. For your information, the owner of the website is a famous Russian linguist whose works on that area are regarded as important. I am a Linguistics student myself (graduating this year), so I know what I'm saying...
It's not a question of "relying". I just wanted to show you people that I am not the only human being on Earth who thinks Rick Davies did not sing Shadow Song. As you must have seen above, now there is another lad who agrees with me. Like I said to him, we three either have great ears of are totally insane.
Regarding Phil and Peter, it was just an example, and I really hope you understood it that way, not literally...
About your story, do you really think it made me believe that 41 years are nothing ? Come on, we are not talking about last year's vacation or our first kiss in High School. We are talking about an irrelevant fact in someone's life that happened four decades ago. As you probably know, professional musicians do not have the custom of listening back to their old albums. I doubt that Richard Palmer has listened to Supertramp's debut album even once in the last 40 years. Also, how could you watch Alas Smith and Jones in 1973 if the series is from the 80s ??? That couldn't be true even if it was 1983 !
------------- Symphonic Prog Master
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Posted By: lazland
Date Posted: April 02 2014 at 15:31
I said ALIAS Smith and Jones, not bloody Alas. The former was a Western series, featuring Pete Dual (the much missed). Alas Smith and Jones was a piss take name of the Western series by two comedians named.....erm,. Smith and Jones (Mel and Griff to be precise).
I can assure you I have no problem with Russian websites, nor the country. Indeed, of the websites, they contain some of the best and finest tits I have seen outside of Prog Archives.
Now, to sleep. This is becoming a very silly thread.
------------- Enhance your life. Get down to www.lazland.org
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Posted By: claugroi
Date Posted: April 02 2014 at 15:36
It is, indeed. I think your Britishness is contributing to that. 
------------- Symphonic Prog Master
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Posted By: Candyfish
Date Posted: April 03 2014 at 14:15
Indeed, when listening to this song Album "Supertramp" is perfectly observed that the main voice in it, is not Roger Hodgson and not is Rick, which is very clear, that the composition of this song, its chords melodies and lyrics, Roger was behind her.
What is absolutely clear is, who was the soul and spirit of this band; and who wrote the songs that gave fame to Supertramp, ROGER HODGSON, and who have a concern, here it reflects a clear and concise:
Album Roger Hodgson Songs, Songwriter & Singer Supertramp (1970) Surely Words Unspoken
Indelibly Stamped (1971) Rosie had Everything Planned
Crime of the Century (1974) School Hide in Your Shell Dreamer If Everyone was Listening
Crisis? What Crisis (1975) Easy Does It Sister Moonshine A Soapbox Opera Lady The Meaning Two of Us
Even in the Quietest Moments (1977) Give a Little Bit Even in the Quietest Moments Babaji Fool's Overture
Breakfast in America (1979) The Logical Song Breakfast in America Take the Long Way Home Lord is It Mine Child of Vision
Supertramp Paris (1980) School The Logical Song Breakfast in America Hide in Your Shell Dreamer A Soapbox Opera Take the Long Way Home Fool's Overture Two of Us
Famous Last Words (1982) Crazy It´s Raining Again Know Who You Are C´est Le Bon Don´t Leave me Now
From here, in 1984 Roger Hodgson began his solo career, which I appreciated, because for me, personally, that band Supertramp had a definite soul and spirit, Roger Hodgson. The essence of this band was in music and compositions of Roger.
Currently, Roger Hodgson has her Breakfast Around the World Tour 2014, after many years of shows around the world, some of which, I have enjoyed live, and where you can see how the voice has improved over Roger the years and the quality of sound on stage, if you like Supertramp and you liked the songs, Roger, you should not miss, you will be surprised.
http://www.facebook.com/rogerhodgson/events" rel="nofollow - http://www.facebook.com/rogerhodgson/events
In his latest album, Classics Live, you can see how good it sounds Roger live, and the songs presented, along with songs he has written in his solo career, a luxury now have this great opportunity to enjoy Live.
http://itunes.apple.com/us/album/classics-live/id502038005" rel="nofollow - http://itunes.apple.com/us/album/classics-live/id502038005
For more detailed information:
http://www.rogerhodgson.com" rel="nofollow - http://www.rogerhodgson.com (Official Website)
http://www.youtube.com/user/MrRogerHodgson" rel="nofollow - http://www.youtube.com/user/MrRogerHodgson (Official Channel Youtube)
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Posted By: Chris S
Date Posted: April 03 2014 at 14:50
Candyfish wrote:
From here, in 1984 Roger Hodgson began his solo career, which I appreciated, because for me, personally, that band Supertramp had a definite soul and spirit, Roger Hodgson. The essence of this band was in music and compositions of Roger.
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I disagree. Whilst Hodgson contributed a hell of a lot as you noted above, you are missing the other main players who did provide the other 80%
Rick Davies - Numero uno composer and song writer Dougie Thompson - Extraordinary bass player Bob Siebenberg or Bob C Benberg  - Drums John Helliwell - Sax, Keyboards and Master of Ceremonies
Hodgson has been busy since leaving Tramp but let's not forget the band continued very comfortably without him and released an additional 4 studio albums after his departure. Some of which underrated.
------------- <font color=Brown>Music - The Sound Librarian
...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Posted By: Candyfish
Date Posted: April 03 2014 at 15:25
I respect your disagreement, but the data speak for themselves .
The band actually had other members as you say 80 % physically , but the essence of Supertramp, are songs that Roger wrote and sang . The global reality in my point of view is that I have expressed above.
Sure Rick took the name of Supertramp, and then they released 4 albums after separation , I did not contribute anything for me, sorry for Rick .
Roger also brought to market five great albums since 1984 , if they were feeling and I get feelings and emotions.
Moreover, Rick with Supertramp name, sometimes used songs of Roger on tour after separation , to call public attention to the promotions of these concerts , something that does not honor it , since the agreement was clear from Roger , and the latter not respected .
Everyone has their own opinion , and you have to respect it, but everyone asks that Supertramp songs are what the public likes ?
I have it very , very clear since I was a child, 35 years ago . Without Roger Hodgson , Supertramp had not been Supertamp .
http://youtu.be/05YmDTYWWYg?hd=1" rel="nofollow - http://youtu.be/05YmDTYWWYg?hd=1 Enjoy !!
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Posted By: claugroi
Date Posted: April 03 2014 at 19:00
Candyfish, I don't really understand why you took advantage of this thread to promote Roger. Personally, I disagree with everyone who says that Supertramp was Hodgson. Supertramp was a collective effort. Helliwell, Thomson and Siebenberg were very important to the band's career, to the point of it being a totally different group without them, and obviously the band wouldn't even exist without Rick Davies, who is its founder and proprietor (he is the owner of the name Supertramp). I love Rick and Roger almost equally, but if I had to choose I think I would choose Rick. One thing is undeniable: most of Supertramp's hits were Roger's, but that's understandable because his compositions were more commercial, almost always Beatlesque. Rick had more blues and jazz influenced songs, but also managed to compose commercial sucesses, such as Goodbye Stranger, My Kind of Lady, Bonnie and Free as a Bird. When Hodgson left, Supertramp didn't cease being Supertramp, it just changed, and changes sometimes scare people.
Anyway, this topic is not about that. It's about who sang the lead vocal on Shadow Song, a track from their first album. Do you know the song ? Would you like to share you opinion with us ?
------------- Symphonic Prog Master
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Posted By: zachfive
Date Posted: April 03 2014 at 21:28
I have followed the thread from when it was written 2 days ago, and at the time needed to revisit the debut album as it had been a while. Funny thing about this is I was reading that wiki article a while back to see when it was that Mr.Helliwell had joined up and noticed that your edit of RPJ singing on Shadow Song was up, not Davies. I am more of a King Crimson fan than a Supertramp one and that note caught my eye because I didn't know RPJ sang any songs, seeing how he only provided lyrics to KC albums... anyway after two days of listening to both Shadow Song and Maybe I'm a Beggar I have to agree with claugroi that it is RPJ on Shadow Song. I also think RPJ sounds more like John Wetton (a man whom Palmer-James has worked with for a good portion of his career) than he sounds like Davies.
Sorry if this derails things but a similar thing has happened before where a musician "discredits" himself for some contribution on album/song.
The example that comes to mind is Jack Bruce of Cream and his credit on Zappa's Apostrophe album. Jack Bruce claims he only went into the studio with his clarinet and played one crazy note, while Zappa said he played bass on the entire eponymous track, even going so far as to slight Jack's playing style. Jack's reason for discrediting himself may be because of his dislike of Zappa. When commenting on his contribution to the album he says something like "It's awful stuff" while he promotes some album he was originally in town to collaborate on. Maybe Richard Palmer-James didn't like how he sounded on that song, maybe he didn't like the lyrics he had written and wanted to disassociate himself with the song, or maybe like claugroi has stated he simply had a slip of memory and mistakenly credited Davies. Either way go listen for yourself then comment.
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Posted By: Tom Ozric
Date Posted: April 04 2014 at 00:19
I don't wish to turn this curious thread into a Supertramp appreciation thread, but the first post-Hodgson album 'Brother Where You Bound' is an admirable slab of Prog as it was during the mid-80's. Hodgson or not, Davies could carry the name with pride.
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Posted By: Icarium
Date Posted: April 04 2014 at 00:55
That album is great despute what Allmusic state , Heavy jazz rock/progressive rock album, huuuge sounding , Better Days is soo good.
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Posted By: Tom Ozric
Date Posted: April 04 2014 at 01:16
Cannonball is wonderful also - it just intoxicates you with the solid beat and atmospheric synth washes.
Going back from this one a bit, the song Downstream, from Quietest Moments, is just pure emotion, beauty, bliss......all these things. And it's Davies.
The debut is still my personal fave from them, regardless.
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Posted By: Chris S
Date Posted: April 04 2014 at 03:50
^hmmmm now we really are getting into an appreciation thread. Downstream is my personal Supertramp fave along with Child Of Vision. I have always liked Davies for contribution, notwithstanding the awesome work Hodgson and Davies did together Their debut is incredible, but Aries off IS is excellent too, love that album for all it's uneveness. I would also to have to say Canonball was one of the best tracks to come out of the 80's. While we are at it, has anyone persevered with Somethings Never Change or Slow Motion. If you are looking for typical Davies work with knockout swing jazz/blues plus good old crossover prog, then they are the bees knees
------------- <font color=Brown>Music - The Sound Librarian
...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Posted By: Icarium
Date Posted: April 04 2014 at 04:29
Free as A Bird and Hai Hai both flunked. A Day in the Zoo is an amazing song
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Posted By: Tom Ozric
Date Posted: April 04 2014 at 04:42
^ So, no 'Inbetween' then...........
...........so pardon me boys...........
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Posted By: Icarium
Date Posted: April 04 2014 at 04:46
Inbetween is magical , have you mixed traxks of Brother Where... and Eye of the Storm. Ii have
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Posted By: Tom Ozric
Date Posted: April 04 2014 at 05:10
Eye Of The Storm didn't ring a bell with me.......??
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Posted By: Icarium
Date Posted: April 04 2014 at 05:16
I wont explayn antmy futher other the you search on PA on Roger Hodgson an look for studio album.....
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Posted By: Tom Ozric
Date Posted: April 04 2014 at 05:25
aginor wrote:
I wont explayn antmy futher other the you search on PA on Roger Hodgson an look for studio album..... | Oh,, Hodgson solo album - didn't do much for me....... Commercial pop extended beyond its worth......... apologies for this one....
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Posted By: Icarium
Date Posted: April 04 2014 at 05:26
Its ojey
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Posted By: Chris S
Date Posted: April 04 2014 at 05:33
Tom Ozric wrote:
aginor wrote:
I wont explayn antmy futher other the you search on PA on Roger Hodgson an look for studio album..... | Oh,, Hodgson solo album - didn't do much for me....... Commercial pop extended beyond its worth......... apologies for this one............ |
I concur my friend.....I think Hodgson's appeal as a vocalist waned quicker than Jon Anderson's. Cannot put my finger on it  I know Hodgson still has a devout fan base which i am happy about. His album Open the Door was pretty good from 2000. A plus 3 rating on PA. Hai Hai sadly did not make even a 2 star rating.
------------- <font color=Brown>Music - The Sound Librarian
...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Posted By: Candyfish
Date Posted: April 04 2014 at 15:38
Claugroi, perhaps have misunderstood my first post on your part. I understand that you are talking about a song from the first album Supertramp, and as you say , Roger Hodgson at the time belonged to the band.
While I have highlighted and exposed the most important songs of Roger Hodgson in his career when it belonged to the group , I think it is equally right that when you talk about Rick or the other members, I have set the songs that Roger he has composed and sung with Supertramp .
Regarding taste , you know, everyone 's got their own, I respect that you like most music that makes Rick Davies , I expect you to respect the same way , for me, Roger Hodgson has more talent and charisma than the rest of the members of the band Supertramp, is just my personal perception , as that is what I see in the criticism of his music and his career worldwide . Besides, you you could see in your country , Brazil, is very dear Roger , and every time you make a tour of this beautiful country, is a success.
Regarding the question that was reflected in this post, of course I know this beautiful song, the voice is Richard Palmer, and from 1:30 about a minute, Roger Hodgson's voice is heard together, at least that I could appreciate. Regarding the composition of this song was possibly written by Richard, but the musical arrangements have much of Roger Hodgson and Rick Davies a little, at least in the style of the song.
To me, anyway, the song I like about this album is "Surely," I have heard the live sung by the composer of the same, it's really fantastic a luxury actually. And the second song that I like about this first album Supertramp, is "Words Unspoken", a song with parts of magic and mystery.
That's my opinion !!  Best Regards
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Posted By: claugroi
Date Posted: April 04 2014 at 16:05
Candyfish, I agree that everybody's got their own opinion and taste, and this must be respected, but I don't agree that opinions and tastes are not discussable. Anyway, we are discussing ours here, and I consider that very healthy.
Regarding Brazil, it is, indeed, very dear to Roger, and he fortunately corresponds to our kindness. He came here more than 5 times, none of which I could attend, very unfortunately. I hope he'll come back soon (do you know if he will ?). And have you really heard him play Surely live ?? That's quite rare, isn't it ?? Lucky you...
Thanks for you opinion about the singer of Shadow Song.
------------- Symphonic Prog Master
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Posted By: claugroi
Date Posted: April 04 2014 at 16:13
zachfive wrote:
I have followed the thread from when it was written 2 days ago, and at the time needed to revisit the debut album as it had been a while. Funny thing about this is I was reading that wiki article a while back to see when it was that Mr.Helliwell had joined up and noticed that your edit of RPJ singing on Shadow Song was up, not Davies. I am more of a King Crimson fan than a Supertramp one and that note caught my eye because I didn't know RPJ sang any songs, seeing how he only provided lyrics to KC albums... anyway after two days of listening to both Shadow Song and Maybe I'm a Beggar I have to agree with claugroi that it is RPJ on Shadow Song. I also think RPJ sounds more like John Wetton (a man whom Palmer-James has worked with for a good portion of his career) than he sounds like Davies.
Sorry if this derails things but a similar thing has happened before where a musician "discredits" himself for some contribution on album/song.
The example that comes to mind is Jack Bruce of Cream and his credit on Zappa's Apostrophe album. Jack Bruce claims he only went into the studio with his clarinet and played one crazy note, while Zappa said he played bass on the entire eponymous track, even going so far as to slight Jack's playing style. Jack's reason for discrediting himself may be because of his dislike of Zappa. When commenting on his contribution to the album he says something like "It's awful stuff" while he promotes some album he was originally in town to collaborate on. Maybe Richard Palmer-James didn't like how he sounded on that song, maybe he didn't like the lyrics he had written and wanted to disassociate himself with the song, or maybe like claugroi has stated he simply had a slip of memory and mistakenly credited Davies. Either way go listen for yourself then comment.
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Thanks for you comment. That, indeed, is a possibility of what might have happened. If not, then I'm right about the misremembering, because one thing is for sure: that man singing is Palmer !
------------- Symphonic Prog Master
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Posted By: claugroi
Date Posted: April 04 2014 at 16:22
Regarding all the appreciation comments about Supertramp, I agree with most of you. I think when you truly like a band, you don't really care for its members. Musicians and singers come and go, but the essence of the band generally remains.
There are only 3 band whose discography I know entirely: Beatles, Gentle Giant and Supertramp (every single song on every single studio album), and I can say that there are very few ST songs I don't like. Aries is surely one of them. They should have omitted that. Canonball is one of those I try to like, but can't. I think it's artificial...
Talking about BWYB, do any of you agree with me that Open Door is a forgotten gem ? I just love that song. So simple, yet so powerful. A big musical crescendo with poetic lyrics. It's a pitty most people either hate it or consider it the weakest on the album...
------------- Symphonic Prog Master
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Posted By: Candyfish
Date Posted: April 04 2014 at 17:06
Claugroi, I had the honor of enjoying "Surely" and an extensive and magnificent repertoire, this time I was in Barcelona on March 31, 2011.
http://www.setlist.fm/setlist/roger-hodgson/2011/palau-de-la-musica-catalana-barcelona-spain-13d24951.html" rel="nofollow - http://www.setlist.fm/setlist/roger-hodgson/2011/palau-de-la-musica-catalana-barcelona-spain-13d24951.html
It's a shame you could not attend the last of Roger Hodgson Tour 2012 in Brazil, I am sure that the perception of many of your thoughts change.
Regarding the return of Roger Brazil, this year there are still no dates for this country shows, anyway, when I have information about this, I'll let you know, opportunities as well, should not be missed.
Best Regards
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Posted By: claugroi
Date Posted: April 04 2014 at 17:12
That's a great setlist. I didn't expect to see Surely, C'est Le Bon, The Awakening, Know Who You Are and A Soapbox Opera there. I hope he plays those ones when he comes back here.
------------- Symphonic Prog Master
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Posted By: Flora
Date Posted: April 05 2014 at 16:27
Talking about Brother Where You Bound, so many people say "how much Supertramp still sounded like Supertramp" after Hodgson left, yet what most people don’t realize is that four out of the six songs were all contenders for the Famous Last Words album and were already 90% done before Hodgson left the band. Hodgson had worked on the arrangements of Cannoball, Still in Love, Brother Where you Bound, and Ever Open Door, with Davies. Sometimes it really frustrates me that more people don’t know that, because if they did, they could understand why the Brother album still has that sound even after Hodgson left. I tried to find the interview where I read that, but I couldn’t find it. Did other people know this? If anyone wants to write to Hodgson’s Facebook his staff is pretty good at answering questions and we can get it again from the horse’s mouth. https://www.facebook.com/rogerhodgson" rel="nofollow - https://www.facebook.com/rogerhodgson
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Posted By: Einsetumadur
Date Posted: April 05 2014 at 18:15
"Shadow Song" is Hodgson singing - it just sounds a bit unusual because the verses are quite low for Hodgson's means. On later Supertramp records he would compose his melodies a few notes higher, resulting in a very different mixture of harmonics/overtones. Compare the vocals in the first verse of "Shadow Song" with the first verse of "Easy Does It" and "Rosie Had Everything Planned" and Hodgson's lead vocals in the (low) beginnings of the verses of "It's A Long Road" - the timbre is very much the same.
Richard Palmer-James most definitely doesn't sing lead vocals on "Shadow Song" ... he has a raspier voice which tends to break (or get a bit breathy) when he sings such high notes, such as in "Maybe I'm A Beggar".
And it doesn't sound like Rick Davies to me either; I don't suppose that Rick Davies would have been able to hide the growl in his voice (which he already had by that time) that perfectly. "Times Have Changed" on "Indelibly Stamped" could be a good comparison. I guess it's possible that Davies sang "Shadow Song" when the band performed it live - maybe to be able to maintain the fluid segue to the harmony vocal part - this might be what RPJ remembers. "Shadow Song" definitely sounds like a Davies ballad (like "Downstream" or "Poor Boy") but the slightly nasal and high-pitched timbre of the voice singing the song on the album is certainly Hodgson.
By the way; this beautiful video has recently surfaced on the web: late-1969 Supertramp (aka Daddy) playing "All Along The Watchtower" in Munich, heavily inspired by The Nice. http://www.frequency.com/video/rarely-seen-early-video-of-supertramp/141960346/-/5-2499" rel="nofollow - http://www.frequency.com/video/rarely-seen-early-video-of-supertramp/141960346/-/5-2499
------------- All in all each man in all men
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Posted By: Chris S
Date Posted: April 05 2014 at 18:24
^ Mean bass from RH! Great find
------------- <font color=Brown>Music - The Sound Librarian
...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Posted By: Tom Ozric
Date Posted: April 05 2014 at 20:21
Famous Last Words has its share of very good crossover tracks ; Waiting So Long and Don't Leave Me Now are excellent, opener Crazy is pretty darn fine, even the nostalgic My Kind Of Lady wins me over. Probably a little underrated though a strong 3 is about right overall.
(Always editing coz I get lots of typos via my iPod)
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Posted By: claugroi
Date Posted: April 05 2014 at 21:48
Einsetumadur wrote:
"Shadow Song" is Hodgson singing - it just sounds a bit unusual because the verses are quite low for Hodgson's means. On later Supertramp records he would compose his melodies a few notes higher, resulting in a very different mixture of harmonics/overtones. Compare the vocals in the first verse of "Shadow Song" with the first verse of "Easy Does It" and "Rosie Had Everything Planned" and Hodgson's lead vocals in the (low) beginnings of the verses of "It's A Long Road" - the timbre is very much the same.
Richard Palmer-James most definitely doesn't sing lead vocals on "Shadow Song" ... he has a raspier voice which tends to break (or get a bit breathy) when he sings such high notes, such as in "Maybe I'm A Beggar".
And it doesn't sound like Rick Davies to me either; I don't suppose that Rick Davies would have been able to hide the growl in his voice (which he already had by that time) that perfectly. "Times Have Changed" on "Indelibly Stamped" could be a good comparison. I guess it's possible that Davies sang "Shadow Song" when the band performed it live - maybe to be able to maintain the fluid segue to the harmony vocal part - this might be what RPJ remembers. "Shadow Song" definitely sounds like a Davies ballad (like "Downstream" or "Poor Boy") but the slightly nasal and high-pitched timbre of the voice singing the song on the album is certainly Hodgson.
By the way; this beautiful video has recently surfaced on the web: late-1969 Supertramp (aka Daddy) playing "All Along The Watchtower" in Munich, heavily inspired by The Nice. http://www.frequency.com/video/rarely-seen-early-video-of-supertramp/141960346/-/5-2499" rel="nofollow - http://www.frequency.com/video/rarely-seen-early-video-of-supertramp/141960346/-/5-2499
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Definitely not Hodgson, my friend ! Even when Roger sings low, his voice is still very characteristic, very unique. As you noted, it's a matter of timbre. That doesn't change. About one thing we agree, though: it's not Davies. Richard Palmer has a softer, gentler voice than Davies's. That's the reason why it might sound like Roger at first. Both have crisp voices. If you listen to it many times and compare that voice with the one in Maybe I'm a Beggar, you'll surely notice it's the same guy singing. Listen to the bit from 0:42 to 0:48 from Maybe I'm a Beggar. Note that Palmer's voice trembles a bit on the word "much" from "I ain't got too much sense". It's the same trembling that happens in "figure" from "figure on a lamplit wall" in Shadow Song. Hodgson joins in at 1:21 doing the harmony vocal.
Anyway, your comment was totally worth because of that video you shared with us. I was looking madly for that ! Actually, I think the last time I search for it was last month. I saw it about 2 years ago and wasn't able to find again ever since. Thanks !
------------- Symphonic Prog Master
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Posted By: Einsetumadur
Date Posted: April 06 2014 at 04:49
claugroi wrote:
Definitely not Hodgson, my friend ! |
If it was that definite, I suppose this thread wouldn't exist. I get the point that "Shadow Song" has very unusual vocals - it's not easy to define who sang it.
If you listen to it many times and compare that voice with the one in Maybe I'm a Beggar, you'll surely notice it's the same guy singing. Listen to the bit from 0:42 to 0:48 from Maybe I'm a Beggar. |
RPJ's voice in "Maybe I'm A Beggar" is indeed crisp, but it is smooth in the basic tones and a bit raspier in the higher overtones. Roger Hodgson, however, had this typical roundness somewhere in the mids of the sound spectrum - a kind of nasal resonance which also occurs in "Shadow Song", for instance in the "on a" in "on a lamplit wall". Comparing the beginning of "I Am Not Like Other Birds of Prey" ('morning at last') with "Shadow Song" is another evidence. Please note that the melodies of "Shadow Song" (E-F#-A-H-A-C#'-F#-E) and "Maybe I'm A Beggar" (D-F-A-F-G...) are sung in the very same register. "Shadow Song" later ventures in the higher octave, but in the beginning of the verses both songs are in the same octave. While I would have deemed it possible that RPJ sang "Shadow Song" if it had him singing in a higher register than on "Maybe I'm A Beggar", it's hard for me to believe that it's him when it's actually the same register. (Indeed it's much easier to sing Roger Hodgson's songs than, for instance, Jon Anderson's because Hodgson quite often stays the regular tenor area - it's his prominent overtones which make his voice appear that high.)
Note that Palmer's voice trembles a bit on the word "much" from "I ain't
got too much sense". It's the same trembling that happens in "figure"
from "figure on a lamplit wall" in Shadow Song. |
It's a similar technique, but it's a technique which is easily reproduceable by aspirating a word when singing it. (Rick Davies also uses it in the "we will stay" part in "Downstream", by the way.) It's no integral part of the unique timbre of a voice, so it's no reliable proof, I'm afraid. The only useful points in this debate are timbre and recollections by the participating musicians.
Another thing you'd have to explain is why RPJ (wrongly) attributes the lead vocal to Rick Davies if it's actually RPJ singing. Musicians forget a lot of details about sessions, but they definitely don't forget the moment when they sing their first (and only) true lead vocal on a commercial record. 
Hodgson joins in at 1:21 doing the harmony vocal. |
Yes. 
Anyway, your comment was totally worth because of that video you shared with us. I was looking madly for that ! Actually, I think the last time I search for it was last month. I saw it about 2 years ago and wasn't able to find again ever since. Thanks ! |
Nice to hear it had any use.  A fine video indeed - it's amazing how the band keep that crazy rhythm in the very end. RPJ could have carried on as a guitarist as well.
------------- All in all each man in all men
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Posted By: claugroi
Date Posted: April 08 2014 at 15:48
If it was that definite, I suppose this thread wouldn't exist. I get the point that "Shadow Song" has very unusual vocals - it's not easy to define who sang it. |
Hahaha, that's right, but the thing is that the thread started with two possibilities: Rick Davies and Richard Palmer. I just didn't expect someone would suggest Roger Hodgson. I hope no one suggests Robert Millar (the drummer) ! But indeed, Shadow Song might the biggest mystery of Supertramp's career regarding the vocals. They do sound very different from any other.
It's a similar technique, but it's a technique which is easily reproduceable by aspirating a word when singing it. (Rick Davies also uses it in the "we will stay" part in "Downstream", by the way.) It's no integral part of the unique timbre of a voice, so it's no reliable proof, I'm afraid. The only useful points in this debate are timbre and recollections by the participating musicians. |
I know that's a technique linked to the singer's style of singing, not the timbre, but it sounds very similar in Maybe I'm a Beggar and Shadow Song. It's not really a proof, but more of a hint. It wasn't a frequently used technique by Hodgson. I don't remember him singing like that with the exception of Hide in Your Shell (nor do I remember Davies singing "we will stay" that way). Anyway, I think it's undeniable the voice timbre in Shadow Song is very unusual, otherwise there would be no debate about that (and so many different opinions about who sang it).
Another thing you'd have to explain is why RPJ (wrongly) attributes the lead vocal to Rick Davies if it's actually RPJ singing. Musicians forget a lot of details about sessions, but they definitely don't forget the moment when they sing their first (and only) true lead vocal on a commercial record.  |
As I said in the first post of the topic, I truly believe Palmer misremembered this information. He sang little on the album, but that wasn't his only lead there. He is the lead singer on the aforementioned Maybe I'm a Beggar, which has Hodgson was a second lead in the middle parts.
Hodgson joins in at 1:21 doing the harmony vocal.Yes.  |
To me, that's the biggest proof it isn't Roger singing. The album was recorded in a hurry (as every album is) and with low investment (don't forget the band produced the whole album alone). They probably couldn't afford overdubbing sessions. Notice that no song on the record is overdubbed. When there are two lead vocals or harmony vocals, it's another singer doing it (they had 3, so it sure wasn't a problem).
Anyway, it seems both our theories are wrong, since both Richard Palmer AND Roger Hodgson have said in interviews it's Rick singing. Rick himself is the only one who hasn't talked about it (we even have the opinions of a live sound engineer and a crew member). I'm currently waiting for an answer by Sue Davies, Rick's wife. I'm assuming she will ask Rick himself, so, if she says he did sing it, I guess we'll have to accept it...
------------- Symphonic Prog Master
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Posted By: Chris S
Date Posted: April 08 2014 at 23:10
^ I am sure Davies is divorced and Sue does not manage him anymore. Not certain...
------------- <font color=Brown>Music - The Sound Librarian
...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Posted By: Icarium
Date Posted: April 09 2014 at 02:07
He turns 70 this year in Juli 22
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Posted By: Icarium
Date Posted: April 09 2014 at 02:10
Richard Palmer also sings on Try Again
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Posted By: claugroi
Date Posted: April 09 2014 at 12:01
aginor wrote:
Richard Palmer also sings on Try Again |
Yes. Well, kind of. Palmer himself said "TRY AGAIN: Roger (I am whispering in unison on the verses)" in an e-mail I had the opportunity to receive from a Supertramp contact.
Chris S wrote:
^ I am sure Davies is divorced and Sue does not manage him anymore. Not certain... |
The same contact mentioned above said he has sent a message to "Sue, Rick's wife", not "ex-wife". I don't know if she is still managing him (I guess not), but I think they are still married. By the way, have you ever heard a hoax about Hodgson's departure from the band that blamed his wife and Rick's ? I've heard that some time ago, but don't think it was actually the reason for that.
------------- Symphonic Prog Master
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Posted By: Icarium
Date Posted: April 09 2014 at 12:27
Interestinf fun fact is that Scott Gorham also wanted to/was asked to become rythem guitarist in Supertramp, the Thin Lizzy came into the picture and tge rest is history
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Posted By: Einsetumadur
Date Posted: April 09 2014 at 15:43
claugroi wrote:
Hahaha, that's right, but the thing is that the thread started with two possibilities: Rick Davies and Richard Palmer. As I said in the first post of the topic, I truly believe Palmer
misremembered this information. He sang little on the album, but that
wasn't his only lead there. He is the lead singer on the aforementioned
Maybe I'm a Beggar, which has Hodgson was a second lead in the middle
parts.
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The strange compromise on Wikipedia is (at the moment) "[both] Rick Davies and Roger Hodgson" on lead vocals. No Palmer vocals currently in the Wiki text ... which means, that Hodgson is in the debate as well.
I knew the lead vocal aspect was going to be mentioned. This is why I hastily added "true lead vocal". My point is that "Shadow Song" would be the only song on which Palmer sings the complete lead vocal - while Hodgson sings backing. Since it's an outstanding vocal performance I'd be pretty sure that a musician such as RPJ wouldn't attribute it wrongly if it had been his performance. He didn't do a lot of vocals on records, and I can't imagine (He would possibly attribute it wrongly if he had only played this balalaika thing on the song.)
To me, that's the biggest proof it isn't Roger singing. The album was recorded in a hurry (as every album is) and with low investment (don't forget the band produced the whole album alone). They probably couldn't afford overdubbing sessions. Notice that no song on the record is overdubbed. When there are two lead vocals or harmony vocals, it's another singer doing it (they had 3, so it sure wasn't a problem).
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At 3:33 in "Shadow Song" a second harmony voice enters, making it 3 voices at the same time at this place. The slight flutter in the tape hiss before 3:33 suggests that this vocal part has been overdubbed. And the third voice sounds like one of the two other voices - of course, I don't know which and whose. 
Anyway, it seems both our theories are wrong, since both Richard Palmer AND Roger Hodgson have said in interviews it's Rick singing. Rick himself is the only one who hasn't talked about it (we even have the opinions of a live sound engineer and a crew member). I'm currently waiting for an answer by Sue Davies, Rick's wife. I'm assuming she will ask Rick himself, so, if she says he did sing it, I guess we'll have to accept it... |
If it's Rick, it would be Rick singing in falsetto range. This could explain the strange timbre because he rarely sang falsetto. I somehow Remember Rick singing some rare falsetto backings on "Gone Hollywood" or so - it might be interesting to listen to this piece again. (If it ain't Helliwell singing this ... )
------------- All in all each man in all men
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Posted By: claugroi
Date Posted: April 09 2014 at 20:31
The strange compromise on Wikipedia is (at the moment) "[both] Rick Davies and Roger Hodgson" on lead vocals. No Palmer vocals currently in the Wiki text ... which means, that Hodgson is in the debate as well. |
It says so because both sing. Roger starts doing a kind of harmony, but actually sings the whole song from 1:21 on together with the main singer. Richard Palmer himself wrote about the vocals on Shadow Song: "Rick (Roger sings harmonies, and lead in the 'middle 8’)". On 3:33, however, I agree with you that it sounds like there are 3 voices. They either did a short overdub there or the third singer joined in. It sounds to me like there are two Hodgson voices in those last verses, one on the right channel and another (higher-pitched) on the left, together with the lead singer.
If it's Rick, it would be Rick singing in falsetto range. This could explain the strange timbre because he rarely sang falsetto.I somehow Remember Rick singing some rare falsetto backings on "Gone Hollywood" or so - it might be interesting to listen to this piece again. (If it ain't Helliwell singing this ... )
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In my original remarks about the singer in Shadow Song, I said that I was convinced that voice was not Davies's because it didn't sound like him neither in the verses, when the voice is full, nor in the middle parts, when the voice is in falsetto. Davies gave us few demonstrations of his falsetto singing, indeed, but we can hear them quite well in Goodbye, Stranger and My Kind of Lady (I'm not even counting the horn impersonation at the intro of Poor Boy, which is hilarious !). I really can't believe the crisp, clear and gentle sounding falsetto singing on the left channel of the middle part is the same as the clumsy and funny ones we hear on the two songs I mentioned (the falsetto on the right is Hodgson -- Palmer himself said neither he nor Rick could reach those high notes, only Roger).
------------- Symphonic Prog Master
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Posted By: Einsetumadur
Date Posted: April 13 2014 at 09:46
claugroi wrote:
Davies gave us few demonstrations of his falsetto singing, indeed, but we can hear them quite well in Goodbye, Stranger and My Kind of Lady (I'm not even counting the horn impersonation at the intro of Poor Boy, which is hilarious !). |
Ah, I mixed up "Gone Hollywood" and "Goodbye Stranger". 
I think Davies' 's' sound (such as in "feel no sorrow") is a lot more hissier than Hodgson's or Palmer's. His falsetto rather sounds like disco-era Bee Gees than like the voice in "Shadow Song". I don't believe that either.
Unfortunately, Palmer left very few documents of the voice he had when he was young, which makes comparing quite hard. But in the end, I think the most striking argument against Palmer singing is that he would remember what he sang on the best-known album he performed on.
Maybe someone sometime can contact him in his hut in Lower Bavaria and ask him again. 
------------- All in all each man in all men
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Posted By: claugroi
Date Posted: April 13 2014 at 18:13
Unfortunately, Palmer left very few documents of the voice he had when he was young, which makes comparing quite hard. |
That's true. We have only another song on the album to compare with.
Maybe someone sometime can contact him in his hut in Lower Bavaria and ask him again. 
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Does he still live there ? Do you know the address ?? Hahaha, just kiding... Abel Fuentes, one of the two guys responsible for The Logical Web (one of the biggest Supertramp fan sites), has already done it at my request, but via e-mail. Palmer just said the same thing he had said on the original interview from 2011. Not a big surprise...
------------- Symphonic Prog Master
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Posted By: Tom Ozric
Date Posted: April 14 2014 at 01:05
It's PJ on some of the verses of Maybe I'm A Beggar, it's most definitely the 'weaker' voice of the 3 singers.
I wonder if Gabriel was inspired by the front cover of this Supertramp debut ??
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Posted By: Icarium
Date Posted: April 14 2014 at 02:20
He also coined tge band name, ;)
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Posted By: claugroi
Date Posted: April 14 2014 at 12:53
Tom Ozric wrote:
I wonder if Gabriel was inspired by the front cover of this Supertramp debut ?? |
Me too. Perhaps he did, who knows ?
aginor wrote:
He also coined tge band name, ;) |
That's true. Undoubtedly, his biggest contribution to the group !
------------- Symphonic Prog Master
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Posted By: claugroi
Date Posted: April 14 2014 at 13:38
M27Barney wrote:
lazland wrote:
^ my dear chap, if I relied upon every obscure review on the intertit, especially those with a Russian address, to provide me with such facts, or leads, I would be in a pretty sorry state.Also, old Phil has never stated in a interview that Gabriel sang For Absent Friends. Quite the opposite  Now then. 41 years ago. 1973. April. The second. I was living in Harlow, Essex. I was 8 years old (nine in that year). We lived in a place called Red Lion Crescent. My best mate was a lad called Paul Mason. I used to fight a lot with Wayne Bowden. At this time on that night, I had just finished watching Alias Smith & Jones, one of the finest tv shows ever made. My Mum had just smacked me for telling my annoying little sister to feck off. How's that, then?  |
Well laz - I think you're mind is going a bit - the TV show was called "ALAS, Smith & Jones".... (however I cannot verify any of the other facts in the statement - so seeing as I think you're spiffing chap - I will all take as being TRUE! |
I told him that, but he said he was referring to the original series, which was actually called ALIAS Smith & Jones, the series on which the pun ALAS Smith & Jones was based. As for the rest, indeed no one can tell if it is true !
------------- Symphonic Prog Master
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Posted By: M27Barney
Date Posted: April 14 2014 at 13:54
Aye- I deleted my post once I had realised that he was referring to the western - programme - which I remember vaguely!!! but not quickly enough obviously !!!! HAHAHA
------------- Play me my song.....Here it comes again.......
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Posted By: M27Barney
Date Posted: April 14 2014 at 13:58
Mind you - I appreciated loads of complete codswallop when I was a kid - I even loved "Dukes of Hazzard" when I was an early teen- I even read some Jilly Cooper in that period as well (Posh girls in riding pinks , getting all spanky with loads of naughty sex bits in) - when I was 13 anything with sex in was a big hit (Early james Herbert....)
------------- Play me my song.....Here it comes again.......
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Posted By: claugroi
Date Posted: April 14 2014 at 14:00
M27Barney wrote:
Aye- I deleted my post once I had realised that he was referring to the western - programme - which I remember vaguely!!! but not quickly enough obviously !!!! HAHAHA |
I can't even say I remember the second show, which was aired almost 10 years before I was born !
------------- Symphonic Prog Master
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Posted By: M27Barney
Date Posted: April 14 2014 at 14:00
now of course - kids have the internet and a cornucopia of inappropriate materials for your average 13 year old to overdose on!!!
------------- Play me my song.....Here it comes again.......
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Posted By: JakubVS
Date Posted: December 07 2015 at 03:40
Hello everyone, this is an amazing thread. Some 10 years ago when I discovered Supertramp's debut album and I found out it was actually a great album, I started to wonder who was singing lead vocal in Maybe I'm a Beggar. So I asked on then official Supertramp forum about who sang what on the debuut album and someone replied. I was a bit shocked to see he believed that The Shadow Song was sung by Roger Hodgson, I was pretty sure it was Rick Davies. Anyway noone agreed with me then.
Yesterday I listened to the album again after a long time and during the years and rememebered this so today early mornign I'ce checked internet with a little hope that people have grown up. AND THEY DID :D
It's no wonder that there is a discussion. In my opinion it's caused by the fact, that Rick sang The Shadow Song using technique he has never used again since. He has treated his vocal noduls more agressive creating more male blues/country sound. On the other hand it's great to have both Richard Palmer and Roger Hodgson agreeing with me, because originally I thought I had to be deaf - or the others. I remember I told my then girlfriend about this and she was also against the idea that it's Rick :D But for me - I'm a singer too, it's not that difficult to accept that a singer changes his vocal technique. The difference between The Shadow Song and let's say Rudy is similar as let's say The Fairy Feller's Master Stroke and let's say I Want it All by Freddie Mercury.
To analyse: I think that the lead vocal in verse is Rick, harmony vocal in both verses and choruses Roger. What I am not sure about is lead vocal in chorus and the second harmony vocal. Lead vocal in chorus is very very very soft, that could be really anyone if it's not Rick, which would be logical. There doesn seems to be a difference between the end of verse and begining of chorus. the third harmony vocal sounds like Richard Palmer to me, it has a similar characteristic as in Maybe I'm a Beggar in spots - but it sounds like if he's trying to minimalize the "originality" - hard to describe this - which would be again logical considering those are backing vocals not lead ones.
There are some things which identify Rick: barytone sound (no tenor vocalist can sing like this), spots: 0:48, 0:58, 1:52 (playyyiiiiiing) - guys, that's Rick. It could be confusing, because he's really not pushing his body and throat like in all later songs. the higher tones are all sung with completely released body and with a wide smile. If you are not a singer, just try to relax your upper body, your throat, make a wide smile - but keep your lips 100% relaxed and your chin too and just blow the air, you'll get a similar result. When you goa bit higher, I am sure your wife will be also a bit surprised it's you singing ;-)
if someone's interested I could also make a short video demonstrating this.
thanks to everyone contributing to this thread!
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Posted By: JakubVS
Date Posted: December 07 2015 at 04:03
I've created a short sample of reversed phase mp3 for those who are not friendly with audio applications:
http://picosong.com/bWS6" rel="nofollow - http://picosong.com/bWS6
you can hear the voice better there.
Also, I forgot to mention that Nothing to Show - which is believed to contain Rick's vocal is a good example of the fact, that Rick didn't use his voice the same way as from IS era onwards - you can clearly hear that he's more relaxed, not pushing that much and sounds a bit boyish.
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Posted By: Sean Trane
Date Posted: December 07 2015 at 04:45
Wow, I missed this thread while I was away  ... Lots to read, and I will address it when I got time (most likely not before the w-e, since I must rehear that amazing debut album again)
Flora wrote:
Talking about Brother Where You Bound, so many people say "how much Supertramp still sounded like Supertramp" after Hodgson left, yet what most people don’t realize is that four out of the six songs were all contenders for the Famous Last Words album and were already 90% done before Hodgson left the band. Hodgson had worked on the arrangements of Cannoball, Still in Love, Brother Where you Bound, and Ever Open Door, with Davies. Sometimes it really frustrates me that more people don’t know that, because if they did, they could understand why the Brother album still has that sound even after Hodgson left. I tried to find the interview where I read that, but I couldn’t find it. Did other people know this? If anyone wants to write to Hodgson’s Facebook his staff is pretty good at answering questions and we can get it again from the horse’s mouth. https://www.facebook.com/rogerhodgson" rel="nofollow - https://www.facebook.com/rogerhodgson
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Well, personally, when listening to BIA and FLW, I don't get much a feeling that the band sounds much like Supertramp ... the spirit is there (of sorts), but the sound isn't - and Roger's departure is not the main reason for the sonic changes. There are a zillion changes between that dreadful FLW (where only the last two tracks are worthy, the rest being very superficial), compared to Brother WYB, which has only one weaker track (Still In Love, which could sound as if Hodgson had written it, IMHO, anyways). I also never heard that Hodgson worked on the Brother tracks, but it could be possible that he heard some of them before leaving.
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Posted By: Sean Trane
Date Posted: December 14 2015 at 04:24
Ok, got around to it this morning
About Shadow Song, it's kind of difficult to believe it's Rick Davies, especially after Jakub's isolation of the vocals. If I trust my ears on that isolation, my money would be on Hodgson, given that we don't have much to compare with RPJ's vocals. However, on the album itself, it's definitely not Hodgson (except in the second verse) and it doesn't sound much like Davies either. So the OP could have a point about it being RPJ, but if both him & Hodgson say it's not them .... In either case, it's maybe the weakest sung track on the album, so I could understand that both RH & RPJ would reject it on Davies' blame 
BTW, RPJ is credited by RPM as having played guitar and singing in the German band Emergency in 73, and they recorded one album(Called Get Out Of The Country) that year... Maybe there is a chance to hear more of him. https://rateyourmusic.com/artist/emergency
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Posted By: claugroi
Date Posted: December 14 2015 at 10:15
No matter how many years go by, my ears can't accept that voice as Rick's. I repeat my argument: it's a simple question of timbre. A good singer is capable of changing his voice to fit the mood or style of the song, but he is not able to change his timbre because that's something physical that depends on the biological constitution of the vocal chords, lungs, diaphragm, nose cavity etc.
A good example of a singer changing his vocals is Paul McCartney, a very versatile musician. His soft and calm vocals on I Will and Here, There and Everywhere sound nothing like his harsh and agressive ones in Why Don't We Do It In The Road and Oh! Darling, but you can still recognise him for his timbre.
To all who can't change their opinions about this, I suggest listening to Shadow Song and then Maybe I'm a Beggar in sequence. Of course the vocal style changes a bit because the first song is soft/calm, the second is more dramatic/exaggerated, but it's still the same man singing them ! Pay close attention to the trembling voice at the end of sentences and to the pleasant and clean falsetto that Rick was not capable of doing because of his bluesier and rougher tone, as evidenced in future songs like Goodbye Stranger.
As for both RPJ and Hodgson confirming it was Rick singing, my theory remains the same: more than 40 years have passed, so it's very likely their memories are failing. I doubt they listened to Shadow Song recently, even when asked the question about who sang it, so it's only logical to assume that there is a possibility they are not remembering correctly. Sometimes, in the studio, off-the-cuff decisions have to be made, and that includes changing the vocalist, like Paul McCartney singing John Lennon's parts on Love Me Do in the official recording, something that did not happen live before that. So maybe Rick used to sing the song live and they changed roles for the official album recording.
------------- Symphonic Prog Master
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Posted By: mika68
Date Posted: December 15 2015 at 04:53
Yes the Shadow Song is deffently sing by Richard Palmer and the Background by Roger Hodgson. He`s exists a film by a German Filmeditor named Haro Senft. In December 1969 make a short documentary film he called " Supertramp Portrait". But at this Time the Band was called " Daddy". The Band performed in this film a song by Bob Dylan " Along the Watchtower". And this Song was singing by Richard Palmer. And i think this is the same Voice of Shadow Song. Sorry for my bad English
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Posted By: claugroi
Date Posted: December 15 2015 at 14:42
I found it ! For those who want to experience early Supertramp playing a proggy version of Dylan's All Along the Watchtower with 20-years-old Roger Hodgson and 26-years-old Rick Davies: https://vk.com/video-101936_164243546
Download video here: http://www.tubeoffline.com/
More information (in German) on Haro Senft's page: http://www.haro-senft.de/film/f-kurz_3.htm
I don't think it sheds light on our discussion because his singing here is just too different from Shadow Song (it's more agressive), but thanks for your input !
------------- Symphonic Prog Master
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Posted By: Sean Trane
Date Posted: December 18 2015 at 02:50
claugroi wrote:
I found it ! For those who want to experience early Supertramp playing a proggy version of Dylan's All Along the Watchtower with 20-years-old Roger Hodgson and 26-years-old Rick Davies: https://vk.com/video-101936_164243546
Download video here: http://www.tubeoffline.com/
More information (in German) on Haro Senft's page: http://www.haro-senft.de/film/f-kurz_3.htm
I don't think it sheds light on our discussion because his singing here is just too different from Shadow Song (it's more agressive), but thanks for your input ! |
Thanks for this amazing video  The quality is really good It's amazing that RPJ stopped playing and singing after Supertramp (outside that pre-Crimson Emergency stint in 73)
OK, I had a buddy rediscovering the first album, last night. He's been a life-long Supertramp fan (like me), but he had never appreciated the first two albums, (like most of the Tramp fans), because it wasn't the classic line-up... he didn't even own them anymore. But the buddy had sung a few Tramp songs as a part of Globalys, when they were still doing mostly covers , even if his voice only allowed him to do the Hodgson songs: they used to do Hide In You Shelf, School and Fools' Overture regularly, but he was always sad he couldn't do Davies tracks.
So telling him about this Shadow Song mini-controversy (without telling him the full thing before hand), he sat his eyes closed and listened intensely (I mean really intensely)
His conclusion: Rick Davies, without a doubt 
He was so impressed/moved with this album that he took my CD home and I can imagine how floored he will be when I'll show him the Munich video
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Posted By: claugroi
Date Posted: December 18 2015 at 09:03
But he wasn't used to the album, so he wouldn't recognise Palmer's voice even if it was him. I mean, I listened to the album half a dozen times before reaching the conclusion that it was Palmer singing (apart from, of course, listening to the rest of Supertramp's career, having been used to Rick's voice from the beginning until the very end in 2002).
So what I mean is that maybe your friend should be more familiar with the album and then make a judgement again. Tell him to listen to Maybe I'm a Beggar many times to get used to Palmer's voice. And do ask him if he doesn't find the voice in Shadow Song very unusual for Rick Davies, even when you compare it to the only song he surely sung on that very album (Nothing to Show, in unison with Roger).
------------- Symphonic Prog Master
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Posted By: Sean Trane
Date Posted: December 18 2015 at 14:36
I'm sure he will listen to the album a few times before buying it for himself
Yes, he did find Davies' voice fairly different than what we bacame used to afterwards, but most likely Rick was still looking for his own voice.
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Posted By: Formentera Lady
Date Posted: December 20 2015 at 00:57
Aww, I have missed this thread!
The debut album is one of my favourites of Supertramp. Even if I had not known the Palmer-interview the vocal credits on the english wikipedia would have also been my guesses.
For Shadow Song, I think that Rick is doing the lead vocals and starts the song. Great song btw.
------------- http://theprogressiveweb.blogspot.de" rel="nofollow - Visit me in Second Life to talk about music.
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Posted By: Formentera Lady
Date Posted: December 20 2015 at 01:53
I am adding an argumentation:
The beginning parts of Aubade, Maybe I am a Beggar and Shadow Song all start in a low timbre. It can be clearly heard, that Aubade is sung by Roger and Maybe I am a Beggar by RPJ. In my opinion it can be also heard that Shadow Song is sung by a different singer than the other two. From the three RPJ is the worst (sorry RPJ!), he cannot really hold a note. He might be a good front man though, as can be seen and heard in 'All along the Watchtower'. (Btw. this rare video tends to disappear now and then from the internet, so if you find it, download it by all means and keep it at a safe place! I did that already a couple of years ago. ) Rick has a more harsh voice, RPJ and Roger have more clear voices, and this 'harshness' can be heard in Shadow Song, too. Rick is not always sure about the note to sing, that's why he sometimes puts a 'nnn' in front the 't' sound, as can be heard in the first lines both in 'Shadow Song' and 'Times have changed'. Roger never does that, while singing. So that's why I think it is Rick.
------------- http://theprogressiveweb.blogspot.de" rel="nofollow - Visit me in Second Life to talk about music.
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Posted By: JakubVS
Date Posted: December 21 2015 at 12:23
mika68 wrote:
Yes the Shadow Song is deffently sing by Richard Palmer
and the Background by Roger Hodgson. He`s exists a film by a German
Filmeditor named Haro Senft. In December 1969 make a short documentary
film he called " Supertramp Portrait". But at this Time the Band was
called " Daddy". The Band performed in this film a song by Bob Dylan "
Along the Watchtower". And this Song was singing by Richard Palmer. And i
think this is the same Voice of Shadow Song. Sorry for my bad English |
Doesn't seem so. If you mean that in All Along the Watchtower you can hear Richard Palmer in a more similar setting to Shadow Song, it's - I am sorry - wrong. AATW live was sung very loud, I would say as loud as he could and the special quality of the vocal performace was created thanks to pre-amp setting - the sound is very overdriven/distorted. Shadow Song - I must repeat myself - was sung with an opposite setting of both pre-amp and singer himself. it's relaxed - completely and quiet. This is what I believe so confusing, because never since has Rick sang like this. He normally sings very loud and pushes his body and vocal noduls. You can hear it in I would say every song, very typicall are his EEEE and OOOO, which sound like HHHEEEYYY made by a football fan - actually talented football fans use exactly the same technique as Rick does in this spots. This technique (sometimes called overdrive) is basically between 90-100% of the loudness man can provide. There is not that much difference between these tones and the rest of the vocals he provides regarding volume so that shows how loud and powerful he provides his singing.
a good example is this, late Freddie - so already f**king experienced and with strong singing habits, the same era, one song sung almost completely relaxed (sadly for this case he gives a bit power to the words You are the Only One, when he turns into chest voice)
https://www.youtube.com/watch?v=sMblLDEGDoc
vs a song from the same era sung very agressive.
https://www.youtube.com/watch?v=VO2Oi6GQzWM
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Posted By: JakubVS
Date Posted: December 21 2015 at 12:26
Actually a good comparison is also David Gilmour and the verses in Point Me at The Sky, this also sounds not very like him, because it's so relaxed.
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Posted By: Sean Trane
Date Posted: September 30 2017 at 07:50
Can anyone find that All Along The Watchtower (Munich 70) video, please...
Cos both links have died
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Posted By: Formentera Lady
Date Posted: September 30 2017 at 15:13
Sean Trane wrote:
Can anyone find that All Along The Watchtower (Munich 70) video, please...
Cos both links have died
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There you go: http://vk.com/video-101936_164243546" rel="nofollow - http://vk.com/video-101936_164243546
------------- http://theprogressiveweb.blogspot.de" rel="nofollow - Visit me in Second Life to talk about music.
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Posted By: Sean Trane
Date Posted: September 30 2017 at 18:42
Formentera Lady wrote:
Sean Trane wrote:
Can anyone find that All Along The Watchtower (Munich 70) video, please...
Cos both links have died
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There you go: http://vk.com/video-101936_164243546" rel="nofollow - http://vk.com/video-101936_164243546
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thx

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