An
evening with Rick Wakeman - Live in San José, Costa Rica 05-02-2005
I am lost
for words as I try to write this review, and I can say it’s not an easy task at
all for this concert was anything but usual.
For
starters, the concert was postponed from Sunday to Monday because most of
Rick’s equipment was stranded somewhere at the Mexico City Airport, to which
Rick referred to as “Mexican customs officials having a hell of a
prog-concert”.
So they
announced that the equipment wasn’t going to make it, not even for Monday. Most
of us in line felt pretty let down, this only meant we would not be seeing the
English Rock Ensemble (NERE) the way God meant us to. But a few of us had faith
in Mr. Wakeman’s superhuman piano skills, believing he had to have something up
his sleeve.
As we
entered to the Melico Salazar theatre, the stage only exposed an old piano, a
few monitors and microphones, and a park bench. Rick appeared on the stage and the crowd burst in applause, the keyboard
magician was back in town one more time, for the most unusual show ever. For
starters, he performed a beautiful piece; his hands hammering the old piano
that gave the most clear and crisp sound I’ve ever heard come out of any
instrument.
After
this Rick sat on the bench, with a translator for those who couldn’t understand
English, and addressed the audience saying he just didn’t feel right to bail
out, even though he had no equipment at all.
So he convinced Ashley Holt to stay for an exclusively acoustic
show, to
try to make up for the lack of equipment. And thus they both stayed an
extra
day, while the rest of NERE left, probably to go back to England. It
only took
them an afternoon to set up the most incredible acoustic live show
ever, with many songs a là “Rick Wakeman Live in Concert 2000” show,
throwing in a
few goodies on the side.
The show
resumed with “Catherine Of Aragon/Catherine Howard” and then some songs from
“Journey to the Center of the Earth”, this time, with Ashley on stage. Every
few songs he would sit back on the bench and share with all of us a short
insight on the song’s background, a retrospective of Rick’s life when he was
composing and recording each of his classics.
The more
than welcome extras included Cat Stevens' “Morning has Broken”. Before playing it Rick stated that he seldom
plays this song, due to disagreements with Stevens, but decided to do it for
this very special evening. The set
continued with “Help!” and “Eleanor Rigby”,
and “And You and I” / “Wonderous Stories” for the ever-popular Yes
treat.
On went
the show with a few pieces from “Myths and Legends of King Arthur”, including
“Arthur”, “Guinevere”, “The Last Battle”, and finally “Merlin the Magician”,
while telling the crowd how he composed the entire album from the hospital
after a heart attack, saying how “The Last Battle” reflected not only Arthur’s
story but also his own.
Finally,
the show ended magnificently with a song dedicated to Ashley, White Rock’s “Make
me a woman”, and then “Summertime”, proving how this “Brit” can play some fine
Jazz as well.
Rick
himself said that he has never done an acoustic-only show like this ever
before, and said he most likely never will again. We Costa Ricans have been honoured by this
special event, which gave us an intimate view into Wakeman's life and career. We await the return of the magician
and NERE.
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