For some reason, I was expecting a rather amateur project (the kind you usually expect from a random publishing something they made on a somewhat anonymous forum post), so I was taken offguard when listening to the album. I really do hear (and "read") the psychedelic aspect of the album, inspiring both the music and the lyrics. It makes the whole thing quite crazy as well as destructured. The lyrics and singing together make a sort of blend, reminding me (based on my poor musical knowledge) of Marillion, Big Big Train, Steven Wilson. It often sounds dysharmonious and weird to me, I'm more into more ""melodic"" pieces. It might be like coffee and chocolate, maybe it is something I'll learn to enjoy at some point in the future. The ""dysharmonic"" character I find also in the music in itself, it goes in circle, it breaks. It also gets often fixed because of the singing, and at times I get frustrated, because I'd want fewer words, less singing, so the pure instrumental can detached and find its own rhythm. - Indeed, I find more spiralling than melodies and rhythms. But that kinda matches your spirit. You have a solid appreciation of your own music, with its sort of own lore behind. I haven't listened to your first album, I'll do that later, it might bring some more light into your creation. I really respect that self-appreciation, that level of seriousness in your production and how you evaluate it. It's to a very high degree though, and this paragraph in particular "And then there’s Schichten.
The last recorded attempt to categorize this track ended with the auditor staring into the void for 47 minutes, muttering something about layers within layers within layers. Layers that unfold, layers that disappear, layers that were never there to begin with. Schichten inside Schichten inside Schichten." sounds very... um... not showing a high level of humbleness I would say, even though it's based I think on your level of deep implication with you music, in such a manner that it becomes really important to you and living. As a matter of fact, there is clear life in that album and that production. Of creativity. Even though I'm personally not a big fan of pieces that are too destructured, """"dysharmonious"""" / """"unmelodic"""", it is the way it is and it breaks a lot of walls, so as to expand, release itself, fulfilling a lot of potential. It gets dreamy, jazzy, chaotic, "high", throughout a rich musical journey. "Madman" is I think the song I have enjoyed the most. Well, it's partly also that I tend to prefer the songs without too much involvement of the male voices, which I like less. Though in that said track, madman, the part muttered in German is quite interesting. Note that I am myself a very little-knowledged in music, I just tell it the way it feels to me.
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