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What on earth is Richard Sinclair doing? |
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Mirakaze ![]() Special Collaborator ![]() ![]() Eclectic, JRF/Canterbury, Avant/Zeuhl Joined: December 17 2019 Location: (redacted) Status: Offline Points: 4229 |
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It's one thing to offer a subscription program on Bandcamp and then flood your page with bottom-of-the-barrel junk ranging from terrible quality live recordings, playback sessions and decades-old interviews, but then his page also charges money for content created by other people - presumably without their knowledge or consent - be it covers of songs from bands he was in (regardless of whether he actually wrote or even played on those songs), songs containing samples of music he played on, and even entire audio tracks ripped from YouTubers reviewing Caravan or Hatfield albums. There's already a question to be asked about whether it's good conduct to be the only member of a band to profit off of recordings made by that band, but to try and make a quick buck off of music of which he had no involvement at all in its production, made by completely different people playing songs he didn't write is just disgraceful in my opinion. For the sake of his own reputation I really hope this page is operated by some manager type person and not by Mr. Sinclair himself.
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Lumenko ![]() Forum Senior Member ![]() ![]() Joined: November 28 2023 Location: Donaubecken Status: Offline Points: 1196 |
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It is interesting that in the prog community (whatever that means), a debate developed for and against those releases. Personally, I'm on Mr. Richard Sinclair's side. I think that he is morally justified in releasing all those bootlegs. He also has legal standing under Italian law because Mr. Sinclair is settled in Italy, and these are now Italian editions; legally speaking, he is doing nothing wrong. Also, it begs the question: why should it be net-label pocket money if any of that work would eventually be released on a net label when Mr. Sinclair could independently release it all on Bandcamp and receive a portion of the proceeds? Regarding the quality, anyone can assess whether the album lives up to their audiophile criteria by listening to the full release on the Bandcamp page. Ultimately, in the liner notes, Mr. Sinclair himself frequently cautions about the recording's poor quality, stating that it is only recommended for enthusiasts, or highlights the sound quality on certain recordings; for instance, this recording from 1974 has rather good sound quality: ![]() |
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duchamp ![]() Forum Groupie ![]() ![]() Joined: December 25 2023 Location: the north pole Status: Offline Points: 73 |
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i mean i hope it isn't but you gotta expect that from boomers who've gained notoriety on some field sometimez. they're bound to do mezzed up thingz
Edited by duchamp - December 25 2023 at 13:48 |
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Hrychu ![]() Forum Senior Member ![]() ![]() Joined: November 03 2013 Location: poland? Status: Offline Points: 5682 |
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*respected elders ![]() |
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On the day of my creation, I fell in love with education. And overcoming all frustration, a teacher I became.
Ernest Vong |
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duchamp ![]() Forum Groupie ![]() ![]() Joined: December 25 2023 Location: the north pole Status: Offline Points: 73 |
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you are a cisgender heterosexual
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Hrychu ![]() Forum Senior Member ![]() ![]() Joined: November 03 2013 Location: poland? Status: Offline Points: 5682 |
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I'm what? I was referring to this post xD:
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On the day of my creation, I fell in love with education. And overcoming all frustration, a teacher I became.
Ernest Vong |
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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Hey
Mirakaze. Yes you're right, Richard's BandCamp page was not created by
him, it was created by me, Robert Carlberg, a "manager type person" --
with Richard's consent. He is still limited to an iPhone due to there
being no internet connection in his home in Martina Franca, Italy, so
he's not as involved as I wish he was. I take
your suggestions seriously and with consideration, my friend. It's true
I've put up a lot of content where Richard does not play, and I've been
a little nervous about that. In most cases I've gotten the permission
of the people responsible, but even when I haven't been able to, nobody
has complained (yet). I do try to provide links to the original content
creator, and to places where readers can buy the content if it's for
sale. YouTube content is offered online for free anyway. Richard did
ask specifically that I not post Hatfield, Caravan or Camel original
recordings because they're still on the market. Most
other stuff, like all the Voiceprint and HTD and similar CDs are out of
print now, and/or the record companies are out of business, and royalties paid to
Richard have dropped to zero. It is his feeling that if it's something
he's created, and the company he contracted with to sell it is no more,
then the rights to sell it revert back to him. Are any of these
companies going to hire lawyers to contest the 20 or 30 he's made? They haven't yet. And
then there's bootlegs. Nobody from a band bootlegged make a farthing,
so they're fair game. I have been busy finding the best versions online
(which as you note, usually aren't very good) then cutting them into
tracks, EQing and normalizing and removing noise and glitches, and then
putting up the best version I can offer. It's better that Richard
derives an income from his life's work than some yahoo who sells a
miserable sounding dub of a dub of a dub, full of misinformation and
wrong titles (which happens a lot). I've put up
the interviews I've found on YT as free downloads, because they're informational,
not entertainment. I suspect most people would listen ONCE for free
online, and not bother downloading it. By the way, the ratio of PLAYS to
PURCHASES hovers right around 100:1 for everything, so Richard's page
is more of a library than a bookstore. Most of the cover versions I've
put up for a single Euro, because I don't want to be in the position of giving away somebody
else's hard work... but at the same time these people are offering the videos free on YouTube or SoundCloud without paying any licensing fee to the composer. Downloads of these are essentially zero, naturally,
since they're "informational". But I like highlighting the wonderful creativity of Richard's many young fans all across the globe. I've contacted
musicians and friends Richard has recommended, to try to get them to
share memories and tapes. Mostly everybody has been very eager. Former
bandmembers not sharing in the revenue? Dave is the only living
bandmate from Hatfield, and he's given his consent. I haven't heard
from Pye one way or the other, but I've been careful to respect his
copyrights. Andy Ward and Andy Latimer are all in. My
goal has been to tell the story of Richard's career, from 1963 to
present. He's been involved in a lot of bands, a lot of musicians have
covered his songs, and he's played a lot of "guest appearances." He is "the voice of Canterbury" so I figure his BC page should be sort of a Canterbury Scene cheering section. I can picture a listener spending an afternoon (or two...) browsing the vast Canterbury legacy documented there, good, bad, weird and otherwise. By reading his words and watching his interviews and listening to his music, you can get a pretty good feel for Richard himself, who is a singular presence. Is
a lot of it "bottom-of-the-barrel"? Yes it is! Richard has "boxes and
boxes" of unreleased tapes (hopefully not moldy yet) but without any way to digitize them and send to me, I'm operating all on my own with what I can find online, what his friends will send me, and what he himself sent me 30 years ago. I'm trying to pave the way for the
day, hopefully soon(?), when Richard can start sending me new files to post. He's promised 2024 is the year he gets organized. Another word in my defense. If you've ever talked to Rich in person or on a videocall (which he LOVES) you know that he is a whirlwind, a kaleidoscope of activity. His mind leaps from puns to anecdotes to singing lyrics to whimsy to serious, all in one sentence. To some extent, the BandCamp I've created for him reflects his personality, intentionally. So
honestly, I value your advice. Should I drop the price to $0 on
everything where he does not play? Is $10 too much for albums/concerts
where he DOES play? Should I drop the interviews, or the cover versions,
or the tracks where Richard is merely a paid sideman? I
get precious little direction from Richard. I'm not even sure how much
of the site he's seen. I know he's getting contacted by fans and
musicians from all over the world, and he's made 3000 from 33,000
listeners over 238 albums. He's just happy to see his music getting out in the world
again. The details are up to us. [email protected]
Edited by rcarlberg - February 05 2024 at 07:39 |
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Mirakaze ![]() Special Collaborator ![]() ![]() Eclectic, JRF/Canterbury, Avant/Zeuhl Joined: December 17 2019 Location: (redacted) Status: Offline Points: 4229 |
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Uhh, reading my post again I may have leaned a little too much into my sardonic side. On the internet it's sometimes easy to forget that the people you're calling out are humans instead of non-descript bits of data and text. Charging money for music that you didn't create still strikes me as being in poor taste (not that you'd particularly need to care about the opinion of some angry internet rando) but the fact that you did in fact ask permission from most of the original creators and from the other members of Camel/Hatfield/NHealth resolves my biggest concerns right off the bat. I apologize for simply assuming without proof that you hadn't.
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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No apology req'd. In fact I'm happy for ANY feedback, TBH. If you have any suggestions... or ideas... or tapes... or photos... For instance. When I first started the thing I was putting everything in strict chronological order--it was logical and easy. However as the count rose to a hundred albums it became clear, from the daily stats of what people looked at, that stuff at the top of the page got the lion's share of views. So I started putting new stuff--regardless of recording date--at the top of the page. The result is a horrible mish-mash of new & old all mixed together. I'm not happy with it, but can't figure out what to do about it. Maybe after a month at the top, stuff should be shuffled down into chrono order. I dunno, what do you think? Also, one of the advantages of BandCamp is that you can go in and change anything at anytime. I've had several bootlegs where a better copy turns up later -- should I move it to the top of the page? Leave it in the middle? I've used descriptors like "remastered" or "new master" to try to let folks know... but again, no clear best answer.
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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I can be pretty frustrating trying to find good recordings to post (there are some even I won't use). Nic Sinclair has some that his dad Dave doesn't want released. Aymeric Leroy has some that he isn't comfortable sharing with me. Dave Stewart, Mike Murphy and Bill Bruford are notoriously tight with unreleased material. Rich is more-than-happy to put everything out there... but he has no way to digitize it.
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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I stand corrected. The esteemed Mr Stewart himself has let me know he does NOT give his consent, and asked me to correct my post from 13½ months ago. We are still going back and forth about what rights he has as a performer on an uncopyrighted audience recording.
Edited by rcarlberg - February 14 2025 at 19:52 |
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DaveStewart ![]() Forum Newbie ![]() Joined: February 15 2025 Location: London Status: Offline Points: 1 |
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Dave Stewart (Egg, Hatfield and the North & National Health keyboardist) here. For the record, Richard Sinclair's Bandcamp page was created by Robert Carlberg without my knowledge - I heard about it belatedly from a friend who was concerned about the large quantity of unauthorised Hatfield tapes on sale. Neither Robert Carlberg nor Richard ever sought my consent, despite both having my email address. Mr. Carlberg stated I had given consent with no evidence, and never checked with me to confirm his erroneous statement. There is no "back and forth" concerning my performer's rights: under European and UK law, musicians have an exclusive and permanent performer's right in recordings which feature them regardless of who made the recording. Such performances don't need to be registered, they exist from the moment the recording is made. No one else may use or sell the recording without the performer's consent. Needless to say, I never gave permission for the numerous bootlegs on Richard's Bandcamp page to be recorded.
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Snikle ![]() Forum Groupie ![]() ![]() Joined: January 27 2022 Location: USA Status: Offline Points: 58 |
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A legend himself appears, wish it was under better circumstances though.
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18060 |
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Hi,
The only sad thing about it all is that due to some ideas about the commercial viability (or ownership) of a kitchen frying pan, a lot of folks do one of the saddest things about the actual music ... hide it and not show it to anyone ... and then who is to gain? The mice? I do think that good manners and appreciation for the music, would be more important, and even if your take (or anyone else's) is way too small, it is likely to be more than having it hidden and not shown anywhere, No? It's just sad that in my older days, I get to see something like this come to fruition ... the material that inspired me for so long, all of a sudden is not important ... and has to be hidden and not heard anywhere, good or bad, bootleg via cassette (olden days) or via smartphone these days. I have never heard anyone complaint in the Grateful Dead folks ... and they have only gotten bigger, and better known because of it ... instead of hoping for a payday in the sky that will never come. Some of us here in the American West Coast, will never get to see these folks, and enjoy their work or have a chance to say hello ... and while something like the pages mentioned above are unusual, in the end, I feel like I met Richard, and he made sure that I enjoyed things ... while others did not do so. One can only hope that much from any artist ... and I can only hope that things come around and well for everyone ... so at the very least we can all fall away from this earthly address with a smile ... we did our best for the music and the art form. Now back to one of my favorite albums ... Caravan of Dreams ... and end up having fun blowing bubbles ... (Edit later) ... reminds me of the Frank Zappa vault, where thousands and thousands of tapes were saved in his lifetime, and no one will ever hear it ... it just seems like such a waste. And I bet some work that is better than what we have heard is still buried ... sorry Mr. Stewart ... hopefully it will all come together, somehow.
Edited by moshkito - February 15 2025 at 11:18 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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I have tried to respond twice; each time my post has been denied without explanation.
I
will only say I hope Dave Stewart, my favorite keyboardist in the whole
world, rethinks his position about Rich & I offering the Hatfield
ROIOs in the best possible condition for a reasonable price. I mean,
they're going to be out there regardless. It has all been done with the utmost love & respect.
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37188 |
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^ Unfortunately those kinds of technical problems are commonplace. I find it important to get into the habit of coping my posts, and PMs, before submission. That said, I still forget to do that because the problems are not more consistent and because I'm not more consistent than I am in remembering that it can be an issue.
EDIT: Wow, and only now do I read back on the posts. Edited by Logan - February 15 2025 at 10:39 |
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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Yeah, Logan I kicked myself the first time for not saving my post before trying to upload it. The second time was all on me... The third attempt -- and my 4th attempt! -- I was smarter. 😳 And this post is now on its 2nd attempt. Is this something you can fix???
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Nogbad_The_Bad ![]() Forum & Site Admin Group ![]() ![]() RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 21297 |
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M@x seems a little more present at the moment so we can try and address it.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37188 |
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^ & ^^ Yes that is Max's purview as webmaster and site owner. He knows that there are various issues, limitations of the site architecture, forum software issues, server problems, pesky gremlins, and more. Good thing he has been around.
As for me, if I were to try some updates and changes, with my lack of adeptness, one might find that not only do I make the forum far worse, but I end up breaking the internet while I'm at it. ![]() |
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rcarlberg ![]() Forum Newbie ![]() ![]() Joined: February 12 2014 Location: Seattle Status: Offline Points: 43 |
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Can we vote on that?
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