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Direct Link To This Post Posted: June 13 2012 at 11:30
Originally posted by rushfan4 rushfan4 wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by rushfan4 rushfan4 wrote:

I gave it a first listen last night, and to be honest I was pretty disappointed in it.  I thought that the sound was really bad and Geddy's singing was really bad.  The worse part for me though was the concept.  I read the lyrics along to the music while listening to it and I found it to be disappointing.  I expect that my opinion will improve with further listens but that said, my first listen was a disappointment.


Hoping it does after a few more listens for you. I think there is some great material.
 I really hope that it does too.  I expect that it will.  Unfortunately, my first impression was kind of a let down.  I will probably listen a few times without the lyrics in front of me to see if I think it sounds better that way.   

I think the lyrical are more catchy than lyrically splendor. 

I enjoy that a lot, it is what makes TMV so great to me. They're so damn catchy!


Edited by Horizons - June 13 2012 at 11:31
Crushed like a rose in the riverflow.
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Direct Link To This Post Posted: June 13 2012 at 16:32
Rushfan4: The second wave of listeners is usually less enamoured than the first, due to the first getting a bit carried away in their reaction and raising the second wave's expectations too high.
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Direct Link To This Post Posted: June 13 2012 at 17:26
Originally posted by Textbook Textbook wrote:

Rushfan4: The second wave of listeners is usually less enamoured than the first, due to the first getting a bit carried away in their reaction and raising the second wave's expectations too high.
 
Confused
 
What wave should I consider myself a part of if I express my love for Genesis - Selling England By the Pound?
 
BTW, is probably my favorite album of all time.
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Direct Link To This Post Posted: June 13 2012 at 17:41

I'm just talking about in the initial aftermath of an album's release. There's the people who hear it right away and go OH MY GOD BEST THING EVER and then there's a second wave of people who hear the album upon encountering that hype. Generally, they are less impressed as a direct result of the hype elevating expectations.

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Direct Link To This Post Posted: June 13 2012 at 17:57
Originally posted by Catcher10 Catcher10 wrote:

I don't have a problem with VT sound....I only have the CD and I played it last night and there are a few loud portions. It is well documented by Alex they are not happy with the production.....But the album is pretty damn good IMO. There are some beast songs like Earthshine and Secret Touch.  Many of the songs are excellent......for me it has that special feel since before this I really thought they were done......Thankfully they are not.
 
I have heard some of the digital downloaded versions and those are pretty bad, especially the iTunes version......horrid. But my CD copy when the album came out is very good on my system.

interesting..
I think Vapor Trails is a pretty  good album (on a par with Presto) with half a dozen good tracks and none that I can't listen to- it's certainly way better than Test for echo ( 2 songs I can stand), Counterparts  (3 decent tracks) and Roll the bones (3 or 4 decent tracks).
That's all just personal preference of course but I was surprised at the comments about poor production. I thought it has a more stripped down sound on purpose. Again i  have the CD and it seems fine.

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Direct Link To This Post Posted: June 13 2012 at 18:26
Originally posted by wjohnd wjohnd wrote:

Originally posted by Catcher10 Catcher10 wrote:

I don't have a problem with VT sound....I only have the CD and I played it last night and there are a few loud portions. It is well documented by Alex they are not happy with the production.....But the album is pretty damn good IMO. There are some beast songs like Earthshine and Secret Touch.  Many of the songs are excellent......for me it has that special feel since before this I really thought they were done......Thankfully they are not.
 
I have heard some of the digital downloaded versions and those are pretty bad, especially the iTunes version......horrid. But my CD copy when the album came out is very good on my system.

interesting..
I think Vapor Trails is a pretty  good album (on a par with Presto) with half a dozen good tracks and none that I can't listen to- it's certainly way better than Test for echo ( 2 songs I can stand), Counterparts  (3 decent tracks) and Roll the bones (3 or 4 decent tracks).
That's all just personal preference of course but I was surprised at the comments about poor production. I thought it has a more stripped down sound on purpose. Again i  have the CD and it seems fine.


I always find it interesting what albums Rush fans have as favorites. Presto and Vapor Trails are near the bottom for me.
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Direct Link To This Post Posted: June 13 2012 at 20:32
Originally posted by Textbook Textbook wrote:

I'm just talking about in the initial aftermath of an album's release. There's the people who hear it right away and go OH MY GOD BEST THING EVER and then there's a second wave of people who hear the album upon encountering that hype. Generally, they are less impressed as a direct result of the hype elevating expectations.


I listened to the album before experiencing the hype and am not all that impressed by it so far.  It's not bad...but not blowing me away either.
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Direct Link To This Post Posted: June 13 2012 at 20:52
Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

I think the album to beat is Vapor Trails.  That's an incredible album and my favorite since Hemispheres.


Seriously? With that horrid production? Hemispheres is the pinnacle Rush release with me as well but VT is near the bottom these days. I started liking it when I heard it in bits and pieces, but I simply can not sit down and listen to the entire thing.


The production is bad, sure, but the compositions and performances are amazing.  Hell, the production of Nursery Cryme is atrocious, but people seem like it just fine.


In this day and age, there is no excuse for poor production, especially from a band that has been around for decades, IMO. I do not find most VT compositions to be anything great, or even melodic. How It Is and One Little Victory are my favorites but the rest of the CD is mostly dogs, maybe better than Dog Years. Wink


Well I like "Dog Years."  Tongue
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Direct Link To This Post Posted: June 13 2012 at 20:58
Epig's right about Vapour Trails. Yes it's the epitome of the loudness-wars-problem but that doesn't make the songs bad. When it gets released in a remixed version, I expect its critical stock to improve immediately.
 
However, he is wrong about liking Dog Years. WRONG.
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Direct Link To This Post Posted: June 13 2012 at 21:02
Originally posted by Textbook Textbook wrote:

Epig's right about Vapour Trails. Yes it's the epitome of the loudness-wars-problem but that doesn't make the songs bad. When it gets released in a remixed version, I expect its critical stock to improve immediately.
 
However, he is wrong about liking Dog Years. WRONG.


Oh hush.  You too wish you were a tortoise from Galapagos (or a span of geological time).
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Direct Link To This Post Posted: June 13 2012 at 22:50
Originally posted by Epignosis Epignosis wrote:

Originally posted by Textbook Textbook wrote:

Epig's right about Vapour Trails. Yes it's the epitome of the loudness-wars-problem but that doesn't make the songs bad. When it gets released in a remixed version, I expect its critical stock to improve immediately.
 
However, he is wrong about liking Dog Years. WRONG.


Oh hush.  You too wish you were a tortoise from Galapagos (or a span of geological time).
Nice!! LOL
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Direct Link To This Post Posted: June 13 2012 at 22:52
Originally posted by dtguitarfan dtguitarfan wrote:

Originally posted by Textbook Textbook wrote:

I'm just talking about in the initial aftermath of an album's release. There's the people who hear it right away and go OH MY GOD BEST THING EVER and then there's a second wave of people who hear the album upon encountering that hype. Generally, they are less impressed as a direct result of the hype elevating expectations.


I listened to the album before experiencing the hype and am not all that impressed by it so far.  It's not bad...but not blowing me away either.
 
Your avatar is preventing the good vibes from coming thru......a lot of anger in that avatar! WinkLOL
 
(Relax.....I like DT too, very much.)
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Direct Link To This Post Posted: June 14 2012 at 00:24
Originally posted by StyLaZyn StyLaZyn wrote:


I always find it interesting what albums Rush fans have as favorites. Presto and Vapor Trails are near the bottom for me.
Its a good sign for a band that people can like different aspects of their music :) many bands don't have those.
I generally like the melodic, guitar oriented tracks but it can be anything from a riff/solo from Alex, a great bass lick, a drum part or a lyric that piques my interest and draws me in to embrace a song


Edited by wjohnd - June 14 2012 at 00:27
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Direct Link To This Post Posted: June 14 2012 at 11:03
My second listen was better.  Just listening to the album in the car and not reading the lyrics or paying that close of attention to them. 
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Direct Link To This Post Posted: June 14 2012 at 11:11
Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

I think the album to beat is Vapor Trails.  That's an incredible album and my favorite since Hemispheres.


Seriously? With that horrid production? Hemispheres is the pinnacle Rush release with me as well but VT is near the bottom these days. I started liking it when I heard it in bits and pieces, but I simply can not sit down and listen to the entire thing.


The production is bad, sure, but the compositions and performances are amazing.  Hell, the production of Nursery Cryme is atrocious, but people seem like it just fine.


In this day and age, there is no excuse for poor production, especially from a band that has been around for decades, IMO. I do not find most VT compositions to be anything great, or even melodic. How It Is and One Little Victory are my favorites but the rest of the CD is mostly dogs, maybe better than Dog Years. Wink


Well I like "Dog Years."  Tongue

Yes. One of my favourite 90's Rush tracks. Gets a lot of hate I noticed.
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Direct Link To This Post Posted: June 14 2012 at 11:13
Originally posted by Snow Dog Snow Dog wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

I think the album to beat is Vapor Trails.  That's an incredible album and my favorite since Hemispheres.


Seriously? With that horrid production? Hemispheres is the pinnacle Rush release with me as well but VT is near the bottom these days. I started liking it when I heard it in bits and pieces, but I simply can not sit down and listen to the entire thing.


The production is bad, sure, but the compositions and performances are amazing.  Hell, the production of Nursery Cryme is atrocious, but people seem like it just fine.


In this day and age, there is no excuse for poor production, especially from a band that has been around for decades, IMO. I do not find most VT compositions to be anything great, or even melodic. How It Is and One Little Victory are my favorites but the rest of the CD is mostly dogs, maybe better than Dog Years. Wink


Well I like "Dog Years."  Tongue

Yes. One of my favourite 90's Rush tracks. Gets a lot of hate I noticed.
Lyrically it is cringe inducing, but musically it is a good song.
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Direct Link To This Post Posted: June 14 2012 at 11:15
I like the lyrics. hey ho.
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Direct Link To This Post Posted: June 15 2012 at 00:38
I gotta say the new one on occasion suffers from loudness wars. There are times when the drums are just not hearable over all the other racket. The drums!, mind you. Look, I like densely layered music as much as the next guy. Let me know if you want track/time on that. I don't want you to think I'm being a bitch or anything. I like the music. But please.

Edited by jammun - June 15 2012 at 00:40
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Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: June 15 2012 at 04:24
I'm enjoying the new album, but I have to say that as a concept, it completely misses me. The story doesn't interest me in the slightest and I can't drum up the enthusiasm to follow it or think about it.
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Direct Link To This Post Posted: June 15 2012 at 09:08
Originally posted by rushfan4 rushfan4 wrote:

Originally posted by Snow Dog Snow Dog wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by StyLaZyn StyLaZyn wrote:

Originally posted by Epignosis Epignosis wrote:

I think the album to beat is Vapor Trails.  That's an incredible album and my favorite since Hemispheres.


Seriously? With that horrid production? Hemispheres is the pinnacle Rush release with me as well but VT is near the bottom these days. I started liking it when I heard it in bits and pieces, but I simply can not sit down and listen to the entire thing.


The production is bad, sure, but the compositions and performances are amazing.  Hell, the production of Nursery Cryme is atrocious, but people seem like it just fine.


In this day and age, there is no excuse for poor production, especially from a band that has been around for decades, IMO. I do not find most VT compositions to be anything great, or even melodic. How It Is and One Little Victory are my favorites but the rest of the CD is mostly dogs, maybe better than Dog Years. Wink


Well I like "Dog Years."  Tongue

Yes. One of my favourite 90's Rush tracks. Gets a lot of hate I noticed.
Lyrically it is cringe inducing, but musically it is a good song.


You are on the money with that! Clap

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