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Topic ClosedVDGG, why the world loves them or hates them?

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Tsevir Leirbag View Drop Down
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Direct Link To This Post Posted: July 10 2009 at 12:32
Originally posted by BaldFriede BaldFriede wrote:

First there is Hammill's voice, which is an acquired taste, and many will never like it. He really lives his songs, which make Hammill or VdGG concerts so very special.
 
Very true! I saw them live at Montréal yesterday evening, I was amazed, it was a fantastic show!
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Direct Link To This Post Posted: July 10 2009 at 12:56
AFAIK, every band with more than half a dozen fans gets the love-hate deal, just the more accessible ones get less of it than the rest, which is to say Genesis and Camel are spared, VDGG, Giant and KC bear the brunt.  I love their essential style and loved it from the first time I heard it, Hammil's strong vocals, the organs-saxophone combination.  But I find I can't really 'binge' on VDGG, their songs seem to run together after a while, I don't know why this is so but it happens everytime I settle down for VDGG.  Cry  
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Direct Link To This Post Posted: July 10 2009 at 13:44
I loved them from my first listen of Pawn Hearts, and that one is still my favorite of all their albums (though Still Life comes very close).  It's hard for me to explain why, because when I listen to Hammill sing I always think that it would be very easy to dislike the band because of his voice. And yet, I love it.  I love the lyrics, being mostly introspective angst ridden type stuff..........which is not too different from my own lyric writing.  The wild and sometimes cacophonous music really works for me (even though I'm a symph prog lover primarily, I've always enjoyed the more avante side of prog as well).  Honestly the lack of solos never really registered for me until other people pointed it out.  My own music always contains guitar solos (I'm a guitarist, after all Embarrassed ) , yet for some reason I never really notice the lack of it........though there is a good amount of acoustic guitar, and I assume the songs are mostly based on that since Hammill wrote 98% of the material.

The other thing is that VDGG just sounds SO 70's.  Even their 2000's albums!



 
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Direct Link To This Post Posted: July 10 2009 at 13:46
Three main reasons I used to have a problem with the band.

1. Vocals, the "sliding" up to and down from the notes. An obvious and all too common problem for most people, definitely an acquired taste, as it was for me. I love them now though!

2. The music at times seems to move too slowly, making it a tad bit boring, a problem my brother has with the band. A lot of mid-tempo tracks with not much power.

3. The somewhat obscure instrumentation and composition compared to most of the other prog giants.

Personally none of these bother me much anymore, and number 3 makes me appreciate them even more.


Edited by Isa - July 10 2009 at 13:47
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Direct Link To This Post Posted: July 10 2009 at 15:49
Originally posted by rushfan4 rushfan4 wrote:

...
I haven't acquired the taste yet.  I think it is partly that I don't like Hammill's voice.  I think that it is partly I don't like the saxophone playing at times when it sounds like they are strangling a cat.  And I think that the lack of guitar and solos is probably another big factor for me, since I come to prog from the hard rock/heavy metal arena, and thus I am probably addicted to the sound of the guitar.
 
 
 
Some albums are easier than others to get a better feel for his voice. In a way some of the earlier ones are really intense (Silent Corner Empty Stage), and they will often alienate a listener ... it's hard to understand something like St. Bernina or Red Shift ...
 
Try listening to the album "Skin" which is a bit softer, but also more emphatic and detailed and a bit smoother ... and after that one can start catching Godbluff or Still Life ...
 
You have to remember one thing ... and it matters not if this is VDGG or Hamill solo ... he's a poet first ... and the music is there to color the poem ... that's it ... it has absolutely no other connection to "song" or "composition" (in a manner of speaking) ... and most of the music is more about the "feeling" than it is a pre-defined format or style.
 
And you know what? Go look at the best writers in the past 500 years. Or painters. Or composers? What did they do?
 
Exactly the same thing!
 
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Direct Link To This Post Posted: July 14 2009 at 23:22
I can't tell you why some people hate it. It's just FABULOUS! Tongue
They're even better live! Big smile
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Direct Link To This Post Posted: July 14 2009 at 23:39
Some of the songs on World record, Still life, Godbluff, H to he, Quiet zone are excellent. VDGG are a pretty fun witty band from 1975-1978. Enjoyable jazzy prog band. Their early 70s are more serious. H to he is very good. Pawn hearts is ok. Lighthouse keepers seems to drag on alot after the great first 5 minutes, but I find half the album to sound like filler. Man erg is the album highlight and theme one is a cool bonus track
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Direct Link To This Post Posted: July 15 2009 at 13:35
I find it odd that some people consider VdGG too "out there", I have never considered them to be a little jazzy and more poetically based, but not weird or strange the way I initially heard zeuhl and RIO/avant. 
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Direct Link To This Post Posted: July 15 2009 at 15:33
I love them because of:
 
1. The great compositions. You don't hear much about that, but they were IMHO not any less in that than most of the big names. Compositions come first with me, and they were good in it.
 
2. Because of Hammill's intense way of singing. I have the feeling that there's almost no middle ground. Love or hate, indeed.
 
3. Because of Hammil's intelligent lyrics.
 
4. Hammill's stage presence.
 
5. Because of the playing. By Hammill? Yes, but it's not just Hammill, I also like for instance, David Jackson's saxophone , background vocals (for instance in "Killer"), Guy Evans organ...
 
6. The obstinacy of the band. I still remember a VDGG concert that I visited, and someone asked for a request, and Hammill answered that he would not play requests, because "that's not the kind of troupe we are".
 
Unique and intense band Clap
 
 


Edited by Moogtron III - July 15 2009 at 15:34
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Direct Link To This Post Posted: July 15 2009 at 16:03
Honestly I think that a lot of the problems people have with VDGG stem from the fact that it is a very unorthodox way of doing music. Most of the prog bands of the 70s were Prog Rock bands, and even though they were very much progressive bands they had a fairly evident inheritance from straight-up rock as well. When you listen to Genesis and Yes there's a lot of complexity but also a number of moments that anyone can dig. It might take repeated listenings to really "get" an album but there are usually a few catchy, more straight-forward bits that lure you in until you reach that point.

VDGG never really had those qualities. They haven't really really got any guitar at all, which is obviously a huge stroke against them in such a guitar-dominated medium. Also from what I've heard they generally seem to lack that ability to reel people in. There usually isn't a whole lot to "bait" the listener, as it were, or ease them in gently, but rather they're just plunged into a world of intensity and chaos, which can be quite intimidating to the casual listener.

In short, I think the reason why VDGG is often disliked is because they are unapologetically anti-mainstream and really haven't got any interest in building bridges to make themselves more accessible. I love them, but it is very easy for me to see why other people wouldn't enjoy their music.
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Direct Link To This Post Posted: July 15 2009 at 20:01
Originally posted by KingCrimson250 KingCrimson250 wrote:

Honestly I think that a lot of the problems people have with VDGG stem from the fact that it is a very unorthodox way of doing music. Most of the prog bands of the 70s were Prog Rock bands, and even though they were very much progressive bands they had a fairly evident inheritance from straight-up rock as well. When you listen to Genesis and Yes there's a lot of complexity but also a number of moments that anyone can dig. It might take repeated listenings to really "get" an album but there are usually a few catchy, more straight-forward bits that lure you in until you reach that point.

VDGG never really had those qualities. They haven't really really got any guitar at all, which is obviously a huge stroke against them in such a guitar-dominated medium. Also from what I've heard they generally seem to lack that ability to reel people in. There usually isn't a whole lot to "bait" the listener, as it were, or ease them in gently, but rather they're just plunged into a world of intensity and chaos, which can be quite intimidating to the casual listener.

In short, I think the reason why VDGG is often disliked is because they are unapologetically anti-mainstream and really haven't got any interest in building bridges to make themselves more accessible. I love them, but it is very easy for me to see why other people wouldn't enjoy their music.

I think you are right, I can't think of many songs that "go easy" on the listener. There are a lot of things that can either turn you off of them or catch you instantly. If you happen to dig the saxophone (guilty) then it gives you something to hold on to until you are used to the rest, the same could be true  for the drums or keyboard, and to some people, Hammill's vocals, they are addicting after getting into VdGG.

I think they are one of  those bands that, if you do not like it after listening to a few records, you should leave alone for a while. You can't force yourself into liking them.
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Direct Link To This Post Posted: July 15 2009 at 20:18
Originally posted by KingCrimson250 KingCrimson250 wrote:

Honestly I think that a lot of the problems people have with VDGG stem from the fact that it is a very unorthodox way of doing music. Most of the prog bands of the 70s were Prog Rock bands, and even though they were very much progressive bands they had a fairly evident inheritance from straight-up rock as well. When you listen to Genesis and Yes there's a lot of complexity but also a number of moments that anyone can dig. It might take repeated listenings to really "get" an album but there are usually a few catchy, more straight-forward bits that lure you in until you reach that point.

VDGG never really had those qualities. They haven't really really got any guitar at all, which is obviously a huge stroke against them in such a guitar-dominated medium. Also from what I've heard they generally seem to lack that ability to reel people in. There usually isn't a whole lot to "bait" the listener, as it were, or ease them in gently, but rather they're just plunged into a world of intensity and chaos, which can be quite intimidating to the casual listener.

In short, I think the reason why VDGG is often disliked is because they are unapologetically anti-mainstream and really haven't got any interest in building bridges to make themselves more accessible. I love them, but it is very easy for me to see why other people wouldn't enjoy their music.
 
Guitar isn't important. Not many bands have a nice guitar and style anyway. VDGG have several great melodies. If they had albums in 72, 73 and 74 and 78, 79 etc they'd probably be the best prog band ever imo. The only album i don't care much about is pawn hearts, but the other have some great tunes. Hamills voice is awesome and way better than Gabriels imo.
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Direct Link To This Post Posted: July 16 2009 at 00:25
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Guitar isn't important. Not many bands have a nice guitar and style anyway. VDGG have several great melodies. If they had albums in 72, 73 and 74 and 78, 79 etc they'd probably be the best prog band ever imo. The only album i don't care much about is pawn hearts, but the other have some great tunes. Hamills voice is awesome and way better than Gabriels imo.


I'd disagree. Guitar is basically the hallmark of rock music; I'd say that it's an incredibly important factor, at least as far as people's tastes are concerned. I guess that was kind of the point of my post: VDGG aren't really a progressive rock band so much as they are just a progressive band. At least, in the earlier days. When you listen to albums like Still Life they've got a bit of a rockier, more mainstream feel (though still not much of one). I think that what you say makes sense if you're coming at it from a prog perspective, but I was thinking more of a "Why do people in general dislike VDGG? Why could they never match the popularity of their contemporaries?"

They do have some amazing melodies and upon repeated listenings probably have some of the catchiest vocals of any prog band, but I find it usually takes a couple of listens to get at them. Most of their melodies aren't things that grab the listener right away because he/she is too overwhelmed with what's going on to pick it out, or is too busy trying to compute Hammill's vocals. If you've listened to a fair bit of prog it might grab you at first but if you're coming from a less experienced angle you probably won't be able to take it in. Again this applies more to earlier stuff than later stuff. The anthemic Pilgrims, for example, might be the band's most accessible song, or at least one of them.
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Direct Link To This Post Posted: July 16 2009 at 01:03
Originally posted by KingCrimson250 KingCrimson250 wrote:

Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Guitar isn't important. Not many bands have a nice guitar and style anyway. VDGG have several great melodies. If they had albums in 72, 73 and 74 and 78, 79 etc they'd probably be the best prog band ever imo. The only album i don't care much about is pawn hearts, but the other have some great tunes. Hamills voice is awesome and way better than Gabriels imo.


I'd disagree. Guitar is basically the hallmark of rock music; I'd say that it's an incredibly important factor, at least as far as people's tastes are concerned. I guess that was kind of the point of my post: VDGG aren't really a progressive rock band so much as they are just a progressive band. At least, in the earlier days. When you listen to albums like Still Life they've got a bit of a rockier, more mainstream feel (though still not much of one). I think that what you say makes sense if you're coming at it from a prog perspective, but I was thinking more of a "Why do people in general dislike VDGG? Why could they never match the popularity of their contemporaries?"

They do have some amazing melodies and upon repeated listenings probably have some of the catchiest vocals of any prog band, but I find it usually takes a couple of listens to get at them. Most of their melodies aren't things that grab the listener right away because he/she is too overwhelmed with what's going on to pick it out, or is too busy trying to compute Hammill's vocals. If you've listened to a fair bit of prog it might grab you at first but if you're coming from a less experienced angle you probably won't be able to take it in. Again this applies more to earlier stuff than later stuff. The anthemic Pilgrims, for example, might be the band's most accessible song, or at least one of them.
 
vdgg are great. I wish they wrote more albums. They missed the greatest years in music 1972-1974. They are a very jazzed up rock band with classical moments, which is what prog rock is to me. Great writers of melody. I'm not fussed about guitar. It's just another instrument and rock music should be about many instruments. Guitar dominated music is more simply thought out and isn't jazz based. If a song is progressing, the only way it can do that is through melody which will grab you and improve with each listen. How can a song progress if the melody is very simple and there's a flashy guitar solo or there is some unheard of experimenting in the song such as fart noises lol. The main thing is that the melody isn't progressing, so solos and experimenting is needed to make it better but it will never be great Tongue


Edited by PROGMONSTER2008 - July 16 2009 at 01:04
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Direct Link To This Post Posted: July 16 2009 at 01:12
Oh I agree with you completely (except for Pawn Hearts... that one's brilliant, man Wink). They are by far one of the top prog acts out there IMHO. I just don't have any difficulty in understanding why most people wouldn't be fans.
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Direct Link To This Post Posted: July 16 2009 at 01:48
Originally posted by KingCrimson250 KingCrimson250 wrote:

Oh I agree with you completely (except for Pawn Hearts... that one's brilliant, man Wink). They are by far one of the top prog acts out there IMHO. I just don't have any difficulty in understanding why most people wouldn't be fans.
 
Dunno. Pawn hearts doesn't seem to have the genius melodies that we hear in H to he, Godbluff, Still life, World record, Quiet zone. Lemmings and Plague just seem to plod on with half decent melodies although the start is cool(similar to 2112 epic by rush, cool at start, but just ok for the next 15 minutes), but I miss the spine shiverring moments of the other vdgg albums. I think they were more concerned with experimenting with jamming and storytelling in pawn hearts Tongue. Man erg is the song which really meets their standards and style though. Nice song from start to finish with a cool part in the middle Smile
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Direct Link To This Post Posted: July 16 2009 at 02:14
Originally posted by KingCrimson250 KingCrimson250 wrote:

Oh I agree with you completely (except for Pawn Hearts... that one's brilliant, man Wink). They are by far one of the top prog acts out there IMHO. I just don't have any difficulty in understanding why most people wouldn't be fans.

Agreed. While it is hard for me to understand how anyone couldn't like Genesis or Jethro Tull, I can completely understand why they wouldn't like VDGG or Gentle Giant. They are just completely off the wall compared to most pop/rock music.


Edited by Kestrel - July 16 2009 at 02:15
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Direct Link To This Post Posted: July 16 2009 at 02:58
Hmm, , why i dont love em' as much as King Crims, Gentle, Genesis ?
 
I dont find the singer very interesting, he simply bores me a little, besides of that, i actualy dont know why. 
Nothing to do with no guitar - i love Stravinsky and Ben Webster Tongue  
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Direct Link To This Post Posted: July 16 2009 at 11:38
One of my favorite prog bands, its hard to say why one love em so much thire music is yust perfect for me, i got all thire album and they are all great, toghter with KC the ultimate prog band.
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Direct Link To This Post Posted: July 16 2009 at 12:23
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Originally posted by KingCrimson250 KingCrimson250 wrote:

Oh I agree with you completely (except for Pawn Hearts... that one's brilliant, man Wink). They are by far one of the top prog acts out there IMHO. I just don't have any difficulty in understanding why most people wouldn't be fans.
 
Dunno. Pawn hearts doesn't seem to have the genius melodies that we hear in H to he, Godbluff, Still life, World record, Quiet zone. Lemmings and Plague just seem to plod on with half decent melodies although the start is cool(similar to 2112 epic by rush, cool at start, but just ok for the next 15 minutes), but I miss the spine shiverring moments of the other vdgg albums. I think they were more concerned with experimenting with jamming and storytelling in pawn hearts Tongue. Man erg is the song which really meets their standards and style though. Nice song from start to finish with a cool part in the middle Smile

and for me there are lots of spine shivering moments on "Pawn Hearts". the "Maelstrom" section of "A Plague of Lighthouse Keepers", for example, with the thundering pianos. Hammill singing "Would you cry if I died"? is another one. the "How can I be free?" part of "Man-Erg". the final section of "Lemmings". the triumphant ending of "Plague", wikh Banton doing a perfect imitation of Robert Fripp's guitar on his organ. and many, many more


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