Psych Britannia - Strange Daze |
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Psychedelic Paul
Forum Senior Member Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 39930 |
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Psych Britannia Five: A-Z Album Links
1973: Quicksand - Home is Where I Belong - http://www.youtube.com/watch?v=EhE3_E9MhkQ QUICKSAND were an obscure and short-lived Prog-Folk quartet from South Wales. They disappeared down the pit with their picks and shovels beneath the Welsh mining valleys just as quickly as they'd emerged. The band were in existence just long enough to mine one album of precious ore, "Home is Where I Belong" (1973), during their brief shining moment at the coalface. We've now unearthed that rare commodity for review here. The original album featured eight songs, with two more bonus tracks added for the later CD re-issue. It's time to take a deep breath and plunge head first into the Quicksand now to check out the album. "Yaki Da Boyo!" Although Quicksand might be as Welsh as a bunch of Welsh miners emerging from the pithead with blackened faces, the first track "Hideaway My Song" sounds like it could have been recorded by a bunch of blonde-haired surfer dudes riding the breakers at Big Sur in sunny California. Quicksand have truly captured the west coast California sound of the seventies here. They sound as blueberry-pie American as Billy Bob Thornton and Billy Jo Spears wearing stetson hats at a rodeo, with a McDonalds Quarterpounder and a bottle of Budweiser in each hand. "Yee-hah! Ride 'em cowboy!". We're still out in the sunshine for "Sunlight Brings Shadows", a storming artillery barrage of Heavy Prog which targets the listener with all of the deadly stealth and accuracy of a nuclear-powered hunter killer submarine. It's an unrelenting percussive wave of sound from beginning to end with some fast and furious Kentucky Fried guitar riffing that's finger-lickin' good. Telling these guys to turn the volume down would be like telling fighter pilots to be less aggressive. It's just not gonna happen! There's a complete change of pace now for "Empty Street, Empty Heart", a gentle Folk-Rock tune that's as pleasantly surprising as finding there's still a restaurant open during the coronavirus lockdown. Again, this warm and sunny song with its mellow guitar groove captures the spirit of California perfectly, despite the clear British accent of the singer. This exuberant and uplifting music has enough feel-good flower-power sunshine to brighten up the dullest of winter days. Closing out Side One now, we have the two-part song and highlight of the album so far, "Overcome The Pattern / Flying". This is incredible! You can almost smell the Incense and Peppermint in this tripped-out Californian west coast Psychedelic Rock extravaganza, that's actually coming to you from the mining valleys of South Wales. The first part "Overcome the Pattern" takes you to Prog-Rock heaven and back again with the manic guitarist going absolutely ape-crazy in a dazzling psychedelic display of frantic fretting. There's a crazy freak-out interlude around about the halfway point, sounding like some nightmarish psychedelic acid trip from Hell. Don't expect a return to sanity and normality any time soon though, because the second part "Flying" is flying as high as a kite in a smoking purple haze of spaced out Looney Tunes wackiness. Quicksand have completely thrown the prog "rulebook" away (not that there ever was a prog rulebook!) and taken off on a fantastic voyage in a free flight of fancy. This is wonderfully liberating music! It's like throwing the Monopoly rulebook away and then going around the board in whichever direction pleases you and then responding with a faraway stare into space if anyone challenges you. This stunning album really makes you feel good to be alive and what better way to celebrate the joys of life than with Song No. 5: "Time to Live". Although Quicksand are billed as a Prog-Folk band on ProgArchives, this joyously optimistic song has much more of a groovy Jazz-Rock feel to it. Just lay back and bask in the warm glow of this song. The music is as warm and sunny as Bondi Beach in mid-summer, in a heatwave, which makes it even harder to believe that this sunny tune comes from the dull rain-drenched valleys of South Wales. This energetic sunburst of bright shining joy should come with a beach umbrella and a free bottle of suntan lotion. We arrive back home for the title track now: "Home is Where I Belong", another gloriously uplifting summer song that makes you want to throw caution to the wind and jump for joy with gay abandon (in the old-fashioned sense) and dance like a whirling dervish in a green sunlit meadow filled with daisies, dandelions and daffodils. It's time for the second of the long two-part epics on the album now with "Seasons / Alpha Omega". This is another classic magnum opus (presumably the opposite of magnum 'opeless) in a stunning display of prog wizardry and virtuosity, where you feel you can almost reach up into the stratosphere and touch the face of the Prog Gods in all of their infinite musical wisdom and greatness. There are swirling synths, pounding machine-gun percussion and glittering guitar glissandos galore here in abundance, which will amaze and delight even the most hardened of prog aficionados. This is triumphal and pompous prog that will blow you away and take you above and beyond Cloud 9 and lift you right up to prog heaven in all of its glorious majestic splendour. Sadly, it's time to come down to Earth with a bump now for the closing song: "Hiding It All", a suitably anthemic and uplifting piece of powerful prog to close out the album in magnificently fine style. This magnificent music is guaranteed to lift you up and carry you along on a pleasure-wave of heart-warming emotion, leaving one feeling full of the joys of life, love and happiness. If music be the food of love, then play this sensational album and celebrate the power of music to set the heart and soul on fire with love and passion. Every self-respecting prog fan will feel right at home with Quicksand's stunning one-off album: "Home is Where I Belong". If prog was a religion, then this marvellous masterpiece would be deserving of a place on the highest altar in the most magnificent cathedral in the land. It's time to say "Hallelujah" and worship the Prog Gods for blessing us with this praiseworthy offering of manna from prog heaven. Edited by Psychedelic Paul - December 26 2022 at 03:12 |
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Psychedelic Paul
Forum Senior Member Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 39930 |
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Psych Britannia Five: A-Z Album Links
To mark the 25th anniversary of his passing away from multiple sclerosis, this is a tribute to Folk-Rock singer and guitarist Ronnie Lane (1946-1997). He was a founding member of both Small Faces (1965-1969) and Faces (1969-1973). When Ronnie Lane went solo with his own band, he perceived he only had a slim chance of commercial success - which proved to be the case - but it also gave him the inspiration for an ironic band name. 1974: Ronnie Lane & Slim Chance - Anymore for Anymore - http://www.youtube.com/playlist?list=OLAK5uy_nHPFb0APVuk-LKtzxXF-c9NT53nvdxfaA 1975: Ronnie Lane & Slim Chance - Ronnie Lane's Slim Chance - http://www.youtube.com/playlist?list=PLRRe_urOjL_-aMqCTFBSiRJe3e2eBGxBC 1976: Ronnie Lane & Slim Chance - One for the Road - http://www.youtube.com/playlist?list=PL2hTdNyFttDq94JlY5Am21sGK4RRTIgGv 1976: Ronnie Lane & Ron Wood - Mahoney's Last Stand - http://www.youtube.com/watch?v=Y15x8Vv3DlA 1977: Ronnie Lane & Pete Townshend - Rough Mix - http://www.youtube.com/playlist?list=OLAK5uy_mh8u5ioQhqxxGbPNOH6gz4Rip3wxCwKLk 1979: Ronnie Lane - See Me - http://www.youtube.com/playlist?list=OLAK5uy_lCx9WTmm0KEzVi9Rkn_rcU6Fh8dyOXYVI 1980: Ronnie Lane & Steve Marriott - The Legendary Majik Mijits - http://www.youtube.com/playlist?list=OLAK5uy_nQwBDPqXFiC_uIH5TQ0PfcFCbrqECjsfY 1980: Ronnie Lane Band - Live at Rockpalast - http://www.youtube.com/watch?v=X7b4peT8FjY Edited by Psychedelic Paul - December 26 2022 at 03:21 |
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Psychedelic Paul
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Psych Britannia Five: A-Z Album Links STEEL MILL were forged in the foundry in the industrial heart of London way back in 1969. The five-piece band recorded their one and only album "Green-Eyed God" with a sense of iron will and determination and the album first emerged from the steel works in 1972. Unfortunately, the album failed to set the music world alight in a blaze of fire and steel and the band quickly melted away into the suburbs of London just as suddenly as they'd appeared. And so, without further ado, let's have a listen to the eight heavy metal songs that Steel Mill hammered out on the anvil during their brief moment in the spotlight. It's not quite heavy metal thunder and lightning with the opening number "Blood Runs Deep", but it's not far off. This is a storming Jazz-Rock song with a heart of iron, featuring a pounding and pulsating rhythm section and with a sassy saxophonist rampaging throughout in a blaze of pulverizing high-decibel fire and steel. The band Steel Mill have forged a powerful opening to "Green-Eyed God" which is sure to leave the Prog Gods green-eyed with envy. Although this record might play on the turntable at the rather sedate speed of 33 and a third - just like any other L.P. - there's enough latent power contained within the groove to send it spinning right off the turntable at 99 R.P.M.! As the much-missed D.J. legend Alan 'Fluff' Freeman would say, "Alright? Not 'arff!!" If "Blood Runs Deep" was a heavy dose of solid steel, then the second song "Summer's Child" is more like a lightweight aluminium siding. It's a beautiful ballad floating wistfully along on a delicate gentle breeze of woodwind and soothing electric guitar, which also features some gorgeous heavenly harmonies from the ethereal choir. The heartfelt lyrics from the impassioned singer deserve a brief mention too:- "Summer's child, Smiles and feeds me, Autumn loves try to please me, Older now, in your silence, Better day of less violence, Winter's child, says she needs me." ..... This is melancholy prog at its absolute best! We're off to meet "Majo and the Laying of the Witch" for our third encounter. This song Rocks! It's an 8-minute-long monster mash featuring a pounding and percussive sonic blast of Psychedelic Rock with wild vocals and a simply sensational saxophone solo adding to the raw energy of this storming rocker. This spooky song resembles that other supernatural Halloween favourite "Season of the Witch", only "Majo and the Laying of the Witch" is injected with a huge boost of extra adrenalin and frenetic energy. We're on the "Treadmill" for our fourth song, which opens as a typical prison chain-gang chant in the style of "We're working on the chain gang, Huh!" You get the picture. We don't stay on the "Treadmill" for long though as we're off on another wild ride aboard the crazy train for a psychedelic Jazz-Rock excursion, which resembles early Van der Graaf Generator in places, only without the over-wrought vocals of Peter Hammill. We're off to meet the jolly green giant now for the title track "Green-Eyed God", which opens as a pastoral woodwind piece, sounding a bit like an Indian peace pipe. This song definitely has an eastern mystical air to it, at least to begin with, although that first impression is soon shattered by a very western outburst of heavy electric guitar riffing in powerful combination with a storming saxophonic solo and a solid punching rhythm section, which is then followed by a brief return to the Indian pipes of peace for the tranquil conclusion. The storming middle section is a chunk of solid iron ore and the song as a whole is a steel-eyed Rock Monster! "Green-Eyed God" represents an outstanding album highlight which is about as close to heavy metal as you can get without actually BEING Heavy Metal. It's time to "Turn the Page Over" now for our sixth song. It's a fairly laid- back number with a catchy melody, featuring some gorgeous guitar soloing and lovely harmonies to match. It's the most commercially appealing song on the album which is more of a good all-round Pop song than some of the earlier storming hard rockers on the album, and that's all for the better too, where variety is the spice that makes for a great album. After all, too much heavy metal thunder and lightning in one sitting can be like a sonic assault on the tender eardrums, but then again, the thought of unleashing a non-stop Sonic Attack never stopped Hawkwind in their tracks. In a solid steel album full of highlights, the seventh song "Black Jewel of the Forest" is a diamond gem. This primal and unearthly song is a real witches brew, featuring tribal drums, a pastoral flute and hauntingly atmospheric vocals throughout. The overall impression is of some sinister witches coven meeting somewhere deep in the dark woods, and so, in the immortal words of Sergeant Phil Esterhaus (Michael Conrad) of Hill Street Blues, "Let's be careful out there", because you just never know what might be lurking deep in the darkest recesses of the forest at midnight during a full moon on the night of Halloween. The album closes beautifully now with the charming "Har Fleur", a lovely, short and sweet instrumental woodwind piece which sounds as pretty as a French flower! Steel Mill have produced a stainless steel rust-proof album of gleaming chrome with "Green-Eyed God". This rare solid state album of bright shining steel will be like a nugget of gold to prog collectors as it truly is a one-off album. It's really stood the test of time too at nearly half a century old and there's not a speck of rust to be seen anywhere! Edited by Psychedelic Paul - December 26 2022 at 03:22 |
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15089 |
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quality over quantity, and all kind of PopcoRn almost beyond
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Psychedelic Paul
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Psych Britannia Five: A-Z Album Links 1970: Titus Groan - Titus Groan - http://www.youtube.com/watch?v=m2yT8Q531GA TITUS GROAN were a short-lived British Jazz-Rock quartet, named after the first Gormenghast novel by Mervyn Peake. Their one and only self-titled album, released in 1970, contained five tracks all over five minutes long, including one extended suite "Hall of Bright Carvings" with a running time of nearly twelve minutes. The 1989 CD reissue added three bonus tracks to the album. Let's venture forth now into the fantastic fantasy world of Titus Groan.
The album opens in rousing and rollicking fashion with "It Wasn't for You", a lively saxophonic blast of good old-fashioned bluesy Jazz-Rock, very much in the style of those other fine purveyors of uplifting funky fusion, Ginger Baker's Airforce and the Graham Bond Organisation. The singer has the same kind of rough raucous voice as Graham Bond. In other words, they both sound like they eat gravel for breakfast in the morning, but that's no less than what we'd expect from the best of British blues singers. In fact, this is just the kind of energetic and spirited Jazz-Rock we could all do with listening to first thing in the morning to get us up out of bed and instil a spirit of vim and vigour and get-up-and-go energy to face the day ahead. Alternatively, you could listen to some gentle and relaxing New Age music and roll over and go back to sleep again. Now that Titus Groan have grabbed our attention with the lively opening number, it's time for the extended four-piece suite "Hall Of Bright Carvings". This epic song is a real musical tour de force, featuring flamboyant flutes, heavy guitar riffing, booming bass-lines and pounding percussion. The dynamic contrast between the gently melodic pastoral passages combined with sudden explosive outbursts of musical artillery fire are what really sets this music alight with power and passion. Titus Groan can really carve their names with pride for producing stunning Jazz-Rock like this. Side Two opens with "I Can't Change", which ironically, is a song full of constant change. It's a resonant flute-driven refrain that draws obvious comparisons with Jethro Tull, although the song takes a very unexpected turn midway through with a pleasant Country Rock diversion, before a return to more familiar fluty Jazz-Rock pastures. Either way, it's a great song that barrels along relentlessly and features enough sudden tempo changes to delight devotees of Jazzy Prog-Rock. The next song "It's All Up with Us" is very commercially appealing, which would have made it an ideal choice for release as a single. The impassioned silver-toned singer is positively bursting with optimism here and the heart-warming music sounds as bright and uplifting as a radiant sunburst of rainbow colours after a summer shower. This is timeless evergreen music where all the brightly-coloured flowers in the garden are blooming. And talking of flowers, along comes "Fuschia" (a misspelling perhaps?), which is sadly the final song on the album, although all good things must come to an end, unless of course you're lucky enough to possess the CD reissue with three bonus tracks included. "Fuschia" refers to Miss *Fuchsia* Groan from the Titus Groan novel. The music is another flawless funky fusion of pounding Jazz-Rock energy, which is altogether upbeat, up-tempo and uplifting. Titus Groan have delivered a memorable timeless Jazz-Rock classic with their one and only album release. This energetic evergreen album sounds just as good today fifty years on as it ever did back in the halcyon days of the proggy 1970's. Edited by Psychedelic Paul - December 26 2022 at 03:24 |
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dr wu23
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Titus Groan is an obscure favorite....managed to get a vinyl copy a few years back but it cost me .....
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One does nothing yet nothing is left undone.
Haquin |
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Psychedelic Paul
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That's good to know. I thought you were gong to tell me I'd overrated it again by giving the album five stars.
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dr wu23
Forum Senior Member Joined: August 22 2010 Location: Indiana Status: Offline Points: 20623 |
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You overrate everything....but I like those early Brit prog psych things like that one , Gracious , Ton Ton Macoute, and Fuchsia....etc.
Edited by dr wu23 - September 30 2022 at 09:59 |
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One does nothing yet nothing is left undone.
Haquin |
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Psychedelic Paul
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Psych Britannia Five: A-Z Album Links
White Plains were a Pop-Rock band who blossomed from the Psychedelic Pop band, The Flowerpot Men. White Plans were led by the two doyens of 1960/70's bands, Tony Burrows and Tony Carter (best-known for "Beach Baby"), with the majority of their songs written by the First Class songwriting duo of Roger Cook and Roger Greenaway. 1970: White Plains - White Plains - 1971: White Plains - When You Are a King - 1997: White Plains - The Best of White Plains - http://www.youtube.com/playlist?list=OLAK5uy_k1h-ZGbnwz8ErCP8dguhCIGffby-f6Ihk Edited by Psychedelic Paul - December 26 2022 at 03:31 |
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15089 |
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Now I get a bit confused with this use of .
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quality over quantity, and all kind of PopcoRn almost beyond
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Psychedelic Paul
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A "red heart" just means I love their songs, that's all.
Edited by Psychedelic Paul - October 01 2022 at 06:12 |
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David_D
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just making a bit of fun |
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quality over quantity, and all kind of PopcoRn almost beyond
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Psychedelic Paul
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A preview of who's coming up next month in Psych Britannia Six:-
Arcadium Blonde on Blonde Consortium Brian Davison's Every Which Way The Elastic Band Fat Mattress The Gods Humble Pie The In Crowd Janus Keef Hartley Band Love Affair Manfred Mann One in a Million PINK FLOYD Quatermass Roger Cook Spooky Tooth Timebox World of Oz
Edited by Psychedelic Paul - October 25 2023 at 14:21 |
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links
1969: Arcadium - Breathe Awhile - http://www.youtube.com/playlist?list=PLG-InimcgCwOmLZr7qZOTe4NAmcuyxbYt "Breathe Awhile" (1969) is another re-discovered rare album treasure from the archives. The British band Arcadium released this one amazing album before going their separate ways and disappearing without trace, in common with many other one- album bands of the late 1960's psychedelic era. The album is filled with the powerful resonating sound of the Hammond organ, twinned with some masterly way-out acid guitar leads for fans of Psychedelic Rock. The album features two epic, stand-out songs, running at over 10 minutes long, the first track "I'm on My Way" and the final track "Birth, Life & Death". There are no album-fillers on this album. Every song stands up well on its own merits and blends in perfectly with the album as a whole. The CD album also includes two bonus tracks featuring the two singles released the same year as the album.
The epic album opener "I'm on My Way" is the highlight of the album. It's a hauntingly atmospheric song with a deliciously slow build-up after a deceptively quiet beginning. The spacey song features a delicately-played Hammond organ, laid-back acid guitar riffs, steady drumming, haunting ethereal voices and some atmospheric sound effects. The memorable song explodes into a full bore psychedelic jam of dramatic intensity around about the 9-minute mark, which should delight fans of way-out Acid Rock. Track 2 "Poor Lady" is a pure out-and-out rocker which maintains the fast pace from the previous song. Track 3 "Walk on the Bad Side" starts quietly with a gentle melody before bursting into life with some heavy guitar riffing and fast and wild Hammond organ-playing. Track 4 "Woman of a Thousand Years" is another up-tempo number with the ever-present Hammond organ blending nicely with acid guitar riffs and powerful drumming. Track 5 "Change Me" is one of those powerful and dramatically memorable songs that could have gone on to become a classic if it had received some radio airplay. Track 6 "It Takes a Woman" is another fast-paced Hard Rock song with a change of pace at the end to keep things interesting. Finally, this brings us to the second epic song "Birth, Life & Death" to play out the album. Everything is thrown into the mix for this song, including frantic Hammond organ-playing, wild psychedelic guitar riffs and a pounding drum beat, and the song also features a dramatic change of pace midway through, before concluding with a tremendous crescendo of sound. It's a perfect ending to a classic album. This memorable album grows on you with repeated listening and it should appeal to any fans of British Psychedelic Rock. Edited by Psychedelic Paul - December 05 2022 at 04:25 |
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links
Blonde on Blonde: a Psychedelic Rock band from South Wales, named after an album by Bob Dylan. 1969: Blonde on Blonde - Contrasts - http://www.youtube.com/playlist?list=OLAK5uy_mG5ZAPS6ihy3rctL7bcUh32n59siWMGKo 1970: Blonde on Blonde - Rebirth - http://www.youtube.com/playlist?list=OLAK5uy_kdh170UIag37jECTSk7rJwiBEh1rfdSqA 1971: Blonde on Blonde - Reflections on a Life - http://www.youtube.com/playlist?list=OLAK5uy_nDg4NGu8575Xic9fv8np_tLx1ifK6tsog
Edited by Psychedelic Paul - December 05 2022 at 04:29 |
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links
Consortium (Aka: West Coast Consortium) were a British Psychedelic Pop band active between 1967 & 1970, best-known now for the single, "All the Love in the World". Consortium's most recent album, released at the 13th Hour, features the band in far heavier guise. Hard Rock Hallelujah! 2003: Consortium - The Pye Anthology - http://www.youtube.com/playlist?list=OLAK5uy_lZO6kOaKkk-0diXRTUtbvECNWLlUn3NRc 2006: Consortium - Rebirth - http://www.youtube.com/playlist?list=OLAK5uy_lYfGLgIQBVX3y0SfZkpfnBdWHSmePrCIk 2010: Consortium - 13th Hour - http://www.youtube.com/playlist?list=OLAK5uy_lweE2xu_cTDhuHfT3Ymb5TH14JK-xkyhE Edited by Psychedelic Paul - December 05 2022 at 04:34 |
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links
Brian "Blinky" Davison (1942-2008) is best-remembered as the drummer with The Nice before cutting loose to form his own soulful band, Brian Davison's Every Which Way in 1970. You also may remember him as one third of the Refugee power trio in 1974 alongside Lee Jackson and Patrick Moraz. Abiding by the theory that you can't keep a good drummer down, "Blinky" re-joined Keith Emerson for a reformation of The Nice and their live album "Vivacitas" released in 2003. 1970: Brian Davison's Every Which Way - Brian Davison's Every Which Way - http://www.youtube.com/playlist?list=OLAK5uy_nnYyExMm9nO7sZT3UwcURnFAMN3vs2I2Q
Edited by Psychedelic Paul - December 07 2022 at 09:05 |
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links
The Elastic Band had a brief career that only stretched as far as one album, but they're best-remembered now for having guitarist Andy Scott of the Sweet in their line-up. 1969: The Elastic Band - Expansions on Life - http://www.youtube.com/playlist?list=OLAK5uy_nXQTgYr8vj-liUe3q4uPViBcxKPwUIJ2Y
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links
Fat Mattress were a short-lived, bluesy Psychedelic Pop band led by Noel Redding (1945-2003), best-known as the frizzy-haired bassist with the Jimi Hendrix Experience. The first Fat Mattress album was a modest success, but the second album was cast away like an old mattress with rusty springs by the record-buying public and the band decided to go their separate ways in late 1970. 1969: Fat Mattress - Fat Mattress - http://www.youtube.com/playlist?list=OLAK5uy_mavMSy-XG2-_ANqYU0te6JV7ZHfK_qiks 1970: Fat Mattress - Fat Mattress II - http://www.youtube.com/playlist?list=OLAK5uy_mx3yAfYYU1B4Jc2_Vol0dmwq_-BQCYgek |
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Psychedelic Paul
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Psych Britannia Six: A-Z Album Links The Gods aren't exactly a household name, even in the progosphere, but four of their members later went on to become prog gods, including two future members of Uriah Heep, namely:- Ken Hensley (keyboards); Lee Kerslake (drums); Mick Taylor (guitars); & Greg Lake (bass). Following a change of record label, The Gods also changed their band-name and released their final album under the name "Head Machine" in 1970. 1968: The Gods - Genesis (feat. Ken Hensley) - https://www.youtube.com/playlist?list=OLAK5uy_kKewXemZGvb6ClosLqtUdDu_zwCpjzvnM 1969: The Gods - To Samuel a Son (feat. Ken Hensley) - https://www.youtube.com/playlist?list=OLAK5uy_kAo13yoikFjOgYc-Syh7gn64sllLNDggY 1970: Head Machine - Orgasm (feat. Ken Hensley) - https://www.youtube.com/playlist?list=OLAK5uy_mgJWl-oVcyzDLFTMUsqItbQGbBlq5DGYk THE GODS featured an impressive line-up of musicians. First and foremost, there was keyboard wizard Ken Hensley, the powerhouse and driving force behind Uriah Heep. And then there was legendary guitarist Mick Taylor, a member of John Mayall's Bluesbreakers (1967-69) and the Rolling Stones (1969-1974). Lee Kerslake played on drums, who later went on to achieve success in Uriah Heep with Ken Hensley. Greg Lake, of Emerson, Lake & Palmer fame, was also a member of THE GODS for a brief time. The line-up for this first album "Genesis" consisted of:- John Glascock (bass, vocals); Ken Hensley (keyboards, guitar, percussion, vocals); Joe Konas (guitar, vocals) & Lee Kerslake (drums). THE GODS released a second album in 1970 "To Samuel a Son" before disbanding. As might be expected from a band led by keyboard maestro Ken Hensley, the "Genesis" album is a keyboard driven Heavy Prog album of impressive driving power, very much in the style of early Uriah Heep. If this was a Uriah Heep album, then it would surely rank as one of their finest albums. There were four bonus tracks included in the 1994 CD reissue of the album. This album ROCKS!! "Genesis" is an album that's meant to be played LOUD and proud, so fasten your seatbelts, lock up your daughters, and prepare to hear some impressive, rip-roaring keyboard histrionics from Mr. Ken Hensley! Music maestro please! The album opens in powerful take-no-prisoners style with "Towards the Skies", with the heavy keyboard sound of Ken Hensley very much at the forefront. The singer has a powerful emotional urgency to his voice and there's some wild guitar riffs thrown in to the mix too, All in all, it's a magnificently powerful album opener which really means business and hits you for six with its raw power, The listener is given a bit of a breather with the slower-paced "Candles Getting Shorter", although the song still maintains the band's heavy rock credentials. Just when you thought it was safe to lie back and relax though, "You're My Life" hits you with its pounding drum rhythm and freaky guitar breaks with the vocalist going hell-for-leather and giving the song everything he's got and more besides, very much in the style of David Byron of Uriah Heep. And if you thought that was good, you ain't heard nothing yet (to paraphrase Mr. Bachman, Mr. Turner & Mr. Overdrive), because along comes "Looking Glass", a real highlight of the album with soaring vocals and the keyboard-heavy sound that Uriah Heep fans have grown to know and love. The impressive singer really reaches those HIGH notes on this song, without the aid of helium, and you really have to hear it to believe it! Next up is "Misleading Colours", a heavy bluesy number of impressive power. Side Two opens with "Radio Show", an all-out rocker to get the feet tapping and set the heart pumping. If you heard this for the first time in the late 1960's, you might even have been inclined to do some head-banging before head-banging had even been invented. "Plastic Horizon" is Song No. 8 which sounds like one of Uriah Heep's slower-paced numbers, although no less impressive, especially for Uriah Heep fans who will surely love it. Next up comes "Farthing Man" a bright and breezy upbeat Pop song, which is undoubtedly the least-heavy song on the album. It's the kind of catchy late 1960's Pop song that might have done well in the charts, had it been released as a single. The penultimate song "I Never Know" is the longest song on the album at over 5 minutes long. It's a moody and atmospheric number where Ken Hensley and guitar player Joe Konas are given the chance to stretch their musical muscles with some truly outstanding keyboard and guitar motifs, not to mention the singer, who always puts all of his emotion into every song on this outstanding album. As might be expected from an album of such impressive majestic power, the closing song of the album "Time and Eternity" is another powerhouse performance from the combined might of four very accomplished musicians at the top of their game. This impressively powerful and awe-inspiring keyboard-driven album will appeal especially to fans of early Uriah Heep. The "Genesis" album gives a superb foretaste of the powerhouse keyboard-driven sound still to come from Ken Hensley, who would go on to delight fans during his legendary Uriah Heep years. If you're looking for the Best of British late-1960's Proto-Prog, then look no further. "Genesis" is an outstanding album for Heavy Prog fans everywhere! Edited by Psychedelic Paul - December 07 2022 at 09:57 |
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