The Italian Prog Appreciation den |
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Finnforest
Special Collaborator Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 16913 |
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Paul, QVL is the artist that first hooked me on RPI!
Andrea, found a couple streamed samples of the Maurizio album, sounds pretty cool. |
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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No wonder you were hooked Jim; that's a great way to start.
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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Andrea, a question for you about these Universal box sets. How are the Cd's packaged inside? Are they in individual covers with original artwork? Thanks.
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Andrea Cortese
Special Collaborator Honorary Collaborator Joined: September 05 2005 Status: Offline Points: 4411 |
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They are (only the front covers, though while only album's credits are in the back).
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Finnforest
Special Collaborator Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 16913 |
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Fantastic, Andrea!
Il gioco del silenzio Nichelodeon RIO/Avant-Prog
Review by
andrea
— First review of this album —
Nichelodeon define themselves as a "chemical laboratory engaged in performing audio-
visual crafts". Indeed, this project is mainly the brainchild of Claudio Milano, vocalist and
composer who started to work on it 1997. In 2007 he gathered around him a first line up for
some live performances and in 2008 a first self-produced live album was
released, "Cinemanemico". In June 2009 the line up changed and now features Claudio
Milano (vocals), Francesco Chiapperini (sax, clarinet, flute), Andrea Illuminati (piano,
melodica, bombarda), Andrea Murada (percussion, didgeridoo, noise effects, flute, vocals),
Max Pierini (electric counterbass, ocarina) Luca Pissavini (viola, synth, toys, field
recordings, duduk, theremin) and Lorenzo Sempio (guitars, synth). In September 2010 was
released on the independent label Lizard Records "Il gioco del silenzio" (The game of
silence), the first Nicheodeon's studio album. It features many guest musicians and the
overall sound is extremely rich and colourful. Sources of inspiration range from John Cage
to opera, from Kurt Weil and Bertold Brecht to jazz-rock and psychedelia. Well, experimental
music is not everyone's cup of tea but in this case the result is a well balanced concoction
of styles that gives strength to the poetical content of the lyrics and Claudio Milano peculiar
vocal style and theatrical approach help to convey emotions. The opener "Fame" (Hunger) features a troubled mood and an uneasy atmosphere. Music is obsessive and discomfort seems leading to madness, then tension melts in a desperate invocation... "Light that knows the secret of my name, just tell me you exist, that life is too short to repress myself / Light that shines at the recall of my name, let me discover where you are, for I feel like sleeping / Let this hunger be quenched...". "Fiaba" (Fable) is one of my favourite pieces on this album. It's a kind of surreal and poetical description of a bombardment... "Lying like lizards, we suddenly were ballerinas dancing between the seeds that thundered / With the tails, souls never grew again, with a shout:- War! / The sun darkened us...". The mood is almost dreamy and vocals soar like a prayer... "Free me from the hate inside of me / Free me from the hate that is me...". "Claustrofilia" (Claustrophilia) is agoraphobic and tense. Sometimes is difficult to keep up with the frenzy rhythm of a busy life and the desire to find an artificial shelter and shut out the troubles is strong... "Like many dolls at the window on a plane that sooner or later will fall / Freer than ever, freer than ever, freer than ever, freer...". "Malamore e la Luna" (Evilove and the moon) is melancholic and haunting. A romantic tango turns to nightmare depicting an ill and evil love... "Rare, thieving and greedy for life recklessness, our eyes, black holes looking through each other / What connects them is the alien frame that scares and bares and all the rest is waiting, deceit and cannibalism... Proud pantomimes of insane superstructures, we defend a mosaic of lies that we no longer distinguish from our skin / Behind our face only a blind emptiness is left to be kept / Ashen moon, shine! / Without hiding your veil / Let me be the rain to wash you and don't hold your breath / Drop of glass, reflect now each of your longings for light / No longer scared of knowing how to shatter into a thousand drops of wrath...". A great track! "Amanti in guerra" (Lovers at war) is a touching reflection about love and hate. Two lovers try to find a shelter while it's raining confetti of stone and in a nocturnal background you can hear a soaring dirge... "Mute silences have warmed hate as a child / But the shooter's children, neither you nor I have ever mourned / Ah Israel! Ah, Israel! / Tomorrow we'll find the courage to tell ourselves:- I don't know what I want, who am I, who are you? / Fear for a stroke of gunpowder is too cheap / No, it's not worth your I love you / Will we ever be able to surrender and fly through the wrinkles that life is giving us?...". "Ombre cinesi" (Chinese shadows) is a surreal experimental track. It could remind of some Area's experiments but in my opinion the result is not completely convincing... "I've dug galleries in long unfocused dreams between warm sheets of guilt at my wakening...". "Apnea" (Apnea) is another experimental track featuring an uneasy atmosphere and breathless passages... "Never suggest answers, not asking questions, it's like building yourself a prison / Not acknowledging confines and limits is not the way out... You have to be in peace with yourself to learn how to love...". "Il giardino degli altri" (Other people's garden) starts like a mantra. It's a kind of psychoanalytic journey back into childhood where you can listen to nursery rhymes veined of a psychedelic and dark mood... "I put my dreams in a well / Then when evening comes secretly I look down on them from above and I feel fear / Fear of seeing them in the dark, drowning slowly / They are so deep, they are so far away...". "La corsa dei trattori" (The race of the tractors) is a short instrumental credited as a ghost track that leads to "Se" (If), an experimental piece featuring lyrics taken from a famous poem by Cecco Angiolieri (1260-1312). Well, in my opinion the experiment was not successful and I think that this is the weakest track on this album. "Lana di vetro" (Glass wool) is definitely better. It features folksy passages and pungent reflections about life and education... "How can we surrender to the recklessness of a child and invent ourselves mothers not to acknowledge our failures / If those who never die... Kill?". Last track "Ciò che rimane" (What's left behind) is long and complex. It begins with a delicate piano solo, then music takes different directions... "Let your reality explode, then swim in the depths of what's left behind / Let the truth explode, then rush to drink what's left behind...". A beautiful and unconventional epic piece... On the whole a few weak moments don't waste this interesting and challenging work that lasts about 78 minutes. Along with the CD comes also a DVD including the live version of some tracks from the album and a "cine-concerto" featuring music inspired by the last episode of "Twin Peaks". Well, I'm sure this will be an excellent addition to your prog collection... |
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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Thanks, I suspected it might be something like that.
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Finnforest
Special Collaborator Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 16913 |
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I wanted to give one more shout-out to my friend Gus Pasini and his band's fine album from this year, which you can hear for free from this link. You can stream the samples or purchase a higher quality download with artwork, as you wish. It's an eclectic, modern mix of Italian Prog with tons of heart and love of music. If you enjoy it, they'd love to hear your comments I'm sure.
Click here - Alma Sideris |
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memowakeman
Special Collaborator Honorary Collaborator Joined: May 19 2005 Location: Mexico City Status: Offline Points: 13032 |
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Follow me on twitter @memowakeman |
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toroddfuglesteg
Forum Senior Member Retired Joined: March 04 2008 Location: Retirement Home Status: Offline Points: 3658 |
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Don't forget the first two Alma Sideris albums too. Well worth checking out. Those two albums are free downloads from the link in the post above.
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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The PFM Cook 3 Cd set arrived today. Well worth getting even if you already have it for the 2 extra discs of another live show (Live In Central Park 1974). Excellent stuff!
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Todd
Special Collaborator RPI / Heavy Prog Team Joined: December 19 2007 Location: California Status: Offline Points: 3472 |
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^ Alright! Looking forward to that one!
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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Vault Pick: A great comeback.... Marco Polo Sogni E Viaggi Latte e Miele Rock Progressivo Italiano Review by andrea Latte e Miele were formed in Genova in 1971. They disbanded in 1980, after three albums and some singles. In 2008 the band reunited for some concerts and a live album, "Live Tasting" with a line up featuring veterans Marcello Giancarlo Della Casa (electric and acoustic guitars, vocals), Oliviero Lacagnina (piano, keyboards), Alfio Vitanza (drums, vocals) and Massimo Gori (bass, vocals). In 2009 they released a brand new album in symphonic style, produced by PFM's drummer Franz Di Cioccio for the independent label Areostella. It was recorded with the help of a symphonic orchestra directed by Oliviero Lacagnina and the result is an excellent concept album, an original rock opera inspired by the character of Marco Polo. If you are not familiar with this band take as a reference point bands like Banco del Mutuo Soccorso and New Trolls or a work like PFM's Dracula...
The album opens with two instrumental tracks setting the atmosphere, the solemn "San Marco" and the joyful "Carnival"... It's night and the streets of Venice are crowded with people celebrating the carnival. A young artist, Marco, is attracted by a charming woman wearing a mask. He follows her along narrow and crowded streets. She leads him into a theatre. The theatre is empty because of restoration works, the mysterious woman vanishes and the young can't find the way out. Lost, he falls asleep and begins to dream... "Il sogno" (The dream) depicts a strange dream where time and logic melt and become meaningless words... "Free, I'm gliding into a deep hugging sleep / I know, it's me but it's not my face / Mystery, invisible magic of a time that is gone / Please tell me, who am I now?...". In the dream the young artist becomes Marco Polo and set off for a long journey through open skies and cold deserts. The music is dramatic and brilliant, featuring operatic vocals and sudden changes of mood. "Via si va" (Going away) is lighter and melodic. Soaring vocals draw the hopes and the expectations of a departure in the night, towards a new dawn... "Going away while it's still dark / Towards unknown countries / A last glance to what we leave and let's go... We'll see places that we can't even imagine / Miles and miles of new roads are waiting for us / We head east, where the sun rises / Towards a new civilization...". On the long and complex "I crociati" (The crusaders) we can follow the footprints of crusaders that never came back. Ashes cover everything like snow while far away the tears of solitary mothers resound in the air "Il deserto del Gobi" (Gobi Desert) depicts the magic of the wind that blows through the dunes singing a mysterious melody that keeps strangers away... "Long shadows on the sand / I'm following the sun to east, towards east... Listen, the dunes are singing / It's like a spell that's calling us / It pushes us, it slightly touches us / It defies us, it implores us / Please, stay away from here...". During the journey, along with Marco we meet other peoples and civilizations with their peculiar rites and ceremonies... "Il matrimonio dei bambini nel vento" (The marriage of the children in the wind) describes a rite where is celebrated the marriage of two dead children in the other world. It's a beautiful and melancholic track... "They go away / As if they were playing / But their game is over... The clouds will be their cradle / They're going away / The wind wants them... ". Then we arrive in China's capital. "Pechino" (Beijing) describes a scene on the market square where charlatans try to sell magic potions featuring dragons tears and eyes of snakes while the solemn and evocative instrumental "Kubilai Khan" describes a visit to the royal palace. "L'ultimo unicorno" (The last unicorn) is ethereal and melodic. It describes a hunt scene. Marco has the chance to kill the last unicorn but he drops down his arrow and bow leaving it run away, free... Life and freedom are the only trophies that are worth to keep. Ten, back in Europe with a brisk change of atmosphere and mood. "La battaglia di Curzola" (The battle of Curzola) describes the naval battle fought on September 9, 1298 between the fleets of Venice and Genoa in the seas of Southern Dalmatia where Marco Polo was captured and put in prison. It's an epic track that depicts the absurdity and horror of war. The melancholic "La prigione" (The prison) describes the days that Marco passed in the prisons of Genoa, dictating his memories to a cellmate... "I've been put in jail by my people / But my thoughts are free / Follow me towards the fantastic and magical world / That is kept inside me... I'm flying away, follow me / I will carry you with me...". "Sogno incrociato" (Crossed dream) is about another strange dream. Marco Polo falls asleep and wakes up in another era and in another place, an empty theatre in Venice. The instrumental "Ritorno a San Marco" (Back to San Marco) is a reprise of the first track and closes the circle. By the way, Malibran theatre (formerly known as Teatro San Giovanni Grisostomo) was built in XVII century upon the ruins of the palace where lived the family of Marco Polo... A wonderful rock opera that deserves many spins... |
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Andrea Cortese
Special Collaborator Honorary Collaborator Joined: September 05 2005 Status: Offline Points: 4411 |
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^^^
I will check it out. Seen a copy at my music shop lately. Edited by Andrea Cortese - October 15 2010 at 16:39 |
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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^ Wish I could just walk into a local music shop and pick up Italian prog. come to think of it, i can't even pick up British prog in my town, unless it's one of the biggies like Genesis.
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infandous
Forum Senior Member Joined: March 23 2006 Location: United States Status: Offline Points: 2447 |
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^ Wish I could walk into a local music shop at all. There is nothing here anymore except Best Buy, Wal Mart, etc. that carries music. Best Buy does occasionally have something I want (Remember that Night DVD, The Incident), but never has any Italian prog. It's such a shame that there are no CD stores anymore where I live. For that matter, I haven't seen one anywhere I've traveled in the last couple years (though I know a few still exist in larger US cities).
In any case, I'll be getting this one for sure, as I've never heard that album before (but love PFM). Just one I've never gotten around to picking up..........now I'm glad I waited |
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Nightfly
Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659 |
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Wish I could get to this one.......
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Andrea Cortese
Special Collaborator Honorary Collaborator Joined: September 05 2005 Status: Offline Points: 4411 |
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wow
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Finnforest
Special Collaborator Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 16913 |
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Quant'Altro
Garamond RIO/Avant-Prog
Review by
Mellotron Storm
4.5 stars. I adore this record.The avant style with Laura Agostinelli sounding like the female
version of Demetrio Stratos just blows me away.The abundance of cello and sax is icing on
the cake really.I love their sound though and i got the shock of my life when i sat down to do
this review and saw that this album was released in 2007,i swear i thought i was listening to
seventies Rio/Avant music.This album is entertaining and filled with surprises and lights out
playing,i just can't say enough about the "sound" of this band.
"Consumatore Di Sonno" is the over 15 minute opening track.It opens with the clock ticking
and spacey synths.The music comes in and builds.The cello and sax are prominant.It all
stops as the vocals come in at 2 minutes.Keys too then cello and sax return.A calm after 6 1/2
minutes then the drums build.The vocals a minute later are high pitched.Piano takes over then
we get a full sound with fast paced theatrical vocals.Sax is prominant and dissonant before 10
1/2 minutes.I like the different sounds that come and go like piano,sax,organ and cello.Vocals
are back before 13 minutes.A calm with piano follows then it kicks back in.An alarm goes off to
end the song.Yeah this was a dream wasn't it ? Brilliant ! "La Fine Del Ca De Luzi" is a short
track led by piano,sax and cello. "Il Gesulta Millantatore" is almost 11 minutes long.It features
sax melodies to start and i'm reminded of AREA as cello,drums and bass help out.Organ
too.So much going on.Great sound. Vocals before 2 minutes as it settles and the sax and
cello come and go.So good.Man she can sing. "Filastrocca All'oracolo" has a catchy rhythm
with cello,vocals and organ.Sax a minute in.Love the enthusiasm here. "La Saga Degli
Immaginari" opens with sax,drums and organ.Reserved vocals 1 1/2 minutes in as it
settles.It's experimental 3 minutes in with strange vocal expressions and sax.It picks back up
after 5 minutes with organ,bass,sax and drums.Nice.Vocals are back before 7 1/2
minutes. "Beatamente Plagiati" opens with male spoken words before a buzzer goes off
followed by an avant soundscape.Soon we're listening to Electronic music.Go
figure? "Ommagio Al Dottor Zoidberg" opens with sax and an electronic beat.It kicks in but the
tempo continues to change.The sax is prominant throughout though. "Drazil" opens with
vocals in the soprano range.I like the rhythm that follows as piano and sax support.Contrasts
continue.Some insane vocals in this one and spacey synths. "Situazione Angolare" has this
eerie vibe to it as piano and vocals lead.
This is both challenging and fun but above all very enjoyable.
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Todd
Special Collaborator RPI / Heavy Prog Team Joined: December 19 2007 Location: California Status: Offline Points: 3472 |
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Boy would that be a good one! I was talking to a guy who's going out to this from the US, and he said that there's another concert organized for the same night in a different part of the country--Banco and others will be playing that one. Such a shame that they couldn't get together and coordinate better, perhaps put them on consecutive days. What a lack of foresight! Both could have doubled the numbers, I bet. Maybe even more.
That being said, there's also going to be a huge Italian prog market affair the day before. Ahh, wish I could be there!
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seventhsojourn
Special Collaborator Honorary Collaborator Joined: December 11 2009 Location: . Status: Offline Points: 4006 |
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As Jim says in his excellent review of this album, a bit of a ''mixed bag'' really. This is the proggiest track:
Although most is melodic/folksy stuff like:
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