Shred Room III

MovingPictures07 wrote: I'm infinitely depressed. Someone shoot me.

Chances are, you will be better tomorrow.  Well, it depends--why are you depressed?  If it's not because a major loss or illness of someone you're close to, it should get progressively better.

Lately, I've felt pretty empty.  Not really depressed, just unfulfilled for whatever reason.

Oddly enough, it hurt like hell to talk to her after so long but in that way for like the first few minutes.

But now I feel much better. Wasn't meant to be, I suppose!

MovingPictures07 wrote: Mikerinos wrote: MovingPictures07 wrote: I'm infinitely depressed. Someone shoot me. Chances are, you will be better tomorrow.  Well, it depends--why are you depressed?  If it's not because a major loss or illness of someone you're close to, it should get progressively better. Lately, I've felt pretty empty.  Not really depressed, just unfulfilled for whatever reason. Well, I can definitively say I'm single at heart and in actuality now and that I'll never speak to Dahlia again, haha. It's almost... a combination of freedom and devastation. I'm not sure what to think.

Woah... sounds pretty intense. My commiserations

James wrote: Magma's debut is just the bottom of the summit. I have yet to listen to The Margin + But Rob desperately needs Veracious.  It's amazing. Best set of lives songs ever.  Like Veronica, Bubble and Primo on the Parapet are exceptional and so of course, is Easy to Slip Away, perhaps one of my favourite Hammill compositions. Plus Stuart Gordon is my favourite violinist too.

I prefer most of Magma's debut side 2 to most of MDK. There ya go.

The Margin + is generally pretty good. Very rocky, vocals take a bit of getting used to (I love 'em now... took me two or three listens to appreciate what he's doing), most importantly, + has versions of Again and Modern (), which are two of my favourite Hammill compositions. The Future Now knocks the stuffing out of the studio versions. Guy Evans, as always, is superb, and my respect for Nic Potter has increased substantially because of it.

Scrumpfh.

MovingPictures07 wrote: LinusW wrote: Scrumpfh. Blarg.

Exactly!

Super Bowl today.

Clarification: Super Bowl is an occasion where we usually buy crappy American beer, eat some fat food and generally feel and behave like the citizens of the great nation in the West, as perceived through the eyes of a friendly European.  

Isn't that what all Americans do regardless of whether the Super Bowl is on?

TGM: Orb wrote: James wrote: Magma's debut is just the bottom of the summit. I have yet to listen to The Margin + But Rob desperately needs Veracious.  It's amazing. Best set of lives songs ever.  Like Veronica, Bubble and Primo on the Parapet are exceptional and so of course, is Easy to Slip Away, perhaps one of my favourite Hammill compositions. Plus Stuart Gordon is my favourite violinist too. I prefer most of Magma's debut side 2 to most of MDK. There ya go. The Margin + is generally pretty good. Very rocky, vocals take a bit of getting used to (I love 'em now... took me two or three listens to appreciate what he's doing), most importantly, + has versions of Again and Modern (), which are two of my favourite Hammill compositions. The Future Now knocks the stuffing out of the studio versions. Guy Evans, as always, is superb, and my respect for Nic Potter has increased substantially because of it.

Deinitely try Veracious.  You won't regret it.

Is The Margin + with The K Group?

Do you have those giant foam hands?