Disappointing follow-up albums |
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Steve Wyzard
Forum Senior Member Joined: March 30 2017 Location: California Status: Offline Points: 2567 |
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Posted: July 24 2024 at 12:23 |
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You know how it goes (or should I say: how it went?). One of your favorite bands/artists releases an album that exceeds all expectations or returns them to the media spotlight. You wait/waited with baited breath for the follow-up (or sequel), only to be...well, if not dumbstruck, at the very least disappointed with the drop in quality. How could they let you down like this, when you just knew one more outstanding album would surely lead to world domination? Then, when asked about it, the band/artist says something like, "The producer ruined it/You have to try 'new things'/We decided to go 'back to basics'."
If this has happened to you, please list the albums you loved and the disappointing follow-ups. Off the top of my head, here's mine: 1. YES - 90125/Big Generator 2. YES - Going for the One/Tormato 3. RUSH - Signals/Grace Under Pressure 4. E.L.P. - Black Moon/In the Hot Seat 5. LED ZEPPELIN - Physical Graffiti/Presence 6. QUEEN - News of the World/Jazz 7. STYX - Pieces of Eight/Cornerstone 8. ALAN PARSONS PROJECT - Eye in the Sky/Ammonia Avenue 9. PETER GABRIEL - I (Car)/II (Scratch) 10. SAGA - Heads or Tales/Behaviour 11. BARCLAY JAMES HARVEST - Ring of Changes/Victims of Circumstance 12. THE WHO - Quadrophenia/By Numbers
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Psychedelic Paul
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Oh, I wrongly assumed you were looking for examples of those difficult second albums until I saw your list.
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omphaloskepsis
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I agree with most of your choices. However, I like the Big Generator more than 90125. I like Jazz more than News of the World.
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Jared
Forum Senior Member Joined: May 06 2005 Location: Hereford, UK Status: Offline Points: 19214 |
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Focus: Hamburger / Mother Focus
Curved Air: Air Cut / Midnight Wire Camel: Nude / Single Factor Tull: Broadsword / Under Wraps Oldfield: Amarok / Heaven's Open TD: Tyger / Optical Race Beggar's Opera: Pathfinder / GYDOM! Hawkwind: Warrior / Astonishing Sounds Styx: Paradise Theater / Kilroy Was Here Yes: KeyStudio Sessions / Open Your Eyes There you go Steve, something to have a chew on...
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Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Saperlipopette!
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1. Dedalus: Dedalus/Materiale Per Tre Esecutori E Nastro Magnetico (those who know, know)
2. Comus: First Utterance/To Keep From Crying 3. Captain Beefheart and The Magic Band: Clear Spot/Unconditionally Guaranteed 4. Nektar: Recycled/Magic Is a Child 5. Swans: Children of God/The Burning World6. Robert Wyatt: Rock Bottom/Ruth Is Stranger Than Richard 7. Curved Air: Air Cut/Midnight Wire 8. Blue Öyster Cult: Fire of Unknown Origin/The Revölution by Night 9. Klaus Schuze: "X"/Dune 10. Tangerine Dream: Force Majeure/Tangram (sorry, it just bores me) |
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Saperlipopette!
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someone_else
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Yes: Close to the Edge / Tales from Topograpic Oceans, Going for the One / Tormato
Jethro Tull: Thick as a Brick / A Passion Play, A Passion Play / Warchild Rush: Hold Your Fire / Presto Van der Graaf Generator: A Grounding in Numbers / Alt |
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progaardvark
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I agree with Yes' 90125/Big Generator and Keys to Ascension/Open Your Eyes. The latter was really, really disappointing. The former was kind of expected.
Some more that come to mind: Spock's Beard: Snow/Feel Euphoria Present: Le poison qui rend fou/C.O.D. Performance Eloy: Retromania/Ra Rush: Counterparts/Test For Echo Anima Mundi: I Me Myself/Insomnia Arena: Pepper's Ghost/The Seventh Degree of Separation Atoll: Tertio/Rock Puzzle Mike Rutherford: Smallcreep's Day/Acting Very Strange David Bowie: Scary Monsters/Let's Dance Cairo: Conflict and Dreams/Time of Legends Crucible: Tall Tales/Curtains Easter Island: Easter Island/Mother Sun ELO: Out of the Blue/Discovery ELP: Brain Salad Surgery/Works Voume 1 David Gilmour: About Face/On an Island IQ: The Wake/Nomzamo Moon Safari: Blomljud/Lover's End Neal Morse: Neal Morse/It's Not Too Late (his first two before he left SB) Le Orme: Contrappunti/Smogmagica Pendragon: Not of This World/Believe Renaissance: Azure d'Or/Camera Camera Supertramp: Brother Where You Bound/Free as a Bird Van der Graaf Generator: A Grounding in Numbers/Alt Zen Rock and Roll: The Birthright Circle/Undone |
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i'm shopping for a new oil-cured sinus bag that's a happy bag of lettuce this car smells like cartilage nothing beats a good video about fractions |
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Jared
Forum Senior Member Joined: May 06 2005 Location: Hereford, UK Status: Offline Points: 19214 |
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It had also crossed my mind, but for some reason I have bit of a soft spot for it.. I've never understood why it scores less than Man In The Moon, which is plain uninspired 1980 AOR
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Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Jared
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I'd agree with all of those..
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Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Saperlipopette!
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verslibre
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IMO, that's one of Rush's strongest double-punches. Diff'rent strokes! |
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verslibre
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ALAN PARSONS PROJECT – Pyramid / Eve
BLUE ÖYSTER CULT – The Revölution by Night / Club Ninja CAMEL – Nude / The Single Factor GOBLIN – Contamination / Volo HAWKWIND – Electric Tepee / It is the Business of the Future to Be Dangerous JEAN-MICHEL JARRE – Rendez-Vous / Révolutions KANSAS – Point of Know Return / Monolith With an asterisk (*) EMERSON, LAKE & POWELL / 3 – To the Power of Three |
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Sean Trane
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TBH, I think Jazz is probably Queen's hottest since Night. I found NOTW rather tedious Who Are You is so much better, IMHO
I'd place the cursor on Tangram (which is still good, despite Schmoelling's presence) and its follow-up |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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verslibre
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TD circa 1980-1985 is amazing. Team Schmoelling! |
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Jared
Forum Senior Member Joined: May 06 2005 Location: Hereford, UK Status: Offline Points: 19214 |
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Now that's an interesting one... is it because of the variable quality of the later pieces or the mechanical nature of the former?
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Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Jared
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I have no qualms about TD up to Poland, they are then a little more inconsistent through to Live Miles, but still very enjoyable... thereafter, not so much...
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Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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verslibre
Forum Senior Member Joined: July 01 2004 Location: CA Status: Offline Points: 17061 |
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Mechanical pertaining to Rendez-Vous? Interesting take, I never thought of it that way. It feels much more organic and a return to formula after the (very interesting, admittedly) detour that was Zoolook. (Les Chants Magnétique ended up being my overall favorite.) Revolutions has its moments but, like you say, the variance is too steep. It feels like a backslide compositionally. |
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Steve Wyzard
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From the day it came out, I always found Grace Under Pressure to be a gloomy/morose album. It has some good moments, and it's still in my collection, but I rarely listen to it. My favorite Rush double-punch is Hemispheres/Permanent Waves.
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verslibre
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The departure of Christopher Franke was a critical blow that took the band nearly twenty years to fully recover from, with some flashes of brilliance along the way (Miracle Mile, Goblins Club, The Seven Letters from Tibet). |
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