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PA's Top 100 Prog Albums, Year by Year |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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50.
![]() MAY BLITZ were a hurricane-force English/Canadian power trio. They recorded two albums of storming Psychedelic Rock in the early 1970's. Their first album "May Blitz" (1970), released on the renowned Vertigo label, features arguably one of the worst album covers in rock history, but you can't judge an album by its cover, so let's hope the cover is no reflection of the music contained within. The second May Blitz album, the aptly-titled "2nd of May" (1971), would be their final studio album as the trio disbanded shortly afterwards in late 1971 due to lack of commercial success and two of the band members returned to their native Canada. A retrospective Live album was released in 2012, featuring a concert recording from Essen, Germany in 1970. And so, without further ado, it's time to load up the arsenal and unleash the musical blitzkrieg of fire and fury that is May Blitz.
"Smoking the Day Away" opens the album in a swirling 8-minute-long purple haze of wispy psychedelic smoke. It's a heady and intoxicating flower-power acid trip that takes you right back to those wild and crazy, hazy lazy days of summer in San Francisco in 1967, without ever having to leave the comfort of your front room. These three guys in May Blitz have probably never been anywhere near San Francisco either, but you'd never guess that from this acid-drenched psychedelic trip. They sound like they were born to be wild within sight of the magnificent Golden Gate Bridge. They're probably in their rocking chairs by now though - if they're still around - bearing in mind this album was recorded back in a distant bygone age, half a century ago. You can almost picture yourself riding on the back of Peter Fonda's Easy Rider motorcycle whilst listening to this music, even if the sad reality is that you're more suited to riding 'round in the back of Henry Fonda's family station wagon. I don't Know about you, but I'm in the mood for some heavy Blues-Rock, and that's exactly what you get with the second song, "I Don't Know", a mean and mighty blues number, bringing to mind classic Cream, only this band sound even more raw and earthy than the Rock God power trio of Clapton, Bruce & Baker, if that's at all possible. This bluesy music is probably more similar in style to the other well-known heavy British blues trio, The Edgar Broughton Band. Our third song "Dreaming" opens as a laid-back acid-tinged excursion into a dreamy Twilight Zone world of transcendental meditation, where the hazy-voiced singer sounds like he's stoned out of his mind. Don't get too laid-back though, because the music soon goes off the rails completely - a bit like this album review - and takes us on a harum scarum wild phantasmagoric nightmare ride along the highway to hell and back, followed by a return to calmer restorative climes for the mellow flower-power peace and love conclusion. This is wonderfully heady stuff and the glorious highlight of the album so far. After "Dreaming", it's time now to wake up and smell the coffee and get ready for Side Two. We may need to delve into the lyrics of the mysteriously-titled "Squeet" to find out what it's all about, so here goes:- "Squeet, All over a wall, Dying to have a ball, It's been too long, I feel, I feel it coming on, Squeet, all over the wall." ..... No, it still makes no sense whatsoever, but who says hazy, acid-influenced Psychedelic Rock has to make any sense anyway!? One thing's for sure, it's a real storming humdinger of a song, despite the crazy lyrics being like a riddle wrapped inside an enigma. This great song represents a perfect example of early 1970's psychedelic stoner rock long before Stoner Rock with a capital "S" had even been invented. After the wonderfully dreamy (and occasionally nightmarish) excursion of "Dreaming" on Side One, along comes "Tomorrow May Come", another hazy lazy fantasy ride aboard the brightly-painted magic bus. You can really chill out and relax to this moody and mellow music, so just close your eyes and be transported back in time to the late-1960's hippy- trail along the magnificent Golden Gate highway of dreams - and you don't even need a bus ticket to travel there. FIRE IN THE HOLE! Take cover, because it's time now for the fiery sonic outburst of "Fire Queen", a fast and furious blazing trail of Psychedelic Rock which explodes into life like a grenade and then bombs along relentlessly at full steam ahead for four solid minutes. Sensational! What we need now after that supersonic assault on the eardrums is a return to calmer seas, and that's precisely what we get with "Virgin Waters". Prepare to sail away and let the calming music wash over you in a blissful sea of dreams for this wonderful trip back in time to the psychedelic sixties. It's groovy, baby! May Blitz have delivered a storming blitzkrieg of heavy Psychedelic Rock with this superb debut album. It's not ALL heavy and thunderous Rock though, as the album's sprinkled with a nice liberal helping of laid-back trippy tunes too. All in all, there's enough variety on offer here to keep everyone entertained, even if you're not a flower-power child of the sixties. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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AFFINITY were a Jazz-Rock quintet led by vocalist Linda Hoyle. The group formed in Brighton on the south coast of England in 1965. Their one and only studio album, eponymously titled "Affinity" was released in 1970 just before the band broke up and went their different ways. There were two bonus tracks included in the 1993 CD reissue of the album and eight bonus tracks on the 2002 re-mastered album. Four compilation CD's of early material were released in the early 2000's.
The album opens in bright and lively style with "I Am and So Are You", an intriguingly-titled song with these cryptic lyrics, "I am a singer of songs, A writer of wrongs, A dreamer of sighs, A hater of lies, so are you, And so are you."..... I am liking this song, and so will you. The song romps along in traditional 4/4 time with a solid brass section in accompaniment. Now get on board for, "Night Flight". It's the second-longest song on the albim, running at over 7 minutes long. It features these enigmatic lyrics, "My window looks out onto night and darkness comes, And birds in flight without a sound, Night is strange, My spirit floats out into space on silver wings, And joins the birds without a sound." ..... The song has a very melancholic and laid-back opening before bursting into life with impressive energy and vigour. Linda Hoyle's emotional vocals carry the song along on a flight of fancy with a powerful instrumental Jazz break halfway through the song, featuring some nifty finger-work on the Hammond organ. This stimulating number is sure to keep the listener entertained with it's constant changes of tempo and impressive vocals. Next comes "I Wonder If I'll Care As Much", a cover version of a little-known Everly Brothers song. This emotionally appealing, beautiful ballad really tugs at the heartstrings when Linda Hoyle passionately sings, "Last night I've cried myself to sleep, For the one that made me weep, I've dried my eyes to greet the day, I wonder why I had to pay." ..... It's often the saddest songs that are the best, and that's certainly the case here, and it represents one of the highlights of the album. After the sadness comes "Mr. Joy", a bluesy song to close out Side One with the refrain, "Mr Joy, He's a toy, You can wind him up, And he'll do anything you want him too." They're not exactly earth-shattering lyrics but Linda Hoyle sounds like she's really enjoying herself in this song with her breathless gasps and moans towards the end. It makes you wonder who or what "Mr Joy" actually is. The mind boggles...... And so, on to Side Two as we flip the album over and begin with "Three Sisters", a brassy up-tempo Jazz-Rock number to set those feet tapping and get the drinks flowing. Just try not to spill your drink though while you're dancing along to this bright and lively number. There's a change of pace now with the next song, "Coconut Grove", a gently laid-back acoustic cover version of the well-known Lovin' Spoonful song. You can lie back and put your feet up on the veranda and sip on a pina colada to really get into the spirit of this warmly melodic song. Now for the grand finale, a pulsating powerhouse performance of Bob Dylan's "All Along the Watchtower", which was of course made famous by Jimi Hendrix. This tremendous song has the unstoppable power of a runaway train and it's the perfect way to close out the album. This is eleven and a half minutes of raw power and sheer delight, so prepare to be amazed! If you have an Affinity for some stimulating early-1970's British Jazz-Rock, then this is the album for you. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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My Top 100 Prog Albums of 1969 (including Proto Prog & Prog Related)
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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55.
![]() JULIAN's TREATMENT were a British band led by Julian Jay Savarin, a West Indian sci-fi writer and keyboard player born on the small island of Dominica. He moved to London in the early 1960's and formed a band, and the group recorded their first album "A Time Before This" in 1970. The twelve songs on the album were listed as chapters in the form of a sci-fi novel. The second album, "Waiters on the Dance" (1971) was credited to Julian Jay Savarin alone. Both albums were science fiction concept albums and the original LP albums have since become rare collectors items that are said to fetch incredibly high prices. Let's travel back in time now to the sound of "A Time Before This".
The "First Chapter: First Prophecy - First Oracle" opens forbiddingly to the haunting ethereal sound of Savarin's solo organ. The music has a very dark and doom-laden atmosphere with vocalist Cathy Pruden announcing ominously:- "Out of the cinnamon sky a face appears, Out of the tamarind byre, come darkest fears and the first prophecies." ..... The portentous doom and gloom ambience sounds very foreboding and it's enough to send a shiver up the spine and give you a touch of the heebie-jeebies, a bit like a well-known Bee Gees tribute band. The "Second Chapter: The Coming Of The Mule" is magnificent. Watch out though, because this is an angry mule with attitude! It's a vibrant keyboard piece featuring some outstandingly powerful guitar outbursts which kick like a recalcitrant mule. This incredible music picks up in pace midway through and thunders along to the finish-line like a runaway express train. The "Third Chapter: Phantom City" does indeed sound like a train rumbling along down the tracks at full-speed ahead. The pulsating music barrels along relentlessly with the wailing vocals of Cathy Pruden sounding like she's on some weird psychedelic acid trip. This express locomotive song is loaded with so much speed and incredible energy, you feel as if the "train" might be derailed at any moment. The "Fourth Chapter: The Black Tower" slows down the pace slightly, but there's still enough latent power and energy contained within this awesome music to illuminate a lighthouse with one million candle power. The powerful combination of Julian Jay Savarin's tremendous keyboards and Cathy Pruden's incredible vocal range are what really lifts this music into higher out-of-this-world realms. After all, this IS a science fiction themed album where the music sounds just as fantastic as the fantasy sci-fi storyline. The "Fifth Chapter: Alda, Dark Lady Of The Outer Worlds" is a magical mixed bag of tricks, featuring quiet and introspective keyboard pieces combined with wild dynamic outbursts of raw energy and power with Cathy Pruden's incredible vocals soaring right up into the stratosphere and beyond. In the words of Hawkwind, this stunning album debut represents "Astounding Sounds, Amazing Music! There's a complete change of pace for "The "Sixth Chapter: Altarra, Princess Of The Blue Women", a beautifully laid-back Jazzy number with some charming honey-coated vocals from Cathy. The haunting other-worldly music sounds like it could have come straight out of a 1960's sci-fi movie. This gorgeous music is simply sublime! Side Two opens with the "Seventh Chapter: Second Prophecy - Second Oracle", a haunting piano and organ prelude with a dark foreboding atmosphere where Cathy Pruden ominously warns us again:- "Out of the cinnamon sky a face appears, Out of the tamarind byre, come no more fears." ..... Spooky! The "Eighth Chapter" is divided into two 3-minute parts:- "Part One: Twin Suns Of Centauri" and "Part Two: Alkon, Planet Of Centauri". Part One is a heavenly celestial organ piece with occasional dynamic outbursts of reverberating guitar. Part Two represents a complete contrast though, where the music suddenly bursts into life with latent energy and vigour and where Cathy's incredible vocals take us on a wild psychedelic acid trip across the universe. The "Ninth Chapter: The Terran" is a storming Jazz-Rock keyboard instrumental that thunders along at lightning speed. This is the kind of barrelling powerhouse Rock music that might inspire you to skip the light fandango, and turn cartwheels across the floor, although try not to do yourself an injury. The "Tenth Chapter: Fourth From The Sun" is obviously a reference to the planet Mars. It's another boisterous and rollickingly good Jazz-Rock number, but We all know by now there are no such things as Martians, but Cathy is convinced she's "The daughter of the fourth from the Sun" and who are we to argue? After all, this was 1970, long before probes landed on the surface of Mars and proved beyond reasonable doubt that we weren't going to have a War of the Worlds-style Martian invasion any time soon. The "Eleventh Chapter: Strange Things" takes us on a magical journey across time and space into another musical dimension. We're on a TARDIS (Time and Relative Dimension in Space) ride back in time to 1970 for an explosive rabble-rousing burst of high-energy Rock & Roll. Set the controls for the heart of the Sun, because we're coming to the end of our wild intergalactic ride across the universe now with the final "Twelfth Chapter: Epilogue - A Time Before This". This nine-minute-long stellar masterpiece is an ecstatic galactic, psychedelic pleasure trip back in time of truly epic proportions. This incredible album of Astounding Sounds, Amazing Music has gone into orbit and achieved instant five-star status with this fantastic out-of-this-world conclusion. A long time ago, in a galaxy far, far away, came an album of such awesome brilliance, it shone like an exploding supernova. "A Time Before This" IS that album! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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The best I can hope for is to post a Top 100 list of albums here every month - bearing in mind the time it takes to listen to one hundred prog albums - so that by the time I eventually reach 2023, it'll be 2027 - if that makes sense.
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David_D ![]() Forum Senior Member ![]() ![]() Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15550 |
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As far as I can see, you two agree here. ![]() |
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quality over quantity, and all kind of PopcoRn almost beyond
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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Yes, that makes three of us in agreement. ![]() I've posted my own Top 100 lists here too, mainly so I can include artists listed as Proto Prog & Prog Related.
Edited by Psychedelic Paul - May 19 2023 at 14:13 |
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David_D ![]() Forum Senior Member ![]() ![]() Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15550 |
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I've noticed. ![]() |
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quality over quantity, and all kind of PopcoRn almost beyond
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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56.
![]() BEGGARS OPERA are a Scottish Symphonic Prog band who've been around seemingly forever, or at least since the beginning of the prog era anyway. They formed in Glasgow in 1969 and released their first aptly-titled "Act One" album in 1970. They followed it up with five more albums in the proggy 1970's years:- "Waters of Change" (1971); "Pathfinder" (1972); "Get Your Dog Off Me" (1973); "Sagittary" (1974); & "Beggars Can't Be Choosers" (1975). They made a brief comeback in 1980 with the "Lifeline" album and then took a VERY long hiatus before returning with the "Close To My Heart" album in 2007. Their most recent album "Mrs. Caligari's Daughter" was released in 2012. Altogether, Beggars Opera have recorded fourteen studio albums throughout their long lifetime, although they've never quite made it to the "big league" despite their undoubted musical talent. The "Act One" album, reviewed here, was reissued on CD in 1997 with two bonus tracks added to the original five songs on the album. Let's have a listen to the album now and find out if beggars really CAN be choosers.
Opening the curtain on "Act One" comes "Poet and Peasant", a fast and furious fugue of supersonic Emersonian organ virtuosity. This booming and bombastic Baroque piece is very loosely based on the music of the obscure Austrian composer of light operas, Franz von Suppe. Light opera has NEVER sounded quite like this though. This is a wild and dynamic organ jamboree where traditional Classical music is thrown completely on its head and given a healthy burst of pompous and powerful Prog-Rock, in true "Roll Over Beethoven" fashion. The wonderfully expressive singer sounds like he's having a great time too with some magnificently over-the-top operatic vocals, in the style of David Byron of Uriah Heep. Hold on tight now because entering stage right is "Passaglia". Can you handle it as this is George Frideric Handel played as you've never heard him played before. Again, the keyboard player is going hell for leather on the Hammond organ with no let-up in the incredible pace. There's also a flambuoyant flourish of funky guitar in an exhilarating extended solo in the middle section. This powerfully percussive piece has all the unstoppable power and explosive energy of an Exocet missile, with you the listener as the target. The next song "Memory" is another rapid-fire machine gun delivery of sound with the dynamic duo of Hammond organist and wild guitar player battling it out together while the drummer pounds away relentlessly on percussion. Apparently, when Beggars Opera acted as the support band for the Tremeloes way back in 1970, they blew the Tremeloes off the stage, and it's easy to see why when you listen to this energetic high-voltage album. This explosive music has all the flash and thunder brilliance of a boxful of fireworks that's been accidentally set alight. Side Two is occupied by two 12-minute-long suites. There's more manic musical mayhem with "Raymond's Road". It's a soaring and symphonic sonic blast of incredible intensity with the amplifiers turned all the way up to eleven. Is it Bach or is it Mozart? One thing's for sure, you've never heard Classical music played quite like this before. You may not have heard Symphonic Prog played quite like this before either. This is no Moonlight Sonata. This is more like Widor's Toccata on anabolic steroids. It's an adrenalin rush of rip-roaring organ-powered Rock and there's even a riotous rendition of the William Tell Overture thrown in for good measure too. Rossini would be rocking and rolling in his grave to this music. The breathtaking speed of the high-energy Hammond organist on this album is just phenomenal. You really have to hear it to believe it. We're charging ahead next with "Light Cavalry" and this cavalry aren't stopping for anyone. The band of musical brothers are charging ahead with all guns blazing in a storming symphony of sound. The music gallops along relentlessly at incredible pace in this canorous cavalcade. It's time to dismount now though as we've finally reached the end of the album. Phew! That was a blast! It's Bach to the Future for this dynamic, classically-inspired blast of powerful Symphonic Prog. It's an album to put on your Chopin Liszt the next time you head Orff into town on Debussy, although you may have to Handel disappointment and come Bach empty-handed, as it's a case of Haydn seek with finding this rare album treasure in the record stores these days. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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My Top 100 Prog Albums of 1970 (including Proto Prog & Prog Related)
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - June 04 2024 at 16:47 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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58.
![]() AUDIENCE were a four-piece, London-based Jazz-Rock outfit. This album "Friend's Friend's Friend" (1970) - released on the Prog-Rock Charisma label - was the second of four albums released between the years of 1969 and 1972. Their first album, the self-titled "Audience" (1969), failed to gain much recognition, so they did comparatively well to release four albums in total, considering how many other bands have quickly fallen by the wayside after releasing a debut album with poor album sales. Audience followed this particular album with "The House on the Hill" in 1971 and a final album "Lunch" in 1972. A bonus track was added to the original eight songs on the "Friend's Friend's Friend" album on the 1992 CD reissue. Let's join the Audience now and have a listen. We begin with "Nothing You Do", a rip-roaring, toe-tapping, Jazz-Rock number, designed to really lift the spirits up into the "progosphere". It's a bright and brassy song, with the horn section in full flow. One of the best features of the song is the uplifting vocal harmonising in the style of some of Uriah Heep's uproarious songs. The lead vocalist deserves a word of mention too, because on first hearing, his voice does sound somewhat nasal and high-pitched, but once you become accustomed to his nasal twang, then you may come to love it. Despite the uplifting nature of the music, the lyrics tell the sad story of a broken relationship:- "Nothing you do could make me feel towards you, What you obviously feel towards me, Nothing I hear from you is more than a mere excuse, Confirming my every fear." ..... It's a bittersweet ballad with attitude! Onwards now to Song No. 2 and "Belladonna Moonshine", another rumbunctious brassy number with a jaunty and jazzy rhythm. There's a quick-tempo honky tonk shuffle in the mid-section which really livens things up. It's insouciant, it's vibrant, and it's very pleasant too. Take a look at these playful lyrics:- "Jeremiah Cade though a singer by trade, He couldn't sing a note without the liquor he made, He could never make it big 'til the night he took a swig, From his homebrewed Belladonna Moonshine." ..... Who needs moonshine anyway, or any other alcoholic spirits, when you can have your spirits lifted by listening to this joyfully intoxicating piece of music. Next up comes "It Brings a Tear", a song more likely to bring tears of joy with its happy vibe. It's an impassioned power ballad, opening with a delightful flute solo and with the sound of those uplifting vocal harmonies in full flow again. It's a song full of radiant energy as warm and bright as a hot summer's day. If you could SEE this music, then it would be shining in full Technicolour brilliance! We've reached the halfway point now with "Raid", the longest song on the album at over 8 minutes long. This epic song opens with a relentless pounding and pulsating rhythm, followed by a sensational and sophisticated saxophone solo in the middle section. It's a tale of barbarous Vikings rampaging, pillaging and ..... Well, we won't go into that, but you can guess the rest. Side Two open with "Right on Their Side", another sonorous and thunderous burst of British Jazz-Rock going full steam ahead. Song No. 6 is "Ebony Variations", an instrumental, classically-inspired number, as the song title implies. It's a jolly and joyous piece of music, where the saxophonist really gets to play his heart out and demonstrate his musical mettle in no uncertain terms. He's really having a blast here. On now to Song No. 7, and "Priestess", an impassioned and impressive 6-minute song featuring a gorgeous flute solo. Don't have nightmares though, because it's a dark satanic tale of nefarious goings-on in the middle of the night as these lyrics reveal:- "Bathed in moonlight, Devil worshippers chanting, Throughout the night, Music grew ever haunting. High on her throne, Satan seated beside her, Face cold as stone, Prince of Darkness to guide her." ..... Yes, it's that kind of a song, but try not to let that put you off, because this is great music! You may want to sleep with the lights on though after hearing it for the first time. And so, we come to the final song on the album dear friends with the title track, "Friend's Friend's Friend", a melodic and gently lilting saxophonic ballad which closes the album in salubrious and symphonious style. This amazing band deserves to be heard by a much wider Audience. "Friend's Friend's Friend" is a bold and brassy rejuvenating album that's guaranteed to brighten up the dullest of days with its vibrant spirit and rollicking attitude. Audience represent one of the finest exponents of classic British Jazz-Rock. Tell all of your friends about this superb album, and tell your friend's friends too! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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61.
![]() TREES were a short-lived English Folk band who first emerged from the forest in 1969. They recorded two albums together: "The Garden of Jane Delawney" (1969) and "On the Shore" (1970). Neither album achieved commercial success and they were derided by the ignorant music press at the time as being a sound-alike Fairport Convention band. However, Trees particular brand of Folk music was a fairly unconventional blend of psychedelic and progressive Folk in a whole forest of English Folk bands. Their two original LP albums have grown from acorns to become much sought-after mighty oaks amongst record collectors. The 2007 CD re-issue of "On the Shore" included a bonus CD, consisting mostly of remixes of the original ten songs on the album.
We're setting off at a marching pace with "Soldiers Three", which sounds like a traditional Folky drinking song for listening to whilst downing a pint and scoffing a ploughman's lunch down at the local tavern before we go merrily on our way. Just don't let the ploughman catch you eating his lunch. The next song "Murdoch" is nothing to do with the media mogul and newspaper tycoon. No, this song is all about Murdoch's Mountain (wherever that is), which sounds remarkably similar to the Fairport Convention classic, "Tam Lin", particularly in the descending chord sequence. Lead vocalist Celia Humphris sings in a higher register than Sandy Denny of Fairport though, sounding more like Jacquie McShee of Pentangle on this charming Folk album. Maybe this sound-alike song is part of the reason why some Fotheringport Confusion was caused amongst the jaded British music press, who unfairly labelled Trees as a poor man's Fairport Convention. "On the Shore" is so far turning out to be a jolly good Folk album in its own right. We're heading across the Irish Sea to the Emerald Isle next for "Streets of Derry". It's a traditional Folk song with a slow marching rhythm, but don't let that put you off, because there are some scintillating acid- tinged psychedelic guitar vibes in the instrumental bridge section in this seven-minute Psych-Folk excursion to the streets of Derry (also known as Londonderry). The next song "Sally Free and Easy" is a 10-minute-long cover of the classic Pentangle song and it's a real highlight of the album. The hauntingly-beautiful vocals of Celia Humphris are enough to send a shiver up the spine and bring you out in goosebumps in this ghostly spine-tingling refrain. The opening to Side Two is all about a "Fool" by the name of Oswald the Smith, whoever he might be. It's a 5-minute-long Psych-Folk acid trip. bathed in glowing psychedelic guitar colours, where Celia's normally high-pitched vocals drop a whole octave. This is where Trees get to display their very unconventional psychedelic Folk feathers and prove they're not just another carbon copy of Fairport Convention. It'd be no fool's errand to go out and buy this album. There's a brief acoustic guitar interlude now for "Adam's Tune" which leads us nicely into "Geordie", a traditional Folk song given the very untraditional Trees treatment of jangling psychedelic guitars combined with Celia's magnificently soaring vocals. There's no happy ending for the "Geordie" of the title though, because it's a dark and sinister tale of a man being hung for a crime he didn't commit, so it's too late to launch an appeal for clemency. It's time to strike "While the Iron is Hot" for our next Trees song, which opens deceptively as a traditional Folky number, but branches out into some wild Psychedelic Rock excursions. It's all Stetsons and cowboy boots next, because it's time now for a traditional country and western sing-along with "Little Sadie", a song which conjures up an image of a lively square-dance at a country hoe-down, so take your partner by the hand, and dance to the music of the band. Yee-hah! There's a return to some more traditional Folk music for our final song: "Polly on the Shore". This is one of the more conventional Folk songs on the album which most resembles the music of Fairport Convention, although being compared with the best English Folk-Rock band of all time can never be a bad thing. Trees have branched out and explored the colourful psychedelic realms of Acid Folk with this unconventional second album. They're often compared to Fairport Convention, which is no bad thing, but Trees have carved their own particular niche in the vast forest of Folk bands, so you may wish to dip your toes into the rippling musical waves to be heard "On the Shore" before the tide comes in. You won't be disappointed. There's a whole wood-shed full of great songs to be heard on this album. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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65.
![]() CRESSIDA are a group of five accomplished musicians who got together in London in the late 1960's to form a band. The band initially called themselves "Charge" before changing their name to Cressida. They released their self-titled debut album in 1970 and a further album "Asylum" followed in 1971 shortly after the break-up of the band. The "Cressida" album is full to the brim with complex changes of time signature, soaring emotional vocals, impressive Hammond organ virtuosity and wild guitar solos. The album contains 12 diverse songs, ranging from short Jazzy numbers, melancholy ballads, and all-out symphonic masterpieces. It's hard to pick out a favourite in an album that is a sheer joy to listen to from beginning to end, but the final song "Tomorrow is a Whole New Day" represents a masterpiece of Symphonic Prog. The melancholic singer sounds remarkably similar to Justin Hayward in places and the album is guaranteed to appeal especially to fans of the Moody Blues and any collectors of classic Symphonic Prog generally.
The album opens impressively with "To Play Your Little Game", featuring plaintive vocals and a beautiful organ solo before launching into some fast-paced Jazz-Rock played in an unusual time signature. "Winter is Coming Again" is a pleasant sounding melody, featuring a wild psychedelic guitar and Hammond organ solo in the middle section. "Time or Bed" opens with an acoustic guitar before transposing into another up-tempo Jazz-Rock number in an irregular time signature. The title track "Cressida" is probably the most Jazzy track on the album with an upbeat Jazzy 5/4 time signature. "Home And Where I Long To Be" is a beautifully complex song, and ranks as one of the most impressive numbers on the album with it's sudden changes of tempo, soaring vocals and virtuoso Hammond organ and guitar accompaniment. The song is very much in the style of the Moody Blues and would deserve pride of place on any of their albums. "Depression" is a very fast-paced song, very reminiscent of one of the Moody Blues rockier numbers. Side Two of the album opens in similarly impressive style with the jaunty song "One of a Group" with the sound of the Hammond organ very much at the forefront and featuring a brief fuzzy guitar solo with a few Jazzy piano motifs included for good measure. The eighth song on the album "Lights on My Mind" is an up-tempo rocker with some bright and breezy Hammond organ playing and another far-out fuzzy guitar solo. "The Only Earthman In Town" begins with a haunting refrain and launches into some dextrous and intricately fast-paced organ-playing. Track 10 "Spring '69" is a gentle melody featuring a solo acoustic guitar which blends in nicely in between the orchestral and Jazzier numbers. The penultimate song on the album "Down Down" opens with a beautiful organ solo and features the haunting sound of the Mellotron. The song has several interesting changes of pace throughout and includes a Jazzy interlude. The album concludes in full grandiose splendour with "Tomorrow is a Whole New Day", a song very much in the symphonic style of the Moody Blues classic "Night in White Satin". This is a superb album of musical virtuosity featuring a very talented group of musicians. The album should delight Symphonic Prog lover's everywhere. It should also appeal to any aficionados of early Jazz-Rock with special appeal to fans of Justin Hayward and the Moody Blues symphonic sound. It's no exaggeration to say this album is a masterpiece and it deserves repeated listening to fully appreciate the beautifully complex nature of the twelve well-crafted songs. There's an abundance of melancholy melodies, fast-paced Jazz-Rock songs and grand masterpieces of symphonic virtuosity to entertain and enthral the listener in equal measure and it's an essential album for any classic Symphonic Prog collection. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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75. ![]() CZAR had an all-too-brief reign in the prog kingdom as they only existed long enough to record one self-titled album in 1970. The London-based group were originally formed as a Pop group back in 1966 when they were known as Tuesday's Children. The band changed their name to Czar for this one-off moody Mellotron album. A 2007 CD remastered edition more than doubled the original seven songs on the album by adding eight bonus tracks. The silly album cover pictures a bear wearing a crown (presumably a Russian Tsarist bear) tearing into a picture of a startled-looking man. You can't judge an album by its cover though, so let's hope the music contained within is better than the bizarre Czar album cover.
The album opens with the proggy-titled song "Tread Softly on My Dreams", but there's no chance of falling asleep and dreaming your way through this stormy album opener. There's a dreamy Mellotron to be heard in the background, but right at the forefront is a powerful horn section, so we're in for a good solid dose of some mean and moody blues with a bold and brassy Jazz-Rock attitude. The music of Czar has the same pounding intensity as those other kings of prog, King Crimson, and this tremendous opening song has obvious parallels with "21st Century Schizoid Man". Both songs represent a dramatic and unforgettable storm and thunder entry into the wonderful world of Progressive Rock. Just when you thought it can't get any better, it does!! The second sensational song "Cecelia" is a Mellotron-drenched classic. This Symphonic Prog epic is guaranteed to send any self-respecting prog fan into paroxysms of ecstasy and delight. If music be the food of love, then this is delicious manna from heaven sent down to Earth from the Prog Gods above in all of their infinite glory and wisdom. Heavens above! How on Earth did Czar not come to rule over the prog kingdom, forever and ever, amen, instead of disappearing without trace after just one awesome album!?? Such are the vagaries of the music business, where incredible talent doesn't always guarantee enduring success. Oh well, back to the music at hand after that minor digression. The third song on what's turning out to be a pretty amazing album is "Follow Me". This is another exhilarating artillery barrage of pounding percussive energy that Czar have unleashed from their impressive arsenal. It's a sonic boom of invigorating keyboard-driven prog that barrels along relentlessly for three and a half incredible minutes. It's also a very commercially appealing tune with "Hit Song" written all over it and would have no doubt gone storming up the charts if the song had ever been released as a single. The wonderfully uplifting harmonies on this album deserve a mention too, because they quite simply have to be heard to be believed, as no words can possibly do justice to how magnificent they are. With the dawning of Side Two comes "Dawning of a New Day", and what a day it's turning out to be! The mighty Czar rules again over the prog empire with another terrific song! The stupendous songs on this album are so outstanding that almost every sentence deserves an exclamation mark!! This is one of those sensational Prog-Rock songs that opens deceptively gently, but gradually builds up in intensity, emerging into a rousing and anthemic, full-blown symphonic epic that will send you up into prog heaven on a soaring crescendo of sound! Space: the final frontier! It's time to boldly go where no man has gone before, because Czar are ascending up into the heavens now with "Beyond the Moon". The marvellous long-lost legends of prog are taking us on a wondrous journey far beyond the dark side of the Moon and out into the realms of deep space for some stellar Prog-Rock that's quite literally out of this world. This dazzling song shines as brilliantly as an exploding supernova for a few brief awesome minutes. It's not just the fabulous music that's awe-inspiring though, the stellar lyrics are gloriously cosmic too:- "Under the stars that we have traveled afar, Without song in our eyes and the rain and the wind in our hair, Starry-eyed faces from deep in the nigh, Without food without thought without even a glimpse of a life." ..... It's prog, Jim, but not as we know it. Drifting gently back down to Earth now, we arrive just in time for "Today", a gorgeous symphony of sound floating on topographic oceanic waves of Mellotron-drenched melodic prog. This truly beautiful Mellotronic epic has all of the magnificent Moody Blues majesty and symphonic splendour of "Nights in White Satin". Yes, it really IS that good! After "Today" it's mostly autumn now for "A Day in September", a radiant song which is positively abounding with joy and optimistic hope for the future, so one presumes it's an indian summer on this particular day in September. This glorious closing number is like a brilliant burst of sunshine on what is an altogether stellar album of fantastic songs. The Czars were once the awesome rulers of the mighty Russian empire up until the Russian Revolution in 1917, and the band Czar were the rulers of the once mighty kingdom of prog for their one brief shining moment in the spotlight in 1970, or at least, they should have been..... The history of prog is littered with unique one-off album treasures that have become lost in the mists of time, and Czar were to suffer the same fate as many short-lived one-album bands of the late 60's and early 70's era. Thanks to the modern wonder of the Internet though, the band Czar are set to rise again and take the prog kingdom by storm, hopefully. Czar is an absolute must-have album that's worthy of a hallowed place in every Prog-Rock collector's treasure chest. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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80.
![]() TITUS GROAN were a short-lived British Jazz-Rock quartet, named after the first Gormenghast novel by Mervyn Peake. Their one and only self-titled album, released in 1970, contained five tracks all over five minutes long, including one extended suite "Hall of Bright Carvings" with a running time of nearly twelve minutes. The 1989 CD reissue added three bonus tracks to the album. Let's venture forth now into the fantastic fantasy world of Titus Groan.
The album opens in rousing and rollicking fashion with "It Wasn't for You", a lively saxophonic blast of good old-fashioned bluesy Jazz-Rock, very much in the style of those other fine purveyors of uplifting funky fusion, Ginger Baker's Airforce and the Graham Bond Organisation. The singer has the same kind of rough raucous voice as Graham Bond. In other words, they both sound like they eat gravel for breakfast in the morning, but that's no less than what we'd expect from the best of British blues singers. In fact, this is just the kind of energetic and spirited Jazz-Rock we could all do with listening to first thing in the morning to get us up out of bed and instil a spirit of vim and vigour and get-up-and-go energy to face the day ahead. Alternatively, you could listen to some gentle and relaxing New Age music and roll over and go back to sleep again. Now that Titus Groan have grabbed our attention with the lively opening number, it's time for the extended four-piece suite "Hall Of Bright Carvings". This epic song is a real musical tour de force, featuring flamboyant flutes, heavy guitar riffing, booming bass-lines and pounding percussion. The dynamic contrast between the gently melodic pastoral passages combined with sudden explosive outbursts of musical artillery fire are what really sets this music alight with power and passion. Titus Groan can really carve their names with pride for producing stunning Jazz-Rock like this. Side Two opens with "I Can't Change", which ironically, is a song full of constant change. It's a resonant flute-driven refrain that draws obvious comparisons with Jethro Tull, although the song takes a very unexpected turn midway through with a pleasant Country Rock diversion, before a return to more familiar fluty Jazz-Rock pastures. Either way, it's a great song that barrels along relentlessly and features enough sudden tempo changes to delight devotees of Jazzy Prog-Rock. The next song "It's All Up with Us" is very commercially appealing, which would have made it an ideal choice for release as a single. The impassioned silver-toned singer is positively bursting with optimism here and the heart-warming music sounds as bright and uplifting as a radiant sunburst of rainbow colours after a summer shower. This is timeless evergreen music where all the brightly-coloured flowers in the garden are blooming. And talking of flowers, along comes "Fuschia" (a misspelling perhaps?), which is sadly the final song on the album, although all good things must come to an end, unless of course you're lucky enough to possess the CD reissue with three bonus tracks included. "Fuschia" refers to Miss *Fuchsia* Groan from the Titus Groan novel. The music is another flawless funky fusion of pounding Jazz-Rock energy, which is altogether upbeat, up-tempo and uplifting. Titus Groan have delivered a memorable timeless Jazz-Rock classic with their one and only album release. This energetic evergreen album sounds just as good today fifty years on as it ever did back in the halcyon days of the proggy 1970's. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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PA's Top 100 Progressive Rock Albums of 1971 (Mk III version with the minimum number of ratings filter set at 90).
http://www.progarchives.com/top-prog-albums.asp?ssubgenres=&syears=1971&scountries=&sminratings=90&smaxratings=0&sminavgratings=2&smaxresults=250&x=46&y=6#list 01. ![]() 02. ![]() 03. ![]() 04. ![]() 05. ![]() 06. ![]() 07. ![]() 08. ![]() 09. ![]() 10. ![]() 11. ![]() 12. ![]() 13. ![]() 14. ![]() 15. ![]() 16. ![]() 17. ![]() 18. ![]() 19. ![]() 20. ![]() 21. ![]() 22. ![]() 23. ![]() 24. ![]() 25. ![]() 26. ![]() 27. ![]() 28. ![]() 29. ![]() 30. ![]() 31. ![]() 32. ![]() 33. ![]() 34. ![]() 35. ![]() 36. ![]() 37. ![]() 38. ![]() 39. ![]() 40. ![]() 41. ![]() 42. ![]() 43. ![]() 44. ![]() 45. ![]() 46. ![]() 47. ![]() 48. ![]() 49. ![]() 50. ![]() 51. ![]() 52. ![]() 53. ![]() 54. ![]() 55. ![]() 57. ![]() 58. ![]() 59. ![]() 61. ![]() 62. ![]() 63. ![]() 64. ![]() 66. ![]() 67. ![]() 68. ![]() 69. ![]() 70. ![]() 71. ![]() 72. ![]() 73. ![]() 74. ![]() 75. ![]() 76. ![]() 77. ![]() 78. ![]() 79. ![]() 80. ![]() 81. ![]() 82. ![]() 83. ![]() 84. ![]() 85. ![]() 87. ![]() 88. ![]() 89. ![]() 90. ![]() 91. ![]() 92. ![]() 93. ![]() 94. ![]() 95. ![]() 96. ![]() 97. ![]() 98. ![]() 99. ![]() Edited by Psychedelic Paul - June 04 2024 at 16:54 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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Gotterdammerung! Is this the twilight of the British Prog Gods with a profusion of German and Italian bands making their first appearance in PA's Top 100 albums of 1972? ![]() 01. ![]() 02. ![]() 03. ![]() 04. ![]() 05. ![]() 06. ![]() 07. ![]() 08. ![]() 09. ![]() 10. ![]() 11. ![]() 12. ![]() 13. ![]() 14. ![]() 15. ![]() 16. ![]() 17. ![]() 18. ![]() 19. ![]() 20. ![]() 21. ![]() 22. ![]() 23. ![]() 24. ![]() 25. ![]() 26. ![]() 27. ![]() 28. ![]() 29. ![]() 30. ![]() 31. ![]() 32. ![]() 33. ![]() 34. ![]() 35. ![]() 36. ![]() 37. ![]() 38. ![]() 39. ![]() 41. ![]() 42. ![]() 43. ![]() 44. ![]() 45. ![]() 46. ![]() 47. ![]() 48. ![]() 49. ![]() 51. ![]() 52. ![]() 53. ![]() 54. ![]() 55. ![]() 56. ![]() 57. ![]() 58. ![]() 59. ![]() 60. ![]() 61. ![]() 62. ![]() 63. ![]() 64. ![]() 65. ![]() 66. ![]() 67. ![]() 68. ![]() 69. ![]() 70. ![]() 72. ![]() 73. ![]() 74. ![]() 75. ![]() 76. ![]() 77. ![]() 78. ![]() 79. ![]() 80. ![]() 81. ![]() 82. ![]() 83. ![]() 84. ![]() 85. ![]() 86. ![]() 87. ![]() 88. ![]() 90. ![]() 91. ![]() 92. ![]() 93. ![]() 94. ![]() 95. ![]() 96. ![]() 97. ![]() 98. ![]() 99. ![]() 100 ![]() Album ratings and links to follow..... Edited by Psychedelic Paul - June 08 2024 at 03:45 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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http://www.progarchives.com/top-prog-albums.asp?ssubgenres=&syears=1973&scountries=&sminratings=100&smaxratings=0&sminavgratings=2&smaxresults=250&x=40&y=3#list
01. ![]() 02. ![]() 03. ![]() 04. ![]() 05. ![]() 06. ![]() 07. ![]() 08. ![]() 09. ![]() 10. ![]() 11. ![]() 12. ![]() 13. ![]() 14. ![]() 15. ![]() 16. ![]() 17. ![]() 18. ![]() 19. ![]() 20. ![]() 21. ![]() 22. ![]() 23. ![]() 24. ![]() 25. ![]() 26. ![]() 27. ![]() 28. ![]() 29. ![]() 30. ![]() 31. ![]() 32. ![]() 33. ![]() 34. ![]() 35. ![]() 36. ![]() 37. ![]() 38. ![]() 39. ![]() 40. ![]() 41. ![]() 42. ![]() 43. ![]() 44. ![]() 45. ![]() 46. ![]() 47. ![]() 48. ![]() 49. ![]() 50. ![]() 51. ![]() 52. ![]() 53. ![]() 54. ![]() 55. ![]() 56. ![]() 57. ![]() 58. ![]() 59. ![]() 60. ![]() 61. ![]() 62. ![]() 63. ![]() 64. ![]() 65. ![]() 66. ![]() 67. ![]() 68. ![]() 69. ![]() 70. ![]() 71. ![]() 72. ![]() 73. ![]() 74. ![]() 75. ![]() 76. ![]() 77. ![]() 78. ![]() 79. ![]() 80. ![]() 81. ![]() 82. ![]() 83. ![]() 84. ![]() 85. ![]() 86. ![]() 87. ![]() 88. ![]() 89. ![]() 90. ![]() 91. ![]() 92. ![]() 93. ![]() 94. ![]() 95. ![]() 96. ![]() 97. ![]() 98. ![]() 99. ![]() 100 ![]() Edited by Psychedelic Paul - May 31 2024 at 13:37 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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01. ![]() 02. ![]() 03. ![]() 04. ![]() 05. ![]() 06. ![]() 07. ![]() 08. ![]() 09. ![]() 10. ![]() 11. ![]() 12. ![]() 13. ![]() 14. ![]() 15. ![]() 16. ![]() 17. ![]() 18. ![]() 19. ![]() 20. ![]() 21. ![]() 22. ![]() 23. ![]() 24. ![]() 25. ![]() 26. ![]() 27. ![]() 28. ![]() 29. ![]() 30. ![]() 31. ![]() 32. ![]() 33. ![]() 34. ![]() 35. ![]() 36. ![]() 37. ![]() 38. ![]() 39. ![]() 40. ![]() 41. ![]() 42. ![]() 43. ![]() 44. ![]() 45. ![]() 46. ![]() 47. ![]() 48. ![]() 49. ![]() 50. ![]() 51. ![]() 52. ![]() 53. ![]() 54. ![]() 55. ![]() 56. ![]() 57. ![]() 58. ![]() 59. ![]() 60. ![]() 61. ![]() 63. ![]() 64. ![]() 65. ![]() 66. ![]() 67. ![]() 68. ![]() 69. ![]() 70. ![]() 71. ![]() 72. ![]() 73. ![]() 74. ![]() 75. ![]() 76. ![]() 77. ![]() 78. ![]() 79. ![]() 80. ![]() 81. ![]() 82. ![]() 83. ![]() 84. ![]() 85. ![]() 86. ![]() 87. ![]() 89. ![]() 90. ![]() 91. ![]() 92. ![]() 93. ![]() 94. ![]() 95. ![]() 96. ![]() 98. ![]() 99. ![]() 100 ![]() Edited by Psychedelic Paul - June 05 2024 at 14:25 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 43226 |
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01. ![]() 02. ![]() 03. ![]() 04. ![]() 05. ![]() 06. ![]() 07. ![]() 08. ![]() 09. ![]() 10. ![]() 11. ![]() 12. ![]() 13. ![]() 14. ![]() 15. ![]() 16. ![]() 17. ![]() 18. ![]() 19. ![]() 20. ![]() 21. ![]() 22. ![]() 23. ![]() 24. ![]() 25. ![]() 26. ![]() 27. ![]() 29. ![]() 30. ![]() 31. ![]() 32. ![]() 33. ![]() 34. ![]() 35. ![]() 37. ![]() 38. ![]() 39. ![]() 40 ![]() 41. ![]() 42. ![]() 43. ![]() 44. ![]() 45. ![]() 46. ![]() 47. ![]() 48. ![]() 50. ![]() 51. ![]() 52. ![]() 53. ![]() 54. ![]() 55. ![]() 56. ![]() 57. ![]() 58. ![]() 59. ![]() 60. ![]() 61. ![]() 62. ![]() 63. ![]() 64. ![]() 65. ![]() 66. ![]() 67. ![]() 68. ![]() 70. ![]() 71. ![]() 72. ![]() 73. ![]() 74. ![]() 75. ![]() 76. ![]() 77. ![]() 79. ![]() 80. ![]() 81. ![]() 82. ![]() 83. ![]() 84. ![]() 85. ![]() 86. ![]() 87. ![]() 88. ![]() 89. ![]() 90. ![]() 91. ![]() 92. ![]() 93. ![]() 94. ![]() 95. ![]() 96. ![]() 98. ![]() 99. ![]() Edited by Psychedelic Paul - June 25 2024 at 03:19 |
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