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There is a song on Short Stories with Jon Anderson called I Hear You Now.
Talk about guilty pleasures. No electronic music I have ever heard swings as sweetly, and few things have ever highlighted the beauty of Jon's voice as well, especially outside of Yes.
For this alone, Vangelis.
(though there are many other reasons)
I remember the Jon and Vangelis stuff from when it was new, and admittedly I didn't hear anything like all of it, but what I did hear I thought was pretty awful.
I love Nick Drake (& Vangelis). For me, the Vangelis album that would most probably appeal to a Nick Drake fan: https://www.youtube.com/watch?v=9t6eqn4Fg8E
Is that right? My limited knowledge on the subject is that TB was championed by the respected British DJ John Peel and then snowballed from there. The Exorcist didn't do it any harm though that's for sure!
It was actually released months before the movie and was perhaps made widely known in the UK by John Peel. In any
case my main complaint is that despite its shocking length it has no variety and
gets boring fast.
It's interesting what you say as actually my main complaint about it is that it's too fractured and perhaps even too many ideas fighting each other. It was as is well know a series of unfinished pieces that got thrown together. Hergest Ridge and Ommadawn are both better as already stated although Amarok should not be undersold either. That's a mental album in more ways than one. MO putting a couple of fingers up to Richard Branson as being a bit 'Cloth Eared ....' apparently!
Is that right? My limited knowledge on the subject is that TB was championed by the respected British DJ John Peel and then snowballed from there. The Exorcist didn't do it any harm though that's for sure!
It was actually released months before the movie and was perhaps made widely known in the UK by John Peel. In anycase my main complaint is that despite its shocking length it has no variety andgets boring fast.
It's interesting what you say as actually my main complaint about it is that it's too fractured and perhaps even too many ideas fighting each other. It was as is well know a series of unfinished pieces that got thrown together. Hergest Ridge and Ommadawn are both better as already stated although Amarok should not be undersold either. That's a mental album in more ways than one. MO putting a couple of fingers up to Richard Branson as being a bit 'Cloth Eared ....' apparently!
I find it strange that you consider Tubular Bells too fractured and as if too many ideas were thrown together, while thinking Amarok is at the same level as Ommadawn and Hergest Ridge. Amarok for me is indeed difficult to find some long enough cohesive bit, while Tubular Bells has many. Though I know TB for it's 2003 re-recording, perhaps he somehow managed to correct those issures... even if the music was supposed to have been re-created faithfully, I guess even note by note. However, I do love Tubular Bells better than Amarok, though the Africa 1 section is really gorgeous.
Is that right? My limited knowledge on the subject is that TB was championed by the respected British DJ John Peel and then snowballed from there. The Exorcist didn't do it any harm though that's for sure!
It was actually released months before the movie and was perhaps made widely known in the UK by John Peel. In anycase my main complaint is that despite its shocking length it has no variety andgets boring fast.
It's interesting what you say as actually my main complaint about it is that it's too fractured and perhaps even too many ideas fighting each other. It was as is well know a series of unfinished pieces that got thrown together. Hergest Ridge and Ommadawn are both better as already stated although Amarok should not be undersold either. That's a mental album in more ways than one. MO putting a couple of fingers up to Richard Branson as being a bit 'Cloth Eared ....' apparently!
I find it strange that you consider Tubular Bells too fractured and as if too many ideas were thrown together, while thinking Amarok is at the same level as Ommadawn and Hergest Ridge. Amarok for me is indeed difficult to find some long enough cohesive bit, while Tubular Bells has many. Though I know TB for it's 2003 re-recording, perhaps he somehow managed to correct those issures... even if the music was supposed to have been re-created faithfully, I guess even note by note. However, I do love Tubular Bells better than Amarok, though the Africa 1 section is really gorgeous.
The rerecorded takes TB takes away the main strength of the original - its atmosphere. It's mostly the same apart from the section which originally featured Viv Stanshall who had sadly departed us by the time of its recording.
Amarok is some kind of epic chaos admittedly. TB was a series of pieces strung together. Some of its inspired but really it was never conceived as one piece whereas Amarok was.
Mike's 5 star albums for me
Ommadawn
Incantations
Platinum
Amarok
Songs Of Distant Earth
There are a lot of 4 star albums! Hergest Ridge gets a point deducted for the heavy metal section which is ill conceived (imo) but the rest is sublime. TB is a 3-4 star album in my book. I actually prefer TB3 to the original especially the live version at Horse Guards Parade.
Is that right? My limited knowledge on the subject is that TB was championed by the respected British DJ John Peel and then snowballed from there. The Exorcist didn't do it any harm though that's for sure!
It was actually released months before the movie and was perhaps made widely known in the UK by John Peel. In anycase my main complaint is that despite its shocking length it has no variety andgets boring fast.
It's interesting what you say as actually my main complaint about it is that it's too fractured and perhaps even too many ideas fighting each other. It was as is well know a series of unfinished pieces that got thrown together. Hergest Ridge and Ommadawn are both better as already stated although Amarok should not be undersold either. That's a mental album in more ways than one. MO putting a couple of fingers up to Richard Branson as being a bit 'Cloth Eared ....' apparently!
I find it strange that you consider Tubular Bells too fractured and as if too many ideas were thrown together, while thinking Amarok is at the same level as Ommadawn and Hergest Ridge. Amarok for me is indeed difficult to find some long enough cohesive bit, while Tubular Bells has many. Though I know TB for it's 2003 re-recording, perhaps he somehow managed to correct those issures... even if the music was supposed to have been re-created faithfully, I guess even note by note. However, I do love Tubular Bells better than Amarok, though the Africa 1 section is really gorgeous.
The rerecorded takes TB takes away the main strength of the original - its atmosphere. It's mostly the same apart from the section which originally featured Viv Stanshall who had sadly departed us by the time of its recording.
Amarok is some kind of epic chaos admittedly. TB was a series of pieces strung together. Some of its inspired but really it was never conceived as one piece whereas Amarok was.
Mike's 5 star albums for me
Ommadawn
Incantations
Platinum
Amarok
Songs Of Distant Earth
There are a lot of 4 star albums! Hergest Ridge gets a point deducted for the heavy metal section which is ill conceived (imo) but the rest is sublime. TB is a 3-4 star album in my book. I actually prefer TB3 to the original especially the live version at Horse Guards Parade.
I still don't fully understand about the recorded takes or whatever on Tubular Bells. For me it feels very cohesive as a whole album, and as I understand it, it was intended as a single song, actually... though it doesn't really feel like that to me entirely. At least not as each side of his next 3 albums do feel like whole songs, but that doesn't mean I don't enjoy the album a lot. Actually, the first side I can divide in 3 parts, or collection of songs (The introduction, the rest of the pieces up to Russian, and the russian piece together with the Finale), and that second series of songs do sound very cohesive to me, as well as the last two pieces together. On the second side, I love it all up until the Caveman comes in, then it just looses me... too bad, since before the Caveman the song was building up to a great climax and then... the caveman comes in and ruins it all... and then the sailor comes in and doesn't help at all to set things right. But still, up until that part I do love the album. I do love Ommadawn (my favourite from him), and Songs from Distan Earth. Incantations is great, but a bit patchy, I guess. Amarok too, it's got many great bits, but that one loses in continuity... though as far as I understand it was carefully planned to be exactly that way (still, that fact doesn't make me enjoy it any more). And yeah, Hergest Ridge is wonderful too, and I do love the Heavy Metal section (if I understand the one you mean, though I don't think there's any other part on the album that could be confused with it)... it is a bit too chaotic even for metal (and it sounds more like proto metal than full blown metal), but within the chaos there's a melody that comes to the front that really grabs me and make me love it. Anyway, I'm not sure I would give any of those albums 5 stars, since usually I love one of the sides, but the other one is slightly weaker (though still enjoyable)... they may still get it because the side I love is really so sublime for me. However, from the albums you love, as far as I'm concerned, you are still missing Return to Ommadawn... that one was a really nice surprise for me this year, I didn't really expect him to make such a succesful comeback this late in his career. If I heard it without knowing it was from this year together with his 70's masterpieces, I wouldn't have doubted it was from that decade too, and consider it as equally wonderful.
Is that right? My limited knowledge on the subject is that TB was championed by the respected British DJ John Peel and then snowballed from there. The Exorcist didn't do it any harm though that's for sure!
It was actually released months before the movie and was perhaps made widely known in the UK by John Peel. In anycase my main complaint is that despite its shocking length it has no variety andgets boring fast.
It's interesting what you say as actually my main complaint about it is that it's too fractured and perhaps even too many ideas fighting each other. It was as is well know a series of unfinished pieces that got thrown together. Hergest Ridge and Ommadawn are both better as already stated although Amarok should not be undersold either. That's a mental album in more ways than one. MO putting a couple of fingers up to Richard Branson as being a bit 'Cloth Eared ....' apparently!
I find it strange that you consider Tubular Bells too fractured and as if too many ideas were thrown together, while thinking Amarok is at the same level as Ommadawn and Hergest Ridge. Amarok for me is indeed difficult to find some long enough cohesive bit, while Tubular Bells has many. Though I know TB for it's 2003 re-recording, perhaps he somehow managed to correct those issures... even if the music was supposed to have been re-created faithfully, I guess even note by note. However, I do love Tubular Bells better than Amarok, though the Africa 1 section is really gorgeous.
The rerecorded takes TB takes away the main strength of the original - its atmosphere. It's mostly the same apart from the section which originally featured Viv Stanshall who had sadly departed us by the time of its recording.
Amarok is some kind of epic chaos admittedly. TB was a series of pieces strung together. Some of its inspired but really it was never conceived as one piece whereas Amarok was.
Mike's 5 star albums for me
Ommadawn
Incantations
Platinum
Amarok
Songs Of Distant Earth
There are a lot of 4 star albums! Hergest Ridge gets a point deducted for the heavy metal section which is ill conceived (imo) but the rest is sublime. TB is a 3-4 star album in my book. I actually prefer TB3 to the original especially the live version at Horse Guards Parade.
I still don't fully understand about the recorded takes or whatever on Tubular Bells. For me it feels very cohesive as a whole album, and as I understand it, it was intended as a single song, actually... though it doesn't really feel like that to me entirely. At least not as each side of his next 3 albums do feel like whole songs, but that doesn't mean I don't enjoy the album a lot. Actually, the first side I can divide in 3 parts, or collection of songs (The introduction, the rest of the pieces up to Russian, and the russian piece together with the Finale), and that second series of songs do sound very cohesive to me, as well as the last two pieces together. On the second side, I love it all up until the Caveman comes in, then it just looses me... too bad, since before the Caveman the song was building up to a great climax and then... the caveman comes in and ruins it all... and then the sailor comes in and doesn't help at all to set things right. But still, up until that part I do love the album. I do love Ommadawn (my favourite from him), and Songs from Distan Earth. Incantations is great, but a bit patchy, I guess. Amarok too, it's got many great bits, but that one loses in continuity... though as far as I understand it was carefully planned to be exactly that way (still, that fact doesn't make me enjoy it any more). And yeah, Hergest Ridge is wonderful too, and I do love the Heavy Metal section (if I understand the one you mean, though I don't think there's any other part on the album that could be confused with it)... it is a bit too chaotic even for metal (and it sounds more like proto metal than full blown metal), but within the chaos there's a melody that comes to the front that really grabs me and make me love it. Anyway, I'm not sure I would give any of those albums 5 stars, since usually I love one of the sides, but the other one is slightly weaker (though still enjoyable)... they may still get it because the side I love is really so sublime for me. However, from the albums you love, as far as I'm concerned, you are still missing Return to Ommadawn... that one was a really nice surprise for me this year, I didn't really expect him to make such a succesful comeback this late in his career. If I heard it without knowing it was from this year together with his 70's masterpieces, I wouldn't have doubted it was from that decade too, and consider it as equally wonderful.
Return To Ommadawn is going to be a bit of grower I suspect although I still feel it's in the 3 star category for me. The original Ommadawn is so inspired and so perfect , even the 'Horse Song' so I can't quite see it as near that. All the same it's very good and way better than any of the Mike Oldfield imitations that have surfaced in recent years.
However I would put Tres Lunas , Guitars and Voyager just ahead of it although they are not really comparable stylistically.
Thats nice man. Both Vangelis and Oldfield create mood pieces mainly. You really just have to be in the mood for what they create. I honestly think neither artist create casual listens for my Benefit. Maybe you fell the same. Enjoy nonetheless. Sublime soundscapes. Nuff said. :)
That just about sums it up......
Edited by dr wu23 - December 27 2017 at 09:26
One does nothing yet nothing is left undone. Haquin
Im way to lazy a person to read all the peoples words in this thread. this might have been said already but yea Jon Anderson and Vangelis are a very good combo. Mike has good stuff but its so unpolished ( i know its his style but still) then compared to Vangelis.
^That's one of my issues with Oldfield in that it can seem unpolished and even too repetitive....though it goes into different sections it seems all cobbled together somehow.
Edited by dr wu23 - December 27 2017 at 10:28
One does nothing yet nothing is left undone. Haquin
Is that right? My limited knowledge on the subject is that TB was championed by the respected British DJ John Peel and then snowballed from there. The Exorcist didn't do it any harm though that's for sure!
It was actually released months before the movie and was perhaps made widely known in the UK by John Peel. In anycase my main complaint is that despite its shocking length it has no variety andgets boring fast.
It's interesting what you say as actually my main complaint about it is that it's too fractured and perhaps even too many ideas fighting each other. It was as is well know a series of unfinished pieces that got thrown together. Hergest Ridge and Ommadawn are both better as already stated although Amarok should not be undersold either. That's a mental album in more ways than one. MO putting a couple of fingers up to Richard Branson as being a bit 'Cloth Eared ....' apparently!
I find it strange that you consider Tubular Bells too fractured and as if too many ideas were thrown together, while thinking Amarok is at the same level as Ommadawn and Hergest Ridge. Amarok for me is indeed difficult to find some long enough cohesive bit, while Tubular Bells has many. Though I know TB for it's 2003 re-recording, perhaps he somehow managed to correct those issures... even if the music was supposed to have been re-created faithfully, I guess even note by note. However, I do love Tubular Bells better than Amarok, though the Africa 1 section is really gorgeous.
The rerecorded takes TB takes away the main strength of the original - its atmosphere. It's mostly the same apart from the section which originally featured Viv Stanshall who had sadly departed us by the time of its recording.
Amarok is some kind of epic chaos admittedly. TB was a series of pieces strung together. Some of its inspired but really it was never conceived as one piece whereas Amarok was.
Mike's 5 star albums for me
Ommadawn
Incantations
Platinum
Amarok
Songs Of Distant Earth
There are a lot of 4 star albums! Hergest Ridge gets a point deducted for the heavy metal section which is ill conceived (imo) but the rest is sublime. TB is a 3-4 star album in my book. I actually prefer TB3 to the original especially the live version at Horse Guards Parade.
I still don't fully understand about the recorded takes or whatever on Tubular Bells. For me it feels very cohesive as a whole album, and as I understand it, it was intended as a single song, actually... though it doesn't really feel like that to me entirely. At least not as each side of his next 3 albums do feel like whole songs, but that doesn't mean I don't enjoy the album a lot. Actually, the first side I can divide in 3 parts, or collection of songs (The introduction, the rest of the pieces up to Russian, and the russian piece together with the Finale), and that second series of songs do sound very cohesive to me, as well as the last two pieces together. On the second side, I love it all up until the Caveman comes in, then it just looses me... too bad, since before the Caveman the song was building up to a great climax and then... the caveman comes in and ruins it all... and then the sailor comes in and doesn't help at all to set things right. But still, up until that part I do love the album. I do love Ommadawn (my favourite from him), and Songs from Distan Earth. Incantations is great, but a bit patchy, I guess. Amarok too, it's got many great bits, but that one loses in continuity... though as far as I understand it was carefully planned to be exactly that way (still, that fact doesn't make me enjoy it any more). And yeah, Hergest Ridge is wonderful too, and I do love the Heavy Metal section (if I understand the one you mean, though I don't think there's any other part on the album that could be confused with it)... it is a bit too chaotic even for metal (and it sounds more like proto metal than full blown metal), but within the chaos there's a melody that comes to the front that really grabs me and make me love it. Anyway, I'm not sure I would give any of those albums 5 stars, since usually I love one of the sides, but the other one is slightly weaker (though still enjoyable)... they may still get it because the side I love is really so sublime for me. However, from the albums you love, as far as I'm concerned, you are still missing Return to Ommadawn... that one was a really nice surprise for me this year, I didn't really expect him to make such a succesful comeback this late in his career. If I heard it without knowing it was from this year together with his 70's masterpieces, I wouldn't have doubted it was from that decade too, and consider it as equally wonderful.
Return To Ommadawn is going to be a bit of grower I suspect although I still feel it's in the 3 star category for me. The original Ommadawn is so inspired and so perfect , even the 'Horse Song' so I can't quite see it as near that. All the same it's very good and way better than any of the Mike Oldfield imitations that have surfaced in recent years.
However I would put Tres Lunas , Guitars and Voyager just ahead of it although they are not really comparable stylistically.
For me Ommadawn is his best, and side one is among my top 5 favourite songs. Perhaps trying to compare the new one to it just doesn't help it, but it's an amazing piece of music on it's own right. I haven't got Tres Lunas nor Guitars, so I can't copare them, but Voyager did just about nothing for me.
For me it has to be Vangelis. I say that simply because in the late 70's and early 80's a few of us at school started to explore electronic music (I must thank my French teacher for that, Mrs. Concorde.......it was the nose that done it ).She introduced us to Jean Michel Jarre in French class and a few of us loved it so much we not only eventually purchased those albums we could at the time but started to explore beyond Jarre. We encountered Tangerine Dream, Kraftwerk, and in my case Vangelis.
I paid alot of attention to this post and I found out that Vangelis was much more than a synthesizer guy, he is like a composer. Now, I really cannot who is my favorite, maybe Oldfield for familiarity's sake.
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