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Tom Ozric View Drop Down
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Direct Link To This Post Posted: June 19 2014 at 02:00
Originally posted by cstack3 cstack3 wrote:


Originally posted by Tom Ozric Tom Ozric wrote:

Get 'em Out By Friday has some incredible bass lines from Rutherford. Easily up there with Squire as far as complexity goes......

Thanks for that!  I always thought that Rutherford was at least the equal to, if not superior to, Squire in that era.  
Rutherford is a superior overall musician, being very competent on 6 string and 12 string guitars as well as bass guitar.  
He improved in leaps and bounds for album to album, reaching his pinnacle on Selling England. No denying Squire, Rutherford and Lake were incredible talents on bass. Come to think of it, even gruff ol' Lee Jackson plays some wonderfully complex bass.
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Direct Link To This Post Posted: June 19 2014 at 02:50
If you compare art, you missed the point, good art is ment to be different.
If you are looking for music that is all the same, check fm radio, wondreful similary and bland.

And If you dont like if, dont listen to it, so many others bands out there to explorer.

Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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Direct Link To This Post Posted: June 19 2014 at 02:59
Originally posted by tamijo tamijo wrote:

<span ="st">If you compare art, you missed the point, good art is ment to be </span><span ="st">different.If you are looking for music that is all the same, check fm radio, wondreful similary and bland.</span>And <span ="st"><span ="st">If you dont like if, dont listen to it, so many others bands out there to</span></span><span ="st"><span ="st"><span ="st"> explorer.</span></span></span>
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Direct Link To This Post Posted: June 19 2014 at 13:35
Originally posted by richardh richardh wrote:



Originally posted by dr wu23 dr wu23 wrote:

Originally posted by richardh richardh wrote:

^ I don't know. I think its still possible to like progressive rock and not like one of the main pillars of the genre. Pseudo spiritual lyrics being sung in a ridiculous high pitch is not everyone's cup of tea regardless of how good Steve Howe is.


You mean like Rush....?
Wink

but Rush changedTongue
...for the better


More like took a turn for the... Nothing past Grace Under Pressure really grabs me (except some of Clockwork Angels).
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Direct Link To This Post Posted: June 19 2014 at 14:16
Originally posted by Tom Ozric Tom Ozric wrote:

Originally posted by cstack3 cstack3 wrote:


Originally posted by Tom Ozric Tom Ozric wrote:

Get 'em Out By Friday has some incredible bass lines from Rutherford. Easily up there with Squire as far as complexity goes......

Thanks for that!  I always thought that Rutherford was at least the equal to, if not superior to, Squire in that era.  
Rutherford is a superior overall musician, being very competent on 6 string and 12 string guitars as well as bass guitar.  
He improved in leaps and bounds for album to album, reaching his pinnacle on Selling England. No denying Squire, Rutherford and Lake were incredible talents on bass. Come to think of it, even gruff ol' Lee Jackson plays some wonderfully complex bass.
 
You know I read that Lake didn't know how to play bass when Fripp first brought him into KC...and that Fripp essentially taught him. Do you know if that's true...?
At any rate I never really paid that much attention to Lake's playing until he joined ELP. He did some nice things on those early ELP albums.
One does nothing yet nothing is left undone.
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Direct Link To This Post Posted: June 19 2014 at 14:42
Originally posted by dr wu23 dr wu23 wrote:

[You know I read that Lake didn't know how to play bass when Fripp first brought him into KC...and that Fripp essentially taught him. Do you know if that's true...?
At any rate I never really paid that much attention to Lake's playing until he joined ELP. He did some nice things on those early ELP albums.

You must have read that about Boz Burrell.
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Direct Link To This Post Posted: June 19 2014 at 16:33
Originally posted by Rednight Rednight wrote:

Originally posted by richardh richardh wrote:



Originally posted by dr wu23 dr wu23 wrote:

Originally posted by richardh richardh wrote:

^ I don't know. I think its still possible to like progressive rock and not like one of the main pillars of the genre. Pseudo spiritual lyrics being sung in a ridiculous high pitch is not everyone's cup of tea regardless of how good Steve Howe is.


You mean like Rush....?
Wink

but Rush changedTongue
...for the better


More like took a turn for the... Nothing past Grace Under Pressure really grabs me (except some of Clockwork Angels).

Past Hemispheres not past GUP
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Direct Link To This Post Posted: June 19 2014 at 16:37
Originally posted by dr wu23 dr wu23 wrote:

Originally posted by Tom Ozric Tom Ozric wrote:

Originally posted by cstack3 cstack3 wrote:


Originally posted by Tom Ozric Tom Ozric wrote:

Get 'em Out By Friday has some incredible bass lines from Rutherford. Easily up there with Squire as far as complexity goes......

Thanks for that!  I always thought that Rutherford was at least the equal to, if not superior to, Squire in that era.  
Rutherford is a superior overall musician, being very competent on 6 string and 12 string guitars as well as bass guitar.  
He improved in leaps and bounds for album to album, reaching his pinnacle on Selling England. No denying Squire, Rutherford and Lake were incredible talents on bass. Come to think of it, even gruff ol' Lee Jackson plays some wonderfully complex bass.
 
You know I read that Lake didn't know how to play bass when Fripp first brought him into KC...and that Fripp essentially taught him. Do you know if that's true...?
At any rate I never really paid that much attention to Lake's playing until he joined ELP. He did some nice things on those early ELP albums.

Fripp was a remarkably brilliant teacher then considering 21st Century Schizoid Man (and how on earth did you not notice the bass playing on that?!)

Lake played bass in Crimson as a favour to Fripp (according to Lake). Greg was of course a lead guitarist and a very good one at that but Fripp wanted a lead singer and a bass player. I would suppose that Lake was a very quick learner as regards bass.


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Direct Link To This Post Posted: June 19 2014 at 17:32
Originally posted by jayem jayem wrote:

Originally posted by dr wu23 dr wu23 wrote:

[You know I read that Lake didn't know how to play bass when Fripp first brought him into KC...and that Fripp essentially taught him. Do you know if that's true...?
At any rate I never really paid that much attention to Lake's playing until he joined ELP. He did some nice things on those early ELP albums.

You must have read that about Boz Burrell.
Yes, Fripp taught Boz to play after Gordon Haskell quit KC after they made the Lizard album. Boz quit after making one album and one tour and then joined Bad Co.


Edited by SteveG - July 23 2014 at 09:34
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Direct Link To This Post Posted: June 19 2014 at 21:35
Originally posted by richardh richardh wrote:


Originally posted by dr wu23 dr wu23 wrote:

Originally posted by Tom Ozric Tom Ozric wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by Tom Ozric Tom Ozric wrote:

Get 'em Out By Friday has some incredible bass lines from Rutherford. Easily up there with Squire as far as complexity goes......


Thanks for that!  I always thought that Rutherford was at least the equal to, if not superior to, Squire in that era.  


Rutherford is a superior overall musician, being very competent on 6 string and 12 string guitars as well as bass guitar.  
He improved in leaps and bounds for album to album, reaching his pinnacle on Selling England. No denying Squire, Rutherford and Lake were incredible talents on bass. Come to think of it, even gruff ol' Lee Jackson plays some wonderfully complex bass.

 

You know I read that Lake didn't know how to play bass when Fripp first brought him into KC...and that Fripp essentially taught him. Do you know if that's true...?

At any rate I never really paid that much attention to Lake's playing until he joined ELP. He did some nice things on those early ELP albums.

Fripp was a remarkably brilliant teacher then considering 21st Century Schizoid Man (and how on earth did you not notice the bass playing on that?!)
Lake played bass in Crimson as a favour to Fripp (according to Lake). Greg was of course a lead guitarist and a very good one at that but Fripp wanted a lead singer and a bass player. I would suppose that Lake was a very quick learner as regards bass.


I actually like better the live version of Schizoid Man with Wetton and Bruford... I feel they took the bass and drums to another level yet. Just awsome.
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Direct Link To This Post Posted: June 19 2014 at 22:09
Originally posted by richardh richardh wrote:

Originally posted by dr wu23 dr wu23 wrote:

Originally posted by Tom Ozric Tom Ozric wrote:

Originally posted by cstack3 cstack3 wrote:


Originally posted by Tom Ozric Tom Ozric wrote:

Get 'em Out By Friday has some incredible bass lines from Rutherford. Easily up there with Squire as far as complexity goes......

Thanks for that!  I always thought that Rutherford was at least the equal to, if not superior to, Squire in that era.  
Rutherford is a superior overall musician, being very competent on 6 string and 12 string guitars as well as bass guitar.  
He improved in leaps and bounds for album to album, reaching his pinnacle on Selling England. No denying Squire, Rutherford and Lake were incredible talents on bass. Come to think of it, even gruff ol' Lee Jackson plays some wonderfully complex bass.
 
You know I read that Lake didn't know how to play bass when Fripp first brought him into KC...and that Fripp essentially taught him. Do you know if that's true...?
At any rate I never really paid that much attention to Lake's playing until he joined ELP. He did some nice things on those early ELP albums.

Fripp was a remarkably brilliant teacher then considering 21st Century Schizoid Man (and how on earth did you not notice the bass playing on that?!)

Lake played bass in Crimson as a favour to Fripp (according to Lake). Greg was of course a lead guitarist and a very good one at that but Fripp wanted a lead singer and a bass player. I would suppose that Lake was a very quick learner as regards bass.


It's funny but I never really paid attention to the bass on that track but I did know he was a lead player before but the only band he was in was the Gods....right?
One does nothing yet nothing is left undone.
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Direct Link To This Post Posted: June 20 2014 at 00:05
Yep, The Gods, with Ken Hensley (from memory). His bass on Schizoid Man is incredibly complex. He plays amazing lines. His successor, Pete Giles, was also very good. Natural talents I guess. I've played bass for some years and still can't nail Schizoid Man.........(I must be sh*t...... ).
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Direct Link To This Post Posted: June 20 2014 at 13:16
I don't like beets but when i listen to Yes i can tolerate them
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Direct Link To This Post Posted: June 20 2014 at 13:40
I love beets, even though I'm not really sure where they come from.  Like maraschino cherries.
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Direct Link To This Post Posted: June 20 2014 at 13:57
Originally posted by HolyMoly HolyMoly wrote:

I love beets, even though I'm not really sure where they come from.  Like maraschino cherries.

Don't they come out of the ground already purple? Just curious.

Edited by SteveG - June 20 2014 at 13:58
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Direct Link To This Post Posted: June 20 2014 at 14:22
Originally posted by Tom Ozric Tom Ozric wrote:

Yep, The Gods, with Ken Hensley (from memory). His bass on Schizoid Man is incredibly complex. He plays amazing lines. His successor, Pete Giles, was also very good. Natural talents I guess. I've played bass for some years and still can't nail Schizoid Man.........(I must be sh*t...... ).

It all sounds very convincing... except Lake played bass in The Gods (replacing John Glascock, who later played bass in Tull), I don't believe Lake ever recorded anything with The Gods, his tenure with the band was relatively short.

Prior to that was in Shy Limbs (with Andy McGulloch later of Crimson and Greenslade), where he also played bass, (guitar was John Dickenson), and on this b-side, Lake also sang lead:


...sounds just like Lake's style of bass playing to me (listen to the little bass-break 2:04).

Before the Shy Limbs he was in The Shame, also with John Dickenson and Andy McGulloch. (Shy Limbs and The Shame were most likely the same band with a name-change).


...I suspect that the history has become a little condensed and perhaps anachronistic. It is inevitable that artists and bands from the Poole/Bournemouth/Wimborne area of Southern England in the mid 60s would have know each other fairly well, Fripp didn't ask random musicians he met in London to join Crimson - he invited people he knew such as Lake and McGulloch, who like Fripp came from the Poole/Bournemouth/Wimborne area

So what we are missing here is when Fripp "taught" Lake to play bass - everyone is assuming it is immediately prior to him joining Crimson, yet the evidence suggests otherwise as he was probably playing bass long before then. One possible scenario is that Fripp had seen Lake play in one of the local bands (probably The Shame) and advised him to switch from lead to bass, and possibly gave him some tips on how to play bass at the same time (which sounds like quite a Fripp thing to do).
What?
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Direct Link To This Post Posted: June 20 2014 at 16:23
Originally posted by Tom Ozric Tom Ozric wrote:

Get 'em Out By Friday has some incredible bass lines from Rutherford. Easily up there with Squire as far as complexity goes......

True, but he's probably most well known for that little break he does in Can Utility and the Coast Liners.
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Direct Link To This Post Posted: June 20 2014 at 16:25
I don't like No, for an answer when I want chocolate cake. 
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Direct Link To This Post Posted: June 20 2014 at 20:47
Originally posted by The T The T wrote:

I don't like No, for an answer when I want chocolate cake. 


Hey, chocolate isn't good for dogs
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Direct Link To This Post Posted: June 20 2014 at 20:48
Originally posted by HolyMoly HolyMoly wrote:

I love beets, even though I'm not really sure where they come from.  Like maraschino cherries.


I think they come from Russia. Everything there seems to have beets in it
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