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moshkito
Forum Senior Member
Joined: January 04 2007
Location: Grok City
Status: Offline
Points: 18005
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Posted: October 22 2013 at 08:39 |
Chozal wrote:
All technique and no feeling ... |
I was just thinking that this would be more like jazz, or watching the old JP Rampal play the flute ... always made you wonder where the feeling went ...specially after hearing Ian Anderson!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told! www.pedrosena.com
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Stromboil
Forum Newbie
Joined: October 19 2013
Location: Umeå, Sweden
Status: Offline
Points: 6
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Posted: October 23 2013 at 17:24 |
I don't really agree with some people here who have posted the use of various instruments as a cliché. For example the minimoog has been used in practically every type of music imaginable, so I don't see how that can be a prog cliché. It's just an instrument that a lot of people like. It's like saying a cliché in Jazz is playing the saxophone, it just doesn't make sense. To me a musical cliché is more about what you play, not the particular instrument you are using. A good example of a musical cliché would be the use of the C am F G chord progression in pop music. I have a hard time coming up with a good example in prog though, maby because of the "anything goes" mentality that often is pretty strong in prog, I dunno.
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The.Crimson.King
Forum Senior Member
Joined: March 29 2013
Location: WA
Status: Offline
Points: 4596
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Posted: October 27 2013 at 15:14 |
Stromboil wrote:
I don't really agree with some people here who have posted the use of various instruments as a cliché. For example the minimoog has been used in practically every type of music imaginable, so I don't see how that can be a prog cliché. It's just an instrument that a lot of people like. It's like saying a cliché in Jazz is playing the saxophone, it just doesn't make sense. To me a musical cliché is more about what you play, not the particular instrument you are using.
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Labelling a Minimoog as a prog cliche is especially amusing considering subtractive synthesis instruments like the Minimoog, ARP 2600/Odyssey, Cat Octave, VCS3, etc are based on the principle that you can "synthesize" any sound imaginable from the square/triangle/ramp/sine oscillator starting point.
A Minimoog doesn't sound like Wakeman/Emerson/Moraz/Wright unless you specifically set the controls that way ![Wink Wink](smileys/smiley2.gif)
Edited by The.Crimson.King - October 27 2013 at 15:15
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verslibre
Forum Senior Member
Joined: July 01 2004
Location: CA
Status: Offline
Points: 18434
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Posted: October 27 2013 at 16:01 |
A MiniMoog can't be a prog cliché because then the electric guitar would have to be a rock cliché — and we know that ain't never gonna happen!
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Stool Man
Forum Senior Member
Joined: January 30 2007
Location: Anti-Cool (anag
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Points: 2689
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Posted: October 28 2013 at 12:34 |
verslibre wrote:
A MiniMoog can't be a prog cliché because then the electric guitar would have to be a rock cliché — and we know that ain't never gonna happen! ![](smileys/smiley16.gif) |
"Guitar groups are on the way out" (1962 quote)
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rotten hound of the burnie crew
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matty3198
Forum Groupie
Joined: October 19 2013
Location: Bath
Status: Offline
Points: 51
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Posted: October 28 2013 at 16:51 |
WeepingElf wrote:
The.Crimson.King wrote:
"Definition of rock journalism: People who can't write, doing interviews with people who can't think, in order to prepare articles for people who can't read." - Frank Zappa |
Zappa pretty much hit the nail on its head.
Face it: rock journalism is not about music. It is about sex, drugs and rock'n'roll: sexual escapades of rock stars, drug problems of rock stars, and violence at concerts, from musicians smashing their guitars to riots in the audience. And that's why rock journalists hate prog: it doesn't give them stories - the "boring old farts" syndrome. Progressive rock musicians and fans are simply too disciplined - they must be in order to write, play and enjoy music of this kind of complexity ;) Of course, that means that there would be enough to write about the music, but most rock journalists just don't really care about that. A rock star ODing on heroin (preferably at age 27) gives them a story; a band doing a 20-minuter in sonata form doesn't.
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I think you'll find critics are faddish creatures, always jumping to the next thing. I'm sure they probably did like prog at one point, until it went out of fashion.
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Bitterblogger
Forum Senior Member
Joined: November 04 2007
Location: United States
Status: Offline
Points: 1719
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Posted: November 08 2013 at 13:20 |
Disdain from most rock critics/little chance of Rock & Roll HOF induction.
Oh, and huge drum kits.
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lazygecko
Forum Newbie
Joined: October 24 2013
Status: Offline
Points: 7
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Posted: November 23 2013 at 09:17 |
Do you think there are token, overused chord progressions in prog just like in popular music? Either I haven't developed an ear for picking them out yet, or they simply don't bother me as they otherwise might do. I can hear recycled progressions in some bands across their albums, but I attribute that more to their individual sound and songwriting quirks rather than some genre-wide cliché.
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Bitterblogger
Forum Senior Member
Joined: November 04 2007
Location: United States
Status: Offline
Points: 1719
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Posted: November 23 2013 at 09:47 |
^You mean, you're in search of the un-lost chord? ![](smileys/smiley36.gif) (sorry, couldn't resist . . . )
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WeepingElf
Forum Senior Member
Joined: August 18 2013
Location: Germany
Status: Offline
Points: 373
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Posted: November 23 2013 at 11:49 |
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... brought to you by the Weeping Elf
"What does Elvish rock music sound like?" - "Yes."
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Nick Bailey
Forum Newbie
Joined: November 01 2013
Status: Offline
Points: 5
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Posted: November 23 2013 at 14:51 |
I don't know if any of you ever go on Cracked.com but this is a pretty funny article (in my opinion) that covers a lot of cliches.
http://www.cracked.com/funny-2359-progressive-rock/
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WeepingElf
Forum Senior Member
Joined: August 18 2013
Location: Germany
Status: Offline
Points: 373
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Posted: November 24 2013 at 10:42 |
Nick Bailey wrote:
I don't know if any of you ever go on Cracked.com but this is a pretty funny article (in my opinion) that covers a lot of cliches.
http://www.cracked.com/funny-2359-progressive-rock/
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Hilarious.
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... brought to you by the Weeping Elf
"What does Elvish rock music sound like?" - "Yes."
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Xonty
Forum Senior Member
Joined: June 23 2013
Location: Cornwall
Status: Offline
Points: 1759
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Posted: November 24 2013 at 10:59 |
There must be hundreds: complex time signatures, jazz sections, overuse of mellotrons, making songs longer for the sake of it, trying to hard to be experimental, playing fast loud sections (mainly from early King Crimson, but also Yes, ELP, etc.), using interesting instruments like the sitar just to sound somewhat varied, and so on.
Trying to think of the last ever truly progressive album and I'm struggling to get into the 90s so far ![Ermm Ermm](smileys/smiley24.gif) I dont consider the post-rock stuff that new, or Anglagard/Spock's Beard/etc. Dream Theater's Metropolis comes close but there are still many cliches there... Possibly Marillion or late Genesis and Rush?
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The.Crimson.King
Forum Senior Member
Joined: March 29 2013
Location: WA
Status: Offline
Points: 4596
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Posted: November 24 2013 at 12:09 |
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stegor
Forum Senior Member
Joined: March 23 2013
Location: Minnesota
Status: Offline
Points: 2049
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Posted: November 24 2013 at 21:05 |
Xonty wrote:
There must be hundreds: complex time signatures, jazz sections, overuse of mellotrons, making songs longer for the sake of it, trying to hard to be experimental, playing fast loud sections (mainly from early King Crimson, but also Yes, ELP, etc.), using interesting instruments like the sitar just to sound somewhat varied, and so on.
Trying to think of the last ever truly progressive album and I'm struggling to get into the 90s so far ![Ermm Ermm](smileys/smiley24.gif) I dont consider the post-rock stuff that new, or Anglagard/Spock's Beard/etc. Dream Theater's Metropolis comes close but there are still many cliches there... Possibly Marillion or late Genesis and Rush? |
I don't think it's possible to overuse a Mellotron. Or a Chamberlain or Novotron. I just never tire of that sound. There's something about it, regardless of what tapes are used, that excites the very stem of my brain.
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Rednight
Forum Senior Member
Joined: January 18 2014
Location: Mar Vista, CA
Status: Offline
Points: 4812
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Posted: March 19 2014 at 12:36 |
L.A. Times music critic calling prog bands "pretentious."
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Rednight
Forum Senior Member
Joined: January 18 2014
Location: Mar Vista, CA
Status: Offline
Points: 4812
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Posted: March 19 2014 at 12:42 |
1. The falling out of a key player (hah, hah) after a mushy gatefold LP.
2. The unceremonious sacking of his brilliant and enjoyable replacement
after the following milestone album and backing tour.
3. The ditching of a long-time co-founder after a health scare.
4. Hiring a tribute band wannabe to replace him while still trying to
pass itself off as the original product.
Wait a minute! I just described Yes!
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Bitterblogger
Forum Senior Member
Joined: November 04 2007
Location: United States
Status: Offline
Points: 1719
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Posted: March 19 2014 at 13:53 |
Rednight wrote:
1. The falling out of a key player (hah, hah) after a mushy gatefold LP.
2. The unceremonious sacking of his brilliant and enjoyable replacement
after the following milestone album and backing tour.
3. The ditching of a long-time co-founder after a health scare.
4. Hiring a tribute band wannabe to replace him while still trying to
pass itself off as the original product.
Wait a minute! I just described Yes! |
Wait a minute--The Yes Album is "mushy"? How so?!
You've also described Journey, on #4 anyway, which they embraced to the extent that he was featured on a recent PBS pledge about how Journey "returned".
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The T
Special Collaborator
Honorary Collaborator
Joined: October 16 2006
Location: FL, USA
Status: Offline
Points: 17493
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Posted: March 19 2014 at 14:02 |
The words "outside looking in"
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Rednight
Forum Senior Member
Joined: January 18 2014
Location: Mar Vista, CA
Status: Offline
Points: 4812
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Posted: March 19 2014 at 15:24 |
Bitterblogger wrote:
Rednight wrote:
1. The falling out of a key player (hah, hah) after a mushy gatefold LP.
2. The unceremonious sacking of his brilliant and enjoyable replacement
after the following milestone album and backing tour.
3. The ditching of a long-time co-founder after a health scare.
4. Hiring a tribute band wannabe to replace him while still trying to
pass itself off as the original product.
Wait a minute! I just described Yes! |
Wait a minute--The Yes Album is "mushy"? How so?!
You've also described Journey, on #4 anyway, which they embraced to the extent that he was featured on a recent PBS pledge about how Journey "returned".
I was talking about 'Topographic Oceans.
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