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DracoMordag
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Topic: Octavarium Art Posted: June 08 2005 at 10:40 |
I kinda feel bad about adding yet another 8vm thread to this board, but hey, you don't have to be here reading this.
These ideas were first put forth in "Octavarium has landed" thread. As
Wormboy pointed out, there is no real deep significance to the art in
the booklet, but in my opinion it truly adds to the feeling of a
thouroughly polished work (not that 8vm wouldn't be without it).
We'll start with the cover. As you all probably noticed, when folded
out it makes one complete picture includiung front and back. This forms
a Newton's Cradle with 8 balls. There are five birds, strategically
located. If you imagine the first balls as F on a keyboard, the first
bird is F#. This pattern continues with the balls representing white
keys and the birds representing the black keys. I'm still unsure as to
the significance of the person in the wierd position on the back. Any
suggestions would be welcome. All I can come up with is that the theme
of circles is present in the way that she is waving her body/hair in
circles. It's a stretch, I know.
Then comes the first page. We see a young boy hold one of those can and
twine telephones held up to his ear. The line trails off of the left
side of the page.
Second page we get credits. Nothing special.
Page 3: there is a treble clef and staff in the top left corner with
the key of F minor and time signature 1/8 preciding the text "the root
of all evil." The one represents the number of the track. Below this
header are the lyrics.
Next page we are presented with the same header except the key og G
minor and time signature 2/8 is shown before "the answer lies within."
It is all set against a picture of a hillside reminiscent of the cover
with two monstrous dominoes in the foreground and middleground. The
first dominoe has 3 and 2 on the face (5) and the second has a 5 and 3
(8). This reflects the number of black and white keys in one octave of
a keyboard, and also represents the five band members. There are some
birds flying around (3), but I see no real significance in this.
The next page has the key of A minor and time siganture 3/8. The next
page shows an 8-sided maze with a spider (8 legs) in the center. There
are five layers to the maze, again depicting the common 5 vs. 8 theme.
There is no way to get out of the maze unless the spider breaks down
the walls on the last layer ("Break down these walls for me")
Next page has the familiar header with the key of B minor and time signature 4/8 shown.
Page 8 has the header for panic attack (C minor and 5/8).
The next page has two headers, one in D minor and 6/8 for never enough
and one in E minor and 7/8 for sacrificed sons. Never Enough is the
first song NOT in the time signature denoted by its track number.
(Saying TROAE is in 1/8 and TALW is in 2/8 is scraping by on a
technicallity, but still)
The opposite page shows an OCTOpus with FIVE fish and an OCTAgonal sign with the Dream Theater Logo inscribed.
The following page has F minor and 8/8 for Octavarium parts I and II.
Opposite this page is a sheet of grid paper with a very complex
structure mapped out (The builing that IS an Octavarium?). At first
glance it is obviously the same as the symbol on the CD itself, an
OCTOgon with a FIVE-pointed star inscribed. Dimensions are given on a
5:8 scale. The dimensions are a 29 foot and 6 and 3/4 inch square, with
right triangles with legs of 8 feet 8 inches cut off.
(The 8'8" is actually not explicitly given. Instead they chose to give
a hypotenuse of 12'3" which yields, using basic trig, sides of 8'8").
There are spaces in each wall of dimensions 5'8" (again, five vs.
eight. these dimensions are also not explicitly stated, but if you take
the measure of each square and multiply by 3 you get 5'8"). The rest of
the structure's drawing's significance escapes me. Any help here would
be appreciated.
Of course, there is one more aspect not specefically related to the
structure itself. Around the edge (starting at the left most side and
going clockwise) the F Lydian scale is spelled out. Inside the walls
are the accidentals that would be present should it be a chromatic
scale, one for each point of the star.
On the following page the remainder of 8vm's lyrics are written out (parts III through V).
The final page shows the same boy as the first page, holding the other
side of the can and twine telephone, this time talking into it instead
of listening. To his right is the list of the five members of DT and
what they perform on the CD. The "telephone line" leads off of the
right side of the page, symbolizing that it leads back to the first
page. Note also that the boy at the beginning is passive (listening)
while the boy at the end is active (talking). This follows the album's
theme of waking up from a "catatonic sleep."
The back side of the jewel case has a keyboard with the 8 track names
on their respective white keys, and the members on their 5 black keys.
...whew. Hope you guys like. Leave any suggestions.
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The Letter M
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Posted: June 08 2005 at 10:53 |
VERY nice and thorough analysis of the album/booklet art work!! You've covered everything I've found among the art, so I don't think I can add much, but I do have to say it's very neat how they've thrown all these things at us about 5s and 8s.
Another analysis of the 5/8 deal that I've found is that the band's 5th studio album was their first with Jordan Rudess...could this, the 8th album, be his last? On the leaked version of Octavarium, it ended with a flute fade-out, but the actual release has it ending how the album began (which is how "In The Name Of God" ended on Train Of Thought). The two albums previous to Octavarium began how the previous one ended (Static from Finally Free, Fade-out/Fade-in from Losing Time, and the single piano note from In The Name Of God)...but has this cycle been closed? If not, will the next album start the same with Octavarium did with the piano note?
Also, including their official Live releases (as well as ACOS), Octavarium is their 13th Release (WD&DU, I&W, Marquee, Awake, ACOS, FII, OIALT, SFAM, LSFNY, SDOIT, TOT and Budokan being the first 12). That makes a complete chromatic Octave of 13.
EDIT - I didn't see you mention the 8-Ball with the Majesty symbol on it on the inside artwork under the CD. It's an 8-ball, another 8-sighting. Another thing - the time signatures might NOT hold true, but there are measures in each song (not sure about the first two, but that's just silly!) that have that measure count. These Walls could be in 3/8 (though one would assume 6/8 at first, it can still work) and I Walk Beside You is in straight 4. Panic Attack has some 5/8 measures in it as well, so they did use those time signatures to some extent.
-Marc.
Edited by The Letter M
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I know what I like and I like what I know. I will choose a path that's clear, I will choose free will. If I die tomorrow, I`d be alright because I believe that after we`re gone, the spirit carries on.
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frenchie
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Posted: June 08 2005 at 10:54 |
very good! you've been doing your homework...
so the whole 5:8 thing is 5 members and 8 tracks/octavarium.
the 1/8, 2/8... 8/8 for each track signifies 1st track out of 8. 2nd track out of 8... 8th track out of 8
perhaps if you take the 1t page and the last page and wrap them around so that they touch each other, the telephone line will meet up so that the boy will be listening to himself talking (WHOA! SPACED OUT!)
this artwork concept is amazing. reminds me of pearl jam - yield. that album booklet and artwork is mega f**ked up with tonnes of secrets in it, so if anyone would like me to explain then let me know!
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The Worthless Recluse
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DracoMordag
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Posted: June 08 2005 at 11:12 |
Thought I'd also mention that in the song 8vm, right before the vocals
of part 3, someone (MP?) says "Isn't this where we came in?"
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The Letter M
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Posted: June 08 2005 at 11:16 |
I think it's "So this is where we came in", like a response to "Isn't this where we came in?". I had to listen closely, but I *think* that's what he says.
-Marc.
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I know what I like and I like what I know. I will choose a path that's clear, I will choose free will. If I die tomorrow, I`d be alright because I believe that after we`re gone, the spirit carries on.
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goose
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Posted: June 08 2005 at 11:26 |
DracoMordag wrote:
Thought I'd also mention that in the song 8vm, right before the vocals of part 3, someone (MP?) says "Isn't this where we came in?" |
As in, The Wall?
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DracoMordag
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Posted: June 08 2005 at 11:39 |
I listened to it a few times and I get "Is this where we came in?"
and yes, as in The Wall.
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frenchie
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Posted: June 08 2005 at 11:42 |
really? thats from pink floyd the wall. in the flesh says "we came in" at the begining and outside the wall has "isnt this where" at the end. so you can loop it over somehow.
like dark side with the looping heartbeat intro/outro
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The Worthless Recluse
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DracoMordag
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Posted: June 08 2005 at 12:16 |
a few more things (the following, sadly, were not my own thoughts. Citations to the peeps on MP.com board)
the heartbeat from "These Walls" to "I Walk Beside You" is going at 58 bpm.
At about 7 minutes the ending to "Panic Attack" is repeated 8 times.
Bell at beginning of "The Answer" tolls 8 times
The 3 birds in the dominoe scene could represent Charles Dominici, Kevin Moore, and Derek Sherinian. Also note that 8-5 is 3.
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DracoMordag
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Posted: June 08 2005 at 22:27 |
anyone else wanna build the octavarium detailed in that archirectural drawing?
what would kick ass is if they kinda pulled a Pink Floyd's The Wall and
had one built around them while they were doing their show, and then
tore it down near the end or something. Or even if they just had one on
stage at some point.
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frenchie
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Posted: June 17 2005 at 15:55 |
why are most of the track times on the back of the case incorrect?
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The Worthless Recluse
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goose
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Posted: June 17 2005 at 17:07 |
That's symbolic too
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Arsillus
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Posted: June 17 2005 at 17:28 |
frenchie wrote:
very good! you've been doing your homework...
so the whole 5:8 thing is 5 members and 8 tracks/octavarium.
the 1/8, 2/8... 8/8 for each track signifies 1st track out of 8. 2nd track out of 8... 8th track out of 8
perhaps if you take the 1t page and the last page and wrap them around so that they touch each other, the telephone line will meet up so that the boy will be listening to himself talking (WHOA! SPACED OUT!)
this artwork concept is amazing. reminds me of pearl jam - yield. that album booklet and artwork is mega f**ked up with tonnes of secrets in it, so if anyone would like me to explain then let me know! |
Maybe they're twins.
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frenchie
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Joined: July 30 2004
Location: United Kingdom
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Points: 2234
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Posted: June 17 2005 at 17:50 |
very interesting artwork indeed, got me real version today! I dont get the significance of the woman widnmilling with her hair lol. The crows on the cover also feature on the album cover of Train of Thought (probably not the same crows but they are crows in similar flight pattern)
Pearl Jam Yield though, that is some mindblowing artwork, yet at first glance it looks totally normal!
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The Worthless Recluse
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