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altaeria
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Joined: March 05 2004
Location: Philadelphia
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Points: 178
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Posted: May 19 2011 at 11:20 |
Most people nowadays don't want to be impressed by music that they can't immediately relate to. They only want music that is blatantly danceable ... or reminds them of themselves lyrically (folk, pop) ... or they can see themselves playing with minimal training if they actually opted to do so (rap, punk, grunge) Any music that they can not relate to directly or vicariously is considered simply uncool or downright pretentious. Prog was popular during a brief window of time when it was surprisingly trendy to be existential in pop culture. Since then, Prog has been relegated to niche market -- just like many other musical styles that require a combination of natural talent and technical skill. Of course... What the hell do I know?? I love Prog. Technically I must be crazy...since I lay waaay outside the thinking of the norm.
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cstack3
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Posted: May 19 2011 at 12:13 |
altaeria wrote:
Most people nowadays don't want to be impressed by music that they can't immediately relate to.
They only want music that is blatantly danceable ... or reminds them of themselves lyrically (folk, pop) ... or they can see themselves playing with minimal training if they actually opted to do so (rap, punk, grunge)
Any music that they can not relate to directly or vicariously is considered simply uncool or downright pretentious.
Prog was popular during a brief window of time when it was surprisingly trendy to be existential in pop culture.
Since then, Prog has been relegated to niche market -- just like many other musical styles that require a combination of natural talent and technical skill.
Of course... What the hell do I know?? I love Prog. Technically I must be crazy...since I lay waaay outside the thinking of the norm.
![Head on wall Head on wall](smileys/smiley-angry032.gif)
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Prog was also most popular in the 1970's, when marijuana was widely available & commonly used! Even the musicians used it (many of them anyway) from what I've read.....TFTO was supposedly conceived during a trans-Atlantic flight, when the band Yes were stoned on hash brownies!!
Concerts in the 1970's were so thick with pot smoke that you could barely see the stage. These days, concerts are so antiseptic that they are not nearly the "event' that they used to be.
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Vibrationbaby
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Joined: February 13 2004
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Points: 6898
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Posted: May 19 2011 at 12:17 |
cstack3 wrote:
It's quite simple, actually....you can't dance to it (unless you want to end up looking like a lurching spastic or something!)
Fripp's foray into dance began with "Exposure" and reached its zenith with "League of Gentlemen." At his Chicago gig, he insisted on a dance floor in front of the stage.
Of course, all of us Fripp geeks immediately crowded onto the floor & crowded up at the stage!! Dancing? Nope, not one!! ![Cry Cry](smileys/smiley19.gif) Sorry, Robert!!
As I see it, the lack of danceable rhythms is the real reason why prog tends to be a guy's sport. Rarely, prog songs made it into the disco (I think "Sledgehammer" was one). Look at the effort that David Bowie and others made to produce danceable product. |
Really? A dancefloor? I'd like to see Bob get down on a dance floor. Love the cover of their only album. I made it into a poster. I don't think it has ever been releasedon CD. Have to check DGM.
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Harry Hood
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Joined: August 15 2005
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Points: 1305
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Posted: May 19 2011 at 13:14 |
cstack3 wrote:
Prog was also most popular in the 1970's, when marijuana was widely available & commonly used! Even the musicians used it (many of them anyway) from what I've read.....TFTO was supposedly conceived during a trans-Atlantic flight, when the band Yes were stoned on hash brownies!!
Concerts in the 1970's were so thick with pot smoke that you could barely see the stage. These days, concerts are so antiseptic that they are not nearly the "event' that they used to be. |
If anything marijuana is more widely used and available now than it ever was back then. In the 70's pot was much more demonized and something of a niche, but these days it's become a major part of popular culture (despite it's illegality), and you can even get a prescription to use it legally in some parts of the world. You can't smoke in venues anymore but that's simply because you can't smoke in venues anymore. But the correlation between decreased marijuana use and decreased prog popularity is just silly.
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wilmon91
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Joined: August 15 2009
Location: Sweden
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Points: 698
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Posted: May 19 2011 at 17:53 |
rogerthat wrote:
I still disagree. If it's not in any melody or rhythm whatsoever (regardless of how correctly or not the melody or rhythm is reproduced), it is not music. |
rogerthat wrote:
if the sounds don't constitute any kind of musical pattern whatsoever, it is just sound. |
I don't think melody and rhythm are prerequisites for creating music, formally speaking. There is atonal music - electroacoustic music. There's "John Cage" for example and stuff like that. Here is something by Bernard Parmegiani:
Not one tone or rhythm in that piece... Formally speaking, I think it is referred to as "music". But in my opinion, "sound art" might be a better name..
Then there is the question, "what is art?". If a kid randomly makes noise, whether hitting keys on a piano or hitting other stuff , is it art, or music? I wouldn't say so.
If I point to a tree and call it art, is it art? I haven't interacted with the tree in any way. But if I dig up the three and show it at an art exhibition, it becomes art because of the presentation, the initiative, and the creative thought behind it, the conscious will to make a piece of art.
Henry Plainview wrote:
To be honest, I'm not sure that music exists at all, and I know that sounds silly but there it is. |
Interesting, I think thats a bit of a nihilistic view.
Edited by wilmon91 - May 19 2011 at 17:57
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Eloy82
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Joined: May 08 2011
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Points: 116
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Posted: May 19 2011 at 18:40 |
DarHobo wrote:
Hello fellow prog rock lovers! I Have not visited the forums in quite awhile, so excuse me if this is beating a dead horse but... Why don't most people love prog?
The other day at work I was streaming Bevis Frond's "New River Head" album off of band camp.. sometime later a fellow co worker(wigger type) just blurted our rudely "HEY MAN CAN YOU CHANGE THE MUSIC. THIS SUCKS!!!" a couple of other people in the general area laughed as to agree with him. I really just wanted to reply by saying "Hey man sorry i'm not listening to a black guy talking over a generic third grade drum machine beat, i'm not that cool." But I simply ignored him.
Music to me is very personal(as likely with you all as well)I love trying to share "different" music with people all around me, who would otherwise never hear prog etc.. The way this guy straight disregarded this music without a chance reminded me of many other situations where people expressed similar views.
Many people I know simply say prog "sounds bad" but in reality, those same people have no understanding of music, composition, techniques, and performance. Its the same people who listen to and praise the generic mainstream super corporate pop/rap stars who diss prog, yet as I get older I realize sadly this is a large percentage of people.
Oh well, all in all I'm just glad there is a forum here of like minded individuals here who appreciate music as an art form, and not as a fashion trend or disposable market product!
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I was once rocking out to one of my fav. Krautrock bands by the name of Grobschnitt... and my gf was sitting in the passenger seat. She expressed her disgust of the music. She is now an ex gf. Does this answer your question? Probably not, as I don't even know what your question was (You wrote a huge post) but I do hope my reply gives you a healthy perspective on the matter. Your are welcome. Sir Eloy of 82
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Padraic
Special Collaborator
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Joined: February 16 2006
Location: Pennsylvania
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Points: 31169
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Posted: May 19 2011 at 18:45 |
wilmon91 wrote:
a nihilistic view. |
and
Henry Plainview wrote:
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pretty much go hand in hand.
Edited by Padraic - May 19 2011 at 18:46
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Eloy82
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Posted: May 19 2011 at 19:05 |
I love playing Can to clear out my house of visitors who have overstayed their welcome.
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Garden of Dreams
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Joined: April 26 2011
Location: United States
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Points: 336
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Posted: May 19 2011 at 20:32 |
Harry Hood wrote:
cstack3 wrote:
Prog was also most popular in the 1970's, when marijuana was widely available & commonly used! Even the musicians used it (many of them anyway) from what I've read.....TFTO was supposedly conceived during a trans-Atlantic flight, when the band Yes were stoned on hash brownies!!
Concerts in the 1970's were so thick with pot smoke that you could barely see the stage. These days, concerts are so antiseptic that they are not nearly the "event' that they used to be. |
If anything marijuana is more widely used and available now than it ever was back then. In the 70's pot was much more demonized and something of a niche, but these days it's become a major part of popular culture (despite it's illegality), and you can even get a prescription to use it legally in some parts of the world. You can't smoke in venues anymore but that's simply because you can't smoke in venues anymore. But the correlation between decreased marijuana use and decreased prog popularity is just silly. |
Marijuana is definitely still popular. Almost everyone at my high school smokes it except me. Its still part of the culture and I smelled plenty of it at the Iron Maiden and Rush concerts I attended (great shows).
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The Dark Elf
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Posted: May 19 2011 at 21:01 |
Garden of Dreams wrote:
Harry Hood wrote:
cstack3 wrote:
Prog was also most popular in the 1970's, when marijuana was widely available & commonly used! Even the musicians used it (many of them anyway) from what I've read.....TFTO was supposedly conceived during a trans-Atlantic flight, when the band Yes were stoned on hash brownies!!
Concerts in the 1970's were so thick with pot smoke that you could barely see the stage. These days, concerts are so antiseptic that they are not nearly the "event' that they used to be. |
If anything marijuana is more widely used and available now than it ever was back then. In the 70's pot was much more demonized and something of a niche, but these days it's become a major part of popular culture (despite it's illegality), and you can even get a prescription to use it legally in some parts of the world. You can't smoke in venues anymore but that's simply because you can't smoke in venues anymore. But the correlation between decreased marijuana use and decreased prog popularity is just silly. |
Marijuana is definitely still popular. Almost everyone at my high school smokes it except me. Its still part of the culture and I smelled plenty of it at the Iron Maiden and Rush concerts I attended (great shows). |
Not so fast, Garden. In the 70s smoking cigarettes was allowed in arenas in the U.S.; therefore, ushers could not ascertain whether joints or cigarettes were being passed back and forth, and so joints were passed up and down rows all through concerts (and any other drug could be purchased in the bathrooms as well). Nowadays, in the U.S. at least, there is a smoking ban in public places throughout the U.S. and concealing pot is much more difficult. You'll get thrown out for smoking a Marlboro, for Christ's sake. I would definitely say the crowds were a lot more stoned in the 70s than currently. Hell, most older fans (including myself) bring their kids to concerts these days, and that was unheard of back then. Nope, beers are now friggin' $10 a glass and smoking is being watched.
Harry's right, it aint the same. But that really has no bearing on prog's popularity, really. Concerts just aren't as good as they used to be.
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Garden of Dreams
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Joined: April 26 2011
Location: United States
Status: Offline
Points: 336
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Posted: May 19 2011 at 21:38 |
The Dark Elf wrote:
Garden of Dreams wrote:
Harry Hood wrote:
cstack3 wrote:
Prog was also most popular in the 1970's, when marijuana was widely available & commonly used! Even the musicians used it (many of them anyway) from what I've read.....TFTO was supposedly conceived during a trans-Atlantic flight, when the band Yes were stoned on hash brownies!!
Concerts in the 1970's were so thick with pot smoke that you could barely see the stage. These days, concerts are so antiseptic that they are not nearly the "event' that they used to be. |
If anything marijuana is more widely used and available now than it ever was back then. In the 70's pot was much more demonized and something of a niche, but these days it's become a major part of popular culture (despite it's illegality), and you can even get a prescription to use it legally in some parts of the world. You can't smoke in venues anymore but that's simply because you can't smoke in venues anymore. But the correlation between decreased marijuana use and decreased prog popularity is just silly. |
Marijuana is definitely still popular. Almost everyone at my high school smokes it except me. Its still part of the culture and I smelled plenty of it at the Iron Maiden and Rush concerts I attended (great shows). |
Not so fast, Garden. In the 70s smoking cigarettes was allowed in arenas in the U.S.; therefore, ushers could not ascertain whether joints or cigarettes were being passed back and forth, and so joints were passed up and down rows all through concerts (and any other drug could be purchased in the bathrooms as well). Nowadays, in the U.S. at least, there is a smoking ban in public places throughout the U.S. and concealing pot is much more difficult. You'll get thrown out for smoking a Marlboro, for Christ's sake. I would definitely say the crowds were a lot more stoned in the 70s than currently. Hell, most older fans (including myself) bring their kids to concerts these days, and that was unheard of back then. Nope, beers are now friggin' $10 a glass and smoking is being watched.
Harry's right, it aint the same. But that really has no bearing on prog's popularity, really. Concerts just aren't as good as they used to be. |
I didn't mean to imply that it is more popular now than in the 70's. I don't know because I wasn't around in the 70's but it is still common. I will take your word about the concert thing but I simply meant that marijuana is still part of the culture. Based on my concert experience, there was plenty of smoke in the air. Maybe not as much as the 70's however.
With that said, an increase in marijuana use wouldn't make prog more popular. I don't think prog will ever be in any sort of limelight again. Most of the young people my age have never heard of prog. Most know of Phil Collins as the guy who did the music for Tarzan. Rush is closest thing to being a popular prog band and they are still far underground popular music.
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The Dark Elf
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Posted: May 19 2011 at 23:00 |
Garden of Dreams wrote:
I didn't mean to imply that it is more popular now than in the 70's. I don't know because I wasn't around in the 70's but it is still common. I will take your word about the concert thing but I simply meant that marijuana is still part of the culture. Based on my concert experience, there was plenty of smoke in the air. Maybe not as much as the 70's however.
With that said, an increase in marijuana use wouldn't make prog more popular. I don't think prog will ever be in any sort of limelight again. Most of the young people my age have never heard of prog. Most know of Phil Collins as the guy who did the music for Tarzan. Rush is closest thing to being a popular prog band and they are still far underground popular music. |
You are most likely correct. I think perhaps that the demands of long-form compositions in any genre are going to suffer in these latter days. We live in an AD/HD society where everything is done quickly. The English language is rapidly devolving into internet acronyms, important news barely keeps people interested for more than a day or two, people shove down fast food in front of the TV or PC rather than having formal meals at a dinner table, and instead of reading a book for information, folks look up everything and anything on Wiki.
So listening to a 20 minute composition with relatively no catchy hooks or a repetitive chorus is most likely not going to capture a disinterested listener's fancy, nor is it going to sell on iTunes, nor are many listeners interested in the album format anymore. And the album format is what a genre like progressive rock is best suited for.
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JeanFrame
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Posted: May 20 2011 at 08:04 |
I suppose we have a liking for complexity and invention, whereas the mainstream tends to prefer familiarity and convention.
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Alitare
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Posted: May 20 2011 at 09:29 |
The Dark Elf wrote:
Garden of Dreams wrote:
I didn't mean to imply that it is more popular now than in the 70's. I don't know because I wasn't around in the 70's but it is still common. I will take your word about the concert thing but I simply meant that marijuana is still part of the culture. Based on my concert experience, there was plenty of smoke in the air. Maybe not as much as the 70's however.
With that said, an increase in marijuana use wouldn't make prog more popular. I don't think prog will ever be in any sort of limelight again. Most of the young people my age have never heard of prog. Most know of Phil Collins as the guy who did the music for Tarzan. Rush is closest thing to being a popular prog band and they are still far underground popular music. |
You are most likely correct. I think perhaps that the demands of long-form compositions in any genre are going to suffer in these latter days. We live in an AD/HD society where everything is done quickly. The English language is rapidly devolving into internet acronyms, important news barely keeps people interested for more than a day or two, people shove down fast food in front of the TV or PC rather than having formal meals at a dinner table, and instead of reading a book for information, folks look up everything and anything on Wiki.
So listening to a 20 minute composition with relatively no catchy hooks or a repetitive chorus is most likely not going to capture a disinterested listener's fancy, nor is it going to sell on iTunes, nor are many listeners interested in the album format anymore. And the album format is what a genre like progressive rock is best suited for. |
The album format is the ONLY format I deal with for any artist unless otherwise implausible. For example, Older Blues, Vocal pop/Jazz, and rock artists, such as Billie Holiday and Django Reinhardt are ill-suited for album-oriented consumption. That's a case where I will listen through (not to) boxsets and compilations. Frank Sinatra was a case of supremely album oriented material throughout the 1950s and 1960s, with a slew of concept albums (mostly about sadness, the night, romance, and a-swingin'). But in all standard scenarios, I remain thoroughly entrenched in the realm of album listening. It's not 'better' than singles listening; back when folks had to decide between the rather expensive Dark Side of the Moon or paying rent, I can understand why the Money single was propelled to such popularity, instead.
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Vibrationbaby
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Posted: May 20 2011 at 09:30 |
Prior to discovering this website by chance back in 2004 I didn't really classify music at all. Either I like it or I didn't whether it was Tangerine Dream or Blondie.or Motorhead or Rimsky -Korsakov. I was actually looking for something about the Hungarian band Omega and ran into PA in my search ( I had just got my first computer ). Many bands I like just happen to fit into this category called prog rock. In my early days of colecting music back n the mid seventies just about any popular music that wasn't disco, country, jazz or classical was classified as progressive. I foud this in my pile of crap. It' an excerpt from a David Byrne article from the The New York Times, Oct.3 1999. The title of the article was "I hate World Music".
" Having the right piece of music at the right time of your life can inspire a radical change,destructive personal behaviour or even fascist politics. Sometimes all at the same time . On the other hand, musiccan inspire Llove, religious ecstacy, catharic release, social bonding and a glimpse of another dimension. A sense that there is anothertime, another space and another, better universe. It can heal a broken heart, offer a shoulder to cry on and a friend when no one else understands. There are times when you want to be transported,, to get your mind around some stuff you've never encountered before."
I dunno I don't go around saying I'm a progrock fan. If someone asks what do ypu listen to I just say a lot of sh*t that's off the beaten track. A lot ofsh*t that's weird to a lot of people but not weird to me.
Edited by Vibrationbaby - May 20 2011 at 10:06
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rogerthat
Prog Reviewer
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Posted: May 20 2011 at 09:46 |
wilmon91 wrote:
I don't think melody and rhythm are prerequisites for creating music, formally speaking. There is atonal music - electroacoustic music. There's "John Cage" for example and stuff like that. Here is something by Bernard Parmegiani:
Not one tone or rhythm in that piece... Formally speaking, I think it is referred to as "music". But in my opinion, "sound art" might be a better name.. |
I said earlier in the thread that at the boundaries of avant garde, the distinction between music and noise is blurred. But, the boundaries of how far we can push music closer to noise does not determine what is ALL music. All atonal music is not necessarily devoid of melody formally. Melody formally is not synonymous with the common usage of "melodic". I would call Schoenberg musical, for instance. I would agree that this piece seems to be devoid of tone even in that liberal sense. There are however passages adhering to discernible rhythms (though there seems to be no underlying rhythmic movement per se) so I could call it an extreme free form piece or something like that. HOWEVER, a distinction does still exist even between this piece and kid randomly making noise in that the former is still an organized and deliberate effort and there is a pattern even to the ostensible noise where there wouldn't be with kid blah blah. I don't think this is a qualitative judgment in any way. I just don't have the means to demonstrate theoretically what is a pattern and what is not but that doesn't mean this is a purely arbitrary and whimsical judgment. I don't think it should really be that difficult anyhow to discern that this piece is NOT totally random whereas kid blah blah would be. And I am not reading into the intentions of the "producer of sound" but rather the product itself. This is not really directed to you, specifically, and is just a general comment on the views expressed in this discussion.
wilmon91 wrote:
If I point to a tree and call it art, is it art? I haven't interacted with the tree in any way. But if I dig up the three and show it at an art exhibition, it becomes art because of the presentation, the initiative, and the creative thought behind it, the conscious will to make a piece of art.
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Fully in agreement with this. Of course, art MAY occasionally be created by accident but we only ALLOW for exceptions, we don't make them the rule itself.
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rogerthat
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Posted: May 20 2011 at 09:53 |
JeanFrame wrote:
I suppose we have a liking for complexity and invention, whereas the mainstream tends to prefer familiarity and convention.
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So why does the pop music of today sound starkly different from the pop music of the 50s? Uh, sure, there are retro acts trying to evoke the sounds of the past but that doesn't mean all pop music is exactly the way it used to be back then. How much of today's pop music would have been found conventional 50 years earlier, I wonder. These things are not so cut and dry and we have to also consider that not everyone has the stamina or energy to read and gather information about emerging music or less popular music so they get influenced by what the media promotes in the mainstream. Perhaps, if something daring did get promoted in the mainstream, they may be more receptive to it than we like to believe. Progheads in the current scenario can network with other progheads on the net and keep tabs on new prog acts but not all progheads keep pace with trends in other genres of music. Some progheads are not interested in electronic music which is all over the mainstream, for instance. It's tough, at the end of the day, to devote attention to more than one scene.
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topographicbroadways
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Posted: May 20 2011 at 09:57 |
Because not everybody has the same taste? Yes that'll be it.
I've never even been met with hostility towards prog anyway. The reactions i get ever when playing some prog range from "thats a little weird, wanna go smoke a joint?" to "thats a little weird. I'm going to put on some Metal now"
Prog is the most fulfilling music for me but it'd get boring if I never took a break, and would get really tedious if everybody around me wanted to talk about their favourite Organ passage on Third. Thats what this site is for.
Oh right lots of people already pointed out it's a silly thread
Edited by topographicbroadways - May 20 2011 at 10:06
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Vibrationbaby
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Posted: May 20 2011 at 10:08 |
I think this is a silly thread. So clear off, the lot of you.
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cstack3
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Posted: May 20 2011 at 11:14 |
JeanFrame wrote:
I suppose we have a liking for complexity and invention, whereas the mainstream tends to prefer familiarity and convention.
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Although this is likely true, I still cannot reconcile the HUGE concert audiences that Yes, ELP and other bands have drawn in the past!
In the 1970's. Yes used to be able to sell out two consecutive shows at Chicago's largest venue at the time (Chicago Stadium), and now they are reduced to playing shows at casinos and House of Blues-sized venues. Other huge draws included Tull, Genesis and Uriah Heep.
Prog songs such as "Roundabout" and "From the Beginning" were regular AM radio staples in the '70s, but catching a glimpse of this music on even the more progressive/AOR stations in Chicago is rare these days.
So, the music hasn't really changed all that much, but public tastes have, particularly of the young. Most audience members of prog shows I attend these days tend to be as old, fat & bald as I am!! (well, the guys anyway).
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