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Topic ClosedWhy don't most people love our beloved music?

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Alitare View Drop Down
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Direct Link To This Post Posted: May 16 2011 at 23:08
I never said music didn't exist. I said the inherent 'goodness' or 'badness' of music does not exist.
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Direct Link To This Post Posted: May 16 2011 at 23:17
Originally posted by Alitare Alitare wrote:

I never said music didn't exist. I said the inherent 'goodness' or 'badness' of music does not exist.

But you had earlier asked the question that how can a toddler wailing on a toy piano be called objectively bad music? My point is it would not even be music if he was just banging keys randomly, so the question of whether it is good or bad music does not arise.  Within the realm of whatever IS music, we cannot prove what is inherently bad or good music, I agree. You will, on the other hand, get most people to agree that the same toddler playing some 'musical' crap with horrible tones is terrible music. That is not proof but it is highly persuasive and most music discourse goes around on persuasion, not proof.


Edited by rogerthat - May 16 2011 at 23:19
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Direct Link To This Post Posted: May 16 2011 at 23:23
But proof, not persuasion, was the original aspect of conversation. Someone disagreed with what Henry said. He said that music didn't have universal worth. It's subjective worth. He was disagreeing with fact. It's not wrong to disagree with fact, but...

That's where all this came from.
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Direct Link To This Post Posted: May 16 2011 at 23:33
Originally posted by Alitare Alitare wrote:

But proof, not persuasion, was the original aspect of conversation. Someone disagreed with what Henry said. He said that music didn't have universal worth. It's subjective worth. He was disagreeing with fact. It's not wrong to disagree with fact, but...

That's where all this came from.

Of course, I am not disagreeing with that essentially. I am saying that wilmon probably confused persuasion with fact.  Yes, you can get 9 or even 10 out of 10 people to say a particular piece of music sucks balls, but it's still not an objective fact because no objective basis of good or bad exists. A larger question: just how many objective bases of determining good or bad exist, for that matter?  Good or bad is qualitative and not quantitative and objectively proving something that is qualitative gets perceptive rather than purely factual.  When we say this is a good car and that one is not, it is again a subjective observation.  Only, there are fewer subjective bases of deciding what is a good car and better defined parameters at that than music, so people can compile charts of mileage or describe the legroom and interiors and guide you more reliably to make that decision. 
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Direct Link To This Post Posted: May 16 2011 at 23:43
Right. I don't think you and I ever disagreed, anyway.
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Direct Link To This Post Posted: May 17 2011 at 00:23
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Direct Link To This Post Posted: May 17 2011 at 00:54
Originally posted by Alitare Alitare wrote:

Right. I don't think you and I ever disagreed, anyway.


lol
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Direct Link To This Post Posted: May 17 2011 at 01:15
For the majority of people, music is just background noise... and occasionally will allow a song with a catchy hook into their minds, usually by force of having repeatedly heard it on radio.  

People have short attention spans for anything outside of what is most important in their lives....  and for most, actually sitting and listening and contemplating music falls well outside this boundary.

I understand how they feel as I have many friends, musicians included, that constantly talk about the latest video game they're playing.  I put up a brick wall where that's concerned...

Mostly, I think people want something memorable and nicely packaged.  It's a multimedia world and has been for sometime.  In competing with jobs, TV, video games, kids, and other responsibilities.... it's easy to understand how discovering new, interesting (though potentially inspiring) music can fall by the wayside.
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Direct Link To This Post Posted: May 17 2011 at 01:33
The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.
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Direct Link To This Post Posted: May 17 2011 at 05:59
Originally posted by rogerthat rogerthat wrote:

objectively proving something that is qualitative gets perceptive rather than purely factual. 


You are basically saying that you can't prove something that is "qualitative" and I agree on that.

Originally posted by rogerthat rogerthat wrote:


When we say this is a good car and that one is not, it is again a subjective observation.  Only, there are fewer subjective bases of deciding what is a good car and better defined parameters at that than music


It's an opinion based on a subjective observation, yes.

However the claim that there are no good or bad cars would be something different. If that would be true, it would not mean that no one can know which cars are good or bad - but it means what it says - that no cars are good or bad, no one is better than another, and that's the truth.

But without proof most of us (I hope) would agree that there are good or bad cars. But "good" and "bad" are just values, you have to define in what sense the cars are good or bad. There are a lot of factors to consider. When a car is tested and given its opinion, it's everything from comfort, the mechanics, price, the cost of parts, design, etc. Within each aspect you make an evaluation based on common reasoning. And there is nothing random in reasoning. There is a ground for every opinion. That's not to say that every opinion is true, but it's not formed out of nothing.

Originally posted by Alitare Alitare wrote:

Originally posted by wilmon91 wilmon91 wrote:

Originally posted by Alitare Alitare wrote:

My question, which has yet to be answered, is how can you intrinsically prove that one song is universally 'better' than another?
 
You can't, as I said, you can only use reason.

But which reason is the best reason?


Reasoning is a way to make logic out of your perceptions and feelings. Which is the best reasoning is a matter of opinion, but its the one that is based on the perception that is closest to the truth , and the one who explains in the most clear and unadulterated way.

Humans have the ability to tell things that is in harmony from things that is in disharmony, and strive towards perfecting things. That's why we have arts. But the complexity of reality can make it harder to see where and what harmony is. But I mean that there are abstract values of goodness (ideals), and when something is created by a human, it can be more or less closer to these values. If you believe that all human creativity has a common ground , then it is these abstract things that gives rise to it.

So I mean that good and bad music definitely exists, and the quality is based on all the aspects that constitute the music, but no one can know the exact measure of it, and it's impossible to make general rules regarding quality because of there always being exceptions.


Edited by wilmon91 - May 17 2011 at 06:03
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Direct Link To This Post Posted: May 17 2011 at 06:08
Originally posted by wilmon91 wilmon91 wrote:

 
It's an opinion based on a subjective observation, yes.

However the claim that there are no good or bad cars would be something different. If that would be true, it would not mean that no one can know which cars are good or bad - but it means what it says - that no cars are good or bad, no one is better than another, and that's the truth.

But without proof most of us (I hope) would agree that there are good or bad cars. But "good" and "bad" are just values, you have to define in what sense the cars are good or bad. There are a lot of factors to consider. When a car is tested and given its opinion, it's everything from comfort, the mechanics, price, the cost of parts, design, etc. Within each aspect you make an evaluation based on common reasoning. And there is nothing random in reasoning. There is a ground for every opinion. That's not to say that every opinion is true, but it's not formed out of nothing.

Oh, I agreed earlier too that people do tell good from bad and people do agree a lot on these things, I am only saying it is still not something factual. But, yes, it's an opinion made on same basis, it's not completely random, I completely agree with that.  I should have added that when somebody disagrees with my saying that a kid playing crappy stuff on a piano sounds bad, I expect him to explain why and not just shrug, "It's my opinion", that's not enough.  Opinions are not formed out of thin air, agreed. To extend this further, one would be well within his rights to call "kid playing piano" bad, the fact that somebody else doesn't agree doesn't invalidate it unless that somebody else can say why.  If this were not the case, we would not be able to have any opinions about music and that would only hold good if we don't like or dislike music, that is,are numb to its effect on our senses.

 
Originally posted by wilmon91 wilmon91 wrote:


Reasoning is a way to make logic out of your perceptions and feelings. Which is the best reasoning is a matter of opinion, but its the one that is based on the perception that is closest to the truth , and the one who explains in the most clear and unadulterated way.

Humans have the ability to tell things that is in harmony from things in that is disharmony, and strive towards perfecting things. That's why we have arts. But the complexity of reality can make it harder to see where and what harmony is. But I mean that there are abstract values of goodness (ideals), and when something is created by a human, it can be more or less closer to these values. If you believe that all human creativity has a common ground , then it is these abstract things that gives rise to it.

So I mean that good and bad music definitely exists, and the quality is based on all the aspects that constitute the music, but no one can know the exact measure of it, and it's impossible to make general rules regarding quality because of there always being exceptions.

Not addressed to me, but broadly agree with this as well.  It's important to distinguish between reasoned observations and whimsical impressions.  
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Direct Link To This Post Posted: May 17 2011 at 09:19
Originally posted by rogerthat rogerthat wrote:

Originally posted by Alitare Alitare wrote:

I never said music didn't exist. I said the inherent 'goodness' or 'badness' of music does not exist.

But you had earlier asked the question that how can a toddler wailing on a toy piano be called objectively bad music? My point is it would not even be music if he was just banging keys randomly, so the question of whether it is good or bad music does not arise.  Within the realm of whatever IS music, we cannot prove what is inherently bad or good music, I agree. You will, on the other hand, get most people to agree that the same toddler playing some 'musical' crap with horrible tones is terrible music. That is not proof but it is highly persuasive and most music discourse goes around on persuasion, not proof.


I guess you haven't seen Shroeder pound out some killer Beethoven on the Charlie Brown specials.
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Direct Link To This Post Posted: May 17 2011 at 09:31
Originally posted by HeirToRuin HeirToRuin wrote:

For the majority of people, music is just background noise... and occasionally will allow a song with a catchy hook into their minds, usually by force of having repeatedly heard it on radio.  

People have short attention spans for anything outside of what is most important in their lives....  and for most, actually sitting and listening and contemplating music falls well outside this boundary.

I understand how they feel as I have many friends, musicians included, that constantly talk about the latest video game they're playing.  I put up a brick wall where that's concerned...

Mostly, I think people want something memorable and nicely packaged.  It's a multimedia world and has been for sometime.  In competing with jobs, TV, video games, kids, and other responsibilities.... it's easy to understand how discovering new, interesting (though potentially inspiring) music can fall by the wayside.


Some of my friends who are non-musical are actually fascinated by some of the sh*t I listen to and wish they could understand it. Actually I don't even understand some of it or for that matter most of it. No, seriously I don't understand music at all. It's not like understanding the laws of thermal dynamics or the the theory of flight. It's very abstract and I think that's why I like it. I don't confine myself to Progrock either. I listen to everything from the Pipes & Drums Of The Black Watch to The Ramones.

As for short attention spans we can blame technology for that. High School drop out rates have reached an unpecedented high in the province Of Québec where I live. Everybody walks around with these ipads, ipods and if**kknows. I don't even own a cell phone and very rarely will walk down the street with my Sony discman which is about 10 years old.
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Direct Link To This Post Posted: May 17 2011 at 09:32
Originally posted by giselle giselle wrote:

The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.


I agreewith you as long as Céline Dion is not included in this thing we call music.
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Direct Link To This Post Posted: May 17 2011 at 09:41
Originally posted by Vibrationbaby Vibrationbaby wrote:

Originally posted by giselle giselle wrote:

The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.


I agreewith you as long as Céline Dion is not included in this thing we call music.
I don't listen to Dion.  Why do I get the funny feeling that you do and this is why you hate her stuff so much. LOL
A side question, what do you think about Sarah McLachlan?


Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 17 2011 at 10:11
Sometimes I have no choice but to listen to Céline's catcalls. I often meet a friend in Place Ville Marie for coffee in the morning and they play this goddam Céline Dion repeating sampler overthe PA. It is really f**king annoying. In Montréal you have to look at her ugly face in the newspapers on almost a daily basis. It used to be a lot worse but that flame has been passed on to Lady Gaga. When Céline calved those latest two little freaks it was everywhere. Just makes you want to drink your own diareah. Believe me thare are a lot of Céline haters in Québec, it' s not only me. That creepy pedophile manager husband / manager always says that they won't accept any cheap criticism, but they still get plenty of it .

Sarah McLachlan I can tolerate sometimes. But when this Lilith Fair militant women's lib crap came out I started to throw up. I have to admit unlike Céline she can sing. She does have a grasp of whatshe's doing with her mezzo-soprano voice but her songs are just too wishy washy. As far as Canadian female vocalists that I'll listen to. Lee Aaron ( Karen Greening ) Met her once, Alanah Myles and Pamela Morgan .I''ll even listen to Rita McNeil and Anne Murray. Randy Bachman is a real good Canadian female vocalist too.



Edited by Vibrationbaby - May 17 2011 at 10:12
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Direct Link To This Post Posted: May 17 2011 at 10:23
Originally posted by Slartibartfast Slartibartfast wrote:

Originally posted by Vibrationbaby Vibrationbaby wrote:

Originally posted by giselle giselle wrote:

The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.


I agreewith you as long as Céline Dion is not included in this thing we call music.
I don't listen to Dion.  Why do I get the funny feeling that you do and this is why you hate her stuff so much. LOL
A side question, what do you think about Sarah McLachlan?



Didn't she do an all-Tom Waits cover album? I hate her almost as much as Sheryl Crow and Rod Stewart for that.
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Direct Link To This Post Posted: May 17 2011 at 10:48
In a very personal way, I classify music as "Music to dance to" and "Music to listen to".
Most people prefer "Music to dance to", which does not require much attention to details, just a nice beat and a catchy tune, not giving much importance to content.
"Music to listen to" on the other hand, has rich compositions, complex arrangements, elaborate orchestration, and requires attention while listening to it, to fully appreciate it. This type of music is for the intellectually inclined type of people, which is not the case for most of the human race, and is quite difficult for the average person to relate to.
"Music to listen to" includes classical, jazz, prog, and other genres which focus on composition, not on the beat, and is largely ignored by the music industry and general public, but it's highly appreciated by their fans. Most of it stands the test of time, unlike the vast majority of popular music of yesterday and today. 
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Direct Link To This Post Posted: May 17 2011 at 11:12
Originally posted by Vibrationbaby Vibrationbaby wrote:

Originally posted by giselle giselle wrote:

The big danger in clinging to a genre like this, is it can make you think you are in an elite, and creates in you a kind of snobbery which looks down on other forms of music. That of course, is rubbish - music is music is music. As we've seen from many discussions on here, forming a genre makes the devotees argue long and hard about what Prog is or isn't, when really it should just be about a group of people tending to enjoy the same kind of music. Prog isn't better or worse than other forms of music, it just is a particular way of playing and approaching the subject. That fact often gets lost in people's obsessive lack of distinction between their own very personal taste and musical quality.


I agreewith you as long as Céline Dion is not included in this thing we call music.
 
I'm not a fan of Celine Dion either, but that definition is more to do with 'you' than 'we'.
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Direct Link To This Post Posted: May 17 2011 at 11:38
As much as I absolutely loathe Celine, it's not like she's a sheer abysmal drop from the hideously overrated Diana Ross.  Just what all are we going to tick off as "not music"? LOL  But I do get where his irritation comes from. In my country too, people are still hung up on Celine Dion...as such on mid 80s to early 90s pop and rock music that listeners in the West have grown out of but India still can't get enough of. Dead  I mean Celine, Def Leppard, Bon Jovi, GNR, Bryan Adams, even Aqua.  Dead
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