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moshkito View Drop Down
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Direct Link To This Post Posted: December 09 2010 at 14:41
 
Originally posted by stonebeard stonebeard wrote:


2) The lyrics are often really pretentious or really cheesy. I like Pain of Salvation because most of the time Gildenlocks keeps the lyrics personal, interpersonal, and relatable. other times you get "The Dark Eternal Night" or some philosophical crap. No thanks. Artists aren't usually the go-to guys for philosophy.

Are you suggesting that all musicians out there are uneducated and stupid and could not possibly have one iota of philosophy in their work?
 
If I have an issue with it, is that a lot of these lyrics are not intelligent enough, and many of these people are just writing "songs" yet again ... and they do not have the cultural and schooling, to do anything more than just another rock'n'roll song ...
 
But to suggest that some folks can not create anything with it ... is sad ... and is a gross generalization. There are very good writers out there, in all facets of music ... and many times they are way more philosophical than most stuff you read in the class at your local pissing hole ... ooooppppsss ... school!
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Direct Link To This Post Posted: December 15 2010 at 17:10
It's the noise--the volume--the blasting apart of the space between notes that help define beauty in music. I need those spaces, room for the subtleties and incidentals to be able to make themselves heard. 
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Direct Link To This Post Posted: December 15 2010 at 22:31
Some people just don't like metal, period.  I'm not one of them, but I know people who cannot find heavy riffage, intense vocals, grim lyrics, and self-indulgent instrumental work appealing no matter how progressive it is.
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Direct Link To This Post Posted: December 15 2010 at 22:43
Originally posted by moshkito moshkito wrote:

 
Originally posted by stonebeard stonebeard wrote:


2) The lyrics are often really pretentious or really cheesy. I like Pain of Salvation because most of the time Gildenlocks keeps the lyrics personal, interpersonal, and relatable. other times you get "The Dark Eternal Night" or some philosophical crap. No thanks. Artists aren't usually the go-to guys for philosophy.

Are you suggesting that all musicians out there are uneducated and stupid and could not possibly have one iota of philosophy in their work?
 
If I have an issue with it, is that a lot of these lyrics are not intelligent enough, and many of these people are just writing "songs" yet again ... and they do not have the cultural and schooling, to do anything more than just another rock'n'roll song ...
 
But to suggest that some folks can not create anything with it ... is sad ... and is a gross generalization. There are very good writers out there, in all facets of music ... and many times they are way more philosophical than most stuff you read in the class at your local pissing hole ... ooooppppsss ... school!


I'm not suggesting that all musicians out there are uneducated enough to make philosophically-themed works, but I am directly telling you most musicians who try better do it from an artistic and purposefully whimsical standpoint, because they just plain don't have the philosophical balls to take the hard-nosed approach and do it right. Stern Smile

Peter Hammill is sometimes an exception.

There is no reason why music and philosophy can't intermingle, but in my perspective philosophy needs time and room to breath, and lyrics almost always only make a shallow cut.

I don't really know what institution you learned  at, if you did, but no musician ever ever ever come close to being as good a philosopher than...proactically any well-known and popular philosopher. You probably only say that because you're upset I called artists out on their poncing around topics they can't hope to compare to in song format.
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Direct Link To This Post Posted: December 16 2010 at 04:14
I actually like prog metal in a way but more when prog rock bands include some of it in their style, but i think that people who like prog music don't like prog metal because very often it's not sincere enough and is more about technique and showing personal skills on instrument. When I listen some longer prog metal songs i have sense that they did it only to have a very long song not because they really needed long track to express sth.

It can be quiet empty and lack feeling as well as atmosphere... this is why, i think
SMART preachers of our doom
Telling us there is no room.
Not enough for all mankind
And the seas of time are running dry.
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Direct Link To This Post Posted: December 16 2010 at 10:39
Originally posted by Mr. Maestro Mr. Maestro wrote:

Some people just don't like metal, period.  I'm not one of them, but I know people who cannot find heavy riffage, intense vocals, grim lyrics, and self-indulgent instrumental work appealing no matter how progressive it is.

Out of curiosity, are there prog metal bands that are as progressive in every sense of the word as Magma or Can?  Let's face it, by prog rock standards, it is indeed not all that progressive and it is generally in comparison to pure metal that prog metal is called, well, progressive.  That is another debate by itself but there's not much, if any, prog metal I could call as progressive as those bands or KC or Gentle Giant, so on and so forth. 
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Direct Link To This Post Posted: December 16 2010 at 10:45
Originally posted by stonebeard stonebeard wrote:

Originally posted by moshkito moshkito wrote:

 
Originally posted by stonebeard stonebeard wrote:


2) The lyrics are often really pretentious or really cheesy. I like Pain of Salvation because most of the time Gildenlocks keeps the lyrics personal, interpersonal, and relatable. other times you get "The Dark Eternal Night" or some philosophical crap. No thanks. Artists aren't usually the go-to guys for philosophy.

Are you suggesting that all musicians out there are uneducated and stupid and could not possibly have one iota of philosophy in their work?
 
If I have an issue with it, is that a lot of these lyrics are not intelligent enough, and many of these people are just writing "songs" yet again ... and they do not have the cultural and schooling, to do anything more than just another rock'n'roll song ...
 
But to suggest that some folks can not create anything with it ... is sad ... and is a gross generalization. There are very good writers out there, in all facets of music ... and many times they are way more philosophical than most stuff you read in the class at your local pissing hole ... ooooppppsss ... school!


I'm not suggesting that all musicians out there are uneducated enough to make philosophically-themed works, but I am directly telling you most musicians who try better do it from an artistic and purposefully whimsical standpoint, because they just plain don't have the philosophical balls to take the hard-nosed approach and do it right. Stern Smile

Peter Hammill is sometimes an exception.

There is no reason why music and philosophy can't intermingle, but in my perspective philosophy needs time and room to breath, and lyrics almost always only make a shallow cut.

I don't really know what institution you learned  at, if you did, but no musician ever ever ever come close to being as good a philosopher than...proactically any well-known and popular philosopher. You probably only say that because you're upset I called artists out on their poncing around topics they can't hope to compare to in song format.

mosh has a perennial problem of taking words out of context, perhaps conveniently so as to enable him to go on his favourite rant against prog rock listeners. Wink  Without commenting on a musician's understanding of philosophy, I would suggest that nevertheless a philosophically oriented approach, particularly if (like in prog metal) it is too verbose, can suffocate the music and divert attention from it. I prefer lyrics that communicate the emotion of the music.  My favourite pieces of lyric writing aren't even all that profound.  Something like Babylon Sisters brilliantly conveys the mood being built up in the music and, especially, is a lot of fun to sing.  Writing lyrics for a song is a whole different ballgame from understanding of poetry or philosophy, even if all those may help.
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Direct Link To This Post Posted: December 22 2010 at 13:48
To me, it was an interesting idea combining progressive music with heavy metal but the end result just didnt catch me. to me u can create a lot more interesting ideas and concepts with rock that u cant with metal. i like bands like Dream Theater Queensryche and Spock's Beard but most of the time it doesnt interest me.
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Direct Link To This Post Posted: December 22 2010 at 14:48
Originally posted by stonebeard stonebeard wrote:

... 
I don't really know what institution you learned  at, if you did, but no musician ever ever ever come close to being as good a philosopher than...proactically any well-known and popular philosopher. You probably only say that because you're upset I called artists out on their poncing around topics they can't hope to compare to in song format.
 
It's not that dry or simple.
 
My generation, the one that invented "progressive" music and many other things, is by far one of the best when it comes to "philosophy" and many other things.
 
The issue is, that we think that "philosophy" has to be all in words. That it can never come in an instrument. That it can never come with a composer. That it can never come with King Crimson ... and in my way of thinking that is quite incorrect.
 
Times change, And different medias and mediums come around and bring out "philosophy" differently ... than a written book ... or as I used to say to a lot of new age folks ... new age always had to come by the CD, or the book or the crystal ... never by someone right in front of you saying hello or writing an article.
 
In my book, the likes of Daevid Allen, Vangelis, Mike Oldfield, Ryuichi Sakamoto, are the best "philosophers" of the past 50 years ... and I might add a couple of film makers like Jean Luc Godard to that mix, but to say that nothing else out there is not ... scares me!
 
It's the best representation of philosophy ever done ... except that it was never done like that before or "recorded".
 
Now it is!
 
Your call!
 
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Direct Link To This Post Posted: December 23 2010 at 08:31
For me its not the Loudness or Heavyness, its the style.
 
I like experimental music, like Mars Volta, Tool. Pain of Salvation
But i get faster tired of the more straight forvard Metal, like Steve Vai, Dream T, Ayreon.
 
So personaly i would descripe it like, if its mainly a mix of "Yes" inspired Symphonic's and Metal, its not my favorite.
But if its more leaning against an Eclectic Prog / Metal mix, im in.        
Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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Direct Link To This Post Posted: December 23 2010 at 11:30
   Simply cause i don't like Metal , i like Golden & Platinum stuff !
Tracking Tracks of Rock
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Direct Link To This Post Posted: December 23 2010 at 12:35
Because there are only two kinds of music: Country and Western.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: December 23 2010 at 13:02
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Direct Link To This Post Posted: December 23 2010 at 13:05
Originally posted by Baggra Baggra wrote:



What does this image mean?
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Direct Link To This Post Posted: December 23 2010 at 13:31
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Direct Link To This Post Posted: December 23 2010 at 13:32
Because what I heard of prog metal is mostly metal with some arrangements. I had no chance to listen to something else than prog metal that looks entirely like pure metal with sounds of the 80's.
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Direct Link To This Post Posted: February 10 2011 at 17:07
Most of it is just.... lame, boring, cheesy, overdone. and I love metal.
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Direct Link To This Post Posted: March 20 2011 at 10:14
I was used to listen in 1995-2004 a few bands like Dream Theather, Nighwish, and Stratovarious, and other power Metal band, because i miss so much the sound and the keyboards of the '80, and in those band that sound was present, although a bit much heavier. So it's true that the Prog Metal and Power Metal has their influences on the '80 style of pop metal with the symphonic keyboards, but since 6 years i hate prog metal because is very very boring and it's calculated. That i hate more of prog metal is the heavy riffage of guitar and the speedy of the solo.

Maybe only Queensryche was a good way to do prog Metal!


Edited by Aragon - March 20 2011 at 10:20
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Direct Link To This Post Posted: March 20 2011 at 12:27
Originally posted by stonebeard stonebeard wrote:

Couple reasons. I'm going to reat it as why people don't like metal in general very much:

1) Most bands take themselves way too seriously when their lyrics are just plain cheesy and laughable. They should be laughing about it. But sometimes they and the fans take slaying dragons really seriously.

2) The lyrics are often really pretentious or really cheesy. I like Pain of Salvation because most of the time Gildenlocks keeps the lyrics personal, interpersonal, and relatable. other times you get "The Dark Eternal Night" or some philosophical crap. No thanks. Artists aren't usually the go-to guys for philosophy.

3) Solos. "Hey cool riff...Nice solo, man! Oh hey here's another on--oh wait why are you starting another one that one wasn't even ove---OH DAMMIT NOT AGAIN."


Fair enough, but aren't these usually peoples complaints about prog rock in general?

LOL


Edited by Repner - March 20 2011 at 12:29
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Direct Link To This Post Posted: March 27 2011 at 14:52
I haven't checked out too much prog metal yet, including a Dream Theater album, and the qualm I have with that album is that the music gets very overblown and pretensious and technical. Nothing wrong with those things, I do sorta like Scenes from a Memory. Opeth is pretty cool, very moody and skilled as well.
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