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Topic ClosedGreg Lake’s rant against bootlegs and piracy.

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TODDLER View Drop Down
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Direct Link To This Post Posted: November 08 2010 at 06:58
Originally posted by richardh richardh wrote:

Originally posted by TODDLER TODDLER wrote:

Originally posted by richardh richardh wrote:

All I deduce from this is that someone is not as well off as he used to be.
 
btw sheer genius PadraicClapLOL
What's that got to do with it? The point is his product is being stolen. Why does he have to live in the 2010 world? And do people need to attend every ELP concert? If ELP are on you tube if gives them more exposure? Give me a breakLOL. It's ridiculous. People need to see every concert of ELP? For what?
 
sorry I've read your post a few times and simply can't fathom what your point is
 
I have bought ELP product over and over and over . Most of there albums have been reissued 5 times on CD. I buy all of them. I buy their individual albums and DVD's as well and will always go to concerts when they tour as solo artists and pay whatever price they choose to charge.Greg should appreciate his fans not look down his nose at the likes of me. He is a prickly sod but this rant for me is completely out of order and will only serve to alienate fans like me who have helped to keep his bank balance reasonably healthy over the years (or at least thats what I thought)
 
 
You must be a fanatic for the band. I am looking at it from a different perspective. Realistically, how can every title from every band in the world be considered great? Musicans are human and make mistakes. Fans are human and sometimes delude themselves into believing that the musician can do no wrong, right in the midst of listening to their worse title. This does not apply to someone's personal preference consistently in the world. There is always the person who finds Popol Vuh's Yoga to be the outstanding title while the majority of reviews find it lack-luster.   I was a Crimson fan for years. I first heard them in 1972. By the time RED was released, I felt cheapness. I never liked U.S.A. either. RED to me was just crap back then and I still dislike it today. All my favorite bands have released stinkers at one time or another? I understand where you are going with this but, it is important sometimes to find things you dislike about your heroes as it is to like everything about them. To bend either way and to an extreme will not truly give your mind the chance to differ right from wrong unless your preference rules over everything. Which is why I often told prog friends....I realize that the album is weak to the 20 of you but, it personally affects me and I bought it. or....I realize that the 20 of you love and worship RED but, I just can't relate to it.
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Direct Link To This Post Posted: November 08 2010 at 07:15
I've spent thousands and thousands of pounds in Marks & Spencer's so tomorrow I am going to my local store to help myself to a couple of suits and maybe a roast chicken and some veggies. Seems fair enough doesn't it?




Edited by Tony R - November 08 2010 at 07:15
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Direct Link To This Post Posted: November 08 2010 at 07:19
Originally posted by 40footwolf 40footwolf wrote:

Have you noticed that all of the people who posts these diatribes-the Gene Simmonses and Greg Lakes of the world-are all shambling husks of their former selves, both as people and as musicians?

 
OK, Lake has put on a few pounds since the ELP heyday, but that hardly makes him a "shambling husk".
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Direct Link To This Post Posted: November 08 2010 at 07:21
Originally posted by 40footwolf 40footwolf wrote:

Have you noticed that all of the people who posts these diatribes-the Gene Simmonses and Greg Lakes of the world-are all shambling husks of their former selves, both as people and as musicians?

This strikes me as another case of one of these old lions just not understanding how the modern world works. Does Greg sincerely think that if people see a crap quality video of an ELP show on Youtube that'll prevent them from going to see them live? If so he has no right to be calling anyone "intellectually challenged", since he has no idea how the consumer mind functions. 
The idea of him thinking people would zero out a show because they viewed a crap video on Youtube is far fetched and he is overreacting. But he does not personally know all of his fans and they do not know him. This is what creates shrude business decisions in any type of business and in the world. Chain stores, fast food places, or even the department of Motor Vehicles have made shifty business decisions based around the preservation of their survival and to hell with what the public thinks right? I mean, money and whose hands it travels through doesn't differ that much in the music world than it does from the rest of business in America.

If you grow up in a family business or work in law firms for years, or the music business like Greg did and things change for the worse,  the bitterness has more to do with how rules and laws are no longer in the best interest of the musician, lawyer, or the independent business owner. It doesn't matter if they are dinosaurs and grew up during the trippy hippy brainwashing 60's. It's more about how practices that were once rewarding are now disregarded. That's why it would be more healthy for Greg to retire.  
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Direct Link To This Post Posted: November 08 2010 at 08:45
Originally posted by Tony R Tony R wrote:

I've spent thousands and thousands of pounds in Marks & Spencer's so tomorrow I am going to my local store to help myself to a couple of suits and maybe a roast chicken and some veggies. Seems fair enough doesn't it?



are you serious???

bootleg tapes are not products in the first place so how can they be 'stolen' 

Pink Floyd didn't release any live albums from their hey day but there are hundreds of bootlegs from that era so if someone owns one of them are they stealing anything? 

ELP released the live album from their brain salad surgery tour and there are also many bootleg tapes of them from that tour but none of them even come close to serving as an alternative to Welcome back my friends... and nobody who owns them would search them out for that use in the first place they are just collectors items that fans or enthusiasts of a band might enjoy 
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Direct Link To This Post Posted: November 08 2010 at 09:10
The music on the bootlegs is Lake's property. He is entitled to make whatever restrictions he wants about his own property, surely. Just taking it without his permission because you have "got him to where he is now" is still theft.

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Direct Link To This Post Posted: November 08 2010 at 09:11
As far as the audio quality of bootlegs is concerned: Only those performances that are captured from so-called 'soundboard' recordings come anywhere near official legit releases of live albums. These recordings are taped direct from the mixing desk after a suitably complicit engineer is slipped some moola by a pirate. The alternative 'audience' tapes are almost invariably unlistenable and anyone parting with cash for such is a damn fool IMO. All of which certainly does not condone 'stealing' but perhaps some artists need to look a bit closer to home before casting the first stones in the fans direction for piracy.
If they exercised a bit more scrutiny to those staff directly in their employ (e.g. mixing desk operators) the proliferation of material deemed of sufficient audio quality to merit the exchange of cash, would diminish.
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Direct Link To This Post Posted: November 08 2010 at 09:13
Originally posted by Tony R Tony R wrote:

The music on the bootlegs is Lake's property. He is entitled to make whatever restrictions he wants about his own property, surely. Just taking it without his permission because you have "got him to where he is now" is still theft.


of course it isn't completely fair but it isn't what costs artists money if you pirate an album that is costing the artist money but if you buy a ticket to their show and take a tape recorder with you and maybe share the recording you take with people is that costing the artist money? 

you do not own the content that point is fair but in this and a lot of people on this thread it is being implied that bootlegging is causing artists to go broke it never has for anybody before and it never will 
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Direct Link To This Post Posted: November 08 2010 at 09:24
Breaking news:

Researchers discover how to erase memory

www.physorg.com/news/2010-11-erase-memory.html


If Greg Lake finds out this, we're doomed. You paid for a ticket for a 2 hour concert, you don't have a right to remember it or tell impressions to your friends. That specific cluster of organized neuron cells in your brain is Greg's property.


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Direct Link To This Post Posted: November 08 2010 at 09:31
If somebody takes my old broken TV from out my garage, it is still theft. Whether I pursue the matter by reporting the theft is very much up to me.
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Direct Link To This Post Posted: November 08 2010 at 09:32
Originally posted by clarke2001 clarke2001 wrote:

Breaking news:

Researchers discover how to erase memory

www.physorg.com/news/2010-11-erase-memory.html


If Greg Lake finds out this, we're doomed. You paid for a ticket for a 2 hour concert, you don't have a right to remember it or tell impressions to your friends. That specific cluster of organized neuron cells in your brain is Greg's property.




I wonder if they can erase the memories of an Angelwitch gig I once attended?
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Direct Link To This Post Posted: November 08 2010 at 10:10
Greg Lake is entitled to have a rant about thisConfused And why do people keep referring to his size? Some people really struggle with weight gain when they get older. Pick on some skinny people for a change :-)
<font color=Brown>Music - The Sound Librarian

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Direct Link To This Post Posted: November 08 2010 at 10:13
Originally posted by Tony R Tony R wrote:

Originally posted by clarke2001 clarke2001 wrote:

Breaking news:

Researchers discover how to erase memory

www.physorg.com/news/2010-11-erase-memory.html


If Greg Lake finds out this, we're doomed. You paid for a ticket for a 2 hour concert, you don't have a right to remember it or tell impressions to your friends. That specific cluster of organized neuron cells in your brain is Greg's property.




I wonder if they can erase the memories of an Angelwitch gig I once attended?

Nothing could erase that memory. It is properly burned deep in.
Actually my friend loves Angelwitch. 
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Direct Link To This Post Posted: November 08 2010 at 12:28
Originally posted by Chris S Chris S wrote:

Greg Lake is entitled to have a rant about thisConfused And why do people keep referring to his size? Some people really struggle with weight gain when they get older. Pick on some skinny people for a change :-)

LOL What it is, a Greg Lake love-in?

As far as I'm aware, the major complaints from folks isn't because he's upset about his music being listened to by millions via the internet... it's because he's gone out of his way to talk smack about his fans and speak of them as if they're trash. 
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Direct Link To This Post Posted: November 08 2010 at 12:29
Originally posted by Tony R Tony R wrote:

If somebody takes my old broken TV from out my garage, it is still theft. Whether I pursue the matter by reporting the theft is very much up to me.

What if your broken TV somehow ended up in a public arena where millions of people could access it? Without any clear indication of who stole it, if anybody even did? Who would you blame, then?


Edited by JLocke - November 08 2010 at 12:30
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Direct Link To This Post Posted: November 08 2010 at 12:30
Originally posted by ExittheLemming ExittheLemming wrote:

As far as the audio quality of bootlegs is concerned: Only those performances that are captured from so-called 'soundboard' recordings come anywhere near official legit releases of live albums. These recordings are taped direct from the mixing desk after a suitably complicit engineer is slipped some moola by a pirate. The alternative 'audience' tapes are almost invariably unlistenable and anyone parting with cash for such is a damn fool IMO. All of which certainly does not condone 'stealing' but perhaps some artists need to look a bit closer to home before casting the first stones in the fans direction for piracy.
If they exercised a bit more scrutiny to those staff directly in their employ (e.g. mixing desk operators) the proliferation of material deemed of sufficient audio quality to merit the exchange of cash, would diminish.
 
Buying bootlegs is like you like to drink piss.




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Direct Link To This Post Posted: November 08 2010 at 12:37
Originally posted by Alberto Muñoz Alberto Muñoz wrote:

Originally posted by ExittheLemming ExittheLemming wrote:

As far as the audio quality of bootlegs is concerned: Only those performances that are captured from so-called 'soundboard' recordings come anywhere near official legit releases of live albums. These recordings are taped direct from the mixing desk after a suitably complicit engineer is slipped some moola by a pirate. The alternative 'audience' tapes are almost invariably unlistenable and anyone parting with cash for such is a damn fool IMO. All of which certainly does not condone 'stealing' but perhaps some artists need to look a bit closer to home before casting the first stones in the fans direction for piracy.
If they exercised a bit more scrutiny to those staff directly in their employ (e.g. mixing desk operators) the proliferation of material deemed of sufficient audio quality to merit the exchange of cash, would diminish.
 
Buying bootlegs is like you like to drink piss.


Ahh, takes me back to my student days...


 
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Direct Link To This Post Posted: November 08 2010 at 12:43
^LOL
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Direct Link To This Post Posted: November 08 2010 at 12:44
Also the selling of the so called Bootlegs, affects Greg Lake Shows?, ELP shows?? (oh Sorry they RIP acording to Carl Palmer), affects selling of oficial material???, do you know how many hoarders and bootlegers sell unofficial material??? are they rich????
 
All of this answers is clear NO.
 
The "bootleg" thing is about 5% or less that's affecting their total income, they not steal official material, they used a show and make profit of that, that's the thief thing.
 
Many people share his shows over the internet, they are some that are with an outstanding material and sound, and they are free, nobody make profit of that.
 
Jimmy Page is well aware of the "Bootleg thing", in fact he often go to Japan and enter the places in which they are selling bootlegs of Zeppelin, Page and Plant and his solo tours, he take what he wants and leave, so my conclusion is that he have a vast collection of  shows and also his soundboards of many live shows, Did somebody knows that his latest "Live Album" of Zeppelin comprises two shows? Long Beach and LA Forum.
 
Same as Genesis with his Shrine Auditorium Lamb show, Gabriel and Hackett overrdubbed his voice and guitar in some tracks (notably Carpet Crawlers), i preffer no to do that.
 
So, my solution to Greg (and to maintan ELP selling) is do what Zappa done and Deep Purple, Neil Young and many more, grab your soundboard and make them official, so you can start "The ELP Live Archive", and many people (including) surely buy.
 




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Direct Link To This Post Posted: November 08 2010 at 12:54
Typically the fans that are active in sharing music have already purchased all official releases and are starving for more. They're the ones that spend a big part of their earnings seeing your band in concert, buying your shirts, etc. It's a shame to attack the ones that support your dream.




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