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Jozef View Drop Down
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Direct Link To This Post Topic: ROSfest!
    Posted: May 03 2009 at 17:42
I recently was able to attend this year’s addition of ROSfest. It was my first time going and I was looking forward to it. I went to the Friday and Saturday shows and had a great time.

After a 10 minute walk from the Glenside train station in the pouring rain, I arrived at the Keswick Theater drenched but still in high spirits. I browsed the immense collection of progressive rock albums and other goodies. After about 15 minutes, the doors opened and the audience was allowed into the auditorium. I had previously been to the Keswick to see King Crimson on their 2008 Tour. I was seated a bit to the back, but I didn’t mind, the Keswick has great seating everywhere.

Iluvatar was the first band to take the stage. They’re a neo-prog band from Baltimore that have released three albums and are apparently recording a new one. I was pleasantly surprised by their music. I think I may have heard one song on the ROSfest website, but I really did enjoy their music. Glenn McLaughlin, the vocalist of Iluvatar, interacted well with the audience, joking about his age as well. I was really impressed with guitarist Dennis Mullin’s work too.

After Iluvatar’s set ended, a 15 minute intermission began and I went back to the tables to make some purchases. I bought Le Orme’s “Uomo Di Pezza” and Premiata Forneria Marconi’s “Per Un Amico” as I only owned those in Mp3 format and wanted hard copies of the albums, especially because “Per Un Amico” is one of my favorite Italian prog albums.

The Syn started next and featured the Paul Ramsey and Brett Kull of Echolyn on drums and guitar respectively. Tom Brislin, who has played with Yes and Camel, guested on keyboards too. Francis Dunnery of It Bites also joined on guitar. They had another bassist, who’s name escapes me at the moment, and an extra keyboard player named introduced as Erica. I have no idea whether or not if she was a guest, because she’s not mentioned anywhere on The Syn’s website.  I had heard a few tracks off of the “Armistice Day” album and wasn’t too impressed. I tried to enjoy the show as much as I could, and while Steve Nardelli is a fantastic vocalist and very cordial with the audience, I just couldn’t get into the music. It just didn’t really appeal to me. Another thing I noticed was that the keyboardist, Erica, mostly just stood in back of her keyboard while Brislin played all the parts. Eventually she left the stage near the end of the set and vanished.

After another intermission, headlining band Nektar began their set. They opened with “A Tab in the Ocean” and really brought the house down. I had heard a live album of theirs recorded in Trenton back in 2002 but I hadn’t imagined they’d sound that powerful in person. I’m starting to think they should be considered heavy prog rather than psychedelic/space rock. They played a few new songs too, one of which “Doctor Cool” had some funk elements in it. They closed with the epic “Recycled” and brought an end to an already amazing night. I couldn’t wait for saturday’s show.

The next day, after getting to the venue at a little past 11AM, I walked in and took my seat as soon as Moth Vellum started their set. I was a little late so I think I may have missed the first song. They really impressed me as well. They sounded a lot like Yes, but original as well. I bought a copy and had it signed by all four members.

During the intermission, I met Robert Pashman of 3rdegree, who was there promoting their newest album. I picked up a copy of it and had it autographed as well. He later pulled me aside and introduced me to Pat Kliesch, the guitarist for 3rdegree, who signed my copy of the album too.

Abigail’s Ghost started their set at 2, and were full of great energy. I kind of regret not buying their CD, but I can always do that at some other point. I met the keyboard player Brett Guillory, who signed my ticket. They were giving away free bumper stickers with their CDs.

During the next intermission I grabbed lunch and picked up Amon Duul II’s “Wolf City”. After a brief walk around Glenside, I sat down to watch FROST*. There were two fans sitting next to me who said they came all the way from Dallas, Texas just to see FROST*. I noticed plenty of FROST merchandise and many people wearing their T-shirts. I was guessing they had some sort of cult following and was looking forward to seeing them. I was stunned after they began their show at how amazing and technically precise they were on their respective instruments. After the show, I picked up their newest album, “Experiments in Mass Appeal” and went upstairs and had the CD and my ticket signed by Declan Burke, the guitarist and vocalist.

After grabbing dinner during the next break, I returned and waited for the headliner, the French group Lazuli to take the stage. I hadn’t heard much about them and was looking forward to hearing their sound. I knew they had an interesting setup, with a chapman stick and warr guitar player along with two percussionists. They were by far one of the most incredible acts I’ve ever witnessed. They had the rhythmic quality and energy of ten bands. They returned for an encore by playing an acoustic piece on mandolin and chapman stick along with a cover of Depeche Mode’s “Just Can’t Get Enough”. The cover was interesting because it was played by all six members simultaneously playing marimba and percussion.

I had so much fun at this festival and cannot wait to attend next year. I’m a little nervous that it may not take place in Glenside again as the venue was only half filled. Either way, it was an incredible experience.

I hope that all other members of Progarchives who attended the festival had as much fun as I did.


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3RDegree View Drop Down
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Direct Link To This Post Posted: May 04 2009 at 07:08
Jozef,
 
It was a pleasure meeting you.  Just a quick correction-that was lead singer George Dobbs I introduced you to not Pat.  Hope you enjoy the Narrow-Caster CD!
 
Robert Smile
www.3RDegreeONLINE.com www.facebook.com/3RDegree "Defiling Perfectly Good Songs With Prog Since 1990"
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Direct Link To This Post Posted: May 05 2009 at 07:01
Uhh... did you not attend Sunday, because as much as I loved Frost and Lazuli... Barclay James Harvest turned out to be my favorite band of the weekend.  I was so afraid I'd be disappointed by their reunion... and clearly it was the best show of the weekend.  Wolly and John's hair has gone completely white.. and they may look like my grandfathers.. but John's guitar work was exceptional, he played better than most in their 20s.  And Wolly... he has become sort of a David Cousins... the storyteller with a voice... A really great show!
 
Touchstone was the first set on Sunday morning and although they also had a cult following, I didn't find them all that interesting as a band.  They were sort of a Mostly Autumn/Magenta clone band with a lot less experience. The singer was a young wispy girl who floated on stage most time.  Voice was a bit shrill at times.  The guitarist was a cutie... but definitely has some work to do at improving his lead guitar skills.  Lots of mystical/Lord of the Rings type music, but not as technically talented as Magenta.
 
Next was the Italian band Mangala Vallis.  I'd never heard of them before, but I had heard that their lead singer had formerly sang with PFM. His name was Bernardo and he was quite the character.  I'm not surprised he once sang with PFM... PFM also has a thing about dramatic singers.  My only issue with them was the theme of their album... and their stories inbetween songs.  Something about a man who decided he wants to become a wolf... and the hardships he goes thru with the change.  Even though musically they were extremely talented.. the whole concept was hard to follow.
 
Most of the Yesfans liked Moon Safari, and although I found their music soothing, after staying up all night partying with Frost's Declan Burke and the guys from Lazuli (who speak practically no english at all)... I had to fight the urge to take a nap during Moon Safari's set.  They are from Sweden, very young, and they were probably the most Yes-like band of the weekend.  They use a lot of harmonized vocals and lovely peaceful music...  Just thinking about them makes me want to nap now.
 
In regard to Frost: The keyboardist, Jem Godfrey, is an extremely talented, techie, keyboardist.  His exuberance for his work shows in everything he does and makes it fun to watch.  Declan Burke is the nicest guy you'd ever what to meet..John Jowitt we all know is a multi-talented guy.. John Mitchell was very impressive on lead guitar, and since their drummer quit a couple of weeks before this show, they had Nick D'Virgilio on loan from Spock's Beard playing drums for this show.  Nick did a really incredible job!  So it was no surprise that the set was just about perfect!!
 
In regard to Lazuli:  they were incredible to watch.. they had a very unique sound and they were technically very talented.  Even when I love a band musically, I tend to not buy a cd if the lyrics are not in English.. it just bothers me after awhile... However I bought their cd.  Excellent job!
  
I have loads of pictures I need to go thru of the weekend.  I'll put some up shortly.
 
 


Edited by threefates - May 05 2009 at 07:14
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Jozef View Drop Down
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Direct Link To This Post Posted: May 05 2009 at 13:22
Yeah I didn't attend sunday, only friday and saturday.

I liked the one Touchstone song that was posted on the ROSfest website. I haven't heard much from the other bands though.


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Direct Link To This Post Posted: May 08 2009 at 23:42
Hello,

Tom from Moth Vellum here - thanks for the kind assessment of our show Jozef.  We had a blast at RoSFest, meeting everyone and seeing so many great bands.

I'm still reeling from the weekend, but I'm having a great time looking at photos and connecting with all the folks we met.

Looking forward to the next one, Tom
...and I like what I know.
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Direct Link To This Post Posted: May 11 2009 at 12:01
^I apologize Tom for not being able to wake soon enough to catch your entire show.
 
Some pictures of the last bands on Sat.
 
Lazuli
 
 
 
 
 
  
 
 
 
 
 
 
Frost
 
 
 
 
 
 
 
 
 
 
 
 


Edited by threefates - May 11 2009 at 22:09
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Direct Link To This Post Posted: May 12 2009 at 07:27

Well here's some of the pics from Sun... ... :D

TOUCHSTONE


MOON SAFARI


MANGALA VALLIS


BARCLAY JAMES HARVEST

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Direct Link To This Post Posted: May 12 2009 at 08:52
Originally posted by Jozef Jozef wrote:

After a brief walk around Glenside, I sat down to watch FROST*. There were two fans sitting next to me who said they came all the way from Dallas, Texas just to see FROST*.
 
Hi Jozef! This is Terry. I believe I was sitting right in front of you and you told me about the girl who had come form Texas.
 
Nice review. I thought I would add my view of Saturday and Sunday which I also posted over at PE. BTW some really great photos in this thread!
 
I had some high expectations for Rosfest. Unlike most things in life, my expectations were actually exceeded by the performers at Rosfest. Rosfest itself exceeded my expectations. What a terrific time I really had, massive props to George and the rest of his team for putting this event together. It was great to meet some of you PE folks there, and I do hope to meet the rest of you at Rosfest 2010.
 
I thought the setting was just perfect for an event like this. I know this location was "routine" for some of you Rosfest vets, but it was my first time and I was pretty impressed. Nice theater, sound was fine in row HH left side, and the sight line was great. The vendor setup was nice, and the folks there very cheerfully helped me find quite a few of the bands I had on my wish list, even though I only had song titles and band names. The tavern across the street was a hoot, and the coffee shop was also a cool place to meet up in between shows.

Of course I am concerned that the show was not sold out, but I would blame that on the economy more than anything else. I was very lucky to be able to attend myself, but considered the investment well worth it.

Three bands attracted me to Rosfest: Frost*, Abigail's Ghost and Moth Vellum. So Saturday was the day for me...

 
Moth Vellum

I've been hearing and liking these guys on net radio for the past year or so. When they came out on stage, I got a nice chuckle out of the "ice cream uniforms", but I also understand where the boys are coming from here. Their approach is to present a positive "clean" image, a Zen kind of feel, which is just fine by me.(We all could use some good karma these days, I think) I loved the harmonized vocals, the bass player's voice is very unique and combined with the drummers voice, I thought Moth Vellum music presents something quite different then just another band so obviously inspired by Yes.

I got to speak with these dudes for a bit at the rest of the festival, they were all really cool. I was talking to Johanes the guitar player about his sound. I mentioned I really enjoyed the tone he got out of his Les Paul. He told me he was playing through a Fender amp to achieve his clear tone. I also really liked the Howe-like "singing" sounds he squeezed out of his mounted guitar as well.

I also had quite a long conversation with the keyboard player who gave me some of the history and geography on these guys. One dude in LA, one in Portland and the rest in the SF area, which means they are a long distance affair. This was their first appearance on the East coast, so sadly, I get the feeling they may not be out this way again soon, so I am so glad to have seen them.

So cool to have two "lead singers" in a band, and I am always so thrilled to see a drummer that is so involved with vocal chores. An impressive feat for sure, but if there was one small complaint, it would be for some reason, the drummer's vocals seemed 2-3 notches low, he should have been louder in the mix.

Abigail's Ghost

I've been keeping an eye on these guys ever since Pindral posted some good reviews and comparisons to PT some time ago. I've heard them quite a bit on Myspace, and I had a few of their songs downloaded. (legally) I was really anticipating a great performance. I thought they were very very good, but unfortunately, they are not nearly at the level of a PT.(not even close) Of course, that may be too high a standard to live up to. After all, Ghost is a young band, they have only just released their 2nd album, and I got the feeling in talking to them that RosFest is by far the biggest thing that has ever happened to them.

But just like in PT, its pretty clear the lead singer and guitar player is the driving force here. I think Joshua is an impressive song writer, a very good singer and one hell of a guitar player. I also loved the drummer, very heavy but with plenty of variation and cool little drum rolls. I thought the keyboard player added that great "lush" feel that we all seem to enjoy.

Now about "that" guitar player. My first reaction when I saw him was to nearly ROTFL, he seemed to think he was at OZZFest, not ROSFest. :lol But I ended up having a long conversation with the young dude later on. Randy is new to the band, along with one of the other guys, they were not on the first album. When I found out they were from a town 100 miles from New Orleans, I was a little surprised, the backwoods of Lousiana would be about the last place I would expect a prog band to be from. I asked Randy if there was much of a prog scene in New Orleans. He said he knows of maybe 1 other band in the area that plays prog. Randy is still in college, so I think we can afford to give him a little bit of a break. I got the feeling he has not really been exposed to the prog scene all that much. He was having the time of his life out there, and why not. :D

But I think the vocal harmonies that I hear on the studio Ghost seemed to be lacking at this performance. I am not sure if the keyboard player is also new, but I think his mike was low and he did not really contribute enough backup vocals. Perhaps this is something the band will consider beefing up as they move forward. I think Abigail's Ghost has loads of potential, I picked up their first CD at the show.

 
Frost*

I've had Milliontown for about a year now, it was stuck in my CD player for quite a while there. To see them perform most of that album and their new one was fantastic. 10 out of 10, truly far better then I expected. Jem was an absolute hoot, I was laughing my ass off at all his one liners. The talent level in this band is nearly unfair, every single player was just superb.

Gem's keyboards were so lush and clean, and both guitar players were stunning, John Mitchell is so precise and letter perfect. I loved Declan's very expressive style of playing and singing, he truly is a superior musician. The bass player's groove was so measured and in the pocket, his vocals also added so much to the entire package.

But Nick D stole the show for me! Holy crap he was so good. (I wished I was stage right so I could see him sing better, one cymbal blocked his face from my POV, though I did catch him on camera occasionally.) I am not real familiar with Spock's Beard, but I will soon be joining that bandwagon after hearing this monster talent. Nick was so engaged with the crowd and the rest of the band, his sound elevated this band to a level far, far beyond what I've heard on Milliontown.

A wondrous performance, which was certainly acknowledged by the Rosfest crowd. Without question there were more folks in the hall for them, there was a girl behind me who came all the way from Texas just to see Frost*. She sure got her $ worth. We were all so happy to stand and hoot and holler through a standing O for an encore. I was then rewarded with "The Other Me" for the encore, one of my favorite songs from Milliontown. That song along with Black Light Machine were my two favorite songs for the entire festival, and they both were performed at such a high level by everyone involved. I just loved the band when all the members were singing together with such lovely harmonized vocals throughout.

If there were any justice in the music world, Frost* would be a huge smash. They were all such great fun at the after shows as well, what a great bunch of dudes. Made me proud to be a prog fan...

Lazuli

Before Moth Vellum hit the stage I commented to George's sister (who was selling Rosfest posters) that I thought the band order was wrong. I thought Frost* should have been the Saturday night headliner, just who are these French dudes anyway? So as the day went by I started finding out just who this Lazuli might be: "they cook", "I have their DVD, I love em" , was the kind of thing I was starting to hear.

If you told me a week ago, that I would be standing up and yelling for an encore from a French band who barely speaks a word of English and sings entirely in French, I would have told you that you're frigging nuts! How nice it is to be wrong about something. They deserved their headline status no doubt. (Even with how amazing the Frost* performance was) How nice it is to pleasantly surprised by a French band that makes music I'm not even sure I completely understand.

 
I had heard the two songs that were linked on the Rosfest site, sounded nice, but the French lyrics? Man, what a revelation to learn the lyrics did not matter, somehow I understood what they meant anyway. I laughed at and with these guys all night long. The lead singer was an absolute side-slapping wonder! That hair! That 2 foot long braided goatee! Those pants! That Skirt thing! Is that a frigging belt he has on attached between his legs?!?! :O

But his act was just so smooth and natural, enthralling as a performer from Cirque du Soleil, he had the entire hall in the palm of his hand throughout the show. Speaking of the palm of his hand, how about that astonishingly simple yet completely unique little trick of a personal spotlight in the "palm of his hand"?! I thought this was just such a slick and effective move, it was so dramatic and funny, he used the light like an expert for great emotional impact. Yet he did not overdo it, he used it for parts of one song, than he was on to other creative antics.

The rest of the band was endlessly entertaining as well, I loved the sound the Warr player got out of his amazing instrument, astonishing bass tones that I felt rattling my gut, I don't recall ever hearing bass sounds quite like the ones he coaxed out of the 10-inch wide neck of that amazing looking Warr bass/guitar.

I also enjoyed the drummer (the only "normal" looking dude) as he roamed around stage, with flailing drum sticks and mallets, adjusting his midi device (is that where the bass drum sounds came from?) and bashing cymbals and tom toms. Later on he even laid down some amazing guitar licks. Rounding out the rhythm section was a xylophone player who had like 3 sets of "Xylos" and an electronic drum kit. Adding those extra bell tones and polyrythmns that to me were reminiscent of something Ruth Underwood might do with Zappa. Meanwhile, the lead guitarist is creating some wild chords and leads out of his instrument, the tame (in comparison) Parker Fly guitar. Encircling the sound like a luscious, luminous cloud is the dude with the custom made instrument which is emanating this singing guitar tone that was quite unlike anything else I've ever heard. As they gathered at the xylos for a drum circle at the end I was thinking how universal music really is, and how little our differences really are in the long run. Very sublime and thought-provoking music, it was a welcoming feeling that seemed warm and accessible yet so utterly progressive and unique.

This was a performance that simply had to be seen to be understood within a proper context, I don't think an audio recording of the live show is even enough for someone to understand Lazuli. Maybe a DVD is close, but I think I can safely say that anyone who saw Lazuli will say that it was a performance they will never forget. George was right on when he said "Lazuli is about to blow your minds."

Indeed.

 
After a very enjoyable evening at the Holiday Inn bar, (it was RosFestivus :D) we showed up bright and early for Touchstone ready to prog some more. But first I got to tempt Uncle Norm with a Taylor Ham Egg and Cheese on an Everything bagel at the coffee shop. I devoured it in front of him slowly without even offering him a bite! :D

I really arrived with no expectations and an open mind for the Sunday acts. I had heard a few clips of each of the bands in various places. But what I love so much about the progressive music we all enjoy, it is the live performance that will tell the real tale on any of these bands. What I had heard before Sunday from these bands was enough to suggest to me that Sunday should be telling some great progressive tales to my ears. But like Saturday's show, my expectations were about to be exceeded.

The only slight drag was knowing we had to book out of RosFestville after the second act. I know I would have enjoyed seeing both Mangala and Barclay, but will happily rely on those who were there to fill me in.

Touchstone

Right off the bat I could tell that these guys had brought the rock with them. The guitar player rips out some great riffs and chops and off we go with an ultra-tight rhythm section in a wicked groove. Then out struts the show stealing red-headed knockout performer of RosFest! Every red blooded male had to agree, the RosFestival Queen had arrived. (though I did see quite a few ladies scattered through the audience, clearly enjoying Kim's performance as well. Of course all the lovely females I saw at RosFest were all fine and pretty ladies, including all of you reading this thread at the present time :) )

So the crowd seemed to readily welcome Kim Seviour to the stage, her appearance was timed like only a true rock goddess vamp knows how to arrive. I think Kim's arrival on the scene captured the inner caveman in all of us "prog-magnon men". And then she blew our minds when she starts belting out some of the best lead vocals I heard all weekend.

Kim was the only performer I saw at RosFest who was a pure lead singer, someone who walked out on to that stage like she owned it. From where I sat she owned that entire theater. :D And it was all in perfect harmony with the impressive keyboard player's vocals, who sure sounded great.

Touchstone all sounded great to these ears. The guitar player played tasteful yet intricate and shred-worthy line after line, in and out of finely syncopated riffs. I thought the drummer was terrific and inventive as expected. I mean it seems there are a few things you can always rely on shows like these. The players are almost always going to be top notch, especially the rhythm sections. Touchstone was no exception to this rule, these guys cooked together tightly, like they have been together for years and years, rather than the rather new creation I believe they actually are.

Touchstone blew the roof off of RosFest on Sunday. As my new favorite female vocalist Kim said at the show, "Welcome to Prog Church on a Sunday morning! How's your hangover?" :D Mine was certainly a dim memory after this vamp of a singer teased each of the other players with a playful little wiggle and some air-guitar/drums/keys/bass, all delivered with a twinkle in her eyes. To be honest, that was the only time I actually saw the other guys, SHE had my attention the entire rest of the show. (And I know the rest of you prog-magnon men were just as gaga as I was you b*****ds! ) Wink

Moon Safari

God it must have been tough for a band of guys (Young guys, but still dudes) to follow Kim's "rock goddess" act at Rosfest. Luckily for Moon Safari, me and the rest of the crew had rolled across the street to retoxify after Touchstone's seriously sensuous wakeup call of an 11AM set.

So we returned to our seats around 2PM after some refreshments at the well-stocked tavern across the street. As I mentioned earlier, I had heard a few tunes from Moon Safari at the Rosfest site and on net radio. But their live sound was just so startlingly different from their recorded work that I had listened to. I just thought that the sound of Moon Safari was so perfectly timed, for anyone with that "after-lunch want-nap" feeling, the Safari vocals delivered high energy and good cheer from note one.

Once again, the RosFest crowd is treated to truly spectacular harmonized vocals. As my knowledge and understanding of the vast prog music world increases, thanks to festivals like this, net radio and of course fantastic websites like PE, I find more and more I love melodic prog with harmonized vocals. I found Moon Safari to be a near perfect version of this kind of melodic harmonized style I seem to enjoy more and more.

Of course, not only were Moon Safari amazing on vocals, they were just as equally expert at all their instruments. Tight, tight rhythms galore, lush keyboard sounds, ever changing beats, and great, great guitar work. I was so pleased to finally hear a plain old acoustic guitar after 5 bands! Not only was there great rhythm guitar work, but the lead guitarist actually showed quite a bit of bite to this old metal head. I thought he displayed plenty of chops throughout his no doubt thrilling birthday debut on a US stage.

Moon Safari reminded me somewhat of a proggy Crosby Stills mixed with Beach Boys and maybe a little Queen. Such a fine melodic mix to send this happy Rosfester down the road feeling this RosFest show was letter perfect start to finish.

Bravo to George, Tom and the rest of the team, all the great performers, venue folks, vendors and of course my fellow RosFesters. You all were a pleasure to be around all weekend, lets do this again real soon! :D

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Direct Link To This Post Posted: May 19 2009 at 01:14
Yeah,it is indeed cool.
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Direct Link To This Post Posted: May 20 2009 at 10:26
Great photos posted here! Makes me wish I was there...especially to see frost* w/ NDV! Nick is incredible. I heard samples of the Moth Vellum album...I am seriously thinking I need to pick this up. 

Will there be a live CD of any of ROSfest?
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Direct Link To This Post Posted: July 14 2009 at 11:37
Originally posted by StyLaZyn StyLaZyn wrote:

Great photos posted here! Makes me wish I was there...especially to see frost* w/ NDV! Nick is incredible. I heard samples of the Moth Vellum album...I am seriously thinking I need to pick this up. 

Will there be a live CD of any of ROSfest?

Picked up the Moth Vellum CD. I wrote a review. Good stuff.
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