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Direct Link To This Post Topic: Soft Machine:Out-Bloody-Rageous.Biography
    Posted: December 18 2006 at 06:16
In all probability a paperback verison of OBR, extended/updated, will be published hopefully towards the end of 2007. Graham Bennett and I have been exchanging correspondence and made comment about Karl Jenkins' Desert Island Disc programme - where he did not mention Soft Machine directly.......................sort of reinforces a story heard last year about the auditions to find Allan Holdsworth's replacement and Ollie Hassell turned up (needs confirmation but then will possibly be part of the updates).
 
Update: John Etheridge has confirmed at least part of the story: Brian Godding and Ollie Hassell (after borrowing Godding's guitar) did audition in the hope(?) of replacing Allan Holdsworth - apparently Holdsworth had recommended all three guitarists.


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Direct Link To This Post Posted: December 14 2006 at 12:59

Another new original title from SAF Publishing

Soft Machine

Out-Bloody-Rageous

Graham Bennett

The definitive story of Soft Machine, with forewords by Daevid Allen, Hugh Hopper and John Etheridge

A Hardback original

156 x 234mm, 448 pp

UK £20 US $30.00

96 B&W & colour photographs & illustrations

ISBN: 0-946719-84-5

PRESS RELEASE: Soft Machine wins ARSC Award

1st November 2006

SAF Publishing is proud to announce that Soft Machine: Out-Bloody-Rageous, the definitive history of British jazz–rock pioneering legends Soft Machine, has won a 2006 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research recognising a work of exceptionally high quality.

"The goal of the ARSC Awards Program is to recognise and draw attention to the finest work now being published in the field of recorded sound research," says Brenda Nelson-Strauss of the ARSC Awards Committee. "We congratulate you on your achievement in this field."

Graham Bennett has been invited by the ARSC to the presentation banquet to be held in Milwaukee on Saturday May 5, 2007, to collect his award during ARSC’s annual conference.

Begun in 1991, the awards are presented to authors and publishers to recognise outstanding published research in the field of recorded sound. In giving these awards, ARSC recognises outstanding contributions, encourages high standards, and promotes awareness of superior works.

For more information, to arrange an interview, or to reserve a review copy of the book, please contact Dave Hallbery at SAF Publishing.

149 Wakeman Road, London NW10 5BH. England Tel: +44(0)20 8969 6099 Fax: +44(0)20 8354 3132 Email: [email protected] Website: www.safpublishing.com

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Direct Link To This Post Posted: August 22 2006 at 10:05
Although I have yet to see the books mentioned above , I suspect that the more original one will have an edge to win, and OBR has a chance right behind the Detroit RnR Birth book.
 
 
 
About a third of the way through in Out Bloody rageous, BTW!
 
It looks like Robert's mother was the real hero in the alcyon days of the band. Without the Ellidge-Wyatt houseold open to beatnicks of all kinds, none of that Canterbury scene would've happened.
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Direct Link To This Post Posted: August 22 2006 at 09:16

Out-bloody rageous is competition for rock biographies. Please read message I just received from author Graham Bennett:

 
Hi Dick,

 

I hope all is well. Good news: I’ve just heard that “Soft Machine: Out-Bloody-Rageous” has been nominated by the Association for Recorded Sound Collections for its 2006 Award for Excellence in Historical Recorded Sound Research. The ARSC has slotted the book into its rock music category (send complaints to the ARSC, not me, but preferably after the winner has been announced in October). The other nominees are:

- Grit, Noise, and Revolution: The Birth of Detroit Rock 'n' Roll, by David Carson

- Mr. Tambourine Man: The Life and Legacy of the Byrds's Gene Clark, by John Einarson

- Dream a Little Dream of Me: The Life of "Mama" Cass Elliot, by Eddi Fiegel

- Speak to Me: The Legacy of Pink Floyd's Dark Side of the Moon, by Russell Reising

- Van Morrison: No Surrender, by Johnny Rogan

- Conversations with Tom Petty, by Paul Zollo and Tom Petty.

 

So we’re up against some stiff competition, but hopefully this will at least help raise SM’s profile.

 

Cheers,

Graham

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Direct Link To This Post Posted: January 11 2006 at 11:51

Originally posted by Dick Heath Dick Heath wrote:

Gary Lucas is acknowledged in Out Bloody Rageous! No real objections to sensible tangents thrown up in threads, subject matter can be quite educational.

I was just kidding anyway, discussing the buckleys can only match the prog we discuss everyday.

Anyway, about a third of the way through VDGG's book and then OBR.



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Direct Link To This Post Posted: January 11 2006 at 08:33
Gary Lucas is acknowledged in Out Bloody Rageous! No real objections to sensible tangents thrown up in threads, subject matter can be quite educational.
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Direct Link To This Post Posted: January 11 2006 at 05:21

Shouldn't we be discussing Soft Machine?

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Direct Link To This Post Posted: January 11 2006 at 05:20
Originally posted by Trotsky Trotsky wrote:

Originally posted by Dick Heath Dick Heath wrote:

Originally posted by Sean Trane Sean Trane wrote:

[QUOTE=Dick Heath][QUOTE=Sean Trane] I mean Jeff's achievement was one sole album (however good Grace was) which does not come to knee height of Happy/Sad or Starsailor. I mean Jeff spend years studying classic rock in school etc... buthis final achievement is rather tiny. Tim had around eight records hal;f of them absolute classics.

Sure Jeff was completely destabilized from not having his father around (Tim has only seen Jeff twice or maybe four times as a baby) , but he was an underachiever.

I have 5 or 6 Tim Buckley albums, and perhaps the postumously released Letter from London  is my favourite  (Danny Thompson is on great form), followed by the fairly obvious choice, Goodbye Hello. Otherwise, I find others including Starsailor, uneven.  Personally, if asked the best rock album of the 90's, I would go for Grace (Nirvana' Nevermind some distance behind). Check out the album Gary Lucas managed to get the Buckey's estate to issue under his and Jeff Buckley's joint names, Songs to No One [1991-1992] - it clearly reveals the development of Buckley from an inhibited ('put upon', a term I've heard privately) individual to a quite masterful singer. What the Buckley estate don't want you to know, is Buckley's biggest hits were originally written by Gary Lucas, in his capacity as Buckley mentor - even musical tutor - Lucas gave Buckley a cassette with the instumental versions of Grace & Mojo Pin, and told Buckley to go ahead write lyrics and rearrange as necessary - the result is what you hear on Grace. Listen to Lucas's Level the Playing Field [Early Hurly Burly 1988-1994]   for the original demos.

I'm very interested in this topic, got the book and a fair number of Tim albums, plus all the various "albums" that came out after Jeff's death ...

Interesting angle on  Lucas as a crucial songwriter ... the bitterness of Mary, Jeff's mother towards Tim, is something that Lee Underwood has spoken out against quite often, although Underwood himself can be a Tim-worshipper ...

Although I have no doubt that Tim was the greater talent, I think calling Jeff Buckley an underacheiver is quite unfair though ... the scene had changed so much ... and I believe he should be judged on Grace alone ... it's an excellent legacy ... I get very frustrated thinking about this one ...  

You got a good point here.

But Jeff being an underachiever (I could not find the word) is exactly how I feel about him. He wasted many years in music schools and always doubting. By the time Jeff had one album out, his father was already dead. EEEhhmmmm!!!.............. not supposed to be read that way, though

Grace is one of the better 90's record, though

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Direct Link To This Post Posted: January 11 2006 at 02:37
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by Sean Trane Sean Trane wrote:

[QUOTE=Dick Heath][QUOTE=Sean Trane]

 

I mean Jeff's achievement was one sole album (however good Grace was) which does not come to knee height of Happy/Sad or Starsailor. I mean Jeff spend years studying classic rock in school etc... buthis final achievement is rather tiny. Tim had around eight records hal;f of them absolute classics.

Sure Jeff was completely destabilized from not having his father around (Tim has only seen Jeff twice or maybe four times as a baby) , but he was an underachiever.

 

 

I have 5 or 6 Tim Buckley albums, and perhaps the postumously released Letter from London  is my favourite  (Danny Thompson is on great form), followed by the fairly obvious choice, Goodbye Hello. Otherwise, I find others including Starsailor, uneven.  Personally, if asked the best rock album of the 90's, I would go for Grace (Nirvana' Nevermind some distance behind). Check out the album Gary Lucas managed to get the Buckey's estate to issue under his and Jeff Buckley's joint names, Songs to No One [1991-1992] - it clearly reveals the development of Buckley from an inhibited ('put upon', a term I've heard privately) individual to a quite masterful singer. What the Buckley estate don't want you to know, is Buckley's biggest hits were originally written by Gary Lucas, in his capacity as Buckley mentor - even musical tutor - Lucas gave Buckley a cassette with the instumental versions of Grace & Mojo Pin, and told Buckley to go ahead write lyrics and rearrange as necessary - the result is what you hear on Grace. Listen to Lucas's Level the Playing Field [Early Hurly Burly 1988-1994]   for the original demos.

 

http://www.amazon.co.uk/exec/obidos/tg/listmania/list-browse /-/1OK5QKS5AOHUF/026-9226558-7204446

I'm very interested in this topic, got the book and a fair number of Tim albums, plus all the various "albums" that came out after Jeff's death ...

Interesting angle on  Lucas as a crucial songwriter ... the bitterness of Mary, Jeff's mother towards Tim, is something that Lee Underwood has spoken out against quite often, although Underwood himself can be a Tim-worshipper ...

Although I have no doubt that Tim was the greater talent, I think calling Jeff Buckley an underacheiver is quite unfair though ... the scene had changed so much ... and I believe he should be judged on Grace alone ... it's an excellent legacy ... I get very frustrated thinking about this one ...  

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Direct Link To This Post Posted: January 10 2006 at 13:06
I need this book lol, one of my favorite bands!
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Direct Link To This Post Posted: January 10 2006 at 05:58

Some Updates.

 

Gary Lucas (let's name drop!! - see the blog for 4th January for more detail at www.garylucas.com ) introduced me to Mike Barnes (the definitive Beefheart biographer) just after Christamas, who spent some time talking about Out Bloody Rageous and Robert Wyatt. Barnes reckons OBR is the best rock biog he's read, and anticipates a lead review in Mojo magazone soon. Jon Newey editor of Jazzwise magazine, is also reviewing it (contacted me to complain about the errors but more so to moan about the comments made by Bennett wrt Stuart Nicholson's Jazz Rock A History) - so clearly a book that interests both rock and jazz people. Graham Bennett also tells me it is up for a prestiguous US publishing award!

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Direct Link To This Post Posted: December 14 2005 at 09:55

Softs book came last night, already well into chapter 3. Excellent book. Thoroughly recommend it.

A certain mr. Richard Heath in the credits list.

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Direct Link To This Post Posted: December 14 2005 at 09:37
Originally posted by Sean Trane Sean Trane wrote:

[QUOTE=Dick Heath][QUOTE=Sean Trane]

 

I mean Jeff's achievement was one sole album (however good Grace was) which does not come to knee height of Happy/Sad or Starsailor. I mean Jeff spend years studying classic rock in school etc... buthis final achievement is rather tiny. Tim had around eight records hal;f of them absolute classics.

Sure Jeff was completely destabilized from not having his father around (Tim has only seen Jeff twice or maybe four times as a baby) , but he was an underachiever.

 

 

I have 5 or 6 Tim Buckley albums, and perhaps the postumously released Letter from London  is my favourite  (Danny Thompson is on great form), followed by the fairly obvious choice, Goodbye Hello. Otherwise, I find others including Starsailor, uneven.  Personally, if asked the best rock album of the 90's, I would go for Grace (Nirvana' Nevermind some distance behind). Check out the album Gary Lucas managed to get the Buckey's estate to issue under his and Jeff Buckley's joint names, Songs to No One [1991-1992] - it clearly reveals the development of Buckley from an inhibited ('put upon', a term I've heard privately) individual to a quite masterful singer. What the Buckley estate don't want you to know, is Buckley's biggest hits were originally written by Gary Lucas, in his capacity as Buckley mentor - even musical tutor - Lucas gave Buckley a cassette with the instumental versions of Grace & Mojo Pin, and told Buckley to go ahead write lyrics and rearrange as necessary - the result is what you hear on Grace. Listen to Lucas's Level the Playing Field [Early Hurly Burly 1988-1994]   for the original demos.

 

http://www.amazon.co.uk/exec/obidos/tg/listmania/list-browse /-/1OK5QKS5AOHUF/026-9226558-7204446



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Direct Link To This Post Posted: December 13 2005 at 03:46
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by Sean Trane Sean Trane wrote:

I have no idea when I will be able to finish Dream Brothers (Buckley father/Son)

What is this like?  I know Gary Lucas pretty well, and he told me  he was particularly annoyed at some rewriting of the truth, on the beheast of Jeff Buckley's mother. And it is increasingly clean that the postumous double CD My Sweetheart The Drunk, included tracks Jeff Buckley never intended releasing (one was for his girlfriend's ear only), but his mother insisted - although I wonder if the delightfully quirky Genesis cover would otherwise ever been released. I started reading the Tim Buckley biog written by his guitarist Lee Underwood, but the style got to me and put it down - besides with the availability of the Soft Machine biog, then the Gentle Giant biog, these were much more preferable choices.

Actually it is a cool book but the chapters alternate between the lives of Tim and Jeff and it starts by the tragic death (drowning) of Jeff. So this is hardly chronological and tries to draw too many paralells between the two careers. I think that the man is way too biased towards Jeff.

I mean Jeff's achievement was one sole album (however good Grace was) which does not come to knee height of Happy/Sad or Starsailor. I mean Jeff spend years studying classic rock in school etc... buthis final achievement is rather tiny. Tim had around eight records hal;f of them absolute classics.

Sure Jeff was completely destabilized from not having his father around (Tim has only seen Jeff twice or maybe four times as a baby) , but he was an underachiever.

But the writing style is interesting and it is of a real writer.

One of the worst book I read re: Rock was Emerson's Pictures of An Exhibitionist >>> Exactly that a sad tale of exhibition, self promotion, sending out punches to Greg Lake etc..... and an awful writing style.

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Direct Link To This Post Posted: December 12 2005 at 13:06
Originally posted by Sean Trane Sean Trane wrote:

I have no idea when I will be able to finish Dream Brothers (Buckley father/Son)

What is this like?  I know Gary Lucas pretty well, and he told me  he was particularly annoyed at some rewriting of the truth, on the beheast of Jeff Buckley's mother. And it is increasingly clear that the postumous double CD My Sweetheart The Drunk, included tracks Jeff Buckley never intended releasing (one was for his girlfriend's ears only), but his mother insisted - although I wonder if the delightfully quirky Genesis cover would otherwise ever been released. I started reading the Tim Buckley biog written by his guitarist Lee Underwood, but the style got to me and put it down - besides with the availability of the Soft Machine biog, then the Gentle Giant biog, these were much more preferable choices.



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Direct Link To This Post Posted: December 12 2005 at 11:44

Originally posted by Dick Heath Dick Heath wrote:

Supposed to be published in Spetember, then delayed to October........ However, one reader's review has been published in Amazon.UK so presumably it is available.

Sure as hell got it quick after ordering it!! Took ten days!!

Big book too! Cost me € 30.00!!

it will have to wait after the Mason (1/3 of the way through) book and I will receive the VDGG book that will come after it!!

I have no idea when I will be able to finish Dream Brothers (Buckley father/Son)

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Direct Link To This Post Posted: December 05 2005 at 02:43
I agree with you that it lacks of consistency.
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Direct Link To This Post Posted: December 04 2005 at 09:11
The Wrong Movements annoys me because of  it is written in diary (or chronological) form. While very easily disgested it lacks lot depth. The other annoying thing, was it took 8 months from the point of ordering in the local Ottakars before they could get a copy from the publisher
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Direct Link To This Post Posted: December 02 2005 at 14:45
Originally posted by Alucard Alucard wrote:

I know only the Robert Wyatt Biography 'Wrong Movement' and I am looking forward to read Bennett's book!


"Wrong movement" is good and includes a little Gong chapter.
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Direct Link To This Post Posted: November 29 2005 at 09:09
Supposed to be published in Spetember, then delayed to October........ However, one reader's review has been published in Amazon.UK so presumably it is available.
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