Review book Hammond Organ - Progressive Rock Music Forum

MARK VAIL – THE HAMMOND ORGAN (Beauty in the B)

(Miller Freeman, 1997, US $ 24,95, ISBN 0-87930-459-6)

There has always been a strong relationship between progressive rock and the Hammond organ: this powerful and varied instrument fits perfectly to the alternating and dynamic music that good progressive rock features, from Colosseum, The Nice and ELP to Spock’s Beard, Ars Nova or very recently Niacin and Magic Pie.

This book (240 pages) is presented by the known magazine Keyboard with a foreword by their editorial director Dominic Milano. It’s layered with photos from all kinds of Hammond organs (from the legendary B3 to Model A and C, Grand 100, the ‘spinets’ L and M and the colossal X-77) and some exciting pictures from Keith Emerson and other ‘Hammond aficionados’ like Tom Coster and Rod Argent. Chapter 7 contains tips from famous players like Jimmy McGriff, Keith Emerson and Paul Shaffer, popular B-3 drawbar configurations like the ‘ELP - and Argent sound’ and the “Green onions” groove and known Hammond licks. Some chapters are a bit technical for the average ‘proghead’ (buying and maintaining, vital statistics and details about all the known Hammond organs) but most chapters are at least interesting like the story about the inventor Laurens Hammond. He started with clocks, an automatic bridge table and a 3-D viewer and then invented the tone wheel mechanism of the Hammond organ! Of course this book contain a chapter about the Leslie speaker, the ideal combination with a Hammond organ. Also included is a comprehensive list of adresses (also E-mail and Internet), a Hammondology (instruction video’s and sampling CD’s) and a glossary (from the words “envelope” and “spinet” to “vibrato”). Reading this book was fun and excitement for me because it’s written fluent with lots of fine details and it’s not too technical, typcial Hammond sounds like ‘drawbars’ and the ‘key-click’ are explained very clearly. So I would like to recommend The Hammond Organ to all ‘progheads’ who wants to know more about the instrument that sounds so well and recognazible on ‘classic recordings’ like “A whiter shade of pale” from Procol Harum, “Child in time” from Deep Purple, “Pictures at an exhibition” from ELP, “Tomorrow night” from Atomic Rooster or “Close to the edge” from Yes.

Erik Neuteboom

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erik neuteboom Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659	Topic: Review book Hammond Organ Posted: January 10 2006 at 16:48
	OK, I hope you like it (as Rory Gallagher used to say)!

Phil Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: June 17 2005 Location: United Kingdom Status: Offline Points: 1881	Posted: January 09 2006 at 06:07
	Looks a fascinating book, even for the non-muso's among us like me! Thanks for the review Eric.

erik neuteboom Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659	Posted: January 09 2006 at 05:51
	MARK VAIL – THE HAMMOND ORGAN (Beauty in the B) (Miller Freeman, 1997, US $ 24,95, ISBN 0-87930-459-6) There has always been a strong relationship between progressive rock and the Hammond organ: this powerful and varied instrument fits perfectly to the alternating and dynamic music that good progressive rock features, from Colosseum, The Nice and ELP to Spock’s Beard, Ars Nova or very recently Niacin and Magic Pie. This book (240 pages) is presented by the known magazine Keyboard with a foreword by their editorial director Dominic Milano. It’s layered with photos from all kinds of Hammond organs (from the legendary B3 to Model A and C, Grand 100, the ‘spinets’ L and M and the colossal X-77) and some exciting pictures from Keith Emerson and other ‘Hammond aficionados’ like Tom Coster and Rod Argent. Chapter 7 contains tips from famous players like Jimmy McGriff, Keith Emerson and Paul Shaffer, popular B-3 drawbar configurations like the ‘ELP - and Argent sound’ and the “Green onions” groove and known Hammond licks. Some chapters are a bit technical for the average ‘proghead’ (buying and maintaining, vital statistics and details about all the known Hammond organs) but most chapters are at least interesting like the story about the inventor Laurens Hammond. He started with clocks, an automatic bridge table and a 3-D viewer and then invented the tone wheel mechanism of the Hammond organ! Of course this book contain a chapter about the Leslie speaker, the ideal combination with a Hammond organ. Also included is a comprehensive list of adresses (also E-mail and Internet), a Hammondology (instruction video’s and sampling CD’s) and a glossary (from the words “envelope” and “spinet” to “vibrato”). Reading this book was fun and excitement for me because it’s written fluent with lots of fine details and it’s not too technical, typcial Hammond sounds like ‘drawbars’ and the ‘key-click’ are explained very clearly. So I would like to recommend The Hammond Organ to all ‘progheads’ who wants to know more about the instrument that sounds so well and recognazible on ‘classic recordings’ like “A whiter shade of pale” from Procol Harum, “Child in time” from Deep Purple, “Pictures at an exhibition” from ELP, “Tomorrow night” from Atomic Rooster or “Close to the edge” from Yes. Erik Neuteboom