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Direct Link To This Post Posted: February 03 2011 at 22:26
 
"Clem",
 
thanks for taking the time to read my book. It means a lot to me, and your feedback is invaluable. Your welcoming tone and note just underscores everything I've ever known about the prog world: it's inclusive.
 
And thanks for passing on the story about your home state. I'm glad to hear it. I'm pretty much out in the sticks and I found the book in the stores here as well. (Good to know the publisher is on the case...)
 
A lot of really good band bios and books on prog rock have been written over the last fifteen years or so. So, I think you've got a great idea about a separate section on PA. (I would say that, though, wouldn't I?) Go gently ... Ha!
 
Cheers!
 
Speak soon.
 
 
W
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Direct Link To This Post Posted: February 03 2011 at 20:42

Will,

Glad you found your way here.  And thanks again for your book - despite the critique I love the book and have learned quite a bit from it.  I've lately even been rediscovering Barclay James Harvest thanks to your book Thumbs Up

And I have to say that if your goal was to give some broader exposure to progressive rock (and it sounds from your post like you did) then I think the fact I saw several copies of this on the shelf at Barnes & Noble when I bought mine is a positive sign.  And that was at our little Barnes & Noble in god-foresaken South Dakota!  I can imagine you got some even better coverage in big markets.

I recently pitched an idea to the ProgArchives owner M@x to add a Prog Books section much like we do for albums.  I think it would be great to get more exposure for some of the great books about progressive music and artists.  Too many of them are under-promoted and practically unknown, even to us proglydites.

Anyway - welcome to the Archives!


"Peace is the only battle worth waging."

Albert Camus
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Direct Link To This Post Posted: February 03 2011 at 14:01

Hello, Prog Archives.

 

How are you?

 

I wanted to chime in on the interesting thread that’s evolved based on my book, Mountains Come out of the Sky. Allow me to say that I really enjoyed putting the book together and I’m pleased to see a discussion of it. I'm proud of the work and hope some of your are enjoying the book.

 

Just to let you know, the idea of Mountains was to present a history of the “genre” through bios of (most of) the main bands that have had an impact on the mainstream psyche.

 
As one poster pointed out, I'm American. I have a certain perspective re: this. I’ve been writing about prog rock for virtually 20 years and, specifically for this book, I spoke with 300 people; 200 people of that group show up in print, raising the flag in one form or another for their respective bands and musical contributions.
 
Some will disagree with the choices that were made (some very tough choices were made FOR me), of course, but I think in large part I’ve succeeded in celebrating the genre. I know what this music has meant to me over the years and, all things considered, I’m happy with the end result.

 

Just to give one example of the types of dilemmas I was dealing with throughout the process: by a PA poster’s own admission, Clouds/1-2-3 isn’t really categorized as prog, but PROTO-prog. The definition of “real” prog (whatever this means) seems to change depending on the person who’s speaking/posting. So, it was a lot to think about, logically account for, and contend with during the three years I was putting together this bios-heavy book that, I knew, would contain a limited amount of pages. Having said this, I was more than happy to include a gracious Billy of Clouds in the book. I'm glad I did. I enjoyed corresponding with him. 

 

As is true for most books, a good deal of info was cut from Mountains, including a chapter on VDGG, among other elements. As I’ve said in interviews, it’s a near miracle that a major music publisher even decided to back and then publish a book on prog rock. So, I’m grateful for the opportunity to do what I do. Given all the challenges, I loved putting it together. Again, I wanted the book to be a celebration. I’m hoping some of you view it in a similar light.

 

Thanks for giving me a voice on this board and to all the supportive words here. 

 

Be well, PA.

 

 

Will Romano

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Mountains Come out of the Sky

Big Boss Man

Incurable Blues

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Direct Link To This Post Posted: February 02 2011 at 09:52
Originally posted by bucka001 bucka001 wrote:

Apparently there is no coverage of Van der Graaf Generator, which is pretty amazing when you consider how respected they are (Uncut magazine, one of the British glossys that you can buy everywhere in the States even, called them the 'coolest, strangest band in prog'). You can tell the author is American as no British author would leave VdGG out.


Agreed. And only the briefest mention of Clouds/1-2-3, despite a section on the history of prog? OK, Clouds was never truly Prog, more Proto-prog, but this after all is the band that had as much to do wth the emergence of The Nice, Yes et al as anyone. This, VDGG and other glaring omissions raise huge question marks about the right of the author to claim his authority over real prog territory. More like Mountains are under the sea.
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Direct Link To This Post Posted: January 20 2011 at 15:10
Apparently there is no coverage of Van der Graaf Generator, which is pretty amazing when you consider how respected they are (Uncut magazine, one of the British glossys that you can buy everywhere in the States even, called them the 'coolest, strangest band in prog'). You can tell the author is American as no British author would leave VdGG out.
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Direct Link To This Post Posted: January 16 2011 at 09:06
And why do the mountains come out of the sky and just stand there?

Edited by Slartibartfast - January 16 2011 at 09:06
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: January 16 2011 at 07:10
Originally posted by Anthony H. Anthony H. wrote:

This sounds very interesting! I'll have to check it out. Could anybody post an Amazon link?
 
 
 
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Direct Link To This Post Posted: January 16 2011 at 00:52
If I'm not mistaken, I saw this on Borders when I went to San Francisco. It seemed cool with the pictures and all, but since it centered on the most popular stuff that has been discussed in PA billion of times, I didn't think it was worth it. Of course, I may have missed some stuff, but that was my initial thought.
 
 
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Direct Link To This Post Posted: January 16 2011 at 00:02
Originally posted by ClemofNazareth ClemofNazareth wrote:

I bought this book last month with some of my Christmas money Tongue
 
I love all the pictures, and there are some interesting bits of trivia and insight from the many prog musicians and other industry people Romano interviewed over the years it took him to put the book together.  Like the bit about Dave Cousins having to record 'Ghosts' lying on his back in the studio due to treatment for a suspected brain tumor - I didn't know that until I read it in the book.  Or the source of Fish's nickname - hadn't known that before either.  And I love that there is a chapter dedicated to Prog Folk and one to U.S. prog although neither is very comprehensive, and there is virtually no mention of any second- or third-tier prog bands (which are so well-represented here on the Archives).
 
But like others have said there are some serious gaps.  The U.S. chapter includes only Kansas and Styx (arguably Styx are not even a 'real' prog band).  The Kansas section doesn't even get into details about Proto-Kaw or some of the first Kansas band's early prog work that was released a few years ago as 'Early Recordings from Kansas 1971-1973', which is an unforgivable oversight since Kansas' true legacy as a U.S. prog band can't truly be appreciated without understanding those early days.  And there's pretty much nothing about South American, Nordic or former Soviet bloc prog.  Bands like Plastic People of the Universe, Los Jaivas, Los Blops, Os Mutantes all deserved at least a mention.
 
Overall I'm pretty happy having bought it, but I thought about sending Mr. Romano a letter suggessting he should have subtitled the book 'An Illustrated History of Prog Rock' instead of 'The Illustrated History of Prog Rock'.  And also to suggest that he join our site and spend some time expanding the scope of his progressive knowledge. Geek
 
Yeah, I used Christmas money too.  I'd be surprised if Romano wasn't already a member of PA but with some weird name or something.  Maybe not.   I've talked to a couple authors before who "are too busy" to join the obvious site that they really should be on.  Or they think they're too important.   But someone like Romano would benefit from all the information on PA and help him with that second book! 
 
Back to his book.  Not only did I like the pictures but I also liked the texture of the cover pages.  I know that sounds stupid, but it seemed to fit a Prog book!  Cool
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Direct Link To This Post Posted: January 15 2011 at 23:59
This sounds very interesting! I'll have to check it out. Could anybody post an Amazon link?
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Direct Link To This Post Posted: January 15 2011 at 20:56
I bought this book last month with some of my Christmas money Tongue
 
I love all the pictures, and there are some interesting bits of trivia and insight from the many prog musicians and other industry people Romano interviewed over the years it took him to put the book together.  Like the bit about Dave Cousins having to record 'Ghosts' lying on his back in the studio due to treatment for a suspected brain tumor - I didn't know that until I read it in the book.  Or the source of Fish's nickname - hadn't known that before either.  And I love that there is a chapter dedicated to Prog Folk and one to U.S. prog although neither is very comprehensive, and there is virtually no mention of any second- or third-tier prog bands (which are so well-represented here on the Archives).
 
But like others have said there are some serious gaps.  The U.S. chapter includes only Kansas and Styx (arguably Styx are not even a 'real' prog band).  The Kansas section doesn't even get into details about Proto-Kaw or some of the first Kansas band's early prog work that was released a few years ago as 'Early Recordings from Kansas 1971-1973', which is an unforgivable oversight since Kansas' true legacy as a U.S. prog band can't truly be appreciated without understanding those early days.  And there's pretty much nothing about South American, Nordic or former Soviet bloc prog.  Bands like Plastic People of the Universe, Los Jaivas, Los Blops, Os Mutantes all deserved at least a mention.
 
Overall I'm pretty happy having bought it, but I thought about sending Mr. Romano a letter suggessting he should have subtitled the book 'An Illustrated History of Prog Rock' instead of 'The Illustrated History of Prog Rock'.  And also to suggest that he join our site and spend some time expanding the scope of his progressive knowledge. Geek
 
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Direct Link To This Post Posted: January 15 2011 at 17:53
Exactly.  In fact the book just wetted my appetite for a book of post 70s Prog.  This same writer's approach would work very well.   Instead of jamming the last 30 years into a few paragraphs at the end (which beats most other Prog books) on newer music, I think the time has come to start a book on the "new" stuff.
 
You know, a paragraph that sort of covers the Big Six and the other greats and says "look if you're reading this book, you already know most of this golden era stuff, or "read my first book!  "   And then go on and start with:
 
- "what the hell happend? What happend to Genesis?   Yes's ups and downs.   The downfall (but commercial barnstorm) of Pink Floyd.   etc.
 
-  Marillion and the other great neo-Progsters.
 
- a chapter on those that kept the faith, but in an updated way, like Peter Gabriel, Be Bop Delux, King Crimson, Eno, Roger Waters, Robert Wyatt, etc.
 
-  Prog-metal:  Dream Theater  and Queensryche
 
- Back to their roots:  Bands that found their way back (or wouldn't die) like Camel, PFM, Yes, Tull, Hawkwind,  SBB,
 
-  the beginnings of a resurg with stuff like Anglagard, Flower Kings, Spock's Beard
 
- and then Porcupine Tree!  :-)
 
- and then several chapters on the new "silver age" of Prog with everything from Mars Volta, Tool, C&C, Anathema, Riverside, Decemberists, and so many many more.    
 
Really, its time for "that" book.
 
 
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Direct Link To This Post Posted: January 15 2011 at 15:48
Is it me, or these book tend to forget about all the prog bands that are not neo-prog or dream theater?

 what about post-rock and metal?
what about all the black doom ugly prog bands?
and mainly, what about not known bands?

Anyway, i've read a few chapters, and i really like the focus the writer gives, and how he goes into deep detail.

nice post
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Direct Link To This Post Posted: January 15 2011 at 15:10

So I’ve read a lot of Prog books, but was thrilled to see a new one just published, titled “Mountains Come Out of the Sky:   The  History of Prog Rock” by Will Romano.    

The way its organized is largely into full chapters for important bands.   I was thrilled to see just how close to the mark Romano usually nails it.  Of course he starts off with the Big Six:

1.       Pink Floyd

2.       King Crimson

3.       ELP

4.       Yes

5.       Genesis

6.       Jethro Tull

In that order.  He does a pretty good job covering this well worn territory with a fresh voice and perspective that doesn’t sound like you’ve read this stuff all before.  Then onto:

7.       Colosseum and Greenslade

8.       Canterbury Scene:  Does a real nice job here focusing on Soft Machine, Caravan, Gong, and then some of the others like Hatfield/North and Kahn

9.       Camel:  This was a real nice surprise to see one of my favorite progsters get a whole chapter

10.   Gentle Giant

11.   Prog Folk: focusing on Strawbs and then several others

12.   Progressivo Italinao:  Of course they call out my favorite PFM as the kings, but possibly try to cover too many bands in this chapter.  PFM, Le Orme, and Banco del Mutuo are really the big three.

13.   German Prog:  they cover several bands here, and sell Can and the whole scene a little short

14.   Kansas/Styx

15.   Mike Oldfield

16.   Rush

17.   U.K.   Thrilled to see a whole chapter on this great band with only two albums

18.   The Return of King Crimson:  The only golden oldie they thought worthy of giving a whole “later day” chapter to.  Nice.

19.   Throwing it All Away:  Genesis, Yes and ELP.   This chapter is largely about “what went wrong?”

Then it shifts into later day bands, which is fun, because so many of these books act like Prog ended in 1977. 

20.   Marillion

21.   Dream Theater

22.   Progressivity Continues Into the 21st Century, where he covers Spock’s Beard, P-Tree, Flower Kings, Mars Volta, IQ, Riverside, Sigur Rose, IQ, Coheed and Cambria

 

Not  bad final chapters, but clearly his focus is on more early Prog, because a band like Mars Volta deserve a chapter on their own.  Same with P-Tree.  Also, there’s so much current stuff that  he doesn’t even mention.   Of course what I like about the book, is,  he doesn’t try to do a complete overview of Prog, but focus on the big guns, and I suppose it’s a little bit harder to say who the big guns are now (hindsight is 20/20 afterall).  Anyway, a fun new book for Prog lovers.

 

 

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