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Camel666
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Posted: February 22 2010 at 07:33 |
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Bonnek
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Posted: February 22 2010 at 06:33 |
Camel666 wrote:
... sterile speculations...
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But that's exactly what this thread is for
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Camel666
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Posted: February 22 2010 at 04:00 |
Bonnek wrote:
Camel666 wrote:
]I am sorry, you still don't sound really convincing. You listen again to, I don't know, Misplaced Childhood, Clutching at straws, Brave, Marbles and you will find plenty of songs based on riffs. Most of them. You might also want to listen to South side of the sky or Long distance runaround, if Marillion are too neo-prog to be considered truly "progressive", and you tell me if there is no extensive use of riffs in these two. Lastly, you find me some diffrerences between, I don't know, YYZ or Red Barchetta and any DT song and I'll buy you a beer. What the hell, I'll buy you a slab.
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Oh, did I say I would call Rush true Prog? A few songs aside, I don't think they are for the same reasons as I listed for DT. Basically it's all in the name. The name Prog Metal says it already. Half Prog, half Metal. A few exception aside, Prog Metal will never be 100% Prog to me, but always be Metal with progressive elements. And in case there's any remaining doubt about this, I generally prefer Prog Metal to true Prog.
And I never said Prog can't or doesn't have riffs. The addition of the thematic development makes something Prog, but besides that they can add whatever they want. Riffs, metal, even a dance beat for all I care.
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Ok, I think we must agree to disagree ![Tongue Tongue](smileys/smiley17.gif) I would call Rush progressive -at least during their so called "progressive era"- from now till the end of time, but it's just an opinion and in the end it doesn't change our enjoyment of their music. Anyway, while I obviously respect your idea of progressive, I think if it leaves out of the genre bands like Rush back in the day and DT right now, than maybe it's not exactly the best way to describe what progressive was -or is. Rules need to reflect reality, otherwise they are just sterile speculations. My two cents and no offense ![Wink Wink](smileys/smiley2.gif)
Edited by Camel666 - February 22 2010 at 04:11
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Kyle McTreehugger
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Joined: February 03 2010
Location: Oregon, USA
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Posted: February 21 2010 at 17:51 |
Dream Theater has in most of their songs at least some progressive elements. The complex time signatures and time changes alone I would consider enough to qualify them as progressive. They have well developed musical themes throughout the majority of their songs that are anything but repetitive as far as repeating of musical ideas(especially compared to the majority of non-prog genres). They even have some mildly art rock and psychadelic influences at points of certain songs( misunderstood(the end of it),disappear, octavarium). I don't think any of their music doesn't have progressive elements,at the very least, except possibly some of the ballads. Even the heavy metal sounding songs do have a great deal of complexity.
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One Nation Under Prog!
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Dean
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Posted: February 21 2010 at 17:36 |
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What?
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Bonnek
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Posted: February 21 2010 at 16:53 |
Zargus wrote:
Well if its yust half metal and half prog, what is prog rock then its the same thing half rock half prog, i gues there never was any real 100% prog band then, that anyone can have doubts about em being prog, thats yust rediculus... i culd say the same thing about marillion its yust pop with some prog elements. |
Oh yes there is! Klaus Schulze and Tangerine Dream No rock and all progressive!
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Bonnek
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Posted: February 21 2010 at 16:49 |
Originally posted by Dean Oh, okay. Metal does that too, and not just Prog Metal. However, that's
not really the "progression" in Progressive Rock - the term has much
wider connotations meaning the development of ideas within and without
the music - progressing the music landscape as a whole and not just
within one tune.
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Yes, that sums it up. But it's been a lengthy discussion here and I got sidetracked on the whole 'theme development' thing ![Geek Geek](smileys/smiley23.gif) Anyway, it is something I don't hear in DT and not in metal generally (some exceptions already given in this thread). But I've sure taken notice from other people's arguments and I'll check out that Octavarium. One day we'll find a fitting definition of Prog that we all agree on. But then a new band will come along to challenge all our hard work and make us re-define it all over again!
Edited by Bonnek - February 21 2010 at 16:54
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Zargus
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Joined: May 08 2005
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Posted: February 21 2010 at 13:29 |
Well if its yust half metal and half prog, what is prog rock then its the same thing half rock half prog, i gues there never was any real 100% prog band then, that anyone can have doubts about em being prog, thats yust rediculus... i culd say the same thing about marillion its yust pop with some prog elements.
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Dean
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Posted: February 21 2010 at 13:20 |
Bonnek wrote:
Dean wrote:
What do you mean by "themed development" Karl? |
First of all that I can't type. I meant to write theme development or musical progression as I've called it earlier on in this thread. In fact what I try to say has been explained much better by Certif1ed in many of his reviews:
If I may quote from his Prog vs progressive thread. That the music itself contains progressions, the word here being used to mean passages of music that segue into another, standing in contrast to simple constructions such as a verse/chorus based song.
Obviously there's no consensus whether that defines prog or not. But for me it's a big argument to call something "true Prog".
It's not something that will improve or decrease my listening pleasure but well yeah, I was trying to explain why I chose option 5 here. Nothing more.
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Oh, okay. Metal does that too, and not just Prog Metal. However, that's not really the "progression" in Progressive Rock - the term has much wider connotations meaning the development of ideas within and without the music - progressing the music landscape as a whole and not just within one tune.
Dream Theater are an example of a band that does incorporated such thematic progressions into their music just as Yes, Genesis and countless other Progressive Rock bands have done in the past. With all those bands sometimes it fails - it sometimes it sounds like they just joined shorter disparate sections of music together without any thematic similarities between them - but even that can and does work and we still call it Progressive Rock. How and why they do it is immaterial - whether it is a natural development of a tune or following a "prog by numbers" blueprint is only worth investigating if the composition fails.
A Riff is just a theme, a motif, a short melody, a phrase - a refrain (riff-rain) - whether played as single notes, as full-chords or power chords - if all any band did was repeat that phrase for 10 minutes it would be tedious in the extreme - they all develop/modify/progress, drop/replace/substitute, reprise/return/conclude to create movement and tension in the music.
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What?
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Bonnek
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Posted: February 21 2010 at 09:59 |
Dean wrote:
What do you mean by "themed development" Karl? |
First of all that I can't type. I meant to write theme development or musical progression as I've called it earlier on in this thread. In fact what I try to say has been explained much better by Certif1ed in many of his reviews: If I may quote from his Prog vs progressive thread. That the music itself contains progressions, the word here being used to
mean passages of music that segue into another, standing in contrast to
simple constructions such as a verse/chorus based song.Obviously there's no consensus whether that defines prog or not. But for me it's a big argument to call something "true Prog". It's not something that will improve or decrease my listening pleasure but well yeah, I was trying to explain why I chose option 5 here. Nothing more.
Edited by Bonnek - February 21 2010 at 10:01
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Raff
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Posted: February 21 2010 at 09:51 |
Slartibartfast wrote:
Prog or not? Who cares? If you like the music that's all that matters.
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Best post in the whole thread ![Clap Clap](smileys/smiley32.gif) !
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Slartibartfast
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Posted: February 21 2010 at 09:49 |
Prog or not? Who cares? If you like the music that's all that matters.
Edited by Slartibartfast - February 21 2010 at 09:50
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Released date are often when it it impacted you but recorded dates are when it really happened...
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Dean
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Posted: February 21 2010 at 06:40 |
Bonnek wrote:
Camel666 wrote:
Bonnek wrote:
It's not just the "riffs verses theme" development, there's also the use of keyboards, complex time signatures, non-verse-chorus song structures that make something Prog from a formal perspective.
Most of all that theme development is essential to call something "true prog rock" and it's something that Metal will always have trouble with because of it's riff-based structure. In some cases, as with Opeth, the riffs span multiple bars and (usually 4) and have almost become progressive by themselves!
As to Marillion, that's easy, just listen again to the Script For a Jester's Tear track, it has a clear thematic and scenic development.
| I am sorry, you still don't sound really convincing. You listen again to, I don't know, Misplaced Childhood, Clutching at straws, Brave, Marbles and you will find plenty of songs based on riffs. Most of them. You might also want to listen to South side of the sky or Long distance runaround, if Marillion are too neo-prog to be considered truly "progressive", and you tell me if there is no extensive use of riffs in these two. Lastly, you find me some diffrerences between, I don't know, XYZ or Red Barchetta and any DT song and I'll buy you a beer. What the hell, I'll buy you a slab.
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Oh, did I say I would call Rush true Prog? A few songs aside, I don't think they are for the same reasons as I listed for DT. Basically it's all in the name. The name Prog Metal says it already. Half Prog, half Metal. A few exception aside, Prog Metal will never be 100% Prog to me, but always be Metal with progressive elements. And in case there's any remaining doubt about this, I generally prefer Prog Metal to true Prog.
And I never said Prog can't or doesn't have riffs. The addition of the thematic development makes something Prog, but besides that they can add whatever they want. Riffs, metal, even a dance beat for all I care.
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What do you mean by "themed development" Karl?
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What?
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Bonnek
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Joined: September 01 2009
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Posted: February 21 2010 at 05:50 |
Camel666 wrote:
Bonnek wrote:
It's not just the "riffs verses
theme" development, there's also the use of keyboards, complex time
signatures, non-verse-chorus song structures that make something Prog
from a formal perspective.
Most
of all that theme development is essential to call something "true prog
rock" and it's something that Metal will always have trouble with
because of it's riff-based structure. In some cases, as with Opeth, the
riffs span multiple bars and (usually 4) and have almost become
progressive by themselves!
As to Marillion, that's easy, just
listen again to the Script For a Jester's Tear track, it has a clear
thematic and scenic development.
| I am sorry, you still don't sound really convincing. You listen again to, I don't know, Misplaced Childhood, Clutching at straws, Brave, Marbles and you will find plenty of songs based on riffs. Most of them. You might also want to listen to South side of the sky or Long distance runaround, if Marillion are too neo-prog to be considered truly "progressive", and you tell me if there is no extensive use of riffs in these two. Lastly, you find me some diffrerences between, I don't know, XYZ or Red Barchetta and any DT song and I'll buy you a beer. What the hell, I'll buy you a slab.
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Oh, did I say I would call Rush true Prog? A few songs aside, I don't think they are for the same reasons as I listed for DT. Basically it's all in the name. The name Prog Metal says it already. Half Prog, half Metal. A few exception aside, Prog Metal will never be 100% Prog to me, but always be Metal with progressive elements. And in case there's any remaining doubt about this, I generally prefer Prog Metal to true Prog. And I never said Prog can't or doesn't have riffs. The addition of the thematic development makes something Prog, but besides that they can add whatever they want. Riffs, metal, even a dance beat for all I care.
Edited by Bonnek - February 21 2010 at 05:50
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Logan
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Posted: February 20 2010 at 22:43 |
The T wrote:
^It seems Mike's view of prog (by approach/by style) is finally catching on.
Will Mike be a legend in 20 years? |
Maybe, but that has always been my view too (I've been expressing that since I got here, though his terminology has affected me I'm sure). Anyway, I think he's done great things with his implementatation at progfreak (if PA and PF merged, not that it would happen, we would have a really fantastic site). EDIT: I'm having a curious sense of deja vu, like we've had this exact same discussion before. I've always said that Prog and progressive are not synonymous -- one can make Progressive Rock (in a generic sense) without being progressive and one can create progressive music (be innovative) without making Prog (and indeed rock is hardly the only avenue for musical innovation).
Edited by Logan - February 20 2010 at 22:54
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Petrovsk Mizinski
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Joined: December 24 2007
Location: Ukraine
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Posted: February 20 2010 at 22:36 |
I think it can be noted Dream Theater is not exactly avant garde. Let's
not kid ourselves folks, the aim of the DT game is not to write the most
out there, crazy sh*t ever. I hear a lot of complain about this
aspect of their sound, that they aren't out there enough, not full blown
intense. But again, they never set out to be, and arguably neither
did many of those symphonic prog bands that Ivan will argue are far more
prog than DT. So really, are they so prog if they are just following the same formula again and again? Some would say many symph prog or pysch prog would not qualify for prog rock. Personally I don't listen to DT much anymore as my
taste has moved onto my groove oriented metal bands that are much more
riff based (Gojira, Meshuggah, Periphery, Chimaira, 1980 etc) but Images
and Words and Awake are undeniably complex records in the metal realm.
Hell SFAM contains enough non metal rock parts that I consider it to be
prog rock as well (although I don't find SFAM to be a particularly great
album anymore musically) Personally I don't see a lot of prog in
their recent albums. They sound more like random mish-mashes of riffs
that don't fit coherently to me which makes me question their recent progressive qualities, which is why I stick to Awake being my favorite of theirs (and indeed, one of the best of the prog metal genre) because it sounds coherent to me
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The T
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Posted: February 20 2010 at 22:32 |
^It seems Mike's view of prog (by approach/by style) is finally catching on.
Will Mike be a legend in 20 years?
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Logan
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Posted: February 20 2010 at 22:21 |
I voted I'm unsure about their progressive credentials in the end since though I believe they compose "Prog" (noun) music, I don't know how progressive (adjective) the band's music/ approach really is.
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Ivan_Melgar_M
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Posted: February 20 2010 at 22:07 |
BTW: Jampa, " the answer 2 to 5 has no even the half of the votes of the first one"
As far as I see 34 is more than half of 58, and even in the morning when I made my post 36% was more than half of 64%
Your math is very peculiar.
Iván
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jampa17
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Posted: February 20 2010 at 21:52 |
Ivan_Melgar_M wrote:
jampa17 wrote:
Well Ivan, the answer 2 to 5 has no even the half of the votes of the first one... I know we both do not believe too much in democracy (Who said 50+1 is always right and the rest is wrong?) but is evident that the majority of the active members are voting for the one with more logic... DT is both prog and prog metal... so... no matter if 3 of every 10 members think they are not... accept it Ivan... at least in this poll... you are not with the winners... |
From the start I said a high percentage of members disagree with the Prog status opf DT and 36% is a huge percentage.
And remember, most of non DT fans will never visit a thread of them, ![Wink Wink](https://www.progarchives.com/forum/smileys/smiley2.gif)
Iván |
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Change the program inside... Stay in silence is a crime.
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