TL;DR: Genesis "locked in their classic sound" with the track Fountain of Salmacis.
So since I'm on a Genesis kick as of late, I noticed something when listening to Trespass, Nursery Cryme, Foxtrot, Selling England by The Pound, and The Lamb Lies Down on Broadway:
As much as I enjoy Trespass and Nursery Cryme, I can literally "feel" Genesis "getting their sound" once Fountain of Salmacis begins.
It's almost like they all woke up and everything clicked. This would be their style moving forward, and further expanded upon and exemplified on Foxtrot , SEBT, TLLDOB. Of course tracks like Musical Box and The Knife are Genesis staples, but let's be honest here: a lot of their attempts at epic prog didn't really click until Foxtrot. They were an above average band but nothing that could touch what would come on SEBT etc. I'd assert it started right at Fountain of Salmacis, the final track on Nursery Cryme.
When viewed chronologically, Genesis released a new record every October/November from 1970-1974. It's like walking down a hallway of paintings. The transition zone from early to classic Gabriel-era Genesis starts with Fountain of Salmacis for me.
Thoughts?
Edited by Frenetic Zetetic - January 15 2018 at 03:37