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Trotsky
Special Collaborator
Honorary Collaborator
Joined: October 25 2004
Location: Malaysia
Status: Offline
Points: 2771
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Posted: June 03 2005 at 05:39 |
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"Death to Utopia! Death to faith! Death to love! Death to hope?" thunders the 20th century. "Surrender, you pathetic dreamer.”
"No" replies the unhumbled optimist "You are only the present."
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samuel.jeronimo
Forum Senior Member
Joined: May 26 2005
Location: Portugal
Status: Offline
Points: 132
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Posted: June 03 2005 at 05:53 |
“Big Generator” ain’t bad but still is my least favorite from Yes (West).
My order of preference:
1 – “Talk”;
2 – “90125”;
3 – “Big Generator”.
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AfanSpur
Forum Senior Member
Joined: June 03 2005
Location: United Kingdom
Status: Offline
Points: 204
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Posted: June 03 2005 at 05:55 |
Drama 4 1   ;90521
Goals by &nbs p; &nbs p; &nbs p; Downes OG
Horn 12mins
White 16 mins
Howe 44 mins
squire 78 mins from 25 yards
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There stands Olias to outward to build a ship
Holding within all we hope to retain
The frame will be so built to challenge the universe
Clasped with the skins of the fish of the plain
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BiGi
Forum Senior Member
Joined: June 01 2005
Location: Italy
Status: Offline
Points: 848
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Posted: June 03 2005 at 06:01 |
Blacksword wrote:
It sounds like you have a healthy appreciation of both old and new prog. |
You got it!
I know many classic-prog and some new-prog very well.
These are the ones of which I know the whole production:
- Genesis (Best Album: A Trick of the Tail, Wind and Wuthering; Best Tracks: Mad Man Moon, The Knife, In the Cage, The Return of the Gian Hogweed, Watcher of the Skies, Robbery Assault and Battery)
- Yes (BA: Drama, Fragile, Close to the Edge; BT: Gates of Delirium, Machine Messiah, Changes, Southside of the Sky, Release Release, Leave it, I get up I get down)
- King Crimson (BA: Red, Lark's Tongues in Aspic; BT: Starless, The Great Deceiver, Fallen Angel, Three of a Perfect Pair, Happy with what you have to be happy with)
- Rush (BA: A farewell to Kings, Counterparts, Moving Pictures; BT: Xanadu, Jacob's Ladder, Afterimage, Subdivisions, Animate
- Emerson, Lake & Palmer (BA: Trilogy; BT: The Endless Enigma, Karn Evil 9, Tarkus, Take a pebble
- Pink Floyd (BA: Animals, Wish you were here; BT: Sheep, Summer '68, Shine on you crazy diamond, Echoes, A great day for freedom
- Spock's Beard (BA: V, Beware of Darkness; BT: At the end of the day, Thoughts, Harm's Way, Flow, Ghosts of Autumn)
- The Flower Kings (BA: Space Revolver, Stardust we are; BT: Chicken Farmer Song, In the eyes of the world, Circus Brimstone, Compassion, A Vampire's View, The Truth Will Set You Free)
- Dream Theater (BA: Metropolis part II; BT: Beyond this life, Space-dye Vest, Pull me under, Home)
As I said in another topic, I'm not one for seeking after virtuosisms...I fall in love with a song when its mood strikes me (for instance...I like Steve Hackett's compositions for the "aura" more than for his technique - although it's excellent!) or when its chord sequence surprises me...
(Mmm...I fear I'm going off-topic!  )
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A flower?
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Blacksword
Prog Reviewer
Joined: June 22 2004
Location: England
Status: Offline
Points: 16130
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Posted: June 03 2005 at 06:08 |
BiGi wrote:
Blacksword wrote:
It sounds like you have a healthy appreciation of both old and new prog. |
You got it! I know many classic-prog and some new-prog very well. These are the ones of which I know the whole production:
- Genesis (Best Album: A Trick of the Tail, Wind and Wuthering; Best Tracks: Mad Man Moon, The Knife, In the Cage, The Return of the Gian Hogweed, Watcher of the Skies, Robbery Assault and Battery)
- Yes (BA: Drama, Fragile, Close to the Edge; BT: Gates of Delirium, Machine Messiah, Changes, Southside of the Sky, Release Release, Leave it, I get up I get down)
- King Crimson (BA: Red, Lark's Tongues in Aspic; BT: Starless, The Great Deceiver, Fallen Angel, Three of a Perfect Pair, Happy with what you have to be happy with)
- Rush (BA: A farewell to Kings, Counterparts, Moving Pictures; BT: Xanadu, Jacob's Ladder, Afterimage, Subdivisions, Animate
- Emerson, Lake & Palmer (BA: Trilogy; BT: The Endless Enigma, Karn Evil 9, Tarkus, Take a pebble
- Pink Floyd (BA: Animals, Wish you were here; BT: Sheep, Summer '68, Shine on you crazy diamond, Echoes, A great day for freedom
- Spock's Beard (BA: V, Beware of Darkness; BT: At the end of the day, Thoughts, Harm's Way, Flow, Ghosts of Autumn)
- The Flower Kings (BA: Space Revolver, Stardust we are; BT: Chicken Farmer Song, In the eyes of the world, Circus Brimstone, Compassion, A Vampire's View, The Truth Will Set You Free)
- Dream Theater (BA: Metropolis part II; BT: Beyond this life, Space-dye Vest, Pull me under, Home)
As I said in another topic, I'm not one for seeking after virtuosisms...I fall in love with a song when its mood strikes me (for instance...I like Steve Hackett's compositions for the "aura" more than for his technique - although it's excellent!) or when its chord sequence surprises me...
(Mmm...I fear I'm going off-topic! )
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Hackett is a superb melodic guitarist! 
Well, we're both off topic now. So I shall not continue to post on a Yes thread about Genesis, who I could babble on about all day!! Welcome to the forum BiGi.
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Ultimately bored by endless ecstasy!
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BiGi
Forum Senior Member
Joined: June 01 2005
Location: Italy
Status: Offline
Points: 848
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Posted: June 03 2005 at 06:18 |
Blacksword wrote:
Well, we're both off topic now. So I shall not continue to post on a Yes thread about Genesis, who I could babble on about all day!! Welcome to the forum BiGi. |
Ok...to get back to the main point: the Drama and 90125 line-ups are equivalent to me...with one great remark.
Trevor Horn as a lead vocalist has not been such a good idea, IMHO!
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A flower?
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Blacksword
Prog Reviewer
Joined: June 22 2004
Location: England
Status: Offline
Points: 16130
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Posted: June 03 2005 at 06:44 |
Agreed, he's better off in the producers chair IMO. 90125 has superb production. Although I generally prefer that classic organic 70's production, it was 1984 when I first heard 90125. I was young then and I had never heard anything produced that way in rock before. I had heard the Buggles and the job Trevor Horn had done on Fankie Goes to Hollywood (both production triumphs) but they were just pop. It was quite eye opening. It was the first Yes I ever really paid attention to. Thats why I can accept it these days more so than many older fans who grew up with the band.
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Ultimately bored by endless ecstasy!
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Guests
Forum Guest Group
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Posted: June 03 2005 at 07:51 |
It had been better if they have called themselves "Cinama", as supposed.....
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