The Wanderer, new Hox Vox release

Man, you change crank those things out!

I can't imagine what a good work ethic you must have to get so much done so fast

Captain Clutch wrote: Man, you change crank those things out! I can't imagine what a good work ethic you must have to get so much done so fast

Thank you very much, Captain!

You won't believe I'm also working on another 3 records , one is about dada/surrealism output (my favorite contemporary art/literature movements after futurism), then the second part of Hurry Up Harry (will be more or less something like "Venetian Snares meets Les Claypool and Atari Teenage Riot") and another record of extreme music.
Plus I'm preparing "The Wandering" movie, in five parts/videoclips, following this record story.

I'm fast because 1) I write soundtracks for stories I invent (continuously), so I always "got a plan", I will never make a collection of various tracks 2) I don't know how (I barely know notation, I compose by ear) but I can imagine the whole final track, with all the arrangements, so I don't lose any time in tryouts; I'm very near to timings for jazz records, which are often played live, sometimes even with no postproduction or adding/substituting parts.

And it come in my mind a whole record every few days: I wrote down the skeleton of Etoile and Das Chamaleon in a whole single night (for skeleton I mean basic drums and bass sections - in the case of electronic tracks, the main keyboard and drums).

Hox wrote: Captain Clutch wrote: Man, you change crank those things out! I can't imagine what a good work ethic you must have to get so much done so fast Thank you very much, Captain! You won't believe I'm also working on another 3 records , one is about dada/surrealism output (my favorite contemporary art/literature movements after futurism), then the second part of Hurry Up Harry (will be more or less something like "Venetian Snares meets Les Claypool and Atari Teenage Riot") and another record of extreme music. Plus I'm preparing "The Wandering" movie, in five parts/videoclips, following this record story. I'm fast because 1) I write soundtracks for stories I invent (continuously), so I always "got a plan", I will never make a collection of various tracks 2) I don't know how (I barely know notation, I compose by ear) but I can imagine the whole final track, with all the arrangements, so I don't lose any time in tryouts; I'm very near to timings for jazz records, which are often played live, sometimes even with no postproduction or adding/substituting parts. And it come in my mind a whole record every few days: I wrote down the skeleton of Etoile and Das Chamaleon in a whole single night (for skeleton I mean basic drums and bass sections - in the case of electronic tracks, the main keyboard and drums).

So I downloaded this a while ago but just got around to listening to it. I have to say that I am floored. I got much the same impression from this as I did from Eight-Bit Deboned (your first album that I heard): that you can craft incredibly, out there, avant-garde music that also manages to be stunningly beautiful. Wonderfully done my friend. I will be listening to this one for a while.