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stonebeard View Drop Down
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Direct Link To This Post Posted: December 19 2007 at 16:34
I'd buy a zoo.



And...uhh...put a copy of Fragile somewhere in it.
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The Owl View Drop Down
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Direct Link To This Post Posted: December 21 2007 at 11:27
1) Build a nice recording studio in a rustic setting
 
2) Put together my own live band and hire the following guys if possible to do a tour:
      a) Michael Manring on fretless and fretted bass
      b) Mattias Olsson (Anglagard) on drums
      c) The keyboardist from NeBeLNeST
      d) A kickass woodwind player or violinist


Edited by The Owl - December 21 2007 at 11:28
People are puzzled why I don't dig the Stones, well, I listened to the Stones, I tried, and I tried, and I tried, and--I Can't Get No Satisfaction!

www.myspace.com/theowlsmusic
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reality View Drop Down
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Direct Link To This Post Posted: December 22 2007 at 17:15
Originally posted by darqdean darqdean wrote:

We've been here before: http://www.progarchives.com/forum/forum_posts.asp?TID=38448 Wink


and my answer is the same:
 

I'd start a record label & studio and record thousands of unsigned bands. There would be no star status, no unfair or binding contracts, no hidden management fees, no studio costs, no advances, no wages and no unlimited studio time - just the facilities to record, manufacture and distribute one album per band. There would be a limited amount of general promotion, (maybe a few well promoted tours and festivals and a series of targeted genre-specific promo CDs), but the bands would have to do all the specific promotion themselves, either individually or as small collectives within the label (anyone who can remember the Manchester Musicians Collective of the 80s will know how effective that can be)

 

Think of it as the opportunity to record a professional demo for free with added benfits of sound business and studio management. All start-up bands need that step-up to the next level and often it is just a small amount of cash and the knowledge to spend it wisely that prevents that from happening.

 

I have calculated that $5,000 for each band would produce a vialble "product" for them to sell and the sales of those would then be used to fund futher pressings and/or the second album. If any band or artist thinks that $5,000 is not enough then they are free to add to the pot with their own funds, if they are still not happy with that then they are not the kind of band I would be looking to help and they can go look for another label.

 

This would be a 100% non-profit making altruistic enterprise and all I would ask in return is for any band who made it big to remember where they came from and feed the system, so helping other struggling bands that follow them.

 


I would donate the money to the above worthy cause.
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martinprog77 View Drop Down
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Direct Link To This Post Posted: December 23 2007 at 04:45
i would hide jerry springer to make a talk show with  pink floyd  and elp
Nothing can last
there are no second chances.
Never give a day away.
Always live for today.


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martinprog77 View Drop Down
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Direct Link To This Post Posted: December 23 2007 at 04:50
i would buy progarchive and delete  every single dream theater poll  Evil%20Smile
Nothing can last
there are no second chances.
Never give a day away.
Always live for today.


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Dean View Drop Down
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Direct Link To This Post Posted: December 23 2007 at 05:14
Originally posted by martinprog77 martinprog77 wrote:

i would hide jerry springer to make a talk show with  pink floyd  and elp
What?
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Visitor13 View Drop Down
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Direct Link To This Post Posted: December 23 2007 at 06:31
Originally posted by darqdean darqdean wrote:

We've been here before: http://www.progarchives.com/forum/forum_posts.asp?TID=38448 Wink


and my answer is the same:
 

I'd start a record label & studio and record thousands of unsigned bands. There would be no star status, no unfair or binding contracts, no hidden management fees, no studio costs, no advances, no wages and no unlimited studio time - just the facilities to record, manufacture and distribute one album per band. There would be a limited amount of general promotion, (maybe a few well promoted tours and festivals and a series of targeted genre-specific promo CDs), but the bands would have to do all the specific promotion themselves, either individually or as small collectives within the label (anyone who can remember the Manchester Musicians Collective of the 80s will know how effective that can be)

 

Think of it as the opportunity to record a professional demo for free with added benfits of sound business and studio management. All start-up bands need that step-up to the next level and often it is just a small amount of cash and the knowledge to spend it wisely that prevents that from happening.

 

I have calculated that $5,000 for each band would produce a vialble "product" for them to sell and the sales of those would then be used to fund futher pressings and/or the second album. If any band or artist thinks that $5,000 is not enough then they are free to add to the pot with their own funds, if they are still not happy with that then they are not the kind of band I would be looking to help and they can go look for another label.

 

This would be a 100% non-profit making altruistic enterprise and all I would ask in return is for any band who made it big to remember where they came from and feed the system, so helping other struggling bands that follow them.

 


Oh yeah.
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AustinPrince14 View Drop Down
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Direct Link To This Post Posted: January 12 2008 at 20:00
I would get John Wetton, Bill Bruford, and Master Fripp to not only record Red 2, but release Blue goddammit!



Give him an internet applause by tapping your fingers lightly on the keyboard.
    -Ninja Pirate Thilo Savage
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TGM: Orb View Drop Down
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Direct Link To This Post Posted: January 13 2008 at 17:15
Fripp-McDonald-Giles-Lake-Sinfield.
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MusicalSalmacis View Drop Down
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Direct Link To This Post Posted: January 14 2008 at 04:10
I'd hire Jethro Tull to play music in the background while i quietly compose keyboardleads to Rush tracks.
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Direct Link To This Post Posted: January 16 2008 at 03:29
I would learn to play some instruments, purchase a studio, found a record company and put out some of my own works.
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