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Bad albums made to fulfill contractual obligation |
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18061 |
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Hi, I thought that AMAROK was one of these albums.
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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richardh ![]() Prog Reviewer ![]() ![]() Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 29402 |
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I'm sorry but it's a pile of pooh compared to their best albums. This is ELP, not some second rate nothing band. They were considered one of the best early seventies bands back in the day with possibly only Led Zep and Deep Purple being obviously bigger at least until 1972 or thereabouts. They revolutionised progressive/classical rock music and paved the way for Yes and pretty much all the Italian prog scene. It's a long way down from there. They did not want to make it and that's a fact. Atlantic records should have known better than to allow their legacy become so damaged. I hate it personally. It deserves no re-evaluation whatsoever but I am aware that Andy Edwards (and maybe others) have said it's not as bad as its reputation. Scott G Davis (the artist known as 'Myth Of Logic' and a massive ELP fan) has said it would not be a bad album if it was released by any other band. True perhaps but the main point is that it is ELP and not some other band. That's the only context it needs. IMO
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kirk782 ![]() Forum Senior Member ![]() ![]() Joined: September 06 2024 Location: India Status: Offline Points: 189 |
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Does Metal Machine Music even qualifies as music? It's err a giant heck you to both record company and whoever was unfortunate to listen to it. I have yet to listen to ELP's Love Beach though till now, I found their "Works-Volume 2" as the low point.
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Rick1 ![]() Forum Senior Member ![]() ![]() Joined: April 14 2020 Location: Loughborough UK Status: Offline Points: 2925 |
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^ 'Works Vol. 2' was not an album as such. 'Love Beach' is much better and the post-modern irony of the cover seems to be lost on most people. Where else can you hear Emerson play a Fender Rhodes?
Anyway, on to another great keyboard player, Mike Ratledge (RIP). Soft Machine Vol 2 was a contractual obligation but turned into a stunner and resulted in the relaunch of the band.
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