Roz Vitalis newest album for review

Message Topic Search Topic Options Post Reply Create New Topic Printable Version Translate Topic

   Avant/Sympho Prog band Roz Vitalis has just released newest full-length studio album which is the first in the last five and a half years (not counting live releases and singles), after "The Hidden Man of the Heart" (2018) that is among TOP 10 Albums of 2018 at Prog Archives! This newest album is titled "Quia Nesciunt Quid Faciunt". The releasing label - as usually - is Italian Lizard Records. 

You can listen to it here:
http://rozvitalis.bandcamp.com/album/quia-nesciunt-quid-faciunt

and here:
http://open.spotify.com/album/46vHWd5PW9MKWXwY3avVSu

rate/review here: 
http://www.progarchives.com/album.asp?id=82792

We would like to receive review of it or just rate!

If you need codes for free downloading via bandcamp please write to: [email protected]

Below we give press release 

“Quia Nesciunt Quid Faciunt” (“they know not what they do” translated from Latin) consists of 10 tracks and lasts 54 minutes. The title of the album was induced by tragic events of the latest years concerned with military operations and violation of human rights in some regions of the world. Perhaps the album's message is captured – in the best way – in track titled "The Man Whose Wings Were Cut Off"; its slightly shorter version had been released as a single in 2020. “Quia Nesciunt Quid Faciunt” differs from all other studio full-length albums by the very technical drum parts. This is the merit of drummer Evgeny Trefilov. He also acted as the author of two short works played on synthetic piano - "Fountain" and "Nocturne" - and as a sound engineer responsible for mixing and mastering. Unfortunately, he left the group shortly before the completion of the album. At the same time, the essential melodic lines are provided – as previously – mainly by keyboards, guitars, flute and trumpet. Another feature of the album is the extensive use of harpsichord. Odd time signatures, unpredictable development, memorable melodies, light serenity and "tragic drive" take place, as usually.

Author	Message Topic Search Topic Options Post Reply Create New Topic Printable Version Translate Topic
felonafan Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: August 08 2005 Status: Offline Points: 392	Post Options Post Reply Quote felonafan Report Post Thanks(0) Quote Reply Topic: Roz Vitalis newest album for review Posted: November 19 2023 at 04:44
	Avant/Sympho Prog band Roz Vitalis has just released newest full-length studio album which is the first in the last five and a half years (not counting live releases and singles), after "The Hidden Man of the Heart" (2018) that is among TOP 10 Albums of 2018 at Prog Archives! This newest album is titled "Quia Nesciunt Quid Faciunt". The releasing label - as usually - is Italian Lizard Records. You can listen to it here: http://rozvitalis.bandcamp.com/album/quia-nesciunt-quid-faciunt and here: http://open.spotify.com/album/46vHWd5PW9MKWXwY3avVSu rate/review here: http://www.progarchives.com/album.asp?id=82792 We would like to receive review of it or just rate! If you need codes for free downloading via bandcamp please write to: [email protected] Below we give press release “Quia Nesciunt Quid Faciunt” (“they know not what they do” translated from Latin) consists of 10 tracks and lasts 54 minutes. The title of the album was induced by tragic events of the latest years concerned with military operations and violation of human rights in some regions of the world. Perhaps the album's message is captured – in the best way – in track titled "The Man Whose Wings Were Cut Off"; its slightly shorter version had been released as a single in 2020. “Quia Nesciunt Quid Faciunt” differs from all other studio full-length albums by the very technical drum parts. This is the merit of drummer Evgeny Trefilov. He also acted as the author of two short works played on synthetic piano - "Fountain" and "Nocturne" - and as a sound engineer responsible for mixing and mastering. Unfortunately, he left the group shortly before the completion of the album. At the same time, the essential melodic lines are provided – as previously – mainly by keyboards, guitars, flute and trumpet. Another feature of the album is the extensive use of harpsichord. Odd time signatures, unpredictable development, memorable melodies, light serenity and "tragic drive" take place, as usually.