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Interactive Poll: Sounds of Asia

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Poll Question: Which three are your favourites?
Poll Choice Votes Poll Statistics
4 [12.12%]
0 [0.00%]
5 [15.15%]
2 [6.06%]
2 [6.06%]
1 [3.03%]
2 [6.06%]
4 [12.12%]
2 [6.06%]
0 [0.00%]
3 [9.09%]
2 [6.06%]
4 [12.12%]
2 [6.06%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
You can not vote in this poll

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jamesbaldwin View Drop Down
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Post Options Post Options   Thanks (3) Thanks(3)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: September 12 2021 at 10:11
MY PODIUM AND SPECIAL AWARDS_

I see two masterpieces in this poll,

two very elaborate and inspired pieces, which involved me a lot

(even more than my Ali Khan, which I consider an excellent song with a great impact for the author's vocals but not a true masterpiece)

and these are:


1) Geinoh Yamashirogumi: Osorezan

2) Jambinai: Onda/Prelude KOR


For third place, I have several candidates:

The Chieftains ft. Akiko Jano: Sake in the Jar IRL/JPN
Isfar Sarabski & Band: Novruz AZE
-  Black String: Hanging Gardens of Babylon (GREAT AND PUMPED MINI SUITE)
-Baraka: Balinese Monkey Chant

Which one to choose?

I go with the ethnic choir of 

3) the Balinese Monkey Chant

So, 

4) Black String (almost masterpiece)

5) Isfar Srabskj

6) Akiko Jano

plus the honorable mentions already ... mentioned.

Grand Prix of the public:
-Fatih Erkoç: Emmoglu TUR
-Mono

Grand Critics' Prize:

Toshimaru Nakamura: Live @Japanorama



-----


Edited by jamesbaldwin - September 12 2021 at 10:26
Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: September 12 2021 at 13:22
Originally posted by Mila-13 Mila-13 wrote:


INFO - Nomination Deadline: Sunday 5. September 2021

Hi everybody,

I'm sorry for being a bit late. Now that all suggestions are in, I would like to ask you to nominate your final choice, if possible until tomorrow evening, by about 22:00 CET. Otherwise Monday would be fine as well.

For overview I have made a playlist including all your suggestions. You can find all info also on the first page of this thread.


01-03 jamesbaldwin

Nursat Fateh Ali Khan (PAK)

04-06 JD:

Stomp, Jap. Kodo (JPN)

Harry Partch (U.S, influences Japan, Ethiopia?)

Electronicos Fantasricos (JPN)

07-07 The Anders

Dewa Alit & Gamelan Salukat (IDN, Bali)

08-12 Mathman

Wahh World Fusion Band (U.S., influences India)

Jonas Hellborg (Sweden, ft. Indian artists)

Kyaw Kyaw Naing & Ensemble Bang (MMR, Burma)

Yoshida Brothers (JPN)

Black Strings: Hanging Gardens of Babylon (KOR)

13-15 Logan

Geinoh Yamashirogumi (JPN)

Haco + Sakamoto Hiromichi (JPN)

Yoshihiro Kanno (JPN)

16-19 Lewian

Anoushka Shankar ft. Alev Lenz (IND, TUR/DEU)

Cornelius (JPN)

Talvin Singh (IND/UK)

Toshimaru Nakamura (JPN)

20-22 Shadowyzard

Fatih Erkoc (TUR)

Haktan (TUR)

Erkan Gümüşsuyu (TUR)

23-25 TCat

Kahimi Karie (JPN)

Jambinai (KOR)

Sales (U.S./CHN)

26-28 Snicolette

Marla Leigh (U.S., influences, i.a. India, Middle East)

The Chieftains ft. Akiko Jano (IRL/JPN)

Wang Xue (CHN)

29-32 suitkees

Altin Gün (TUR/NLD)

33-34 I prophesy disaster

Balinese Monkey Chant (from the 1992 documentary film Baraka) (IDN, Bali)

Toe (JPN)

35-39 Cristi

Atravan (IRN)

Lovebites (JPN)

Casiopea (JPN)

Mono (JPN)

Skyharbor (IND/UK)

40-42 Mila

Anandi Bhattacharya (IND)

Kikuo ft. Hanatan (JPN)

Isfar Sarabski & Band (AZE)

43-45 Mirakaze

The Monks of the Dip Tse Chok Ling Monastery (CHN, Tibet)

Toru Takemitsu (JPN)

anNina (vocals: Annabel, composition: Inazawa, JPN)

46-46 cstack3

Fareed Haque (PAK/CHL)


Thank you very much for participating and for your great contributions! Smile


Playlist with nominated songs:

https://www.youtube.com/watch?v=Z71tKxrztC4&list=PLRF2N4J-pa5SpaPmgsKvyFcPNXFSiVEaY




Excellent poll!
Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Anders Quote  Post ReplyReply Direct Link To This Post Posted: September 12 2021 at 13:53
Originally posted by Lewian Lewian wrote:

3) Dewa Alit & Gamelan Salukat: Yeh Ngetel/Dripping Water: Is this traditional? It sounds so strikingly modern! Maybe I'd play this less often than Black String, Jambinai or some others, but how this is connected to some of the most groundbreaking 20th century Western music is just striking.


Thank you for the vote. As for how modern it is, the piece is composed by Dewa Alit (whom you can see conducting towards the end of the clip), and without being an expert on Gamelan music, I believe it would count as a modern take on the genre. A bit like much of the folk music that is made in Europe today btw.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mila-13 Quote  Post ReplyReply Direct Link To This Post Posted: September 12 2021 at 14:23
Originally posted by suitkees suitkees wrote:

Originally posted by Mila-13 Mila-13 wrote:

A personal reflection on our Asia poll.

I wonder whether I am on the right track or is it rather a preconceived idea that I have about East Asian nature?

Hmm, interesting read. I'm not knowledgeable enough to state something more general about music made in Asia or one of the Asian countries, however, I'm very reluctant to generalize about cultures or about artistic expressions... And I'm very weary to think that there could exist such a thing as "a pure form" of ("ethnic") music, as their is no "pure form" in painting or in cinema (even when there have been claims to it; e.g. "cinéma pur"). Next step would be to think that there is a "pure form" of this or that culture and then we arrive in very dangerous territory, in my opinion.

We probably know our own culture the best, but would have a damn hard time to define it by just a couple of keywords: there is so much diversity within our own culture that I suspect that there is as much diversity in other cultures, which generate a wide variety of artistic expressions. Bringing them down to a limited number of characteristics may help us understand some aspects of that culture, but many other aspects will have been left out and could lead to other views... What I find very interesting with this poll theme is that it has shown this diversity of the artistic/musical expressions. In my eyes (and ears), this richness is much more telling than any generalization about it could be. And in the end, it is just about personal appreciation and preferences...

This was a first attempt to approach traditional music from East and Southest Asia that I am hardly familiar with. I used the term ‘ethnic music’ as a synonym for ‘roots music’ and as a differentiation from ‘folk music or song’. Based on the traditional music from Japan, Tibet and Bali that we have seen here I was trying to recognize some characteristics and put them in relation to what I know. I am aware that this is a greatly simplified view. But my intention was primarily to point out this contrast between tradition and this distinctive individualism that we can see in the contemporary work of the Japanese video game music composer Kikuo and the free imporvision of Toshimaru Nakamura  That is why I put it up for discussion since music from that part of Asia was well represented in this poll. Another reason why I decided to introduce an artist from Azerbaijan since oriental music and music from India and Pakistan is what I know best from Asia.



Edited by Mila-13 - September 12 2021 at 17:08
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mila-13 Quote  Post ReplyReply Direct Link To This Post Posted: September 12 2021 at 14:34

@Lorenzo
I'm glad that you enjoyed the poll! It's not easy to find a new topic after so many editions. Smile



Edited by Mila-13 - September 12 2021 at 14:35
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Post Options Post Options   Thanks (1) Thanks(1)   Quote The Anders Quote  Post ReplyReply Direct Link To This Post Posted: September 14 2021 at 15:56
Second batch

Mono: Nowhere, Now Here JPN
Starts with some silent guitar in the left channel. Bass and lead guitar enter after a minute or so. The arrangement builds up gradually with more instruments (cellos). Around 3:20 there is a sudden change of tempo and mood, and the music becomes more like metal (the more soft corners of it). A whole string orchestra is added along with the rock instrumentation. The electric guitars beomre more prominent in the soundscape after some time. It all culminates around 8:00. Not so much my thing, but it’s not uninteresting. Poor violinists, they have to try and read the notes while all these epileptic light effects are on.

The Chieftains ft. Akiko Jano: Sake in the Jar IRL/JPN
This one begins with some drums.. Then the music moves towards a folkish sound containing a pentatone melody which is sung with a lot of ornamentation. Instruments include flutes, some string instruments, a marrimba (?) and a harp. From 3:00 there is also some jazzy piano. Very charming, and it is a strong contender for my part.

Toshimaru Nakamura: Live @Japanorama
We are in the experimental electronic area here. It builds very slowly with some very dissonant sounds that are sort of floating around (probably as a result of being out of tune, thus creating a vibrating sound). Very minimalistic. Around 3:00 a ”beat” of sorts is faded in while the previous sounds fade out. Various sounds are floating in and out while the ”beat” is on, including, after 8:00, what sounds like electronic feedback. The beat fades out, and the ”feedback” is alone as the track moves towards the end. The music ends rather abruptly. Strong contender.

Altin Gün: Tatli Dile Güler Yüze TUR/NLD
I knew some songs by Altin Gün, but not this one. The song is in the funk-rock universe, with a prominent guitar riff in the instrumental sections. Think I liked some of their other songs a bit better, but I enjoy this one too.

Fatih Erkoç: Emmoglu TUR
The song starts with oriental sounds in the Lydian mode, but then the music changes to something more American, complete with Louis Armstrong type of ”growl”. Then back again to the oriental, and at last he goes hard rock. Overall it’s more like a medley than a song, and it’s a tad too gimmicky for my taste. But tastes differ.


Edited by The Anders - September 14 2021 at 15:56
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Anders Quote  Post ReplyReply Direct Link To This Post Posted: September 15 2021 at 09:30
Last batch

Isfar Sarabski & Band: Novruz AZE
Very intimate atmosphere in the beginning with only the piano. The main chord progression after the intro reminds me a bit of ”Everything in the Right Place” by Radiohead. Before the 2:00 mark, a band sets in, including, double bass, drums, violins, cello, plus a string instrument that I am not familiar with. We get a few bars with the 7/8 time signature. Then the piano is alone again, and we move into a traditional jazz trio section with double bass and drums. The previously mentioned string instrument has a solo from just before 5:00. Looking at the frets, it appears it was built to contain microintervals of some sort (some frets are very close). I am aware that music from that area often contains microintervals, so it should come as no surprise. Then there’s a piano solo which gets kind of ”wild” towards the end. Very enjoyable performance, and it is another contender.

Baraka: Balinese Monkey Chant IDN
The music here starts in quite a cinematic mood until there’s a very surprisng transition to a rather wild choir. It reminds me a bit of the Finnish shouting choir Mieskuoro Huutajat. I like it a lot.

Nursat Fateh Ali Khan: Mustt Mustt PAK
This one has reggae vibes, and there is a funky slap bass too. Call-and-response between the main singer and the backing vocalists. There’s an accordion too (I think).

Monks of DipTseChokLing Monast: For Gya Ling&Dung Chen,Tibet
The thing is, despite being traditional Tibetan sacred music (so the description says), it sounds kind of avant-garde to my ears. But then avant-garde music from the western world is often inspired by music from other parts of the world. I wonder if it is some sort of bagpipe that we hear? The low-pitched wind instruments sounds like a tuba or a deep trombone, but I believe it is a local instrument too. I wish the info in the clip provided informantion about this. I like this piece a lot too. Contender.


Edited by The Anders - September 15 2021 at 09:30
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Post Options Post Options   Thanks (2) Thanks(2)   Quote Mirakaze Quote  Post ReplyReply Direct Link To This Post Posted: September 15 2021 at 14:40
My picks are as follows:

3. Jambinai - Onda
I'm not a huge fan of most post-rock and I've never paid this band much attention for that reason, but the traditional Korean instrumentation certainly adds a whole new dimension and flavour to this style of music that I can certainly appreciate.

2. Geinoh Yamashirogumi - Osorezan
This group I'm familiar with because of their work on the Akira OST and their 1990 release Ecophony Gaia; this is a much less "listener-friendly" side of theirs that I wasn't aware of. I'll definitely try to check out more of their older works.

1. Isfar Sarabski - Novruz
I don't think it was as specifically Asian-sounding as my other two selections but this is what I was most engaged by while listening to this playlist. A fantastic performance.

Originally posted by The Anders The Anders wrote:

Monks of DipTseChokLing Monast: For Gya Ling&Dung Chen,Tibet
The thing is, despite being traditional Tibetan sacred music (so the description says), it sounds kind of avant-garde to my ears. But then avant-garde music from the western world is often inspired by music from other parts of the world. I wonder if it is some sort of bagpipe that we hear? The low-pitched wind instruments sounds like a tuba or a deep trombone, but I believe it is a local instrument too. I wish the info in the clip provided informantion about this. I like this piece a lot too. Contender.


The titular Dung Chen and Gya Ling are the names of the instruments, the former being the low-pitched 12-foot metal trumpets and the latter being the high-pitched "bagpipes" (the liner notes to my disc copy describe them as oboes but they're actually more related to the zurna). Both are played in pairs.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mila-13 Quote  Post ReplyReply Direct Link To This Post Posted: September 16 2021 at 01:18
Originally posted by The Anders The Anders wrote:

Isfar Sarabski & Band: Novruz AZE
Very intimate atmosphere in the beginning with only the piano. The main chord progression after the intro reminds me a bit of ”Everything in the Right Place” by Radiohead. Before the 2:00 mark, a band sets in, including, double bass, drums, violins, cello, plus a string instrument that I am not familiar with. We get a few bars with the 7/8 time signature. Then the piano is alone again, and we move into a traditional jazz trio section with double bass and drums. The previously mentioned string instrument has a solo from just before 5:00. Looking at the frets, it appears it was built to contain microintervals of some sort (some frets are very close). I am aware that music from that area often contains microintervals, so it should come as no surprise. Then there’s a piano solo which gets kind of ”wild” towards the end. Very enjoyable performance, and it is another contender.

The name of that string instrument is 'tar'; it belongs to the family of long-necked, waisted lutes used by many cultures in and near the Caucasus and Central Asia. Here you have an overview of all traditional music instruments used in that region.


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Post Options Post Options   Thanks (2) Thanks(2)   Quote The Anders Quote  Post ReplyReply Direct Link To This Post Posted: September 16 2021 at 14:13
Thanks to Mirakaze and Mila for explaining the instruments :)

These are my votes:
The Chieftains ft. Akiko Jano: Sake in the Jar IRL/JPN
Toshimaru Nakamura: Live @Japanorama
Monks of DipTseChokLing Monast: For Gya Ling&Dung Chen,Tibet

Honorabe mentions:
Jambinai: Onda/Prelude KOR
Isfar Sarabski & Band: Novruz AZE


Edited by The Anders - September 16 2021 at 14:14
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 16 2021 at 14:22
Thank you for the Chieftains vote, Anders!  And yes, much thanks for the instrument information to Mirakase and Mila!
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