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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Lately I've been going through several listening phases and one of them is me highly enjoying psych/stoner/space rock bands such as:
ASSEMBLE HEAD IN SUNBURST SOUND (awesome psych rock, short songs, but to the point) ASTRA (read the thread that Rushfan4 opened about these 70's sounding space rock band) BLAND BLADEN (cool for those who like Hidria Spacefolk and their ilk) EL DIABLO EARTHLESS (awesome heavy psych rock) FIRST BAND FROM OUTER SPACE (cool psych band from Japan) THE FUTURE KINGS OF ENGLAND (excellent psych/space UK band) THE GIANT HOGWEED ORCHESTRA (cool jamming from this space-rock band) GREEN MILK FROM THE PLANET ORANGE KALUTALIKSUAK (weird and well done psych) GDEVA (nice psych/space from Russia) KINSKI (powerful and varied output form this band) MAMMATUS (cool stoner/psych rock) MARY NEWSLETTER (a recent find of mine, Italian space-rock) THE MOVEMENTS (cool late-60's-sounding band from Sweden) ORESUND SPACE COLLECTIVE (awesome psych) THE PSYCHIC PARAMOUNT (rough but good psych) ANDREW DOUGLAS ROTHBARD (weird, creative and magical sound) SENDELICA (nice jamming and grooving form this Welsh group) SERPENTINA SATELITE (Kraut-rock, psych Peruvian band - read the interview I did with them here in PA) SIX ORGANS OF ADMITTANCE (you know them, right?) TAIPUVA LUOTISUORA (Another great Finnish band, for those who like Hidria Spacefolk) So you get the idea... Say what you think of these and also post suggestions for other bands from these styles and sounds. Feel free to discuss, suggest and add your own views and favourite bands/musicians. I'd like to discover more from this wonderful "mind-expanding" styles. Edited by avestin - September 07 2009 at 12:41 |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Let me continue this by focusing on ASSEMBLE HEAD IN SUNBURST SOUND
http://www.myspace.com/theassembleheadinsunburstsound Assemble Head In Sunburst Sound biography here in PA: Westcoast psychedelic prog outfit ASSEMBLE HEAD IN SUNBURST SOUND (AHISS) were formed in San Francisco around a core of three musicians - Jefferson Marshall (guitar, bass), Charlie Saufley (guitar, bass), and Michael Lardas (drums). On their experience in lives and gigs with collaborators including Anderson Lanbridge (theremin, poetry) or Ray Castro (keyboards), in 2005 they could release the first vinyl, as a private press of 500 LPs, stuffed with elements of early Pink Floyd, Amon Duul II, 13th Floor Elevators, or Crazy Horse. The year 2006 was exactly their milestone - AHISS signed on with a NY indie label Tee Pee Records, and recorded a new album with Tim Green, an extraordinary engineer and producer based in San Francisco. In March 2007, with a great help from Anderson and multi-instrumentalist Camilla Saufley, they made an official debut with the album 'Ekranoplan' In October 2008, AHISS re-united with Tim Green and entered Green's Louder Studios with Anderson and Camilla as well, and reached out to Brett Constantino and Evan Reese, the guest vocalists of SLEEPY SUN, for graceful and magnificent harmonies of the song 'Two Birds' - in this way, in April 2009 AHISS shot the second effort 'When Sweet Sleep Returned'. ![]() Ekranoplan 2007 ![]() ![]() 4.00 | 1 ratings When Sweet Sleep Returned 2009 And a review from Damo:
When Sweet Sleep Returned Assemble Head In Sunburst Sound Psychedelic/Space Rock Review by
DamoXt7942
— First review of this album —
![]() What their brilliant goal or purpose of musical style is, I wonder. They play with splendid, magnified chorus with deep, drowsy, spacey rhythm section and dragged, multiplex guitars and keyboards - and yet pop and melodious flavour should not be lost at all. There is nothing specific to either pop nor space rock but exactly complex flavour like estery and smokey one of a well-matured whisky or wine. Their melody, tune, or tempo is slow, thick, heavy but slender, that reminds us stoner progressive rock (but not metallic). Their chorus is, I feel, like early YES or THE BEACH BOYS, so consequently not only graceful and elegant, but also of deeply trailed atmosphere. Bulldozed and hypnotic repetition of warm sounds can be called exactly as the mixture of an opposition to another. Two Stage Rocket has theremin sounds by Anderson like an ascending air stream, drifting guitar solo, and steady drum sounds with relax. They can drive psychedelia with leaving some of friendly tune here. Easy to groove to the song - feel wonderful. In Two Birds all vocals can perform perfectly in their chorus with each other, as in the fourth track The Slumbering Ones. Remind us fresh air and cool water - very comfortable but rigidly with heavy and spacey riffs and floating atmosphere by synthesizers. This song is the longest in this album but should not force its length as the other songs be...it's natural and smooth for us listeners. The next song Drunken Leaves is, as the title says, drunken and vertiginous space rock. Around it are heavy noises leadin' to our heartache and palpitation - these achy stuffs cannot exist in pure heavy rock songs. Sticky and slimy repetition by all instruments should outweigh catchy flavour but the pop spice should make us relaxed in the outer ground. Kolob Canyon is a song with real canyon's magnificence, by terrific chorus and strict guitars; we can be struck with the grandeur. Furthermore, here is nothing affected - natural and smooth, as well. A heavy-folk-flavoured song, By The Ripping Green, has more stoner kickin' than other songs. Dreamy dream comes from the laidback guitar solo. As well voice solo can be widely spread. On the contrary, noisy psychedelia with massive attacks by guitars and drums is Clive And The Lyre. Even though here are some repetitions with simple and flat riffs, why can we bubble as such? In the last song End Under Down the flute solo is very graceful and plaintive - heavy guitars or percussion following that should have the same taste. All will get downturn and finished I imagine? But their psychedelic trip will never end? This album let us feel obscurely cool. Wink. Edited by avestin - September 05 2009 at 20:06 |
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paulwalker71 ![]() Forum Senior Member ![]() ![]() Joined: October 07 2005 Location: United Kingdom Status: Offline Points: 215 |
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I might as well give a shout for Hawkwind before someone else jumps in
Or are they considered perhaps a bit mainstream for this thread? |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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No, not mainstream, no problem at all with mentioning Hawkwind, the thread is open to all bands from these styles you'd like to mention and suggest.
The bands I mentioned and listen to currently are newer bands and a lot on that list are leaning towards stoner/heavy-psych rock, but others (Rothbard, Taipuva et al.) are into other types altogether. Edited by avestin - September 06 2009 at 08:04 |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Now I'll mention another one from the list in my opening post:
ANDREW DOUGLAS ROTHBARD Andrew Douglas Rothbard biography here in PA Andrew Douglas ROTHBARD is a US-based musician, currently based in San Francisco. After stints as bassist and keyboardist in the bands VSS and Pleasure Forever (and their precursor Slaves) in the 90's, he decided to start recording solo albums, a planned five-record series outlining the Discordian concept of the Law of Fives: Thesis, Antithesis, Synthesis, Parenthesis, and Paralysis, each of which represents a different stage of maya. He started this project in 2003; and so far two of the planned five productions has been released: Abandoned Meander (2006) and Exodusarabesque (2009).
And a review, again, from Damo:
Abandoned Meander Andrew Douglas Rothbard Psychedelic/Space Rock Review by
DamoXt7942
![]() ANDREW DOUGLAS ROTHBARD is a multi-instrumentalist in his inner psychedelia. His "unconcealed" acoustic guitar solo is the basis, with lots of instrumental sounds with special effects or into reverse, and his dimly obscure voices - all sounds and effects are matured with each other and gush out mysterious flavour. The amazing thing is that all his sounds should be swaying, trembling, rolling and twisting simultaneously together - the sound motion is not only dreamy but also dry & serious. Did he make this work with imagining what? If his brain were in "this" world, he could not paint his psychedelia with some primary colors. However, I guess, he should paint a psychedelic picture as he wanted to, and should check and fix this confusing stuff into the musically theoretical one. His work is, that's why, so strict and melodious, not lazy and freaky, like the title "Abandoned Meander". I wanna say he could produce an amusement park and his sounds are playing leisurely there - on a merry-go-round or a Ferris wheel, not on a roller coaster. :-) Highly recommended as a psychedelia directly into our brain. |
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Jake Kobrin ![]() Prog Reviewer ![]() Joined: September 20 2008 Status: Offline Points: 1303 |
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God, I LOVE Earthless. If I'm ever in the mood for a good facemelting I can always trust that they'll do the job!
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The Runaway ![]() Forum Senior Member ![]() ![]() Joined: May 28 2009 Location: London Status: Offline Points: 3144 |
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I thought Nektar, if it isn't too mainstream for you :D
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Yeah, they're awesome. Their Live At Roadburn is brilliant; lengthy heavy energetic playing, taking a theme, playing with it a while, then going into a new direction. Just bliss.
No, like I said, mainstream or not is not an issue as long as the band you mention are along the lines of what this thread is about. Nektar is very good, my wife and I love them, we have 4 of their albums, A Tab.... being our favourite piece, with great soundscaping and atmopshere. Great to "expand your mind" to... ![]() |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Can anyone comment on the band SUBARACHNOID SPACE?
General comments on their sound, what albums would you recommend, what album to start with, etc. |
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A Person ![]() Forum Senior Member ![]() ![]() Joined: November 10 2008 Location: __ Status: Offline Points: 65760 |
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I didn't see them mentioned yet, so I am going to add Ash Ra Tempel to the list. Their self titled has some of the best space rock I've heard, although Ash Ra Tempel is listed in Krautrock on PA.
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Indeed a terrific album; I should get Schwingungen and Join Inn as well. As for my previous post about Subarachnoid Space, I've pre-ordered their new album Eight Bells coming up on Crucial Blast records but I still would like to hear your opinions on their other albums, particularly Endless Renovation, Also Rising and The Red Veil |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Since we mentioned EARTHLESS earlier lets focus on them now:
PA bio: Earthless biography The psychedelic sound of EARTHLESS from California, San Diego, has two faces; A free improvisational trio in style of early ASH RA TEMPEL and live jammings of CREAM, and a heavy stoner riffings is style of BLACK SABBATH and BUDGIE. This sound is borne from efforts of guitarrist Isaiah Mitchell, bass player Mike Eginton and drummer Mario Rubalcaba. In their free improvisations the rhythm section keeps the time and marks changes of modal themes for the fuzzy guitar doing both cosmic explorations and heavy stoner riff construction works. If you like vintage psychedelia or heavy stoner rock, preferrably both, this group blends these elements in a professional manner. http://www.myspace.com/earthless Reviews:
Sonic Prayer Earthless Psychedelic/Space Rock Review by
Eetu Pellonpää
— First review of this album —
![]() The guitar player Isaiah Mitchell is in my opinion very talented and imaginative solo guitarrist, the professionally performing rhythm section mostly keeps the set together. I think it is an achievement to lead a twenty minutes excluding jam track with solo instrument in an interesting manner. The overall sound of this group is also really pleasant to listen, an association of an expanded treatment of THE JIMI HENDRIX EXPERIENCE's "Driving South" BBC Session track is born in my mind, also live sound of CREAM with less-adventurous rhythm section is another thought as comparison. So if you like guitar driven heavy psychedelic rock music, where long jams are borne from simple rules and vivid imagination, this record will probably please you. Reviews on other websites (some positive, some not...) for Rhythms From A Cosmic Sky: Ground & Sky - http://www.progreviews.com/reviews/display.php?rev=earth-rfacs Dusted - http://www.dustedmagazine.com/reviews/3579 Sea Of Tranquility - http://www.seaoftranquility.org/reviews.php?op=showcontent&id=5090 |
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A Person ![]() Forum Senior Member ![]() ![]() Joined: November 10 2008 Location: __ Status: Offline Points: 65760 |
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I wonder if Can qualifies as space rock, particularly Tago Mago. Halleluwah and Aumgn are amazing.
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Plankowner ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 09 2008 Location: Florida Status: Offline Points: 4006 |
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I picked up that Earthless cd on the way to Nearfest this year, was very, very happy with it. Even though I don't comment alot I do check out all the bands you post avestin..
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Cheers, David, glad someone finds this useful. Please let me know if you find something in this style that I havent mentioned. And now a slight shift from previous bands focused on. Now BLAND BLADEN Their PA bio: Bland Bladen biography Bland Bladen are a psychedelic/space rock band that likes to jam and will appeal to fans of Hidria Spacefolk and Ozric Tentacles. The following bio is taken from the band's website: The band started jamming in the autumn of 2001, having their homebase in Malmö. The guitarist (Sebbe) and the keyboard player (Ola) came south from Örebro in 2000-2001 and met the freaks Dave and Kaufmann and started jamming. The band soon found they had quite a magical sound as they all come from very different musical backgrounds, with Dave and Kaufmann playing quite heavy rock or punk and Sabana and Ola playing in a psychedelic blues band. Together they create some very interesting instrumental psychedelic progressive space rock, also inspired by some Swedish folk music. The band has released a split vinyl LP (only 200 copies made) with a Swedish band called Soviet. In addition, a self released 4 track CD-R was released in 2003 named I Grévens Tid. http://www.myspace.com/blandbladen
I Grévens Tid Bland Bladen Psychedelic/Space Rock Review by
Windhawk
![]() The music here takes it's cue from the space rock of the 70's, at least in sound and style. A big, fat bass line is the foundation in most segments on the four tunes here, with psychedelic guitar licks and spacey synths improvising on top, spacey synth sounds adding texture and a very 70's electric piano adding melodic themes from time to time. Drums and percussion seems to be the pacesetters. Sound and style reminds slightly of bands like Hawkwind and Ozric Tentacles, and there's some obvious similarities to Öresund Space Collective too; which isn't a surprise as these two bands have some mutual members. Recommended for fans of improvisational sounding space jams, in particular those who fancy this style of music with a 70's sound.
I Grévens Tid Bland Bladen Psychedelic/Space Rock Review by
Rivertree
![]() This BRAND BLADEN debut from 2003 is consisting of four songs, totally instrumental, and yes, indeed, they can be considered to be in the vein of the OSC sound. Improvised jams with a happy flavour where you can feel their pleasure and fun making music first of all. The excellent title song I grévens tid appears as my highlight - a nice grooving song with jazzy rhodes piano plus a bluesy part with bubbling synths and sensitive guitar. På Grön Kvist is provided with an intense reggae/dub rhythm near to the sound of Hidria Spacefolk and the following 13 minute track I Afton Trans comes up with two main parts in a different mood, first uptempo busy, later floating and gliding. A heavy rhythm section dominates Dimland later changing to a trippy rocking part with some eastern oriental elements. 'I Grévens Tid' is an enjoyable album and excellent find for progheads who like Hidria Spacefolk or Ozric Tentacles as well as swedish bands jamming along anyway - 3.5 stars. Edited by avestin - September 06 2009 at 21:50 |
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The Runaway ![]() Forum Senior Member ![]() ![]() Joined: May 28 2009 Location: London Status: Offline Points: 3144 |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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I already made a thread about this band THE FUTURE KINGS OF ENGLAND (which sank so fast, that the PA servers suffered from the vacuum caused while it disappeared), so I'll re-focus on them now and here:
PA BIO: The Future Kings Of England biography THE FUTURE KINGS OF ENGLAND are a UK based trio comprised of Ian Fitch (guitar, keyboards, effects), Karl Mallett (bass, keyboards, effects) and Simon Green (drums, keyboards, effects). They formed with the intention of making "Head Music" with nods to "Ummagumma" period "PINK FLOYD, VDGG, the "Kraut Rock" greats like "ASH RA TEMPEL" and "TANGERINE DREAM" with a dash of "GY!BE" and "MOGWAI" for good measure. They're not attempting to rekindle the past, they're just carrying on the grand tradition of style and scale that these bands produced. : : : Simon Green, UNITED KINGDOME : : : http://www.thefuturekingsofengland.com/ http://www.myspace.com/thefuturekingsofengland 3 albums to their record, one just now released; all of them are wonderful pieces or old-sounding psychedelic and space rock, instrumental with haunting and magical melodies and atmosphere.
Some reviews here on PA: THE FUTURE KINGS OF ENGLAND Music ReviewsShowing last 10
The Fate Of Old Mother Orvis The Future Kings Of England Psychedelic/Space Rock Review by
ClemofNazareth
![]() The opening track “Dunwich” is one of those Floydian songs, with lots of slow, building guitar and keyboard drone with a couple of crescendos that make you realize they are actually trying to be innovative, or at least not completely derivative. “Mustard Man” includes lyrics and sounds a bit like a mellower version of the hard psych band Dead Meadow. I’ve no idea what the song is about – perhaps the weird Canadian dude from the Mustard Man Adventures. And maybe not. I don’t think you’ll hear many psych-like tunes with post-rock overtones and a mandolin though, so you should probably check that out. With “Bartholomew’s Merman” the band goes back to ‘Wish You Were Here’ on guitar and keyboards, with the exact same sort of slow tempo and lack of concrete focus that made that such a strong album. And if you ever wondered what a mandolin and banjo sound like on an Explosions album, “Children of the Crown” is the song for you. Nearly half the album is taken up with the title track though, and this one is a lengthy and sometimes stalled-out affair that seems to be an attempt at a space-rock/experimental epic. It falls just a bit flat due to the unnecessarily long stretch of keyboard noodling, although the trippy keyboard passages are decent enough. I was a bit disappointed by the lack of anything really powerful or groundbreaking on this album, although like I said earlier the inclusion of mandolin, banjo, some autoharp and even a dulcimer (although I’m not sure where – it’s in the liner notes) make for a departure from more traditional psychedelic music. I will say that these guys seem to have a talent for composition, even if they don’t have much discipline. Maybe with time. I’d say this is about a 3.499 effort, but not quite up to the level of essential, so I’ll go with three stars and hope they stretch themselves a little more next time. Recommended for fans of GY!BE, A Silver Mt. Zion, modern psych, and possibly just the musically curious. peace
The Fate Of Old Mother Orvis The Future Kings Of England Psychedelic/Space Rock Review by
Windhawk
![]() Combining influences from bands like Pink Floyd and Hawkwind like they sounded at the start of their careers with some slight touches from krautrock, highly psychedelic and atmospheric moods are created and explored. The tunes mostly combine mellow sections with an almost minimalistic approach with epic sounding atmospheres, more often than not exploring a mellow theme before suddenly adding elements that in an instant evolves the theme from a lush soundscape into a rich epic sounding soundscape. An additional trait to the music here is a dark and haunting atmosphere throughout, an element setting it apart from most releases in the same category. Fans of atmospheric, mostly instrumental psychedelic rock as it was made in the early 70's should clearly check this one out. Highly recommended.
The Fate Of Old Mother Orvis The Future Kings Of England Psychedelic/Space Rock Review by
sinkadotentree
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The Future Kings Of England The Future Kings Of England Psychedelic/Space Rock Review by
sinkadotentree
![]() Edited by avestin - September 07 2009 at 08:48 |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Let us turn our attention now to ORESUND SPACE COLLECTIVE
Oresund Space Collective biography
The Øresund Space Collective was formed in April 2004. The collective is a group of Danish, Swedish and American musicians that get together as often as possible for free form improvised space rock music. The flavour of the music is different with each session. The jams can often combine complex interplay between guitar and synthesizer as well intense drumming and bass playing. We enter into the genre of funk, jazz, reggae and space rock as we improvise our way along. The jam sessions alternate between Malmö and København across the Øresund bridge! The core of the collective features current and former members of the Danish bands Mantric Muse and Gas Giant as well as the Swedish bands Bland Bladen. Occasionally other musicians join as well from other Swedish band like the Carpet Knights and Sgt. Sunshine. Mantric Muse is an all instrumental progressive psychedelic space rock band, who has recorded an CD-EP entitled, Picks in Space and a full length CD, called Kap Næb (currently looking for a label to release it). The band has played concerts in and around København for the last 6 years. Gas Giant are an internationally known heavy psychedelic space rock band, who have toured all over Europe and have released several albums, with the latest called Mana. Bland Bladen, are a progressive instrumental space rock band based in Malmö, Sweden. The band released a debut CD-R in 2004on their own and has played mainly in Sweden but also in København (with Mantric Muse). The collective records all of the jam sessions and makes these available to fans via the web site in MP3 format. We currently have over 20 hours of material on the web site for free download. The band has released 10 limited edition CD's with the best of the jam sessions. The band records in the studio every 6-8 months and plans to release several CDs a year. Our first CD came out in Jan 2006 on Transubstans Records in Malmo, Sweden. The new CD, "It's all about Delay" will be out in October. Please find legal free concert recordings of ØRESUND SPACE COLLECTIVE from The Internet Archive http://www.myspace.com/oresundspacecollective
Good Planets Are Hard To Find Oresund Space Collective Psychedelic/Space Rock Review by
Windhawk
— First review of this album —
![]() Not very different in overall scope from their previous official album though; but more maintaining the qualities of that one. Smooth transitions and evolvements is a key feature in these snippets of studio jams assembled into six tracks here; and if memory serves right there are less synths and keyboards involved this time around than on previous occasions. Also worth noting is the raga-inspired sitar that is the key element in the tracks opening and closing this excursion. Still, a mostly bass and guitar dominated affair embellished with careful use of spacey synths and organ still makes for some trippy space music; where the main negative asset is that the segments where the band seems to be searching for a main direction still get to be a tad lengthy. Once in their stride they are impeccable though; and the last half of final track MTSST must be amongst the strongest material I've heard of this outfit. If improvised space rock jams sounds like a good thing to you, this is a very good place to start
exploring this particular brand of music.
The Black Tomato Oresund Space Collective Psychedelic/Space Rock Review by
sinkadotentree
![]() It's All About Delay Oresund Space Collective Psychedelic/Space Rock Review by
Rivertree
![]() More than 5 hours of material was recorded within this two days - absolutely live - no overdubs were made when mixing this up. That's really hard to believe considering the high quality. The later published albums 'Black Tomato' (2007) and 'Inside your head' (2008) are also results of this recordings. 'It's about delay' is sold with a DVD cover and contains two CDs with a total length of nearly 160 minutes. Are they brilliant or boring? Improvisations on a high standard or aimless noodling? Opinions differ on this question. Who is able to get deeper into their musical approach, the spirit and flow, will be really fascinated after a while about their gorgeous interplay. No instrument is pushed into the foreground distinctly. They are really acting equally, like a collective, exactly as the band name implies. Every musician is soloing all the way but it sounds absolutely flawless and compact. Hard to find another band which is acting in this way. Detecting them in 2007 was a big hit for me. Typical spacey synths are always swirling around Magnus' and Sebastian's never-tiring guitars alternating between solo and rhythm work with lots of echoes and delays. A groovy rhythm with reggae/dub leanings here and there carries away the band into space and time sometimes relaxed and then powerful, dramatic again. And you can explore tracks equipped with the massive use of Hammond organ. CD 1 is continuously great - both parts of Cirkus Yoda and the groundbreaking Nebula 4747 with ethereal guitar work are the highlights if I ever should mention something like that. CD 2 can hold this standard with the emphasis on more atmospheric dreamy vibes. This one is provided with a 25 minute monster song Jupiter Flyby dedicated to a friend named Doug Walker of the US band 'Alien Planetscapes', who passed away in 2006. Electronic ambient 10 minutes are opening the song but then OSC switches to the wellknown grooving sound with the happy mood, joy of playing and extended Hammond use. The Tony Blair Witch Crocket Project finally is a totally spaced-out tune - excellent guitar skills with krautrock leanings. I'm in the happy position of never getting tired or bored listening to this music - a wonderful experience and something very special - it takes time to come in but it's worth-while. If you're interested in top-notch spacey psychedelic jamming you shouldn't ignore this - 4.5 stars.
The Black Tomato Oresund Space Collective Psychedelic/Space Rock Review by
Windhawk
![]() The Black Tomato is their third release, and on this CD the band take their cues from spaceship Hawkwind. In performance the guitars are the central driving instruments, with guitar patterns evolving from sounds to riff patterns to soloing and then back to fragmented sounds, with mainly two guitars evolving in this pattern, always seeing to it than one guitar maintains a riff-based style while the other is exploring more soloing or spacey sounds. Bass lines and drum patterns are the foundation, while synths flavor the soundscape with melody lines, fragments and sounds. Hawkwind-like guitars as they played in the early 70's dominate this release, and fans of Hawkwind -
especially their live more or less improvised tunes, will love this one. The Black Tomato Review by
Rivertree
![]() I love this album! The band, consisting of 9 astronauts, takes off into space again with exciting grooving jams - presented very relaxed with much easiness and wonderful melodic parts. OSC's concept is consisting of compelling psychedelic twin and triple guitar work, based on an excellent working rhythm section and combined with diversified keyboard stuff - what more can you expect? OSC is a space crew headed by captain Scott Heller which doesn't line up as a usual band. Changing members is a principle, a method to inspire the band again and again. They have excellent connections to the space/psychedelic scene of scandinavian and even other european countries. So they are inviting wellknown musicians from time to time to participate at their concept especially for delivering live performances. But 'The Black Tomato' this time is the result of studio sessions - recorded on the fly and without any overdubs! The opening opus RumBle is 38(!) minutes long, devided in 5 parts and provided with russian spoken word poetry. A fantastic trip whereas they are floating from one planet to another - speed-up and periods of rest and weightlessness are alternating whilst OSC is reaping the valuable black tomatoes - this is never boring in any way. Spacey guitars with delay effects, synths but also jazzy elements by electric piano and a funky bass. Even some krautrock contributions similar to Ashra are to remark. Early enough before they reach the point of no return OSC is inverting with the title song dominated by a decent dub groove. The instruments are stimulating each others joyfully on the way back using the complete range with synths, hammond, fender rhodes and many guitar riffs. With Viking cleaner OSC is hurrying up with a lot of speed to enter the atmosphere of the home planet and finally is gliding weightlessly back to the ground ... Never thought such a new inspiring thing could be possible - a jewel is coming back directly from outer space with a touchdown in Sweden and now (hopefully) infecting planet earth. A masterpiece of the space/psychedelic subgenre - an excellent addition to every enhanced prog collection. Congratulations OSC!
It's All About Delay Oresund Space Collective Psychedelic/Space Rock Review by
Windhawk
![]() And these guys are good at what they do. Musically, the basis of their music sound very similar to the improvised outings bands like Amon Duul II had in the 70s. Swirling modern synths and space rock sounds like the ones made by Ozric Tentacles and Hawkwind is then added to that musical basis. All the jams here have good momentum, and the instrument explorations are always controlled to the extent that each jam always have a musical foundation the exploring instruments explore from. The musical foundation will change several time in each jam of course, but will always be present. Few to no examples here of all musicians here each doing their own explorations at the same time; thankfully. Still, this is music for specially interested. Well performed, played and planned;
but not easily accessible as such - although it is one of the easiest accessible
releases in this type of music. I also saw that they give links to other bands on their website: Bands
Hawkwind Enjoy Edited by avestin - September 07 2009 at 19:48 |
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Plankowner ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 09 2008 Location: Florida Status: Offline Points: 4006 |
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"Black Tomato" is the definite starting point, that album is soooo good.. |
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avestin ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
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Now on to EL DIABLO
El Diablo biography El Diablo is a Mexican band which started playing hardcore, and then some psychedelic rock, they were inspired by bands such as PINK FLOYD,GURU GURU and TANGERINE DREAM to mention a few, they started making improvisations, and most of their early songs are instrumentals, with an obvious GONG influence and psychedelic sound. In 1999 they met Jose Luis Garnica of Smogless Records, he listened to their Demo, and he decided to record their first album called "El Diablo". They have made another 2 albums by themselves. They have changed some of their members, there were three bassists in their history. Their first self-titled album and the only one with a label is great, we can hear some Psychedelic rock and some symphonic passages with some great space effects. It is a good band, something new in Mexico, definitely recommended for any prog fan. Maybe is not everyone's cup of tea, but give it a chance. Biography supplied by Guillermo (Memowakeman), edited by Snow Dog. ![]() ![]() 3.75 | 3 ratings El Diablo 1999 EL DIABLO Music ReviewsShowing last 10
El Diablo El Diablo Psychedelic/Space Rock Review by acid dadda ![]()
El Diablo El Diablo Psychedelic/Space Rock Review by
memowakeman
![]() This band is not so known around the world, not even here in Mexico, they recorded their first and only album (self-titled by the way) in 1999, before that, they had some line up changes and a blend of various genres such as metal, psychedelic and rock. Like other 90`s bands they have been influenced by Pink Floyd, Gong and Guru Guru among others, in this album we can appreciate some of that influenced sound. Categorized as a psychedelic space rock band, i think that`s where they belong, with hints of jazz and experimentations were placed in this album, so here i go with the songs. "Huautla" is the first song, a great song which show us the quality of the musicians, besides the members of El Diablo, here we can find guest musicians, for example in this song Alejandro Otaola (guitarist of Santa Sabina, an excellent mexican band) plays the sitar, sitar is not so frequent in progressive rock, here it makes the song more special and with a unique sound, progressiveness through the song. "A Mind Bender" is a long song, characterized for that soft but great guitar sound Ivan Nieblas who is/was the leader of the band makes a great work playing the guitar and also the bass in the next song. This song is almost always the same rythm, bass sound reminds me of the swcond part of Pink Floyd`s Echoes, also here we can enjoy the psychedelic passages. "Purusha" starts with that mentioned bass sound making the rythm of the song,it is not the best song of the album, maybe a little repetitive, with it`s slow tempo moments, but nothing of another world, drums are always great. "Capitan Obeatleration", a weird name, i dont know if it has something relationed with The Beatles, at least the music is so different, it shows us from the start a psychedelic oriented band, strong guitar riffs, this song is great, a clear example of "modern" psychedelia,another almost 10 minute song, with this song louder your mind will fly!. "Womoon" is another of that slow songs, which are envolving you, slow tempo song, the first and only with vocals, also here we can find a very nice flute sound, the guitar chords are always the same, but it makes it great, it is not necessary to change, i like this song a lot. "Equus" wow, an excellent song, the highest point maybe, it is the largest over 11 minutes, again with that great guitar through the song, in fact it doenst have mood changes or time changes etc, but that 11 fast minutes of great guitar and armony makes your mind blowing , i really enjoy it, it freaks me out. "Rumanian Blues" show us that space and cosmic sound, not as clear as Hawkwind for example, also this song is again slow tempo, experimentation , but with a similar style all the song, this time the acoustic guitar took the show. "Samelbaheson" is the last song of this great album, and of course it couldnt get behind, it is another great song, but this time with a great change, it starts again with that exquisite sitar sound togehter with a voice over nowhere, which is reminiscent to some indian music, but suddenly El Diablo returns, again with that superb guitar with faster tempo, bass and drums like always great, also the flute appears here with an acid sound. I really love this album, it doesnt have weak moments, this makes me think about give to it 5 stars, but im doubting, so after all i highly recommend this album, a great exponent of Mexican prog, and 4.5 stars really, because it is not a masterpiece, but it could be of course a great addition to any prog lover.
El Diablo El Diablo Psychedelic/Space Rock Review by progadicto ![]() Some songs to remember: "Huautla": Excellent intro piece with a slow rhythm full of references to the 70's psychedelic. "Purusha": Interesting composition inffkluenced by some Ravi Shankar style and great work on flute. "Captain Obeatleration": The happiest song of the disc. A powerful and repetitive guitar riff leads the rhythm of that song that remembers a hard acid journey. "Samelbaheson": Another song full of ethnical inffluences. Totally beautifull and well arranged. Pay attention to this band, really. They are full of beautiful arrangements, specially on winds and percussion. For those who likes experimetal and psychdelic this album will sound very good... |
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