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AmericanProgster View Drop Down
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Direct Link To This Post Topic: The X and Y Argument
    Posted: June 06 2009 at 19:01
So why shouldn't that argument apply? I mean if X is suitable for PA and Y is just as suitable, then why exclude Y?

My example (and I'm sure there could be millions of others) would be City Boy and Angel.

Now I tried making my case with Angel a while back to no avail. Someone then later compared them to City Boy who is under Prog-Related (don't know the validity of that comparison btw). But if that comparison is true and it really doesn't matter, then doesn't that make Angel (Y) prog enough to be prog related like City Boy (X)?

So while I can understand why people don't like the X and Y argument, I want to know why it can't be valid.
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AmericanProgster View Drop Down
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Direct Link To This Post Posted: June 06 2009 at 19:03
Now, the problem is that I don't have much of anything to back up my argument, so I'm prepared to see this thread go to hell!LOL
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Direct Link To This Post Posted: June 06 2009 at 19:13
Because everyone uses that arguement and it can easily be pulled apart.


Iron Maiden is here, they were NWOBHM like Judas Priest, so where's Priest?


the arguement can be used if it has further points and is used as a backing point as opposed to the main point, it's actually one of the things that helped get Coheed and Cambria out of PR and into Xover (see 3). There's nothing inherently wrong with it, people just use it incorrectly all the time.





PS - this thread should be moved to "Help us improve the site" or "general discussions"
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Direct Link To This Post Posted: June 06 2009 at 19:49
Originally posted by King By-Tor King By-Tor wrote:

Because everyone uses that arguement and it can easily be pulled apart.


Iron Maiden is here, they were NWOBHM like Judas Priest, so where's Priest?


the arguement can be used if it has further points and is used as a backing point as opposed to the main point, it's actually one of the things that helped get Coheed and Cambria out of PR and into Xover (see 3). There's nothing inherently wrong with it, people just use it incorrectly all the time.





PS - this thread should be moved to "Help us improve the site" or "general discussions"


Sorry if I correct you, Mike, but Judas Priest were formed in 1969 - about the same time as many of our favourite prog bands - while Maiden were formed in 1975, and started their recording career at the end of the Seventies. Therefore, Priest were among the main sources of inspiration for the NWOBHM, but definitely NOT part of it.
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Direct Link To This Post Posted: June 06 2009 at 19:58
just an example that's commonly used, was definitely not stating it as fact.
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Direct Link To This Post Posted: June 06 2009 at 20:34
As I understand it, the argument is a matter of analogy and does not mean that X and Y have all the same characteristics.  It simply means that they have comparable characteristics, but one instance is not going to be the same as any other.  When we make an analogy we focus on the shared characteristics only.  What separates X from Y would be a counter-analogy.  Geek I'm not familiar with either Angel or City Boy, but would assume they are not the same thing.
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Direct Link To This Post Posted: June 06 2009 at 20:46
While there are obvious similarities between Band X and Band Y, it is the differences between them that mark them as being unique. More often than not it is one or more of the traits that Band X has that Band Y does not have that gained them admittance to the archive and the reason why Band Y will not be admitted.
 
From my experiences here the X and Y argument is more frequently used as an excuse to keep Band X out rather than for letting Band Y in, i.e. Band X should not be admitted because they are similar to Band Y, and Band Y is clearly not eligible and would be a ridiculous addition.
What?
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Direct Link To This Post Posted: June 06 2009 at 21:09
Hey, as long as Brand X is here, I'm happy. Tongue
Although I'd still like to c XTC.  but not X.


Edited by Slartibartfast - June 06 2009 at 21:11
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: June 07 2009 at 10:55
There any many bands out there and these bands may(or had) issue a album which can be categorized under a certain genre. From my point of view probably will be better to categorize a band with more than one particular genre if necessary. Also probably it is a good idea to label an album as having a particular influence. For example Frank Zappa is shown here under RIO/ Avant Prog label. But for sure his vast discography is much more than this.
For example I almost sure that King Diamond with his conceptual albums may be considered progressive to some extent even if his music is mostly heavy metal and he is not present on this side but Metallica or Iron Maiden are. So we have on this site albums like St. Anger from Metallica but not Keeper of the Seven Keys from Helloween.

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Direct Link To This Post Posted: June 07 2009 at 11:19
Originally posted by Slartibartfast Slartibartfast wrote:

Hey, as long as Brand X is here, I'm happy. Tongue
Although I'd still like to c XTC.  but not X.
Y?
Trust me. I know what I'm doing.
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Direct Link To This Post Posted: June 07 2009 at 11:43
"If X is here, then why not y?" is a valid question, but the "if x is here then y not why?" is less useful. ;)

Too many people have said that if  x is in, then y (being a very different case and with little relation to x) should be in too. 

"If band A is here, then band B should be here" arguments can be perfectly valid.  I think that way commonly.  The argument is stronger when band B is similar in many ways to band A, of course.  Sometimes a band in the archives of very questionably proggy status is used to justify a very different band musically, and sometimes people go so far as to say, "Band A is hardly prog and it's in, this is more prog, so of course it should be here". 

Perhaps band A shouldn't even be in.  It somewhat bugs me when people try to justify the inclusion of a band/artist by comparing it to one that they don't think has sufficient prog merits.

An "if apple X is here, then apple Y should be here" is far better than "if apple X is here, then orange Y should be here" even though one can compare in terms of quantity of prog traits; however, the comparison is more worthwhile when the bands are stylistically similar/ have a similar compositional approach.

Considering that prog and prog-related can be nebulous concepts and reliant on subjective constructs, prog quality/ quantity comparisons between bands can further muddy the waters.


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Direct Link To This Post Posted: June 07 2009 at 16:16
the problem that most have with it is when their opponent uses it. It's fine when my side doesEvil Smile
"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: June 07 2009 at 21:02
If Band 1 is in the Archives and Band 2 is similar to Band 1, then Band 2 should be in the Archives.  If Band 3 is similar to Band 2, then Band 3 should be in the Archives.  ...  If Band N+1 is similar to Band N, then Band N+1 should be in the Archives.  If Brittany Spears is similar to Band N+!, then Brittany Spears should be in the Archives.  By the property of Mathemtical Induction, Brittany Spears should be in the archives.  QED.

If you want to argue that Band X should be in the Archives, then I think it is best to list the prog characteristics that Band X has.  If you can't list them, then Band X doesn't have those characteristics, and therefore shouldn't be here.  It seems to me that if the best argument you can make is that Band X sounds like Band Y, then Band X isn't really prog (otherwise you would have a better argument).  Or at least that's the way I see it.
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Direct Link To This Post Posted: June 07 2009 at 21:21
it's not necessarily that it can't be valid, but more that it is a weak position because at some point a real judgment has to be made with as independent [even scientific sometimes] a process as possible, one that sets aside - or attempts to set aside - personal taste or the position of others and other sources.  I must say overall it's an approach that has served this site well and provides a line of defense against bad additions [i.e. bands that are neither progressive nor seen as progressive to extent that music and documentation on them may be found]


Originally posted by Raff Raff wrote:

Judas Priest were formed in 1969 - about the same time as many of our favourite prog bands - while Maiden were formed in 1975, and started their recording career at the end of the Seventies. Therefore, Priest were among the main sources of inspiration for the NWOBHM, but definitely NOT part of it.


that's a very interesting point, and though I'd always seen Priest as part of the nwobhm movement, this point is undeniable.  Priest were included in the nwobhm scene but were not a part of the important newer acts as Maiden, Motorhead, Raven, Angelwitch, Venom, Diamondhead, Ozzy, etc.   The same was true of the Scorpions, not new and not even British but accepted by the same crowd as a quality metal/hardrock band.



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Direct Link To This Post Posted: June 08 2009 at 07:48
These are all very good points, got some good replies. I'm glad I started this thread! And trust me I understand where most of you are coming from, I myself try not to use that argument but in one case (so far and hopefully never again) I had no other defense (the band imho was denied due to misconceptions..or maybe I'm just bitter..Wink) and it already seemed like they made up their minds so I figured, "what the hell I might as well try every argument that I can find!" Which is a shame because I tried hard to point out the prog characteristics in that band; and yes there are some, if not a lot, or I wouldn't have even bothered but it was pointless. But in the end that band is prog in my mind and that's good enough for me!Big smile

Well I'm satisfied with these answers, definitely going to rethink my position on this.

Thanks people! Thumbs Up
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