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bluemusic2000
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Topic: Miles Davis proto-prog Posted: January 22 2008 at 12:49 |
After hearing a lot of miles Davis's fusion. Especially in a silent way and Bitches Brew. The extended tracks and the sound of the albums seem to be opening the doors for prog.
Is he proto-prog??? discuss
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micky
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Posted: January 22 2008 at 15:43 |
not proto prog.. otherwise we would have put the 'creator' of jazz rock fusion in proto when we added Tony Williams. Personally.. from my own observation... Miles Davis is a shoe-in to be included... it is just a matter of who takes it on.. and when.. it's just a HELL of a lot of work to do for us unpaid smucks hahahhahahha
Edited by micky - January 22 2008 at 15:45
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EnglishAssassin
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Posted: January 22 2008 at 16:42 |
The only Miles Davis albums I've listened to properly are the above two, plus Live Evil, and, yes, on the strength of those records in isolation, he could easily qualify as a progressive artist. What may count against him is that, from what I've heard of it, the bulk of his vast back catalogue prior to the mid-seventies is just plain jazz (albeit acclaimed jazz) has no noticeable connection to progressive rock.
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progaeopteryx
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Posted: January 22 2008 at 19:30 |
Miles Davis has my vote. I'm surprised he's not already listed here.
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micky
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Posted: January 22 2008 at 20:17 |
EnglishAssassin wrote:
The only Miles Davis albums I've listened to properly are the above two, plus Live Evil, and, yes, on the strength of those records in isolation, he could easily qualify as a progressive artist. What may count against him is that, from what I've heard of it, the bulk of his vast back catalogue prior to the mid-seventies is just plain jazz (albeit acclaimed jazz) has no noticeable connection to progressive rock.
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hahahha.. well you heard right.. .let me put it to you this way EA... suppose we have an artist that came around ..say... 1969.. did some prog albums ... and disappeared like a fart in the wind. Are they more prog than Miles Davis. of course they are not... what he did before prog really doesn't matter a damn ... and ..as evidenced by many groups here.. turning away from prog doesn't disqualify anyone either. This is a prog rock site.. not allmusic... technically what he did before...and after doesn't concern us.
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micky
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Posted: January 22 2008 at 20:22 |
oh yeah EA.... your album collection is incomplete without a copy of Kind of Blue
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Slartibartfast
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Posted: January 22 2008 at 20:32 |
I second that. Kind of Blue is probably essential to any music collection. I tend to think of Miles as an excellent jazz musician who dabbled in and was a major catalyst for much of great the jazz rock/fusion that came out of the late '60's and early '70's.
Edited by Slartibartfast - January 22 2008 at 20:37
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Released date are often when it it impacted you but recorded dates are when it really happened...
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micky
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Posted: January 22 2008 at 20:40 |
Slartibartfast wrote:
I second that. Kind of Blue is probably essential to any music collection. I tend to think of Miles as an excellent jazz musician who dabbled in fusion.
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Sort of not like adding Genesis because their albums were simply not
important in the day . and are known outside of prog circles as
something OTHER than prog I think dabbled is sort of understating it a bit... his albums are like essential jazz rockfusion albums and were massively influential in the genre.
Edited by micky - January 22 2008 at 20:41
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rileydog22
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Posted: January 22 2008 at 21:32 |
Miles put out some of the most progressive jazz-fusion I have ever heard. Bitches Brew and Jack Johnson are even more progressive than Weather Report, Mahavishnu Orchestra, Return to Forever, and all of the other PA-listed fusion-era Davis spinoffs. No doubt that he belongs here.
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Easy Money
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Posted: January 22 2008 at 22:06 |
If people are into adding Miles I would be willing to help out.
If you want to hear some very original takes on what rock music can be check out Agharta, Big Fun, Dark Magus and a few others.
Although Miles hit the early 70s playing jazz-fusion, by the mid-70s he was playing experimental psychedelic rock more influenced by Funkadelic, Hendrix, Soft Machine, Pink Floyd, Stockhausen and the Grateful Dead than jazz.
Edited by Easy Money - January 22 2008 at 22:08
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micky
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Posted: January 22 2008 at 22:22 |
I'm no expert on J-R fusion...I'm just (word of the day here hahaha) stimulating the conversation... but as far as the concerns of this site.... wasn't that movement.. from teh prog side of it.. fairly well dead by the mid 70's anyway. Davis wasn't the only one to move on... Mclaughin went to Shakti.. William left.. and didn't things shift more onto the jazz side and become for the intents of this site at least.. out of bounds as far as 'prog' jazz-rock.
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Atavachron
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Posted: January 22 2008 at 22:37 |
^ that's basically correct, Mike, and I could name many others that 'moved on' around that period, though they may still do fusion music
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micky
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Posted: January 22 2008 at 22:42 |
I figured as much David but advanced the premise more as a question. I didn't want to speak as an authority because I sure as sh*t am not on that subject
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Easy Money
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Posted: January 22 2008 at 22:44 |
I think I see what you are saying there. For those of us who were there hanging on each new release, jazz fusion seemed to start losing its initial spark just about a year behind the original progressive rock bands.
Most of the great innovative jazz rock musicians of the early 70s were playing "fuzak" by about 76 or so.
What Miles was playing in the mid-70s was enterily different though, and does have a lot in common with some more adventurous psychedelic or avant-garde bands on this site.
Edited by Easy Money - January 22 2008 at 22:55
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Easy Money
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Posted: January 22 2008 at 22:48 |
I'm referring to the Pete Cosey on guitar bands, after his return from retirement he started as jazz fusion again but then became more commercial, but still very fresh and original.
Edited by Easy Money - January 22 2008 at 22:48
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micky
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Posted: January 22 2008 at 22:48 |
Martin and I discussed him last summer for addition..but got sheleved when I had computer problems after getting back from Italy. That is what I got at in my first post. I'll talk to him.. if he is still a go for addtion.. and Richard is on board.....and if you want to help EM... we'll see about adding Davis.
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Easy Money
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Posted: January 22 2008 at 22:52 |
Sure, let me know, I think some people on this site would really like a lot of his more obscure stuff.
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micky
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Posted: January 22 2008 at 22:55 |
great .. I'll talk to them and see if they are a go for it.
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Slartibartfast
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Posted: January 22 2008 at 23:44 |
By the way, I'm not one to argue against his addition here, but once you add an artist don't you really invite the whole discography in? By the way, get him in and I'll be happy to add as many titles as I have that I don't get beat to. Birth of the Cool 1949 Round About Midnight 1955 Miles Ahead 1957 Milestones 1958 Porgy and Bess 1958 Kind of Blue 1959 Sketches of Spain 1960 Someday My Prince Will Come 1961 Sorceror 1962 Quiet Nights 1963 E.S.P. 1965 Miles Smiles 1967 Complete In A Silent Way Sessions, The 1968 Filles De Kilimanjaro 1968 Miles In The Sky 1968 Water Babies 1968 Complete Bitches Brew Sessions, The 1970 Tribute to Jack Johnson, A 1970 On the Corner 1972 Pangaea 1975 Agharta 1976 Amandla 1989
PS Bonus (bogus?) points and a cardboard cookie to anyone who can identify the Miles Davis section in my collection collage in my signature. Some hints: 1. I didn't start collecting Miles until the CD era. 2. I file artist-chronological. 3. Look for the Bitches Brew Complete Sessions. It was too tall to fit in a standard row but is still located per hint no 2 (I didn't set it off the side). Also, In A Silent Way Complete Sessions is similarly situated.
Edited by Slartibartfast - January 23 2008 at 08:27
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Released date are often when it it impacted you but recorded dates are when it really happened...
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micky
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Posted: January 22 2008 at 23:55 |
those are the rules.... as I posted in a thread in the collab area one time.. for additions I handle.. I'll add the artists and maybe some essential albums but for the most part I let others (fans) add the albums when there is an large discography. It's one of the few things non-collabs can do to get 'involved' and we have no shortage of people that want to help out.
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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