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micky ![]() Special Collaborator ![]() Honorary Collaborator Joined: October 02 2005 Location: . Status: Offline Points: 46838 |
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Epignosis ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32559 |
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I somehow don't think that's necessary. Suffice it to say a legitimate conversation never made it out of the gate because the initial impetus for that discussion was something people were tired of talking about. |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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What?
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Tony R ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: July 16 2004 Location: UK Status: Offline Points: 11979 |
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Ah that one. Legendary thread! Context is everything... |
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Ricochet ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 27 2005 Location: Nauru Status: Offline Points: 46301 |
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I remember this. It was a new thread Alex opened, when a previous discussion was already consumed. |
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Epignosis ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32559 |
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But he was asking in general, and I am still scratching my head about this. Our definition of "unsigned" and "signed" are not what the music industry says those terms mean, so it's confusing from the beginning.
Now being rejected by genre teams is one thing, and I think Pat kindly and rightfully put folks (me included) in their place when it came to the one specific case. But we're talking about general rules here. A band has to charge money for their album to be added? So this website makes capitalism a requirement for addition? |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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^ Please read the unsigned discussion I linked earlier before making such remarks.
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Tony R ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: July 16 2004 Location: UK Status: Offline Points: 11979 |
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I need a red pen to scribble across this! Read Dean's post above, please. |
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Epignosis ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: December 30 2007 Location: Raeford, NC Status: Offline Points: 32559 |
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Yes Dean, I see that- but this is what is still "official," and it reads as though one must sell the music (specifically 1.3).
Anyway, it's time for church. |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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^ That's the conclusion, not the discussion. |
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Tony R ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: July 16 2004 Location: UK Status: Offline Points: 11979 |
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Well, for many, the idea that the album might be available from a recognisable vendor or genre specialist, would satisfy their definition of "proper band". ![]() |
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Windhawk ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: December 28 2006 Location: Norway Status: Offline Points: 11401 |
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My position in terms of revised guidelines would be something like this:
1. An artist needs to have issued at least one full length album to be considered for inclusion in the progarchives database. 2. A minimum of one full album must be (or have been) commercially available either as a regular LP/CD or as a digital album available through one of the major digital resellers (emusic, cdbaby, itunes). 3. In special cases an artist may be added that doesn't fulfill these criterias. This merits that all team members of a genre team votes for inclusion and will be subject to approval by the admin team. 4. To be considered as a special case the material presented needs to be of a standard high enough to be regarded as material that easily could have been picked up by a record label. ----- And for those that thinks this is a pretty lightweight definition that will open the doors of hell or similar: I've come across numerous artists signed to labels in the past as well as the present that have full label releases out that sounds like it was made by drunken monkeys on 50 year old equipment. I've come across artists releasing their material for free with a technical quality better than many (if not most) acts represented at this site, and a compositional quality equally good. In one particular case even an artist that does not want to be signed or accept money for his work, instead steadily issuing new material for free for those who want it. There's also places like www.jamendo.com, where the music is free for the individual listener but needs to be paid for any commercial use whatsoever - and similar sites using creative commons licenses. As more and more artists loose faith in old-fashioned music releases we'll see many more such sites in the coming years; where the artist push their material for use in TV-series, movies, computer games and similar and hope to get their income from such channels - regarding a regular music release physically or digitally as a general loss. |
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Websites I work with:
http://www.progressor.net http://www.houseofprog.com My profile on Mixcloud: https://www.mixcloud.com/haukevind/ |
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Tony R ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: July 16 2004 Location: UK Status: Offline Points: 11979 |
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Nice post Olav.
Food for thought. Edited by Tony R - August 16 2009 at 08:51 |
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Rivertree ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Band Submissions Joined: March 22 2006 Location: Germany Status: Offline Points: 17652 |
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Good point, Olav - especially number 3 and 4
![]() We actually have a candiate for that for the psych/space department (you probably remember?) But - you are voting for more work for the admins ![]() Anyhow - we have to check/decide this with ease and thought to avoid something like a new wildfire ... Edited by Rivertree - August 16 2009 at 09:09 |
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Windhawk ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: December 28 2006 Location: Norway Status: Offline Points: 11401 |
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Well, it would be perfect to leave this to the teams alone - but for some reason I don't think the teams will be given that goodwill of trust at this stage.
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Websites I work with:
http://www.progressor.net http://www.houseofprog.com My profile on Mixcloud: https://www.mixcloud.com/haukevind/ |
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Rivertree ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Band Submissions Joined: March 22 2006 Location: Germany Status: Offline Points: 17652 |
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Once again ... I second that ![]() A shameless kiss assing posting - not a review at all. Probably meant sarcastically - nevermind - tells nothing about the music ... needless ... |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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I don't believe that is fair Olav - teams are autonomous and self-governing except when evaluating controversial bands, for which we have rules. Any doubts within a team can be passed on to the Admin team for adjudication - we trust the teams implicitly and to my knowledge have never acted otherwise.
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Windhawk ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: December 28 2006 Location: Norway Status: Offline Points: 11401 |
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Fair or not - if a more lenint system should be in place, I assume that the admins would want to have some control over it to see what would happen once it was instigated prior to giving the teams full freedom on it - hence the "at this stage" conclusion. |
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Websites I work with:
http://www.progressor.net http://www.houseofprog.com My profile on Mixcloud: https://www.mixcloud.com/haukevind/ |
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17350 |
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Nice Olav, though I think #3 should be very special cases indeed. I find lots of interesting music out there that is artistically valid...but on a quality site you want to spend precious time adding content that is not someone's whim for today but might be gone tomorrow. I think when artists take the time to make a product salable they are more likely to be around tomorrow, and if they have CDs those discs will be out there at least in used form for many years, assuring readers can find the music they read about there, even if it requires effort.
In general I think we should resist following the trend of music being devalued to the point--some say the future will have no conventional releases documenting the sweat and blood of the artist. I doubt that very much. I see good material coming out all the time and i sense a fan base who will always appreciate the conventional release, even if the profits are modest. It is these bands whom I work to support with my efforts here and elsewhere. But in very special cases, i would not object to #3 if it made sense to an entire team. |
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...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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^ That's my feelings on the subject too Jim - #3 should be sparing and at the discretion of the whole team (and unanimously - like any controversial addition).
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