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micky View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 07:47
Originally posted by Epignosis Epignosis wrote:

Originally posted by Dean Dean wrote:

Originally posted by Tony R Tony R wrote:

We need to frame some guidlines relating to what is and what isn't fit to be added to the archives. How do you quantify this, well maybe we need a few experienced heads who can decide whether a CD is of merchantable quality. Is there are real potential audience? Would Prog Radio stations play it? Would people buy it? Is there a real potential career for the artist?

I think these are genuine ideas to consider.

Progarchives is striving to be the number one Prog Rock resource on the Internet. It is not a "come one, come all" platform like Myspace or the other sites which provide an opportunity for budding musicians to reach an audience. The database is for the finished product, the viable artist, the real deal. Not the hopeful hobbyist.

I think we need to keep our eye on the ball. Yes, let's provide a "forum" for unsigned bands, promote them even but also remember what the database represents.
I agree with this 100% (and then some)
 
The guidelines need to be there - In this case I don't think the "Unsigned" guidelines are enough, (http://www.progarchives.com/forum/forum_posts.asp?TID=35133), but they are a start. Those guidelines were the result of a long discussion in the CZ (http://www.progarchives.com/forum/forum_posts.asp?TID=43731) - the problem there for us was trying to decide what constitutes "a CD is of merchantable quality" ... I think we need to start a similar CZ thread that details what does and what does not qualify as eligible for inclusion in the PA.


Someone tried.  It got closed. 


LOL  


The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Epignosis Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 07:52
Originally posted by Tony R Tony R wrote:

Tell me more Epignosis.


I somehow don't think that's necessary.  Suffice it to say a legitimate conversation never made it out of the gate because the initial impetus for that discussion was something people were tired of talking about.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:02
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony R Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:11
Originally posted by Dean Dean wrote:

http://www.progarchives.com/forum/forum_posts.asp?TID=58043 


Ah that one. Legendary thread!

Context is everything...

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:12
Originally posted by Dean Dean wrote:

http://www.progarchives.com/forum/forum_posts.asp?TID=58043 


I remember this. It was a new thread Alex opened, when a previous discussion was already consumed.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Epignosis Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:18
But he was asking in general, and I am still scratching my head about this.  Our definition of "unsigned" and "signed" are not what the music industry says those terms mean, so it's confusing from the beginning.

Now being rejected by genre teams is one thing, and I think Pat kindly and rightfully put folks (me included) in their place when it came to the one specific case.

But we're talking about general rules here.  A band has to charge money for their album to be added?  So this website makes capitalism a requirement for addition?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:22
^ Please read the unsigned discussion I linked earlier before making such remarks.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony R Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:25
Originally posted by Epignosis Epignosis wrote:

But he was asking in general, and I am still scratching my head about this.  Our definition of "unsigned" and "signed" are not what the music industry says those terms mean, so it's confusing from the beginning.

Now being rejected by genre teams is one thing, and I think Pat kindly and rightfully put folks (me included) in their place when it came to the one specific case.

But we're talking about general rules here.  A band has to charge money for their album to be added?  So this website makes capitalism a requirement for addition?


I need a red pen to scribble across this!


Read Dean's post above, please.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Epignosis Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:29
Yes Dean, I see that- but this is what is still "official," and it reads as though one must sell the music (specifically 1.3). 

Anyway, it's time for church.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:32

^ That's the conclusion, not the discussion.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony R Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:34
Originally posted by Epignosis Epignosis wrote:

Yes Dean, I see that- but this is what is still "official," and it reads as though one must sell the music (specifically 1.3). 


Well, for many, the idea that the album might be available from a recognisable vendor or genre specialist, would satisfy their definition of "proper band". Wink
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Windhawk Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:45
My position in terms of revised guidelines would be something like this:

1. An artist needs to have issued at least one full length album to be considered for inclusion in the progarchives database.

2. A minimum of one full album must be (or have been) commercially available either as a regular LP/CD or as a digital album available through one of the major digital resellers (emusic, cdbaby, itunes).

3. In special cases an artist may be added that doesn't fulfill these criterias. This merits that all team members of a genre team votes for inclusion and will be subject to approval by the admin team.

4. To be considered as a special case the material presented needs to be of a standard high enough to be regarded as material that easily could have been picked up by a record label.

-----

And for those that thinks this is a pretty lightweight definition that will open the doors of hell or similar:

I've come across numerous artists signed to labels in the past as well as the present that have full label releases out that sounds like it was made by drunken monkeys on 50 year old equipment.

I've come across artists releasing their material for free with a technical quality better than many (if not most) acts represented at this site, and a compositional quality equally good. In one particular case even an artist that does not want to be signed or accept money for his work, instead steadily issuing new material for free for those who want it.

There's also places like www.jamendo.com, where the music is free for the individual listener but needs to be paid for any commercial use whatsoever - and similar sites using creative commons licenses. As more and more artists loose faith in old-fashioned music releases we'll see many more such sites in the coming years; where the artist push their material for use in TV-series, movies, computer games and similar and hope to get their income from such channels - regarding a regular music release physically or digitally as a general loss.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony R Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 08:49
Nice post Olav.
Food for thought.

Edited by Tony R - August 16 2009 at 08:51
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Rivertree Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 09:08
Good point, Olav - especially number 3 and 4  Smile

We actually have a candiate for that for the psych/space department (you probably remember?)
But - you are voting for more work for the admins Shocked

Anyhow - we have to check/decide this with ease and thought to avoid something like a new wildfire ...





Edited by Rivertree - August 16 2009 at 09:09


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Windhawk Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 09:12
Well, it would be perfect to leave this to the teams alone - but for some reason I don't think the teams will be given that goodwill of trust at this stage.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Rivertree Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 09:14
Originally posted by TheProgtologist TheProgtologist wrote:

Originally posted by Ricochet Ricochet wrote:

Originally posted by Sean Trane Sean Trane wrote:

I agree with jJdy
 
 
Originally posted by drwlf drwlf wrote:

http://www.progarchives.com/Review.asp?id=230806

I give 5 stars as he says

So, how much did you pay?

and this kind or reviewing is sickening and ruins the credibility of the site....


Dear Lord. Dead He even mentions what albums he wants Phideaux to send him next.
 
That review needs deleted! Angry
 
Blatant ratings manipulation,and something needs to be done about it.



Once again ... I second that Angry

A shameless kiss assing posting - not a review at all. Probably meant sarcastically - nevermind -  tells nothing about the music ... needless ...




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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 09:20
Originally posted by Windhawk Windhawk wrote:

Well, it would be perfect to leave this to the teams alone - but for some reason I don't think the teams will be given that goodwill of trust at this stage.
I don't believe that is fair Olav - teams are autonomous and self-governing except when evaluating controversial bands, for which we have rules. Any doubts within a team can be passed on to the Admin team for adjudication - we trust the teams implicitly and to my knowledge have never acted otherwise.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Windhawk Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 09:36
Originally posted by Dean Dean wrote:

Originally posted by Windhawk Windhawk wrote:

Well, it would be perfect to leave this to the teams alone - but for some reason I don't think the teams will be given that goodwill of trust at this stage.
I don't believe that is fair Olav - teams are autonomous and self-governing except when evaluating controversial bands, for which we have rules. Any doubts within a team can be passed on to the Admin team for adjudication - we trust the teams implicitly and to my knowledge have never acted otherwise.


Fair or not - if a more lenint system should be in place, I assume that the admins would want to have some control over it to see what would happen once it was instigated prior to giving the teams full freedom on it - hence the "at this stage" conclusion.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 10:10
Nice Olav, though I think #3 should be very special cases indeed.  I find lots of interesting music out there that is artistically valid...but on a quality site you want to spend precious time adding content that is not someone's whim for today but might be gone tomorrow.  I think when artists take the time to make a product salable they are more likely to be around tomorrow, and if they have CDs those discs will be out there at least in used form for many years, assuring readers can find the music they read about there, even if it requires effort. 

In general I think we should resist following the trend of music being devalued to the point--some say the future will have no conventional releases documenting the sweat and blood of the artist.  I doubt that very much.  I see good material coming out all the time and i sense a fan base who will always appreciate the conventional release, even if the profits are modest.  It is these bands whom I work to support with my efforts here and elsewhere.  But in very special cases, i would not object to #3 if it made sense to an entire team.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2009 at 10:13
^ That's my feelings on the subject too Jim - #3 should be sparing and at the discretion of the whole team (and unanimously - like any controversial addition).
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