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Topic ClosedYes-The Gates of Delirium

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addictedtoprog View Drop Down
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Direct Link To This Post Posted: December 09 2015 at 20:59
The best Yes song. And the most beautiful song anyone ever made.
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Direct Link To This Post Posted: December 09 2015 at 21:47
Originally posted by emigre80 emigre80 wrote:

Originally posted by Michael678 Michael678 wrote:

Originally posted by micky micky wrote:

Originally posted by Codera the Great Codera the Great wrote:


I do agree with the people who have mentioned it, The Yes Symphonic version is simply god-like in every proportion of the word!Star


that is an amazing version Clap Love it love it love it.


I can attest to that as well!

 
a stunning version of one of best songs in the world.  Who could ask for more?  (Listened to it on the way home)


More love for the symphonic version. I really don't need to listen to the original anymore, and whenever I do put it on, I end up slightly dissapointed. I must add that those are some of my favourite orchestrations for a rock song... the orchestra really blends with the band, and neither overpowers the other, but just play as is necessary for the music. Oh yeah, and you can see the orchestra is having fun playing with Yes... usually the orchestra musicians are so profecional and you just can't see much emotion from them.
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Direct Link To This Post Posted: December 09 2015 at 22:02
I don't know if this makes any sense or not but this is why I've always loved the song:
the crazy instrumentals with the raw guitar and full-blown keyboards are like a buildup. It just keeps going and going and then BAM! You hit this slow calm section where you sing along too and everyone joins in for a last hurrah. It's like a candy bar falling from the sky ever so slowly and then you finally get to eat it and it sends your body through the roof. 

I've probably had too much to drink...
There is no dark side in the moon, really... Matter of fact, it's all dark...
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Direct Link To This Post Posted: December 09 2015 at 22:04
Steven Wilson remastered "Relayer" amazingly beautiful - it seems that Wilson's talent has no limits.i personaly dont like symphonic version of "Gates of Delirium".

Edited by Komandant Shamal - December 09 2015 at 22:10
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Direct Link To This Post Posted: December 09 2015 at 22:07
Originally posted by Komandant Shamal Komandant Shamal wrote:

Steven Wilson remastered "Releayer" is amazingly beautiful - it seems that Wilson's talent has no limits.i personaly dont like symphonic version of "Gates of Delirium".
micky hates everything you said
There is no dark side in the moon, really... Matter of fact, it's all dark...
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Direct Link To This Post Posted: December 09 2015 at 22:13
Originally posted by sublime220 sublime220 wrote:

Originally posted by Komandant Shamal Komandant Shamal wrote:

Steven Wilson remastered "Releayer" is amazingly beautiful - it seems that Wilson's talent has no limits.i personaly dont like symphonic version of "Gates of Delirium".
micky hates everything you said
LOL
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Direct Link To This Post Posted: December 10 2015 at 22:41
It's amazing. The "Soon" section is one of the most beautiful moments in Yes' music (thus one of the most beautiful moments in prog and music in general). The first section is amazing as well, but I'd have made the middle section slightly shorter, not much just two minutes or so. 

Have to say that although I love it it's clearly below "Close to the Edge" for me (nothing to be ashamed of, though).  


I shook my head and smiled a whisper knowing all about the place
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Direct Link To This Post Posted: December 11 2015 at 01:06
Originally posted by TheLionOfPrague TheLionOfPrague wrote:

but I'd have made the middle section slightly shorter, not much just two minutes or so.  



^^That long instrumental section with its amazing buildup leading up to that final climax (drums by Alan White). I wudnt want to change/miss even a second of that section. What follows is certainly the most beautiful thing anyone ever did, but that wud never b the same without that section which is such an emotional release in the context of the song.
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Direct Link To This Post Posted: December 11 2015 at 16:48
Originally posted by emigre80 emigre80 wrote:

Originally posted by Michael678 Michael678 wrote:

Originally posted by micky micky wrote:

Originally posted by Codera the Great Codera the Great wrote:

I do agree with the people who have mentioned it, The Yes Symphonic version is simply god-like in every proportion of the word!Star


that is an amazing version Clap Love it love it love it.

I can attest to that as well!
 
a stunning version of one of best songs in the world.  Who could ask for more?  (Listened to it on the way home)


DVD version man... I did watch that the other night and it is one of the few to ANY live DVD's that...well... damn near is as good as being there. The fantastic peformance and orchestration aside. The energy.. especially coming from that orchestra. Sitting my couch, you feel that energy, as you would a live show, and god damn if I wasn't caught up in the energy and completely lost myself as I tend to do when totally...completely ...engrossed in a particularly fantastic live performance. Like Ut Gret at Progday when I could have been on set on fire ... or had a 6' naked blond parade herself in front of me....and I wouldn't have even noticed. Clap


Edited by micky - December 11 2015 at 16:50
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Direct Link To This Post Posted: December 11 2015 at 16:52
Originally posted by sublime220 sublime220 wrote:

Originally posted by Komandant Shamal Komandant Shamal wrote:

Steven Wilson remastered "Releayer" is amazingly beautiful - it seems that Wilson's talent has no limits.i personaly dont like symphonic version of "Gates of Delirium".
micky hates everything you said


ShockedAngryThumbs UpLOL Clap


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Direct Link To This Post Posted: December 16 2015 at 17:11
 
I've had several version of Relayer going back to vinyl, then CD, then now the extended CD.
I love all three songs on the album, but I have a particular affection for Gates.
Like others on this forum, it took me a while to appreciate but now I view it as quite possibly the greatest piece of music I've ever heard - Mozart/Beethoven be damned !
This is cohesive and concise - no part can be moved or removed.
The conclusion of 'Soon' is like a peace that falls that is more beautifully enjoyed having survived the battles that preceded it.  Without the drama and tension, it falls flat.
 
I created a timeline of this epic to stir up trouble.
I mean, discussion Smile
 
StartLengthEventVoicingLyric
00:0002:09OvertureInst 
02:1000:47AssumptionsVoxStand and fight
02:5800:19FearsVoxChoose and renounce
03:1800:21TransitionGuitar 
03:4000:27Rationalization 1VoxWars that shout
04:0800:21Rationalization 2VoxWords cause our banner
04:3001:13AffirmationGuitar 
05:4401:05OppositionVoxListen, should we fight forever
06:5000:39ProcessionGuitar 
07:3000:19ResolveVoxThe beast will run
07:5000:09Resolve (final)Guitar 
08:0002:19War preparationKeys / Guitar (brisk) 
10:2002:27BattleBass riffage, crashing etc. 
12:4802:17VictoryKeys / Guitar  (13/4) 
15:0600:59War is over, realizationSustains 
16:0600:59Soon (Instr)Inst 
17:0601:47Soon (Hope)VoxSoon, oh soon the light
18:5401:05Soon (Instr)Inst 
20:0000:23Soon (Finale)VoxSoon, oh soon the light
20:2401:25ConclusionSustains 
 
 
YrLic
.db.
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Direct Link To This Post Posted: December 16 2015 at 20:23
^ I really like the timeline, no trouble stirred up here.
 
I'm with Micky on the DVD version. It simply never gets old.  The way they soften the lights for the "Soon" section is just right, and oh the pedal steel guitar on it....stunning is the word.
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Direct Link To This Post Posted: December 18 2015 at 23:37
It's maybe my favourite of Yes' epics. 'Close to the Edge' was probably my 'holy sh*t, music like this exists?!' moment when I first discovered prog rock as a teenager, but Gates of Delirium I can still listen to with my eyes closed and go on a journey.
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Direct Link To This Post Posted: December 19 2015 at 16:54
Originally posted by YrLic YrLic wrote:

 
I've had several version of Relayer going back to vinyl, then CD, then now the extended CD.
I love all three songs on the album, but I have a particular affection for Gates.
Like others on this forum, it took me a while to appreciate but now I view it as quite possibly the greatest piece of music I've ever heard - Mozart/Beethoven be damned !
This is cohesive and concise - no part can be moved or removed.
The conclusion of 'Soon' is like a peace that falls that is more beautifully enjoyed having survived the battles that preceded it.  Without the drama and tension, it falls flat.
 
I created a timeline of this epic to stir up trouble.
I mean, discussion Smile
 
StartLengthEventVoicingLyric
00:0002:09OvertureInst 
02:1000:47AssumptionsVoxStand and fight
02:5800:19FearsVoxChoose and renounce
03:1800:21TransitionGuitar 
03:4000:27Rationalization 1VoxWars that shout
04:0800:21Rationalization 2VoxWords cause our banner
04:3001:13AffirmationGuitar 
05:4401:05OppositionVoxListen, should we fight forever
06:5000:39ProcessionGuitar 
07:3000:19ResolveVoxThe beast will run
07:5000:09Resolve (final)Guitar 
08:0002:19War preparationKeys / Guitar (brisk) 
10:2002:27BattleBass riffage, crashing etc. 
12:4802:17VictoryKeys / Guitar  (13/4) 
15:0600:59War is over, realizationSustains 
16:0600:59Soon (Instr)Inst 
17:0601:47Soon (Hope)VoxSoon, oh soon the light
18:5401:05Soon (Instr)Inst 
20:0000:23Soon (Finale)VoxSoon, oh soon the light
20:2401:25ConclusionSustains 
 
 
YrLic
.db.

nice work!
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Direct Link To This Post Posted: December 27 2015 at 19:02
My favourite Yes track: a work of towering genius.
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Direct Link To This Post Posted: December 29 2015 at 18:21
Perfection.
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Direct Link To This Post Posted: March 13 2016 at 18:03
Originally posted by stacyj stacyj wrote:

actually? Soon,is all i got from Relayer!
im surprised so many liked the album?

Exactly ! Me too as thereīs practically very little of Yes there, namely the Yes that made Yes so unique, its sheer beauty & harmony. Itīs almost totally lost here, its more like chaotic and quite directionless playing from everybody. Same with the sound, I really must listen very carefully to hear Jonīs saying from the mix. The same with Chris Squire, the best player on this weird recording but I hear too little of his great contribution there ? Unhappy  Itīs very difficult to understand that maestro Eddie Offord is still engineering. Not his best either. The jazz-fusion thing is always very difficult to any prog band, even to Mahavishnu. OK, Yes tried fusion but actually ended with cacophony. "Soon oh Soon" section is the exception from all dullness. Very beautiful vocals by the master himself but still not Jon Andersonīs finest, not even close, unfortunately. To me his singing is somewhat uninspired and lame, not so good as it usually is. 
"Sound Chaser"... for what ? Just rambling, nothing constructive to my senses again. The cha-cha-cha latin dance (what the hell happens there ? ) always makes me climb up on the wall Dead and doesīt fit anywhere. Ridiculous and plain awful. How bizarre as Yes never ever before were bizarre, sounds like Anderson finally has gone nuts. And the guys plays like madmen with a hell of a lot of noise...and lots of cheap sound effects... noise, noise... and noise after noise. Doesnīt make any sense really. Fusion rock with eer...anti-harmony ? "The Gates of Delirium" is so great... really ? Well, war gets noisy but not that much not all the time, war is way more complicated thing. This is quite banal in all aspects, and the ending too obvious. "Gates" doesnīt quite work musically and surely doesnīt fit Yes at all, thereīs nothing that could move me musically and spiritually, except "Soon". "Gates" was meant to be anti war hymn of course and sacrificing melody for cacophony is a great idea but it sounds dreadful and because of this is not pleasant listening as Yes has always been pleasant. I have never like the album and gets worse every time I revisit.
Jonīs singing thruout isnīt quite inspired to my senses. (Iīm not convinced, dear Jon, sorry). Where on Earth has he lost his very serious & beautiful singing ? And "To Be Over" is quite boooring actually, not typical grandeaur of Yes.
Yah, "Soon" section is the best part of it all, by a country mile. 

Did I mention Patrick Moraz ? Not his fault, he just gets the thankless job to fill the spaces. I really feel sorry for the great player. Itīs totally irrelevant who plays the keys nevertheless.

Me and Stacy seem to be a tiny minority here ? Well, what the hell.


Edited by Son.of.Tiresias - April 02 2016 at 14:33
You may see a smile on Tony Banksī face but thatīs unlikely.
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Direct Link To This Post Posted: March 13 2016 at 23:24
I've always liked everything on Relayer although I still find the cha cha lyrics to still be a odd ball idea that works only as a break from the fiery instrumentation in Soundchaser. Ambitious music with plenty of variety and many things happening. I recall Chris Squire referred to the bass climax in Gates as funky. 

Soon might be a bit of a sudden change of gear for some. Perhaps Yes should have indexed their records as Floyd did so that listeners can "see" the different numbers that make up the suites. Probably would have helped understanding Tales (I regard as one work in, um, maybe 8 parts) and Gates as 3 parts or so but who's counting? ;)

I like that the various incarnations of Yes do bring different aspects of the musical character to the fore. They're never going to please everyone no matter what they do. This is the nature of progression; it must change and the songs do not remain the same.

The Wilson remaster brought out hidden nuances; a new experience of the piece. One day when I get the blu-ray thing going I might be able to check out what's on that DVD - I think it has the original CD master as well as the "needle drop" vinyl transfer. I can get rid of my HDCD Japanese copy then...

I wonder how Gates would have turned out had Rick Wakeman been there at its inception.

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Direct Link To This Post Posted: March 13 2016 at 23:53
Originally posted by Son.of.Tiresias Son.of.Tiresias wrote:

Originally posted by stacyj stacyj wrote:

actually? Soon,is all i got from Relayer!
im surprised so many liked the album?


Exactly ! Me too as thereīs practically very little of Yes there, namely the Yes that made Yes so unique, its sheer beauty & harmony. Itīs almost totally lost here, its more like chaotic and quite directionless playing from everybody. The jazz-fusion thing is always very difficult to any prog band, even to Mahavishnu. OK, Yes tried fusion but ended with cacophony, except the "Soon oh Soon" section. Very beautiful vocals by the master himself but still not Jon Andersonīs finest, not even close, unfortunately. To me his singing is somewhat uninspired and lame, not so good as it usually is. The cha-cha-cha latin dance (what the hell happens there?) always makes me climb on the wall Dead and doesīt fit anywhere. How bizarre as Yes never ever before were bizarre, sounds like Anderson finally has gone nuts. And the guys plays like madmen with a hell of a lot of noise...and lots of sound effects... noise, noise... and noise after noise. Fusion rock with eer...anti-harmony ? Not really? Well, war gets noisy but not that much, war is way more complicated thing. This is quite banal in all aspects, and the ending too obvious. "Gates" doesnīt quite work and surely doesnīt fit Yes at all IMO.
His singing thruout isnīt quite inspired to my senses. He tries to sound angry, well he canīt actually, itīs not happening, well Jon is never angryBig smile  and he looks as beautiful as Jesus. (Iīm not convinced, dear Jon, sorry). Where on Earth has he lost his very serious & beautiful singing ? And "To Be Over" is quite boooring actually, not typical grandeaur of Yes.
Yah, "Soon" section is the best part of it all, by a country mile. 

Did I mention Patrick Moraz ? Not his fault, not in anything. Itīs totally irrelevant who plays the keys.

Me and Stacy seem to be a tiny minority here ? Well, what the hell LOL



About "To Be Over"... I do find the song beautiful... but there's something that puts me off from it. Too long, I guess, and I'm not so sure the vocals work so well. But I really love the shorter instrumental solo version Steve Howe has done of that song, on those ones it's beauty really shines.
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Direct Link To This Post Posted: March 14 2016 at 03:55
Originally posted by stacyj stacyj wrote:

Like i said!
im surprised so many like Relayer?
....as far from Time and A Word till now?
dont ya Love Andersons voice?

Exactly Thumbs Up ! Jon & boys have gone very very far from the glory days of faultless singing harmonies since the very beginning. Ainīt the Beatles cover a perfection, how ībout the Stephen Stills cover ? Hyper beautiful harmonies. What ? Yes turned them stellar, Beatles could only dream of stuff like that. Remember little gems like "Astral Traveller" ? Thatīs Yes singing. And what on Earth are the boys doing now ? Melody ? Who cares for melody. 

Rock bottom in singing and everything is right here. Hard jazz/rock/fusion or whatever thing is something that they simply canīt handle properly. Awful lots of ideas, patterns, melodies, riffs etc. but in crazy order without real meaning and control. Jamming and rambling most of the time. Why on Earth as they had plenty of time to work out those exciting ideas and the finest technology available... Not Eddie Offordīs best work either, the album sounds harsh and strange to my ears. No, they decided to sacrifice melody for cacophony and for the first time in Yesīs history listening is not pleasant. The biggest mistake ever. Lyrics ? Pseudo-spiritual nonsense at finest, when Jon gets serious he finally loses all "common sense". He is best in his normal fairy-tale sky-high heaven storytelling. I never take his lyrics so seriously really but this time they canīt be ignored and come just ridiculous. What a waste of talent, studio time & vinyl. Sad but true.


Edited by Son.of.Tiresias - March 26 2016 at 08:24
You may see a smile on Tony Banksī face but thatīs unlikely.
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