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fandrews
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Joined: August 30 2011
Location: MV,Ca
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Posted: September 01 2011 at 07:28 |
I had to fight for every inch of hair back then (70s) because my dad was in the Army. I was the trailblazer for my two younger brothers--they had it much easier. Even though I was a hippie or as we called them in school back then a "freak.' We had the freaks, the jocks and the nerds. I managed to grow my hair to my shoulders but it wasn't easy because my dad associated the freaks with that crazy music and dope ( of course in my case he was correct). The bars in germany back then --if they had a dance floor played German polka music, top forty and later disco. But I guess I sold out too because I do remember getting a pair of "stacks.' (shoes with a huge heal). Also remember school dance with those oil gell things projected on the wall to trip out to. I also remember slow dancing to Knights in White Satin and A whiter Shade of pale and of course Colour My World.
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cstack3
Forum Senior Member
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Joined: July 20 2009
Location: Tucson, AZ USA
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Posted: September 01 2011 at 10:51 |
fandrews wrote:
I had to fight for every inch of hair back then (70s) because my dad was in the Army. I was the trailblazer for my two younger brothers--they had it much easier. Even though I was a hippie or as we called them in school back then a "freak.'We had the freaks, the jocks and the nerds. I managed to grow my hair to my shoulders but it wasn't easy because my dad associated the freaks with that crazy music and dope ( of course in my case he was correct). The bars in germany back then --if they had a dance floor played German polka music, top forty and later disco. But I guess I sold out too because I do remember getting a pair of "stacks.' (shoes with a huge heal). Also remember school dance with those oil gell things projected on the wall to trip out to. I also remember slow dancing to Knights in White Satin and A whiter Shade of pale and of course Colour My World. |
A brave man indeed! There was quite a bit of prejudice against the freaks (I was never that much of a freak, with hair only over the collar).
When the Viet Nam war wound down, the air was let out of the balloon I fear. I barely missed that one (having a US draft card). However, the end of the conflict allowed us to concentrate even harder upon partying and progging (if that is a correct term!)
If we had had the internet back then, I'd still be trying to earn my first college degree!!
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TODDLER
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Joined: August 28 2009
Location: Vineland, N.J.
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Points: 3126
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Posted: September 01 2011 at 10:52 |
As I have expressed before in other threads smoking was a private activity for me personally until I met a drummer who was deeply into 20th century composers. He would send invitations to us by mail. We would be invited to his Sunday afternoon bash of a 2 hour listening of Edgar Varese. Usually a small gathering of friends would show..maybe 8 or even 10 people. Chairs were set up, the stereo against the wall with giant speakers built by his brother-in-law who was a sound tech. He would pass the pipe around until everyone was up in the ether. Then he would request silence during the run of pieces.
Captain Beefheart, Syd Barrett, Gong, Bartok, GTO's, ....that was all on the agenda at my house with gatherings. One time a few Rocky Horror Picture Show fans stopped over to party and I scared them with Ummagumma and a strobe light. Philadelphia was populated with kids who were crazed over European Progressive Rock. Once you were outside the city (like me), it became a difficult task to cross paths with anyone who had these interests. Local venues were packed with people who came to see prog cover bands, but restrictions at age 15 made things almost impossible for me. I would wait for my parents to fall asleep, sneak out of the house, walk to the "College Inn" where the Devil worshippers hung out and hide in the back woods waiting to hear the "Robert Mule Band" perform "Thick as a Brick".
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ghost_of_morphy
Prog Reviewer
Joined: March 08 2007
Location: United States
Status: Offline
Points: 2755
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Posted: September 01 2011 at 10:58 |
lazland wrote:
wjohnd wrote:
When i was at high school, our music teacher played the class ELP - Pictures at an Exhibition. It was a misguided attempt to get us 'kids' interested in classical music by playing some 'popular rock'....
Doubly misguided as the Sex Pistols ' Never Mind the bollocks' was the talk of the class by then |
Yep, same here. My art teacher at secondary modern would play Yes, genesis, ELP, Dylan to us, whilst all the rest of the class wanted to listen to The Pistols, Clash & etc. I got a few beatings for being the only one who appreciated what he put on! |
My music teacher was a bit more outdated..... He played us Spike Jones.
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TODDLER
Forum Senior Member
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Joined: August 28 2009
Location: Vineland, N.J.
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Points: 3126
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Posted: September 01 2011 at 12:37 |
In the 70's I watched friends disconnect themselves from the world. They had bad acid trips and were escorted to the Ancora Psychiatric Hospital where I would visit them and make attempts to bring them back. Now for some reason this was very consistent in my life from 74' to 78'. I don't know if it were the times I lived in or just being in the wrong place at the wrong time? 3 of my close friends had studied classical music in Philadelphia when they were age 10 and we all grew together in the music world. As kids....then teenagers. They were very talented and all it took was one dosage of acid. Just 1 trip to destroy their mind. I would visit them and they would sit and pull on their hair or simply deny knowing me and mumble funny words to themselves.
Some of them were converted to Christianity and roamed the streets of Vineland spreading the word of the gospels. After talking to them for a whole of 2 minutes ....I felt angered by the fact that they did not remember what we did as friends. I assume this 1 extreme to the other ....drugs to religion....was happening all over the U.S....but the town I lived in was quite corrupted so maybe that was the more sensible answer in thiscase. It was the 60's casualties thing progressing in the 70's.
A great keyboardist I worked with was taken to the mental hospital because he had taken too much acid and was trying to jump off the roof of his house. When I went to visit him...his name was no longer Norman. Now it was Noah and it's the same pattern over and over. It's complete garbage you know? The scene was a bit over done at times. If you wanted to be yourself and not take drugs....you had to be by yourself to do that. And if you were always off by yourself that gave the schoolboard reason to believe you were on drugs. Every night I was up late studying music with my father and the next day I looked like a vampire in school. They put a lot of pressure on me by calling me to their perfect office with perfect principal to examine my eyes and ask their stupied questions.
There had been a Satan cult killing in town and all these religious fanatics arrived to our community shortly after. They were very persistent in converting everyone to the born again concept. Police patrolled the area day and night as private investigators attempted to prove with circumstantial evidence...that there was the existence of an elderly and wealthy Satan worshippers sect. They had been hiding and conducting service to the Devil in a church. Police had the idea that these people were brainwashing kids my age to perform rituals that derived from Judeo-Christian concepts. I do know that this is all very true, but the school staff was tormenting the kids with this drug reality and it just went into harassment mode after the young man's body was discovered. Police convicted 2 boys who confessed to the crime sending them to Yardville prison while the police continued the search for the older cult which some of them had fled. They interrogated many of them as they spent 2 years trying to locate physical evidence.
For a long time police tried to connect the cult to Barbara Hutton whose family owned the Woolworth five and dime stores. She owned a venue in Pleasantville which was about a 35 minute drive from Vineland N.J. It was designed like a Spanish castle. She was interested in the spirit world and hired a working staff to dress in black cloaks. Black mirrors, strange looking characters, and rock bands performing. They tried to shut her down and the battle raged on for years. The ritual sacrifice of this boy and the idea that more than 50 people were present when his body was thrown overboard gave motive for the police to re-open the case several times. The frustration of the police confiscating materials, literature, and evidence that kids in my school were connected with this group remained a topic of the town's history. Now it remains to be a campfire story from the 70's.
Edited by TODDLER - September 01 2011 at 12:50
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Lionheart
Forum Senior Member
Joined: December 27 2005
Status: Offline
Points: 106
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Posted: September 01 2011 at 15:46 |
I can't speak for what it was like in the 60's, but I do remember the 70's.
Radio was a lot more "diverse" back then. This is before record companies and radio stations got bought by media companies (Sony, Universal, etc). The variety of material you would hear in the top 40 was much different than it is now. Everything changed when accountants took over, and record companies were owned by people who didn't really "value" music, but instead just saw it as a plethora of "pretty objects that you could profit from". The creativity was encouraged, and as a result (especially if we are talking about "prog"), records were recorded and released that had major label and radio backing. In other words, "Bohemian Rhapsody" got released and played because the environment (radio, record companies and audience) were receptive to it on a "mass scale".
Since then, if you have accountants running the show, then everything has to be "segmented and marketed" to maximize profit. This really wasn't the case back in the 70's. Major record companies took chances, and a lot of bands wrote, sang and produced their own records, *and* record companies didn't mind, because they would wind up profiting.
As far as record stores, I do remember finding a pretty good variety in local record stores. In order to get the cool foreign stuff, you had to go into the city. I also remember flipping through Goldmine magazine often for that reason. If you couldn't find it in a retail outlet, then you could usually find a retailer in Goldmine that had what you were looking for.
It was a glorious time.
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verslibre
Forum Senior Member
Joined: July 01 2004
Location: CA
Status: Offline
Points: 17055
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Posted: September 01 2011 at 16:13 |
TODDLER wrote:
Slartibartfast wrote:
Maaaan, it was horrible, we all had to grow long hair, smoke a lot of dope, call each other "man", wear tie-die t-shirts and bell-bottom blue jeans. |
Oh God I hated that stuff. Except for the hair. I didn't mind having long hair in the early 70's. However the Baptist did. During the 70's they created a vision of Hell for me. Hell was the place you went if you had long hair, smoked weed, and listened to what was better known then as "Hard Rock". |
Hilarious. Now think of all the tattooed, shaven-headed types churches embrace. And all anyone wanted to do in the '70s was zone out and trip out!
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Slartibartfast
Collaborator
Honorary Collaborator / In Memoriam
Joined: April 29 2006
Location: Atlantais
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Points: 29630
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Posted: September 01 2011 at 18:23 |
I was heavily into prog in high school. Had long hair and was a bit of a loner because I didn't smoke cigarettes so I didn't hang out with the freaks, wasn't in with the jock crowd, closest to the nerd crowd probably. There was a bigger set of prog fans amongst my brother's friends (about three years older) so they became my best friends. I got to see concerts in venues that I was too young to be in due to being under booze age. Then when I was 18 it got bumped up in two stages so I was always behind until I hit 21. I saw King Crimson on the Discipline tour and got a shirt, which I wore to school frequently. I remember a substitute teacher for one class thinking it was a Satanic thing on the front.
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Released date are often when it it impacted you but recorded dates are when it really happened...
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Dean
Special Collaborator
Retired Admin and Amateur Layabout
Joined: May 13 2007
Location: Europe
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Points: 37575
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Posted: September 02 2011 at 06:06 |
I'm 54, so back then I lived in a village in deepest darkest north Bedfordshire with no access to music stores or venues other than small folk clubs that my Dad would take us to at weekends and the only "pop" music we heard came from the radio or one of the very few music variety programs on TV (well, we did get to see Hendrix on the Lulu show). I had an old steam (valve/tube) radio in my bedroom that had an old BSR turntable wired into it so I could play 45s (in mono), but most of the time I was listening to John Peel (Perfumed Garden and later Top Gear), Emperor Rosco and Pete Drummond playing hippy psychedelic music. My Dad wasn't a musician (he was a wood-machinist/carpenter) but he could knock out a tune on the harmonica if we weren't quick enough to hide them from him; he would often come home with bizarre instruments he'd bought of "some bloke in the pub" or at jumble sales; or he would buy strange albums of celtic folk or odd jazz albums that consisted of nothing but percussion or the soundtrack to "Secret of the Inca's" an album of exotica featuring Yma Sumac and her 5 octave vocal range; and being a woodworker by trade, he would occasionally make instruments, such as my first guitar (with only four strings because he could only scrounge four machine-heads). These experiences formed in me a curiosity for the unusual and the weird.
5 miles away was Santa Pod Raceway and as kids we used to cut across the fields and woods to sneak in the back-way to avoid paying, this was our small patch of America in the heart of rural England where we could immerse ourselves in Americana listening to Beach Boys and Jefferson Airplane over the Tanoy, while gawping at hot rods and top-fuel dragsters pumping the smell of Nitromethane into the air, where visiting celebrities like Don Garlits would show us how it was really done, shaving several seconds off our local boys best times down the strip. That love of drag racing was often the trigger for making like-minded friends at school and later at work (one of my work friends, Steve Horn, later went on to work for Santa Pod Raceway as a timing marshal and driver of the "house" jet car), but that came later, after (in 1968) I moved up to High School.
High School was a whole new world, being 10 miles away it started with a 45 minute bus ride where we would pick up kids from other villages en-route and the conversation always centred around music and cars and we would read NME and Sounds for the latest news and release (Melody Maker was ignored for being "too jazz & blues") and swap albums and singles with each other (cassettes hadn't been invented yet, though I did have a portable ¼ reel-to-real tape machine for producing mix-tapes, splicing the sound effects from Moody Blues and Floyd between the tracks... and of course the dragster noise from Simon & Garfunkel's 'Baby Driver'). These were the days before HMV and Virgin meagre stores, so Bedford's record shops also sold hi-fi and musical instruments, so after school we would trawl these shops looking for anything interesting that we'd read about in the music mags or heard on the late-night radio. I remember in the early 70s one of these shops' window display was Van der Graaf Generator's 'At Least We Can Do Is Wave At Each Other' - occupying the whole shop front with a real Van der Graff generator and cotton-wool clouds adding to the 3D cardboard cut-out of the album cover itself - this display mesmerised me so much I had to buy the album with money saved from my lunch-money.
The school playground at lunch time was a nest of small cliques of kids into various forms of music, this was divided mainly into two main groups - the skinheads into reggae, Motown and R&B and the Freaks and Rockers into head-music, heavy music and Prog Rock (yes, we did call it that in 1970-73); the cool kids had Zappa, Beefheart, Crimson and White Noise, the teenie-boppers were into Glam Rock, while me and my friends hovered between them, liking all music that came our way, from The Beatles to the Move, from Hendrix to Zappa, from Bowie to Bolan, from Hawkwind to Amon Duul, and of course The Moodies to Floyd, our eclecticism allowed us to be tolerated by both camps, albeit begrudgingly at times when I inadvertently mentioned "Electric Warrior" to the cool kids.
London was 45 miles away by train, and that was the real Mecca of music for us, but at 14 years old getting there was an expedition (we did take one trip just to visit the Virgin import shop in Marble Arch - just about the only source of Krautrock at the time). In 1972 I saw Pink Floyd at Wembley Pool performing The Dark Side Of The Moon - hours spent listening to Meddle and Ummagumma hadn't prepared me for that - it blew me away. Later "expeditions" to London were to buy albums and Sci-Fi books from the many record & book stores around Soho, Totenham Court Road and Oxford Street. Carnaby Street was crass commercialised shadow of its former self by 1973, but still we'd visit the head shops looking for hippy clothes, loons and scoop-neck shirts and being approached by weirdo's asking if we "wanted to score"...
[I was never into drugs and still aren't, though beer, cheap wine and cigarettes were not a problem, however I saw plenty of it at the time (weed makes me sneeze uncontrollably). For me music was never about drugs, music was the drug, regardless of how high the artist may have been when they recorded it.]
Reading through the posts in this thread has reminded me of one source "deleted" music that was available to us - that was a warehouse type store just off Oxford Street that sold American Imports - these were bin-end remainders that hadn't sold in the US so were shipped over en-mass to the UK and sold a ridiculously cheap prices. These were instantly recognisable for being made of really thick cardboard and usually having one corner of the sleeve clipped off or a ¼" hole stamped through the corner - if I recall correctly my entire Bo Hansson collection and first Philip Glass albums were from this store, as was Tim Blake's Crystal Machine (though I think I perhaps bought that in a similar store in Edinburgh much later).
1974/5 began my obsession with The Enid - I followed them around the home-counties, bought everything they released and joined The Enid Appreciation Society - I was at their make-or-break gigs at the Round House and The Hammersmith Odean, but still the best gigs of theirs I attended were at smaller venues and college Student Union bars in Bedford, Cranfield, Northampton and Leicester.
By 1975 we had transport, my friend Steve bought a huge 6 cylinder Vauxhall Cresta off my Dad and that was our taxi out of the sticks and into music venues further afield, with Friar's Club in Aylesbury being our main port of call - here we saw Peter Gabriel on his first solo tour.
Edited by Dean - September 02 2011 at 06:15
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octopus-4
Special Collaborator
RIO/Avant/Zeuhl,Neo & Post/Math Teams
Joined: October 31 2006
Location: Italy
Status: Offline
Points: 14069
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Posted: September 02 2011 at 06:14 |
A very interesting and well-written self-biography. We could make a book of stories like this. Imagine people from each world's country (at least those allowed to access the web) telling how they went to be passionate with music in general and prog in particular. A chapter for each country made of short bios like this one.
It's just an idea that appeared suddenly to my mind while I was reading. It's already gone...
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I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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ExittheLemming
Forum Senior Member
Joined: October 19 2007
Location: Penal Colony
Status: Offline
Points: 11415
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Posted: September 02 2011 at 06:21 |
^ thought a trawl stagger down memory lane might entice you out of hiding. Great to have you back (you incorrigible old hippy )
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Dean
Special Collaborator
Retired Admin and Amateur Layabout
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
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Posted: September 02 2011 at 06:33 |
Just passin' through
...yeah, the lure of this thread was too great.
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What?
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lazland
Prog Reviewer
Joined: October 28 2008
Location: Wales
Status: Offline
Points: 13627
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Posted: September 02 2011 at 11:13 |
Dean wrote:
Just passin' through
...yeah, the lure of this thread was too great. |
Good to see you back Dean
I was interested in your comment about the drugs. I was never into them either. The lure of real ale always tipped my boat. I'm trying to give up the cigs at the moment (down to 3/4 a day from 20+ with the aid of e-cig), but not easy.
You are absolutely right about the music - that is the drug, and the only one worth having
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Enhance your life. Get down to www.lazland.org
Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time!
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chefrobb
Forum Groupie
Joined: October 20 2008
Status: Offline
Points: 75
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Posted: September 02 2011 at 11:45 |
Grew up in the LA area in the 70'z.....great times, saw some fantastic bands.....ALL the greats of the greatest time in music. Even had a High School class called "age of Rock" in which we could bring in our own records and give a brief intro to the class before listening to THE WHOLE THING.....1 a day.......think that could ever happen now??????
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chefrobb
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Gerinski
Prog Reviewer
Joined: February 10 2010
Location: Barcelona Spain
Status: Offline
Points: 5154
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Posted: September 02 2011 at 16:48 |
I was born in '66 so I was too young in the actual prime of prog, but in my native Spain everything arrived very late due to the dictatorship of fascist Franco, plus I grew up surrounded by older brothers and cousins who were into prog, so I can remember some of the atmosphere.
Without internet, if you wanted to stay up to date you had to read rock magazines, in Spain you had to read Vibraciones and Popular 1, one would buy them and a big group of friends or family would read them, next week someone else would buy them etc, so with a minimum budget everybody stayed informed. Magazines came always with posters and stickers of the hype bands, and the walls of your room or your school notebook told a lot about the music you liked. Our bedroom walls and ceiling were completely filled up with posters of ELP, Yes, The Who, Purple, Bowie, etc and early spanish prog bands.
Someone said that it was difficult to get an album after some time of its release but I don't remember it like that, at least for the well-known bands. Record shops were frequently semi-specialized, and the discographies of bands were still short, so for a shop specialized in rock (no classical, jazz, or traditional music) if they had a stock of 1500 different albums they had pretty much all there was. Obscure bands were of course different, most of them I simply didn't know, and if you did you had to order the albums on purpose and they could be very expensive.
Imports were indeed a treat, difficult and expensive so anyone who had some was really proud of it and showed them off. We would all copy them in cassette tape.
By the way does anyone remember the 78 rpm vinyls? I surely remember having quite some of them at home, from my father, mainly jazz.
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presdoug
Forum Senior Member
Joined: January 24 2010
Location: Canada
Status: Offline
Points: 8614
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Posted: September 02 2011 at 17:00 |
Gerinski wrote:
I was born in '66 so I was too young in the actual prime of prog, but in my native Spain everything arrived very late due to the dictatorship of fascist Franco, plus I grew up surrounded by older brothers and cousins who were into prog, so I can remember some of the atmosphere.
Without internet, if you wanted to stay up to date you had to read rock magazines, in Spain you had to read Vibraciones and Popular 1, one would buy them and a big group of friends or family would read them, next week someone else would buy them etc, so with a minimum budget everybody stayed informed. Magazines came always with posters and stickers of the hype bands, and the walls of your room or your school notebook told a lot about the music you liked. Our bedroom walls and ceiling were completely filled up with posters of ELP, Yes, The Who, Purple, Bowie, etc and early spanish prog bands.
Someone said that it was difficult to get an album after some time of its release but I don't remember it like that, at least for the well-known bands. Record shops were frequently semi-specialized, and the discographies of bands were still short, so for a shop specialized in rock (no classical, jazz, or traditional music) if they had a stock of 1500 different albums they had pretty much all there was. Obscure bands were of course different, most of them I simply didn't know, and if you did you had to order the albums on purpose and they could be very expensive.
Imports were indeed a treat, difficult and expensive so anyone who had some was really proud of it and showed them off. We would all copy them in cassette tape.
By the way does anyone remember the 78 rpm vinyls? I surely remember having quite some of them at home, from my father, mainly jazz.
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I remember my dad had a collection of old jazz 78s-i say had because in 1969, when i must have been only 7, i discovered to my delight and my dad's anger that they would break into small pieces when dropped-when he was not looking, i totalled his collection, not meaning to be mean, but i was pretty young
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moshkito
Forum Senior Member
Joined: January 04 2007
Location: Grok City
Status: Online
Points: 17497
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Posted: September 02 2011 at 19:06 |
...
We might have gotten that in the top ten radio (AM radio) in those days, but FM radio did not have a top ten for 10 years until it was bought out by all the record companies ... dig this ... the major conglomerate that distributes music in America owns the single largest number of FM stations in the country ... do you wonder why I do not listen to FM radio anymore? ... they only play the "artists" they deliver to all the stores, and nothing else, and don't even follow the required rules that the FCC had requested for these stations in the big city ... the requirements of which are being filled out by PSA's.
True! True! and very true! Why does it seem as if a lot of people don't get this? Is it the seperation of generations? We were exposed to everything as a way of life. Every single point you bring out here about AM and FM. It shouldn't be the seperate....I can't relate to the older folks thing because
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I don't think there is a separation of generations any more today, than there was yesterday, or 40 years ago, when I was working at the Rathskeller in Madison, Wisconsin.
Just like then, there were factions ... the democrats that stood against the VietNam War and the Republicans that were trying to be cooler than thou by saying that we were not supporting the troops ... which of course was not true, and was a gross b*****dization of the whole situation ... somethings never change in life! But the democrats usually had longer hair than the republicans to give you an idea of the absurdity of the whole thing!
We were exposed to as much then, as people are now. And we were just as stupid then, as we are now ... the only thing that has changed? ... we're fatter, uglier and snore a little louder!
In the end, it is all about how much to do you want to open your eyes, your ears, and your heart ... and nothing else.
FM and AM radio were different. Again, in the first 10 years, FM was the voice of the new age and the new feelings and the new revolution, but when it started selling big, and many bands getting into the millions, they all got bought out by the record conglomerates. And that is when the proliferation of new music and groups stopped, and instead it become ... let's make a million with Genesis and bruhaha ... and dump the rest ... heck ... the WEA distribution conglomerate paid the Rolling Stones many millions to go on tour with a humungous penis on the stage for Mick to ride ... and then Led Zep got 100 million or something like that ... and you know the result of that was right? .... more than 5000 groups lost their distribution ability over night ...
And 20 years later, when the Satelite thing came out, it was even more blatant of a corporate thing .... and everyone thought it was cool, which means that the advertising got you hooked ... but none of us here had the balls to lay it on the line ... and still don't! And for me, the sad thing is ... a board like this, other than a thread like this one, is not interested in adding the history to the website and help make sense of the music ... now you know why so many reviews of "In the Court of the Crimson King" are so off base! They are no longer the snapshot of that day and time and place and people ... they are some imaginary idea of music that had nothing to do with anything else.
It speaks volumes for the importance and value of the music itself and the work of so many of us that deserve a little pat in the back ... we did really well folks, and we're still doing well! And that music is remembered and loved ... I would never trade a million dollars for the love and affection found in this place for some of the most beautiful music ever recorded! Go ahead and try!
Now we just need to get the rest of the folks in PA to believe also!
Edited by moshkito - September 02 2011 at 19:33
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told! www.pedrosena.com
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presdoug
Forum Senior Member
Joined: January 24 2010
Location: Canada
Status: Offline
Points: 8614
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Posted: September 02 2011 at 20:36 |
moshkito wrote:
...
We might have gotten that in the top ten radio (AM radio) in those days, but FM radio did not have a top ten for 10 years until it was bought out by all the record companies ... dig this ... the major conglomerate that distributes music in America owns the single largest number of FM stations in the country ... do you wonder why I do not listen to FM radio anymore? ... they only play the "artists" they deliver to all the stores, and nothing else, and don't even follow the required rules that the FCC had requested for these stations in the big city ... the requirements of which are being filled out by PSA's.
True! True! and very true! Why does it seem as if a lot of people don't get this? Is it the seperation of generations? We were exposed to everything as a way of life. Every single point you bring out here about AM and FM. It shouldn't be the seperate....I can't relate to the older folks thing because
...
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I don't think there is a separation of generations any more today, than there was yesterday, or 40 years ago, when I was working at the Rathskeller in Madison, Wisconsin.
Just like then, there were factions ... the democrats that stood against the VietNam War and the Republicans that were trying to be cooler than thou by saying that we were not supporting the troops ... which of course was not true, and was a gross b*****dization of the whole situation ... somethings never change in life! But the democrats usually had longer hair than the republicans to give you an idea of the absurdity of the whole thing!
We were exposed to as much then, as people are now. And we were just as stupid then, as we are now ... the only thing that has changed? ... we're fatter, uglier and snore a little louder!
In the end, it is all about how much to do you want to open your eyes, your ears, and your heart ... and nothing else.
FM and AM radio were different. Again, in the first 10 years, FM was the voice of the new age and the new feelings and the new revolution, but when it started selling big, and many bands getting into the millions, they all got bought out by the record conglomerates. And that is when the proliferation of new music and groups stopped, and instead it become ... let's make a million with Genesis and bruhaha ... and dump the rest ... heck ... the WEA distribution conglomerate paid the Rolling Stones many millions to go on tour with a humungous penis on the stage for Mick to ride ... and then Led Zep got 100 million or something like that ... and you know the result of that was right? .... more than 5000 groups lost their distribution ability over night ...
And 20 years later, when the Satelite thing came out, it was even more blatant of a corporate thing .... and everyone thought it was cool, which means that the advertising got you hooked ... but none of us here had the balls to lay it on the line ... and still don't! And for me, the sad thing is ... a board like this, other than a thread like this one, is not interested in adding the history to the website and help make sense of the music ... now you know why so many reviews of "In the Court of the Crimson King" are so off base! They are no longer the snapshot of that day and time and place and people ... they are some imaginary idea of music that had nothing to do with anything else.
It speaks volumes for the importance and value of the music itself and the work of so many of us that deserve a little pat in the back ... we did really well folks, and we're still doing well! And that music is remembered and loved ... I would never trade a million dollars for the love and affection found in this place for some of the most beautiful music ever recorded! Go ahead and try!
Now we just need to get the rest of the folks in PA to believe also! |
^Hey, man, you lay it on the line, Moshkito-that is your greatest post!
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TODDLER
Forum Senior Member
VIP Member
Joined: August 28 2009
Location: Vineland, N.J.
Status: Offline
Points: 3126
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Posted: September 02 2011 at 21:56 |
presdoug wrote:
moshkito wrote:
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We might have gotten that in the top ten radio (AM radio) in those days, but FM radio did not have a top ten for 10 years until it was bought out by all the record companies ... dig this ... the major conglomerate that distributes music in America owns the single largest number of FM stations in the country ... do you wonder why I do not listen to FM radio anymore? ... they only play the "artists" they deliver to all the stores, and nothing else, and don't even follow the required rules that the FCC had requested for these stations in the big city ... the requirements of which are being filled out by PSA's.
True! True! and very true! Why does it seem as if a lot of people don't get this? Is it the seperation of generations? We were exposed to everything as a way of life. Every single point you bring out here about AM and FM. It shouldn't be the seperate....I can't relate to the older folks thing because
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I don't think there is a separation of generations any more today, than there was yesterday, or 40 years ago, when I was working at the Rathskeller in Madison, Wisconsin.
Just like then, there were factions ... the democrats that stood against the VietNam War and the Republicans that were trying to be cooler than thou by saying that we were not supporting the troops ... which of course was not true, and was a gross b*****dization of the whole situation ... somethings never change in life! But the democrats usually had longer hair than the republicans to give you an idea of the absurdity of the whole thing!
We were exposed to as much then, as people are now. And we were just as stupid then, as we are now ... the only thing that has changed? ... we're fatter, uglier and snore a little louder!
In the end, it is all about how much to do you want to open your eyes, your ears, and your heart ... and nothing else.
FM and AM radio were different. Again, in the first 10 years, FM was the voice of the new age and the new feelings and the new revolution, but when it started selling big, and many bands getting into the millions, they all got bought out by the record conglomerates. And that is when the proliferation of new music and groups stopped, and instead it become ... let's make a million with Genesis and bruhaha ... and dump the rest ... heck ... the WEA distribution conglomerate paid the Rolling Stones many millions to go on tour with a humungous penis on the stage for Mick to ride ... and then Led Zep got 100 million or something like that ... and you know the result of that was right? .... more than 5000 groups lost their distribution ability over night ...
And 20 years later, when the Satelite thing came out, it was even more blatant of a corporate thing .... and everyone thought it was cool, which means that the advertising got you hooked ... but none of us here had the balls to lay it on the line ... and still don't! And for me, the sad thing is ... a board like this, other than a thread like this one, is not interested in adding the history to the website and help make sense of the music ... now you know why so many reviews of "In the Court of the Crimson King" are so off base! They are no longer the snapshot of that day and time and place and people ... they are some imaginary idea of music that had nothing to do with anything else.
It speaks volumes for the importance and value of the music itself and the work of so many of us that deserve a little pat in the back ... we did really well folks, and we're still doing well! And that music is remembered and loved ... I would never trade a million dollars for the love and affection found in this place for some of the most beautiful music ever recorded! Go ahead and try!
Now we just need to get the rest of the folks in PA to believe also! | ^Hey, man, you lay it on the line, Moshkito-that is your greatest post!
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Moshkito can surely teach me a thing or 2! He is a historian on a subject such as this one.
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TODDLER
Forum Senior Member
VIP Member
Joined: August 28 2009
Location: Vineland, N.J.
Status: Offline
Points: 3126
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Posted: September 02 2011 at 22:17 |
In the 60's and 70's I followed up on what was defined then as unorthodox recording methods. Beaver & Krause who roamed about San Francisco with a tape recorder ....actually it was probably Bernard Krause? Anyway,...they released In A Wild Sanctuary which for me was the very first of it's kind. An album of electronic/rock with strange tape recordings throughout. However this may not be 100 percent true. The first person could have been Wendy Carlos (then known as Walter), or a 20th century composer. but with In A Wild Sanctuary....Beaver & Krause opened doors (so to speak), for many of the future electronic artists. They were influential in that case.
I became used to the strange unorthodox recording techniques in the 70's like slamming wet bath towels against the wall while having mics set up. This produced the sound of a karate kick or the visual sound effect for martial arts. The kitty litter placed on a tympani drum and after slamming the drum with an impact in course....the litter would rise and the microphones picked up that sizzling sound of fireworks. When played back on tape it produced the sound of a fireworks display. That was the deal with the 70's. Artists were having fun with oddball recording techniques ...that today are produced by merely pressing a button or utilizing a sampled sound. Back then artists would sit by the railroad tracks, record the sound of a train, and find a George Martin type to mix it down or phase it into one of their songs. Things like that were fun to do. Now they are looked upon as a waste of time and quite ridiculous for anyone to consider.
Edited by TODDLER - September 02 2011 at 22:20
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