The Beatles Remasters: Mono or Stereo |
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jammun
Prog Reviewer Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
Posted: September 18 2009 at 21:42 | ||||
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Can you tell me where we're headin'?
Lincoln County Road or Armageddon. |
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ZowieZiggy
Prog Reviewer Joined: April 19 2005 Location: Siem Reap Status: Offline Points: 311 |
Posted: September 22 2009 at 07:01 | ||||
This box set is ridiculously priced. Not for me. |
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ZowieZiggy
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chopper
Special Collaborator Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20030 |
Posted: September 22 2009 at 07:08 | ||||
That's because they're mono.
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JLocke
Prog Reviewer Joined: November 18 2007 Status: Offline Points: 4900 |
Posted: September 22 2009 at 14:31 | ||||
Right. You can't buy it used, or anything. Look, the mono just sounds better when it comes to Beatles music. I have changed my vote on here after listening to Sgt. Pepper for the first time in mono. I couldn't believe how much more was there! So, I began this thread on the side of the stereo set vote, but after experiencing mono firsthand, I have changed my mind completely. Trust me, the higher price tag is 110% worth it. |
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jammun
Prog Reviewer Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
Posted: September 22 2009 at 22:39 | ||||
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Can you tell me where we're headin'?
Lincoln County Road or Armageddon. |
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marktheshark
Forum Senior Member Joined: April 24 2005 Location: United States Status: Offline Points: 1695 |
Posted: September 23 2009 at 17:22 | ||||
Well, I'm now listening to the White Album mono which I've never heard, so far not too much noticable differences between the 2 mixes. Don't Pass Me By sounds a bit faster. There's a different coda ending with the fiddle though.
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marktheshark
Forum Senior Member Joined: April 24 2005 Location: United States Status: Offline Points: 1695 |
Posted: September 23 2009 at 17:40 | ||||
With a mono version of Rubber Soul available now, I would be interested in hearing that since the stereo mix sounds like crap. Also would like to hear the original 1965 stereo mix of it that's supposed to be different from the current mix. Anybody listened to either of them?
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marktheshark
Forum Senior Member Joined: April 24 2005 Location: United States Status: Offline Points: 1695 |
Posted: September 23 2009 at 17:52 | ||||
I just listened to Helter Skelter mono and it has some squeekes and bleeps in it plus it doesn't fade-out and then come back. Correct me if I'm wrong, but wasn't this mix included in the Beatles Rarites LP? Ages sinces I heard that album.
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jammun
Prog Reviewer Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
Posted: September 23 2009 at 19:57 | ||||
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Can you tell me where we're headin'?
Lincoln County Road or Armageddon. |
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mystic fred
Special Collaborator Honorary Collaborator Joined: March 13 2006 Location: Londinium Status: Offline Points: 4252 |
Posted: September 24 2009 at 11:47 | ||||
this is what George Paul and Ringo had to say about mono - stereo..
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Prog Archives Tour Van
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Matthew T
Prog Reviewer Joined: February 01 2007 Location: Australia Status: Offline Points: 5291 |
Posted: September 24 2009 at 15:26 | ||||
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Matt
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Petrovsk Mizinski
Prog Reviewer Joined: December 24 2007 Location: Ukraine Status: Offline Points: 25210 |
Posted: September 24 2009 at 16:23 | ||||
Well I wouldn't be surprised if limiting was used to make it more palatable to today's audience anyway. Technically, you wouldn't even have to do any mastering on a release if felt you preferred it that way. The Iron Maiden album "A Matter of Life and Death" is completely unmastered, just for an example. Not a wise idea to leave it unmastered IMHO, but ah well, not me calling the shots. The limiting aspect of mastering is quite useful in heavy metal and generally anything with high gain guitars (so even some instances of pop rock). Contrary to popular belief this isn't done purely so it keeps in with the loudness wars, but because it pushes the mix engineers to get everything done as good as possible since the more limiting you use the harder it is to pull off a great mix. Limiting (when applied correctly) also hopes reduce harsh transients from overheads and kick drums too, which is important in metal and stuff that is all about super clarity. Of course in metal generally it isn't the most dynamic kind of music so it's not so much of a bad thing to limit it in the mastering phase pretty hard. The Beatles on the other hand is probably not something which would be benefit from having the sh*t limited out of it, and even though I haven't heard the remastered I imagine they haven't been smashed. Does limiting add fullness? I really don't think it does and if it does it's minimal at best. Getting the fullness is all about getting it from where it really matters, the tracking and mixing phase (production), not mastering (post production). Occasionally I will have obtained leaked albums and sometimes they are in fact totally unmastered. I'll end up comparing them to the legit mastered copy later on and what I find is turning the volume up on the unmastered copy to match that of the mastered copy doesn't seem to yield a massive difference. The unmastered copy can still sound pretty punchy if the tracking and mixing phase were done right. There might be a bit of mastering phase EQ, stereo image widening etc, but otherwise I don't find a great difference between the unmastered and mastered copies as I said. |
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jammun
Prog Reviewer Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
Posted: September 24 2009 at 20:18 | ||||
Given that I spent the $ for the stereo box (which no regrets), this may seem to be making lemonade out of lemons, but...
On those crappy stereo mixes, if you have a nice speaker set up (no headphones), and if you position your physical self (ears will follow) either hard right or hard left to the speakers, you'll get a reasonbly decent listening experience.
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Can you tell me where we're headin'?
Lincoln County Road or Armageddon. |
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Alberto Muņoz
Forum Senior Member Joined: July 26 2006 Location: Mexico Status: Offline Points: 3577 |
Posted: October 03 2009 at 23:18 | ||||
I have heard the White Album
ufff powerful remaster in stereo sounds great to me. BTW in Helter Skelter did you hear a a sound of a baby toy in 1:32 1:33 and then Paul laugh amazing Edited by Alberto Muņoz - October 03 2009 at 23:18 |
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mystic fred
Special Collaborator Honorary Collaborator Joined: March 13 2006 Location: Londinium Status: Offline Points: 4252 |
Posted: October 08 2009 at 13:02 | ||||
i have been doing a few comparison tests with Beatles LP's vs. CD remasters and place the results as ...(stars out of five only my humble findings on my own system...)....SO FAR...
Equipment used - Roksan Xerxes turntable with upgraded Rega RB250 / Goldring 1012 GX, Marantz CD-67 Mk II, Cambridge Audio azur 540R amp, Castle Howard S2 speakers.
Sgt. Pepper MONO LP - full natural sound, wide soundstage for mono, good bass and treble detail, prefer the stereo version which opens things up though a little too much in places.
Sgt. Pepper STEREO DMM audiophile LP 1/2 excellent soundstage and imaging, sparkling quality, good bass and stunning treble detail, separation a bit over-exaggerated but deep, spacious "breathey" sound, very natural especially Paul's vocals, very involving performance.
Sgt. Pepper STEREO CD REMASTER 1/2 - very "thick" sounding though not muddy, some exaggerated effects such as "billy shears" applause really jumps out at you, good detail though lumpy bass, somewhat harsh overall.
MMT STEREO LP 1/2 - ever so slightly harsh though natural and balanced sound, good bass and excellent treble detail.
MMT CD REMASTER 1/2 - rather harsh sounding, slightly gritty, Paul's voice on "Fool on the Hill" has clipping.
Abbey Road STEREO LP - excellent spacious stable sound and treble detail, solid bass, great imaging and depth.
Abbey Road STEREO CD REMASTER 1/2 - quite possibly the best CD i have ever heard, slightly "thicker" than the LP but still very stable involving polished sound.
White Album STEREO LP - very natural and spacious sound, excellent bass though treble detail a little lacking on some tracks.
White Album STEREO CD REMASTER - very good quality for CD, very stable and spacious sound, not too thick, plenty of detail - as good as the vinyl..? very little in it, maybe lacking sparkle in places.
AMP SETTINGS - on the vinyl i had to reduce the treble and add a little bass, on the CD had to reduce the bass and add a little treble, the usual adjustments on most recordings.
Edited by mystic fred - October 10 2009 at 03:32 |
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Prog Archives Tour Van
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jammun
Prog Reviewer Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
Posted: October 09 2009 at 23:42 | ||||
^^that's interesting and then some. My (stereo) MSFL copy of the White Album is far superior to the new CD version. Is it just the vinyl (my system is adequate but far from high-end)? Is it just not possible to get that sound from CD? Just wonderin'...
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Can you tell me where we're headin'?
Lincoln County Road or Armageddon. |
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Area
Forum Newbie Joined: September 24 2009 Location: Italy Status: Offline Points: 16 |
Posted: October 24 2009 at 21:49 | ||||
Stereo, of course!
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"And in the end,
the love you take is equal to the love you make." (Paul McCartney - Beatles) |
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harmonium.ro
Special Collaborator Honorary Collaborator / Retired Admin Joined: August 18 2008 Location: Anna Calvi Status: Offline Points: 22989 |
Posted: March 01 2010 at 06:35 | ||||
JLocke's review here: http://www.progarchives.com/Review.asp?id=269037
Probably the best product review I've ever read on PA (where reviews usually focus on the music). |
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JLocke
Prog Reviewer Joined: November 18 2007 Status: Offline Points: 4900 |
Posted: March 01 2010 at 10:15 | ||||
Wow. Thank you, man. Glad you liked it. I tried to be thorough.
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harmonium.ro
Special Collaborator Honorary Collaborator / Retired Admin Joined: August 18 2008 Location: Anna Calvi Status: Offline Points: 22989 |
Posted: March 01 2010 at 10:17 | ||||
^ I thank you. I now know how to irresponsibly spend 200 euros when I have them
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