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Topic ClosedFavorite Bass Line In A Prog Rock Song?

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berger_king View Drop Down
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Direct Link To This Post Posted: August 01 2010 at 20:35

Well I had to think about this one a lot but it would have to be Levin 'Sleepless'. That's just insane. What's amazing is when Crim toured briefly with Gavin Harrison I could swear they played it faster.

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Direct Link To This Post Posted: August 01 2010 at 22:08
The Mars Volta - Cassandra Gemini
The one that starts in the end of part IV and gets played throughout part V
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Direct Link To This Post Posted: August 02 2010 at 02:32
Originally posted by Imadofus Imadofus wrote:

The Mars Volta - Cassandra Gemini
The one that starts in the end of part IV and gets played throughout part V


I have been listening to that non stop all weekend, I love it. Earphones pick up much clearer.
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Direct Link To This Post Posted: August 02 2010 at 03:04
Nine Feet Underground
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Direct Link To This Post Posted: August 02 2010 at 09:56
I know there are many others that I simply love, but Geddy's bass line during the ending guitar solo of The Camera Eye always hits a sweet spot with me.
"The things that we're concealing, will never let us grow.
Time will do its healing, you've got to let it go.
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Direct Link To This Post Posted: August 02 2010 at 14:42
I choose Chris Squire's work in the song In The Presence Of, from the album Magnification (2001).

Interesting : your question about bass lines fits with the fact that yesterday I watched a live from Yes (Live at Montreux, 2003) in which Chris Squire releases an heavy bass solo...


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Direct Link To This Post Posted: August 02 2010 at 14:54
So much stuff from Geddy Lee...
 
John Entwistle in The Real Me, although it's one of the least prog songs of Quadrophenia his bass is stunning.
 
Obviously Squire, Pastorius, Tony Levin...
 
 
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Direct Link To This Post Posted: August 02 2010 at 14:56
The battle section of "Gates of Delirium".
Future prosperity lies in the way you heal the world with love
(Introitus - The hand that feeds you)
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Direct Link To This Post Posted: August 02 2010 at 15:33
This is hard. My choice of musicians were between (the obvious) Chris Squire and Mike Rutherford, in fact. While Squire has some amazing lines, in the end I feel Rutherford has something extra. He interacts with the band on a more complex level, and is a lot more varied in style, I think. It seems to me he's a bit overlooked as a bassist sometimes. "Get 'em out by Friday", "Can-utility and the Coastliners" (fantastic!), and the rest of the songs on Foxtrot, are amazing. SEBTP is also full of great lines, even if he sticks a bit more to the rest of the guys here. My favorite bass line, however, is the title track from The Lamb. It's just brilliant!


 
proggity prog prog
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Direct Link To This Post Posted: August 02 2010 at 19:18
Originally posted by SaltyJon SaltyJon wrote:

No one has mentioned Jaco Pastorius yet.  Many of the bass lines on his S/T are amazing (and tough to play, to boot).  Stanley Clarke's "School Days" has an amazing bassline as well.  Same goes for the multitude of other bassists I prefer to those two anymore.  Oh, and the bassline in Can's Halleluhwah - not complicated, but gooooooooooooood. 
 
Jaco and Stanley certainly deserve some credit along the way ... too bad that we never even listended to Bootsie ... and he taught Stanley all he knows!
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Direct Link To This Post Posted: August 02 2010 at 19:29
Hi,
 
I still think that David Darling in EOS with Terje Rypdal is one of the prettiest things I have ever heard and (skip the first cut! - you have been warned!) ... and it is basically "chamber music" with an electric guitar and bass ... and there is nothing more lovely and beautifully done than that.
 
You can count the notes in Jaco, you can count the effects in Bootsie, you can count the scales in Stanley ... but you will never be able to describe the dreamy quality of this album and it's beautiful design.
 
Sadly, here, we're too stuck up on ideas and thoughts and styles, to the point where listening to something so different and neat ... is simply not going to happen.
 
For your information, to give you an idea of how strong and powerful the music is, it was coupled with Jan Garbarek's Album Eventyr and got the film maker an Oscar for best foreign film of the year ... and the way the music was used in there was not only scary ... it was dreamy, it was hopeful ... and you could not ask for a better image, and use of music in a film! Journey of Hope is the film's name!
 
And David Darling also played a couple of things with Kater/Nakai, and the two albums he is in are both excellent, the ones that he is not are ... average to say the nicest thing about it! David's solo albums are different and quite experimental with sounds and details.
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Direct Link To This Post Posted: August 02 2010 at 19:49
Percy Jones--throughout Dance of the Illegal Aliens.
John Lodge--the riff in I'm Just A Singer in a Rock and Roll Band.
Chris Squire--the line in Perpetual Change before each verse.
 
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Direct Link To This Post Posted: August 02 2010 at 19:51
^ Now that you mentioned Percy Jones, I think the reason why Euthanasia Waltz is one of my favourite tracks ever is his bass line!
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Direct Link To This Post Posted: August 02 2010 at 20:08
I would have to go with Chris Squires - Fish
.
off target here but also lots of John Giblin's bass on Kate Bush and Simple Minds
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Direct Link To This Post Posted: August 03 2010 at 07:30
The bassline for The Boys in the Band by Gentle Giant is incredibly fun to play.
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Direct Link To This Post Posted: August 03 2010 at 10:24
Lee Jackson's bass line in the original version of Rondo by The Nice is incredible, a relentless galloping rhythm that he keeps up for over eight minutes. He apparently tried to teach it to Greg Lake for ELP's version, but Lake (obviously an excellent musician himself) couldn't master it and had to opt for playing a more simplified version.

Tony Reeves' bassline on Pilgrim's Progress by Greenslade is another really good one, and Chris Squire during the intro to Survival.

Greg Lake does some really good bass lines on ELP's Pirates but is mixed so low down you have to strain to hear them.
"And now...on the drums...Mick Underwooooooooood!!!"

"He's up the pub"
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Direct Link To This Post Posted: August 03 2010 at 15:03
Originally posted by Cactus Choir Cactus Choir wrote:

Lee Jackson's bass line in the original version of Rondo by The Nice is incredible, a relentless galloping rhythm that he keeps up for over eight minutes. He apparently tried to teach it to Greg Lake for ELP's version, but Lake (obviously an excellent musician himself) couldn't master it and had to opt for playing a more simplified version.


 
Lee Jackson was (and probably still is) a great bassist. Country Pie (from Five Bridges) would be a contender for me for favourite bass line. There's also second movement of Five Bridges Suite which has a beautifull bassline.Probably loads of others. Great shout for Lee Jackson.Clap
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Direct Link To This Post Posted: August 03 2010 at 16:13
Originally posted by richardh richardh wrote:

Originally posted by Cactus Choir Cactus Choir wrote:

Lee Jackson's bass line in the original version of Rondo by The Nice is incredible, a relentless galloping rhythm that he keeps up for over eight minutes. He apparently tried to teach it to Greg Lake for ELP's version, but Lake (obviously an excellent musician himself) couldn't master it and had to opt for playing a more simplified version.


 
Lee Jackson was (and probably still is) a great bassist. Country Pie (from Five Bridges) would be a contender for me for favourite bass line. There's also second movement of Five Bridges Suite which has a beautifull bassline.Probably loads of others. Great shout for Lee Jackson.Clap
Great nomination of Lee Jackson; clappies galore ClapClapClapClapClapClapClapClapClapClapClapfor Country Pie.
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Direct Link To This Post Posted: August 03 2010 at 22:23
There are many memorable bass lines from Chris Squire! Besides the ones mentioned already, what about Sound Chaser from Relayer, or Hold Out Your Hand from Fish Out Of Water? No wonder he's the most acclaimed bass player in the progressive rock world! Clap
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Direct Link To This Post Posted: August 04 2010 at 00:25
Renaissance "Song For All Seasons"(title track). As the song nears its end there is a gorgous and intense instrumental/orchestral passage with Jon Camp cranking along in a totally perfect bass part. Another fine one is Mike Rutherford's bass work on "Say It's Alright Joe"(And Then There Were Three).
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