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micky View Drop Down
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Direct Link To This Post Posted: December 08 2007 at 07:58
personally.... I dislike my reviews....  I don't think they measure up to others... I think a lot of it is because of the albums I review... and feel inspried to review... are simply difficult TO review... thus I never feel as if I catch the essense of the album... for the only thing I know of the album... is what I get from the album... and I strongly suspect that few people really care if I like the album or not hahhaha.

that said... I did like this review...

PHOLAS DACTYLUS

Concerto Delle Menti

1973

Studio Album

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Review by micky
[Special Collaborator Italian Prog and Art Rock Specialist]
Posted 7:48:27 PM EST, 1/27/2007

3%20stars It's funny how sometimes an album can grow on you, and you just can't explain why. Of course writing a review of that album can be ..tricky .. to say the least. This album, Concerto Delle Menti, the only release by Pholas Dactylus sort of fits that bill. The album consists of a 53 minute piece of music split across the two side of the original vinal release without any breaks. The most noteable feature of the album is the spoken word style of the vocalist Paolo Carelli. VERY interesting. In fact it can be sort of disconcerting at first. You keep thinking or wondering if he would fall in with the melody. At times I swore I thought he would. My first impressions were, very prog, interesting but it really didn't grab me. Like any good prog fan, I continued to give it multiple listens, until one day.. it clicked. Now it's in my top 10 RPI albums. A gem it is but, unlike some albums, may not grab you or hit you on the first couple of listens. Give it a chance.. let it grow on you. You may really come to like it... or like me.. come to love it.

Before I jump into the album I'd like to touch on something. The lyrics. As anyone who follows my reviews knows, I don't speak the language... yet. So my reviews of PRI tend to deal with vocal quality not lyrical quality. A note must be made of the lyrics and the Carelli's delivery. For those who do understand Italian.. I will trust the love of my life who is an Italian and tells me that these lyrics are INSIPID.. Overwrought... horrid.. junk.. pick your adjective. Deduct a star from my ranking if your are a speaker of Italian. Since most of us do not, we won't worry about that. However what we all can understand is delivery, vocal quality. To say that Capellli's spoken delivery is not a thing of beauty is a bit of an understatement. It is not bad, it is just differerent. In some sections, it actually fits perfectly.

As far as the music, trying to describe a complex 53 minute 'instrumental' is never a fun task. But that's why I make the big bucks so let me take a stab at it. The best way to describe this album is intense. I love the use of dramatic build-up and release and it is used to great effect in places here. A good comparison album would be YS, not in the heavy use of keyboards like YS but he music is very dark. While on YS, Gianni Leone was front and center throughout the album, the guitar and bass drive much of the music with the keys in supporting, counterpoint roles. Fans of organ, mellotron and accoustic piano will find great sections but as whole this is a a guitar and drums album.

There were several sections in this music that really hooked me on the album. I touch on my favorite to keep it short. The drum and bass groove which kicks in about the 10 minute marks begins an exteneded period of out of this world intensity. The groove abruprtly ends into a brutal stomping bass and guitar pattern which the keyboards including the accoustic piano and mellotron dance over. Fanstastic stuff.. it continues on for several minutes.. the keyboards building the tension.. along with increasing crashes of the drummers crash cymbal until we have.. orgasm... then we have Capelli return along with a reprise of the bass and drum groove. Some really nice accousic piano plays overtop and is a real footstomper. Again my favorite section of the piece.

Again, not an easy album to review. I love the album with so many different moods though the intense nature of the music never really receeds. Moments of great beauty like the echoed accoustic piano around the 46th minute mark are nice respites from the almost avant nature of the music. Probably something musically in this album for any fan of RPI. One of my favorites from the genre. 5 stars personally.. for the forum at large 3.5. With the avant style of vocals and at times music. Not an album I'd recommend to those who associate PRI with musica bella. Will give it 3 stars for the forum.. it isn't essential by any means and points of this album may drive people away. For me though.. I love this album.

Michael (aka micky)

The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: December 08 2007 at 11:54
Self appreciation time!

I think my King Crimson - Starless and Bible Black review is the best so far.

Starless and Bible Black

1974

Studio Album

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Review by progismylife (Ben)
Posted 2:28:00 PM EST, 4/26/2007

4%20stars Cigarettes, Ice Cream, Figurines of the Virgin Mary

A heavy, improvised album from the classic King Crimson line-up of the ‘70s It is also the hardest to appreciate as it is between two great albums, Larks’ Tongues In Aspic and Red. Most of the tracks were recorded live and then some of them were fixed up later in the studio (such as The Night Watch). The first two tracks (The Great Deceiver, Lament) are the only songs to be recorded totally in the studio.

Only four of the 8 tracks have lyrics in them, and they are sung well by John Wetton who’s voice is a perfect match for the music and the lyrics. The lyrics were written by Richard Palmer-James (who is the Richard Palmer who started Supertramp and wrote most of the songs for the debut). The lyrics for The Great Deceiver and Lament are satirical commentaries on religion and the music industry, respectively, while The Night Watch is about Rembrandt's painting of the same name and brings it to life.

Musically this album is brilliant, a godsend. The live recordings give the music a breath of life, capturing the intensity and heaviness of the band while the editing out of the crowd’s sounds and applause makes this a timeless masterpiece as it is not grouped with one spot in time in the ‘70s but allows it to revive itself with each listen. It is a mix of heavy improvisation (Starless and Bible Black, Fracture) and melodic/symphonic prog rock (The Night Watch, Trio). The last song, Fracture is the longest track and the best track with its awesome heavy inspiration typical of this King Crimson era.

The only track that is mediocre and ensures that this is a 4 star rating instead of a 5 star is The Mincer. It has an okay start, and a great middle section – oh the improvisation!- , but after Wetton’s vocals, it just abruptly ends and leaves the listener wanting for more. If there was an ending for this song than the track would still be lacking because of the shortness of it. The music improvisation that is present is not given enough time to expand and the music takes the band no where.

All in all this is a great album. All the tracks are good ones, with the exception of The Mincer. It is the hardest out of all the Wetton/Bruford era King Crimson albums to get into but once you do it is awesome. Give yourself time to appreciate and get used to the album over the course of about a week (I did this during a week when I had no school along with Soft Machine’s Third). This is a great album and worth getting. My favourite tracks are The Great Deceiver, We’ll Let You Know, The Night Watch, and finally the best track on the album, Fracture. 4/5 stars.

Also some of the improvisation tracks, if you listen very carefully during when it gets intense such as 8 minutes 26 seconds into Fracture and 3 minutes into We’ll Let You Know you can hear a “Whoop!” or a “Yeah!” from one of the band members (I bet it is not Fripp though) as it is really awesome music around that time.







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Direct Link To This Post Posted: December 08 2007 at 13:03
STYX

Man of Miracles

1974

Studio Album

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Review by Shakespeare (Josh)
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Posted 9:36:22 AM EST, 10/28/2006

1%20stars The music has an uncanny resemblance to screeching. It is very hard to immerse into the music, as it is constantly trying its best to energize and stimulate, but fails and only annoys. Musically simple, lyrically standard, and lacks many creative elements I would consider essential to a prog band. Few progressive elements are present. But, despite all these flaws, there is some decent music. The title track is nearing nice, and a few moments in the others are enjoyable. Besides that, it makes a nice coaster.
Styx%20-%20Man%20of%20Miracles%20CD%20%28album%29%20cover 2.59
Good, but non-essential

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Direct Link To This Post Posted: December 08 2007 at 15:02
I don't know if it's my best, but I'm proud of my latest review, Tera Melos!


3%20stars Drugs to the youth indeed...

"Tera Melos? Yeah I think I've heard of Tera Melos.... aren't they like hardcore punk or something? No? I thought they were, must've been thinking of a different band..."

First time I heard the name Tera Melos (or maybe not?) A musician friend of mine had recently seen them in concert when they opened for progressive hardcore band, The Fall of Troy. He couldn't get enough of them. I remember being bombarded by his overly enthusiastic rambling that early school morning. Barely 7:30 AM and I'm already dealing with this kid's exuberance over yet another random band that no one really cares about.

So what was he so excited about? A little unknown band from Sacramento called Tera Melos. I had heard The Fall of Troy in the past and let's just say I wasn't exactly impressed. If these guys opened for them, they had to be just a cheap clone. After all, all these so called progressive hardcore bands are the same, right? I didn't even bother looking into the band. The name "Tera Melos" just lingered in the lower corner of the bookshelf that is my brain, growing dusty not to be touched for a long, long time.

My friend's attempt to convert me persisted. I thought "what's the big deal about this band? They can't seriously be that good, can they?" But at the end of the day I just went home once again not caring. Hey, I had better things to listen to, I had just discovered Riverside! I had some PFM and some Eloy lined up for that week too! Hardcore bands come later.... (or not at all)

I have to say that a good 10 months have passed since that first morning, and it wasn't until a couple weeks ago I actually clicked the play button on the name "Tera Melos". What convinced me? Another mate of mine, who I happen to trust more with music than my overly enthusiastic school buddy, mentioned the name.

"Hey Tera Melos, I know somebody who's a little obsessed with them!" "Yeah man, these guys destroy!"

Alright so I didn't really need an explanation, my interest in the band was at last evoked. I scramble through my hard drive and find a little EP called Drugs to the Dear Youth and start it up.

"Hmm some ambient effects, this is nice... ooh what's that? Huh? WTF!?!"

My first reaction went something like that.

Roughly 40 seconds into the first track everything blazes up into a maddening fury of instrumental insanity. The next 30 seconds will set the stage for what will be one of the most mind boggling bands I've come across in recent months. Did I say "hardcore" earlier? Where'd I get that idea? This is no hardcore band! I can see the appeal to hardcore audience, maybe, with all that energy they've got - a hell of a lot of energy. Geezus, this band has to be on drugs with all that energy! But there's so much more than energy to this band. Extended jazz improvisations are a main ingredient to their sound. Utterly ridiculous guitar playing, two-hand tapping, one of the most dynamic rhythm sections you'll ever see, all topped off with some nice ambient effects here and there. No hardcore band ever sounded this good.

The energy seems to be the greatest appeal this band has to offer. I instantly noticed how much adrenaline I was absorbing through this band. I could see the music and smell the colors around me, feeling was coming back into my limbs again, my life was revitalized. I thought "damn these guys are wild on disc, what could they possibly be like on stage!?" Damn, I just had to ask. On stage these guys throw a hypermanic fit, over exaggerating ever possible movement to the maximum stress a body can handle. Spirals in mid-air, cart wheels into the audience, it's a freaking frenzy. Personally I like to be able to actually focus while watching a band play their music, not worry about a human cannonball being propelled into my face.

So the hyperactive rage is actually one of my main turn-offs for this band. To me it seems rather immature for a band with such technical prowess to be hopping around the stage like leprechauns. Their uncontrollable senselessness shows itself on the album as well as songs abruptly change pace and spiral out of control. This wouldn't be a problem if it didn't happen so randomly, so ineffectively. No time is given for tension to build its way up, right when you think the band is onto something their ADD kicks in. Tera Melos might be the youths in need of some drugs. Ritalin that is.

Another problem I have with this band is the amount of focus put on their technical skill. So much emphasis is put on their ability to "destroy", as my friend would say, that it seems any concept of melody or emotion is left behind to rot. A mere 20 minutes of this band's chaos is enough to make anyone yearn for Dream Theater's hours of technical noodling. Listening to Drugs to the Dear Youth for the first time is an exhausting journey.

Fortunately this album is a big grower. I can say that I am safely able to listen to it five times in a row now without growing bored. In fact it feels incredibly short, even for an EP. It leaves me wondering when the hell this band will actually decide to write another full-length. Hopefully by that time they'll have settled down a bit and figured out how to balance their hyper activity with some polished songwriting. Mathematically, this album is stunning and an absolute joy to pick apart. I can't see any progger not being impressed by this band's technical ability. In the end though, it doesn't leave much of a lasting impression on me and feels like an underdeveloped effort. Tera Melos is a band with big potential but overall still needs a good deal of work. A little more focus, some melody, and a little restraint to balance out the chaos and Tera Melos might be quite a band to be reckoned with.

But for now, Drugs to the Dear Youth is good, but non-essential.
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Direct Link To This Post Posted: December 09 2007 at 04:03
PINK FLOYD
The Wall 1979
Studio Album


I've seen that most of you guys respectfully prefer 4 or in some cases 5 (including Meddle) other Floyd albums.I can only think of two reasons why this happens: One, you didn't spend much time with it. Two, you spent way much time with it.

What i'm trying to say here is that 'The Wall' is us. It's you, it's me, it's everybody. It's your fears, your complexes, your childhood, your nightmares, your lusts...All of these short themes are the fragments of your life... just put the pieces together...So, for those of you who just heard it and immediately compared it with WYWH or DSOTM, of course you thought it was worse.. It takes a lifetime for someone to discover (or not..) himself, imagine how long it takes to do that via someone else's work... For those of you who spent a looot of time with it, it's natural to have hated it..i have too... i mean, it tottaly got in me, swallowed me from the inside and then threw me up along with all the s**t a human soul can hide in...

Plus, i believe that at that time, Waters crossed the line between insanity and genius... If Geoff Tate spent some time in a psychiatric clinic after recording Operation : Mindcrime because he got into his characters, Roger Waters must have the presidential suite of the clinic reserved for life...

In addition to that, as far as the tour is concerned, we are probably talking about the best art work, light show and live performance ever... Ironically, during the tour, even though all shows (only 29 shows, if i remember correctly,due to the cost of the stage show...) were sold out, it was just the trend that lead all those people to watch the show and not appreciation of the work (Floyd were the hottest act then) just as today...

But, wait a minute, this is about music we are talking about...What about it? Well, this is the album with the best Gilmour song (Comfortably Numb) and probably his best guitar work ever... It has the most recognizable riff ever (Another Brick In The Wall), hard rock dynamites, beautiful preludes and ballads, theatrical pieces and generally whatever a music fan asks...

To sum up, 'The Wall' is not something for you to buy or not, to accept or not, to criticize, to rate... It's something for you to experience to your very core, and haunt you till the day you die... It's Roger's soul spilled at your feet...If you don't like it, just leave it to its existence... Maybe, it should just be in the PA as a simple mention to Floyd's history... Can you rate paintings like 'Guernica'? Books like 'War And Peace'? Then don't rate 'The Wall'... Simple as that...
-music is like pornography...

sometimes amateurs turn us on, even more...



-sometimes you are the pigeon and sometimes you are the statue...
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Direct Link To This Post Posted: December 09 2007 at 17:25
Clap Good one brother!!!
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Direct Link To This Post Posted: December 09 2007 at 19:27
This thread makes me feel inferior Cry

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Direct Link To This Post Posted: December 09 2007 at 19:32

I just wrote a four star review of rileydog to make him feel better

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Direct Link To This Post Posted: December 10 2007 at 08:14
^ And that fourth star dude?? Shocked

 Congrats! Hug
The best you can is good enough...
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Direct Link To This Post Posted: December 10 2007 at 08:43
To be honest I really don't like a lot of my reviews, I'm always a different person with each review that I do sometimes I will be verbose and overblown, sometimes I'll be analytical and when I'm reviewing a metal album I really like I always end up throwing in expletives (mainly the word bitchin') because I get all excited and energized. Also I'm a shocking proof reader so most of my reviews have spelling and grammatical errors.

I guess this one is ok:

CYNIC

Focus

1994

Studio Album

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Review by FruMp (Richard Ingham)
[Prog Reviewer ]
Posted 4:01:08 AM EST, 10/7/2007

5%20stars Jazz Fusion Death Metal.

CYNIC is one of a handful of revolutionary bands that have ever managed to successfully merge jazz fusion and extreme metal and this is perhaps one of the purest amalgams of these genres with a psychedelic twist to boot. Focus is an album of differing extremes, the music is very well layered and structured with clean guitars interspersed with distorted metallic guitars, in perfect relevant contrast, vocodered robotic vocals and choruses to counter the death growls (the vocoder vocals are generally a point of contention and take a long time took me a long time to get used to) and technical double kick driven beats contrasted by groovy jazz beats.

The opening song 'Veil of Maya' is easily the best on the album invoking dark reverent atmospheres with it's opposing double kick driven verse and dreamy chorus, the use of complex jazz chords is the key to the complex emotive components of the song - these guys really know how to write a song. Instrumental song 'Textures' is another fantastic song with some dreamy jazz fusion noodling periodically broken up by heavily distorted and harmonised guitars and the mystical middle breakdown section is to die for with an amazing bass solo. The album ends on a strong point with the the triumphant 'How could I' with my favourite guitar solo on the album. Another superb song that is only featured on the 2004 reissue is the song 'Cosmos' (written under the PORTAL band name - a post CYNIC project by some of the members) with dreamy phased guitars washing around in a textured psychedelic blanket.

The instrumentation on this album is fantastic, all the musicians are of the highest calibre. The guitars are fairly technical and have many nuances and the solos are quite fast but at the same time extremely musical, The bass is very fat and there are a few great sections and the odd solo and the drums are the best of the lot, very technical and well considered (It is worth noting that lead guitarist Paul Masvidal and drummer Sean Reinert played on Death's highly technical and neck-breaking death metal release 'Human' just prior to recording Focus giving you an indication of their technical proficiency).

Focus is one of the most creative and interesting extreme metal records ever recorded and is essential to anyone serious about progressive metal, fans of ATHEIST and PESTILENCE would definitely enjoy.

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