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micky ![]() Special Collaborator ![]() Honorary Collaborator Joined: October 02 2005 Location: . Status: Offline Points: 46838 |
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personally.... I dislike my reviews.... I don't think they
measure up to others... I think a lot of it is because of the albums I
review... and feel inspried to review... are simply difficult TO
review... thus I never feel as if I catch the essense of the album...
for the only thing I know of the album... is what I get from the
album... and I strongly suspect that few people really care if I like
the album or not hahhaha.
that said... I did like this review... PHOLAS DACTYLUS
![]() [Special Collaborator Italian Prog and Art Rock Specialist] Posted 7:48:27 PM EST, 1/27/2007 ![]() Before I jump into the album I'd like to touch on something. The lyrics. As anyone who follows my reviews knows, I don't speak the language... yet. So my reviews of PRI tend to deal with vocal quality not lyrical quality. A note must be made of the lyrics and the Carelli's delivery. For those who do understand Italian.. I will trust the love of my life who is an Italian and tells me that these lyrics are INSIPID.. Overwrought... horrid.. junk.. pick your adjective. Deduct a star from my ranking if your are a speaker of Italian. Since most of us do not, we won't worry about that. However what we all can understand is delivery, vocal quality. To say that Capellli's spoken delivery is not a thing of beauty is a bit of an understatement. It is not bad, it is just differerent. In some sections, it actually fits perfectly. As far as the music, trying to describe a complex 53 minute 'instrumental' is never a fun task. But that's why I make the big bucks so let me take a stab at it. The best way to describe this album is intense. I love the use of dramatic build-up and release and it is used to great effect in places here. A good comparison album would be YS, not in the heavy use of keyboards like YS but he music is very dark. While on YS, Gianni Leone was front and center throughout the album, the guitar and bass drive much of the music with the keys in supporting, counterpoint roles. Fans of organ, mellotron and accoustic piano will find great sections but as whole this is a a guitar and drums album. There were several sections in this music that really hooked me on the album. I touch on my favorite to keep it short. The drum and bass groove which kicks in about the 10 minute marks begins an exteneded period of out of this world intensity. The groove abruprtly ends into a brutal stomping bass and guitar pattern which the keyboards including the accoustic piano and mellotron dance over. Fanstastic stuff.. it continues on for several minutes.. the keyboards building the tension.. along with increasing crashes of the drummers crash cymbal until we have.. orgasm... then we have Capelli return along with a reprise of the bass and drum groove. Some really nice accousic piano plays overtop and is a real footstomper. Again my favorite section of the piece. Again, not an easy album to review. I love the album with so many different moods though the intense nature of the music never really receeds. Moments of great beauty like the echoed accoustic piano around the 46th minute mark are nice respites from the almost avant nature of the music. Probably something musically in this album for any fan of RPI. One of my favorites from the genre. 5 stars personally.. for the forum at large 3.5. With the avant style of vocals and at times music. Not an album I'd recommend to those who associate PRI with musica bella. Will give it 3 stars for the forum.. it isn't essential by any means and points of this album may drive people away. For me though.. I love this album. Michael (aka micky) |
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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progismylife ![]() Forum Senior Member ![]() ![]() Joined: October 19 2006 Location: ibreathehelium Status: Offline Points: 15535 |
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Self appreciation time!
![]() I think my King Crimson - Starless and Bible Black review is the best so far.
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Shakespeare ![]() Forum Senior Member ![]() Joined: July 18 2006 Status: Offline Points: 7744 |
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Fight Club ![]() Prog Reviewer ![]() Joined: May 21 2006 Location: United States Status: Offline Points: 572 |
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I don't know if it's my best, but I'm proud of my latest review, Tera Melos!
![]() "Tera Melos? Yeah I think I've heard of Tera Melos.... aren't they like hardcore punk or something? No? I thought they were, must've been thinking of a different band..." First time I heard the name Tera Melos (or maybe not?) A musician friend of mine had recently seen them in concert when they opened for progressive hardcore band, The Fall of Troy. He couldn't get enough of them. I remember being bombarded by his overly enthusiastic rambling that early school morning. Barely 7:30 AM and I'm already dealing with this kid's exuberance over yet another random band that no one really cares about. So what was he so excited about? A little unknown band from Sacramento called Tera Melos. I had heard The Fall of Troy in the past and let's just say I wasn't exactly impressed. If these guys opened for them, they had to be just a cheap clone. After all, all these so called progressive hardcore bands are the same, right? I didn't even bother looking into the band. The name "Tera Melos" just lingered in the lower corner of the bookshelf that is my brain, growing dusty not to be touched for a long, long time. My friend's attempt to convert me persisted. I thought "what's the big deal about this band? They can't seriously be that good, can they?" But at the end of the day I just went home once again not caring. Hey, I had better things to listen to, I had just discovered Riverside! I had some PFM and some Eloy lined up for that week too! Hardcore bands come later.... (or not at all) I have to say that a good 10 months have passed since that first morning, and it wasn't until a couple weeks ago I actually clicked the play button on the name "Tera Melos". What convinced me? Another mate of mine, who I happen to trust more with music than my overly enthusiastic school buddy, mentioned the name. "Hey Tera Melos, I know somebody who's a little obsessed with them!" "Yeah man, these guys destroy!" Alright so I didn't really need an explanation, my interest in the band was at last evoked. I scramble through my hard drive and find a little EP called Drugs to the Dear Youth and start it up. "Hmm some ambient effects, this is nice... ooh what's that? Huh? WTF!?!" My first reaction went something like that. Roughly 40 seconds into the first track everything blazes up into a maddening fury of instrumental insanity. The next 30 seconds will set the stage for what will be one of the most mind boggling bands I've come across in recent months. Did I say "hardcore" earlier? Where'd I get that idea? This is no hardcore band! I can see the appeal to hardcore audience, maybe, with all that energy they've got - a hell of a lot of energy. Geezus, this band has to be on drugs with all that energy! But there's so much more than energy to this band. Extended jazz improvisations are a main ingredient to their sound. Utterly ridiculous guitar playing, two-hand tapping, one of the most dynamic rhythm sections you'll ever see, all topped off with some nice ambient effects here and there. No hardcore band ever sounded this good. The energy seems to be the greatest appeal this band has to offer. I instantly noticed how much adrenaline I was absorbing through this band. I could see the music and smell the colors around me, feeling was coming back into my limbs again, my life was revitalized. I thought "damn these guys are wild on disc, what could they possibly be like on stage!?" Damn, I just had to ask. On stage these guys throw a hypermanic fit, over exaggerating ever possible movement to the maximum stress a body can handle. Spirals in mid-air, cart wheels into the audience, it's a freaking frenzy. Personally I like to be able to actually focus while watching a band play their music, not worry about a human cannonball being propelled into my face. So the hyperactive rage is actually one of my main turn-offs for this band. To me it seems rather immature for a band with such technical prowess to be hopping around the stage like leprechauns. Their uncontrollable senselessness shows itself on the album as well as songs abruptly change pace and spiral out of control. This wouldn't be a problem if it didn't happen so randomly, so ineffectively. No time is given for tension to build its way up, right when you think the band is onto something their ADD kicks in. Tera Melos might be the youths in need of some drugs. Ritalin that is. Another problem I have with this band is the amount of focus put on their technical skill. So much emphasis is put on their ability to "destroy", as my friend would say, that it seems any concept of melody or emotion is left behind to rot. A mere 20 minutes of this band's chaos is enough to make anyone yearn for Dream Theater's hours of technical noodling. Listening to Drugs to the Dear Youth for the first time is an exhausting journey. Fortunately this album is a big grower. I can say that I am safely able to listen to it five times in a row now without growing bored. In fact it feels incredibly short, even for an EP. It leaves me wondering when the hell this band will actually decide to write another full-length. Hopefully by that time they'll have settled down a bit and figured out how to balance their hyper activity with some polished songwriting. Mathematically, this album is stunning and an absolute joy to pick apart. I can't see any progger not being impressed by this band's technical ability. In the end though, it doesn't leave much of a lasting impression on me and feels like an underdeveloped effort. Tera Melos is a band with big potential but overall still needs a good deal of work. A little more focus, some melody, and a little restraint to balance out the chaos and Tera Melos might be quite a band to be reckoned with. But for now, Drugs to the Dear Youth is good, but non-essential. |
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toolis ![]() Forum Senior Member ![]() ![]() Joined: April 26 2006 Location: MacedoniaGreece Status: Offline Points: 1678 |
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PINK FLOYD
The Wall 1979 Studio Album I've seen that most of you guys respectfully prefer 4 or in some cases 5 (including Meddle) other Floyd albums.I can only think of two reasons why this happens: One, you didn't spend much time with it. Two, you spent way much time with it. What i'm trying to say here is that 'The Wall' is us. It's you, it's me, it's everybody. It's your fears, your complexes, your childhood, your nightmares, your lusts...All of these short themes are the fragments of your life... just put the pieces together...So, for those of you who just heard it and immediately compared it with WYWH or DSOTM, of course you thought it was worse.. It takes a lifetime for someone to discover (or not..) himself, imagine how long it takes to do that via someone else's work... For those of you who spent a looot of time with it, it's natural to have hated it..i have too... i mean, it tottaly got in me, swallowed me from the inside and then threw me up along with all the s**t a human soul can hide in... Plus, i believe that at that time, Waters crossed the line between insanity and genius... If Geoff Tate spent some time in a psychiatric clinic after recording Operation : Mindcrime because he got into his characters, Roger Waters must have the presidential suite of the clinic reserved for life... In addition to that, as far as the tour is concerned, we are probably talking about the best art work, light show and live performance ever... Ironically, during the tour, even though all shows (only 29 shows, if i remember correctly,due to the cost of the stage show...) were sold out, it was just the trend that lead all those people to watch the show and not appreciation of the work (Floyd were the hottest act then) just as today... But, wait a minute, this is about music we are talking about...What about it? Well, this is the album with the best Gilmour song (Comfortably Numb) and probably his best guitar work ever... It has the most recognizable riff ever (Another Brick In The Wall), hard rock dynamites, beautiful preludes and ballads, theatrical pieces and generally whatever a music fan asks... To sum up, 'The Wall' is not something for you to buy or not, to accept or not, to criticize, to rate... It's something for you to experience to your very core, and haunt you till the day you die... It's Roger's soul spilled at your feet...If you don't like it, just leave it to its existence... Maybe, it should just be in the PA as a simple mention to Floyd's history... Can you rate paintings like 'Guernica'? Books like 'War And Peace'? Then don't rate 'The Wall'... Simple as that... |
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-music is like pornography...
sometimes amateurs turn us on, even more... -sometimes you are the pigeon and sometimes you are the statue... |
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aapatsos ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: November 11 2005 Location: Manchester, UK Status: Offline Points: 9226 |
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rileydog22 ![]() Forum Senior Member ![]() Joined: August 24 2005 Location: New Jersey Status: Offline Points: 8844 |
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This thread makes me feel inferior
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laplace ![]() Prog Reviewer ![]() ![]() Joined: October 06 2005 Location: popupControl(); Status: Offline Points: 7606 |
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I just wrote a four star review of rileydog to make him feel better |
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sircosick ![]() Forum Senior Member ![]() Joined: January 29 2007 Location: Chile Status: Offline Points: 1264 |
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^ And that fourth star dude??
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The best you can is good enough...
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FruMp ![]() Prog Reviewer ![]() Joined: September 16 2005 Location: Australia Status: Offline Points: 322 |
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To be honest I really don't like a lot of my reviews, I'm always a different person with each review that I do sometimes I will be verbose and overblown, sometimes I'll be analytical and when I'm reviewing a metal album I really like I always end up throwing in expletives (mainly the word bitchin') because I get all excited and energized. Also I'm a shocking proof reader so most of my reviews have spelling and grammatical errors.
I guess this one is ok: CYNIC
![]() [Prog Reviewer ] Posted 4:01:08 AM EST, 10/7/2007 ![]() CYNIC is one of a handful of revolutionary bands that have ever managed to successfully merge jazz fusion and extreme metal and this is perhaps one of the purest amalgams of these genres with a psychedelic twist to boot. Focus is an album of differing extremes, the music is very well layered and structured with clean guitars interspersed with distorted metallic guitars, in perfect relevant contrast, vocodered robotic vocals and choruses to counter the death growls (the vocoder vocals are generally a point of contention and take a long time took me a long time to get used to) and technical double kick driven beats contrasted by groovy jazz beats. The opening song 'Veil of Maya' is easily the best on the album invoking dark reverent atmospheres with it's opposing double kick driven verse and dreamy chorus, the use of complex jazz chords is the key to the complex emotive components of the song - these guys really know how to write a song. Instrumental song 'Textures' is another fantastic song with some dreamy jazz fusion noodling periodically broken up by heavily distorted and harmonised guitars and the mystical middle breakdown section is to die for with an amazing bass solo. The album ends on a strong point with the the triumphant 'How could I' with my favourite guitar solo on the album. Another superb song that is only featured on the 2004 reissue is the song 'Cosmos' (written under the PORTAL band name - a post CYNIC project by some of the members) with dreamy phased guitars washing around in a textured psychedelic blanket. The instrumentation on this album is fantastic, all the musicians are of the highest calibre. The guitars are fairly technical and have many nuances and the solos are quite fast but at the same time extremely musical, The bass is very fat and there are a few great sections and the odd solo and the drums are the best of the lot, very technical and well considered (It is worth noting that lead guitarist Paul Masvidal and drummer Sean Reinert played on Death's highly technical and neck-breaking death metal release 'Human' just prior to recording Focus giving you an indication of their technical proficiency). Focus is one of the most creative and interesting extreme metal records ever recorded and is essential to anyone serious about progressive metal, fans of ATHEIST and PESTILENCE would definitely enjoy. |
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