Cover songs of acts we like and don't like - Progressive Rock Music Forum

TheGazzardian wrote:

In terms of bands whose covers beat the original, I usually like Manfred Mann's covers better than the original. Blinded by the Light being the classic example

Santana had a knack for that too - making songs sound like their own and improving on the original IMO - in particular 'Black Magic Woman/Gypsy Queen', 'She's Not There', and possibly also 'Going Home'.

'We're going to need a bigger swear jar.'

^John was a brilliant guitarist.

Here's The Bears version of Red.

i think it was a good cover since the band GHOST does a lot of satire on taboo subjects like Genesis did in their time. I listen to Genesis' version more but when I hear Ghost's version I still enjoy it.

The Final Countdown

This makes me smile, though! You have to start somewhere.

Klone did a great cover of Björk's Army of Me.

^Snakefinger also did a cover version of Ennio Morricone's "Magic And Ecstasy" from the movie "Exorcist II: The Heretic".

Snakefinger - Magic And Ecstasy

Ennio Morricone - Magic And Ecstasy

No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.

^ The 801 version is a favorite of mine.

Edited by mathman0806 - December 07 2024 at 00:00

mathman0806 wrote:

^ The 801 version is a favorite of mibe.

Thanks, that was great! I hadn't heard it before, 801 were quite the group!! Clap

I am not a Robot, I'm a FREE MAN!!

Steve Hillage totally blistering it with his space-rock-style cover of It's All Too Much, a classic acid-rock song by The Beatles that first dropped on their 1969 soundtrack for the Yellow Submarine flick.

Mormegil wrote:

Not a "prog" song by any means, but Yes' cover of Simon & Garfunkel's "America" is just tremendous. I much prefer the cover over the original.

It seems, though, that members of what would later become Yes, as well as Keith Emerson, were not so enthusiastic about the original of Paul Simon's song as they actually appreciated already a cover of 'America' done by Scottish keyboardist Billy Ritchie, who performed the song in the repertoire of his progressive trio called 1-2-3 (later renamed into Clouds) at the Swinging London club scene, where they became a sort of underground attraction with their original style. For instance, Pete Townshend, remembering those times, once said that 1966-1967 gigs of 1-2-3 were more interesting to him than Pink Floyd at the same time period. Those concerts of 1-2-3 actually marked an important moment in the evolution of progressive music, since Billy Ritchie & 1-2-3 influenced many.

This is a live recording of 1-2-3 version of 'America' from the Marquee Club in 1966.