Prog debuts! |
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Logan
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Lots of debuts I love, for for a long running band with many albums, Kobaïa cannot be beaten for me. Magma has been going for 55 years, released lots of great albums, and that double-album from 1970 still can't be beat for me. A remarkable debut from a remarkable band.
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someone_else
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The greatest of them all is Mike Oldfield's Tubular Bells. Some others worth mentioning (not necessarily my fave by the band or artist):
Alquin - Marks Tori Amos - Little Earthquakes Deluge Grander - August in the Urals Nick Drake - Five Leaves Left ELP - s/t Hamadryad - Conservation of Mass Kayak - See See the Sun Pink Floyd - The Piper at the Gates of Dawn Shamblemaths - s/t Velvet Underground - The Velvet Underground & Nico Edited by someone_else - August 19 2024 at 01:04 |
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AFlowerKingCrimson
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And you could say the same thing about Genesis with Trespass and maybe even Yes with TYA but unfortunately a band doesn't get to retroactively state what their debut album was.
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Logan
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One could argue that the "Prog debut" of a band is not the first album necessarily, but the first album by a band that is Prog.
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AFlowerKingCrimson
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You know, I hadn't really thought of that. I guess I'll take back some of the things I said earlier then.
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cstack3
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Very good point! I still think the first album by Yes is progressive enough to qualify, Squire's bass playing is remarkable, and Peter Banks also lights it up! In the classic era (late 1960s to early 1970s), launching a band and recording that first LP is quite different than these days. Most of the famous prog bands were VERY young musicians, and attracted label support by the strength of their live act and club following. Hence the famous "living on the tour bus" stories we all hear about! Landing a radio single was always a goal, and some bands like King Crimson just never got there. Therefore, these first debut albums were often rather rough, sometimes hurried, and not necessarily as polished as when the musicians had chances to gel with each other. I went through this a bit with Starcastle, who recruited their vocalist, Terry Lutrell, from another local Champaign Illinois band REO Speedwagon. (REO went on to wealth and fame, and Starcastle, well, not so much!). I think this is an interesting topic of discussion! Edited by cstack3 - August 18 2024 at 22:06 |
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Sir Prog-a-lot
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The album itself is not bad at all; on the contrary, it had a raw energy like none of his later albums, and those acoustic tracks are fantastic. |
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Saperlipopette!
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Part of the "charm" if you will for me, is that while some bands
needs to grow, change and reinvent themselves while members come and go,
others nail it "from day one"*. In early Yes, Tull and Genesis you can
easily hear the building blocks
and understand how and why they became the bands we "know and love" (and
I enjoy all of these first releases anyway). Isn't it interesting and
rewarding listening to any band that metamorfs from relatively promising
but patchy and unfinished - to greatness whether it's Please, Please
Me>Rubber Soul, The Magnificent Moodies>Days of Future Passed,
Pablo Honey>Ok Computer...? An early lesser album doesn't take away
any of the later achievements (quite the contrary) and neither does the
first classic or first proggy album, remove their "false starts".
*obviously not how it works, but you know what I mean, don't you? |
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Sir Prog-a-lot
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HelloProg!
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Criswell
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I would add FM's Black Noise
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AFlowerKingCrimson
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Which is odd considering it was their first one. Maybe it was their proggiest because it had mellotron on it? I only know their first two so I can't really judge too well.
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Grumpyprogfan
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Zeph
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Lots of older ones has been mentioned, so I'll try some more recent offerings.
Black Country, New Road - For The First Time black midi - Cavalcade Squid - Bright Green Field Seven Impale - City of the Sun Kate Bush - The Kick Inside Univers Zero - Univers Zero
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Sir Prog-a-lot
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As CTI Records was a label known for its high-quality jazz recordings and for promoting artists who pushed the boundaries of jazz music, the fact that "Velvet Darkness" was released and distributed by a reputable label as CTI really indicated that "Velvet Darkness" as a release had official backing and support from the music industry at that time. Also, "Velvet Darkness" saw several reissues, both on CTI Records and other labels like King Records (Japan) and Talking Elephant (UK). Therefore, "Velvet Darkness" is not a bootleg but an officially released album, and hence it is listed on all reliable sites as Allan Holdsworth's first solo record. |
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Grumpyprogfan
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^And here is an excerpt from a 1993 Innerviews interview with Allan that states the opposite.
I didn't know you had Velvet Darkness pulled. It was no good. It was never any good. The way it was recorded, what happened to the musicians, the whole thing. It was a complete disaster. It was terrible at that time and that makes it terrible today. It's one thing to say I'll look back to that old I.O.U. album and go "Well, it sounds pretty old, and maybe I don't like it as much as the other stuff." But, the fact was that it was what it is then and it was okay then and everybody accepted that to be the fact at that time. That was not true of Velvet Darkness. That album was never fit to be released. Nobody got to hear anything they did. I never got a tape of anything that was recorded. And we were actually rehearsing in the studio and they were rolling the tape while we were rehearsing on the premise that we'd be able to keep recording and also check things out, but that never happened. At the end of that day, the guy said "Thanks, see ya!" That's why a lot of those tunes don't have any endings—they were rehearsals. That was a complete rip-off. I never saw any royalties from the album. And that's the main reason it got it stopped. They didn't have a contract. They didn't have any publishing. They didn't have the rights to anything. This happens all the time. There are bootlegs all over the place—exactly the same thing. Epic records bought the whole CTI catalog from someone and put out that 1990 CD. That album's been bootlegged three times. Each time I think, "Great, that's the end of that one." But it showed up again. It keeps showing up! But now that it's owned by a big label, they had to produce all the paperwork and they couldn't. So, that's how we got 'em. They had no paperwork for anything to say they could do any of that stuff. But there's no way you can stop these things, in general. Edited by Grumpyprogfan - August 19 2024 at 11:56 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14691 |
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There are many very good debut albums even though I tend to prefer bands after the warm up phase. From the well known ones I usually thought of Tubular Bells as my favourite debut album, but here I was reminded of jewels such as Rock Bottom and Mercator Projected.
I nominate three that I haven't seen on any list yet, and that's Battles - Mirrored and then two of the best of the very best, namely Camberwell Now - The Ghost Trade and .O.rang - Herd of Instinct although they didn't do much to follow up on these..
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cstack3
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Thanks! We geezers tend to live a bit in the past!! First LPs by prog-related Queen and Led Zeppelin were certainly indicative of great things to come!
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I am not a Robot, I'm a FREE MAN!!
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AFlowerKingCrimson
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^ And Black Sabbath too!
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Saperlipopette!
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