favourite bass sounds? |
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Aaron
Forum Senior Member Joined: April 08 2004 Location: United States Status: Offline Points: 395 |
Posted: May 11 2004 at 14:28 |
well, not prog but
Joey DeMaio of Manowar Aaron |
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The Owl
Prog Reviewer Joined: February 19 2004 Location: United States Status: Offline Points: 363 |
Posted: May 11 2004 at 15:23 |
I like a multiplicity of bass tones: Anthony Jackson to put it mildly is a GENIUS!! Between his unique dark, piano-like 6-string sound, his ability to reharmonize music spontaneously and a number of other abilities makes him a real standout to me. Check out his playing with Steve Khan's Eyewitness band (www.stevekhan.com ) and pianist Michel Camilo as killer examples of his playing. He cited influences as far flung as James Jamerson (Motown session guru), Jack Cassidy (Jefferson Airplane) and classical composer Oliver Messaien. Jaco Pastorious needs no introduction Chris Squire's on "Relayer" (a bit bit less treble but LOTS of growl like a panther). Janick Top, Bernard Paganotti or any of the Magma fuzz-bassists. It amazes me how they could play with this heavily distorted sound and yet play so musically, clean and precise! Not an easy task. Percy Jones with his slithery, stuttering fretless growl and all that crazy stuff he does with natural and artificial harmonics. Colin Hodgkinson: Back Door's master of chordal strums, melody and extreme bluesiness. Very innovative player. Stanley Clarke's Alembic tone w/ RTF (especially on Where Have I Known You Before and Romantic Warrior) Jimmy Johnson with his super-melodic Alembic sound, super clean yet so rich sounding. John Wetton w/ King Crimson and UK, very cutting and fierce especially live. Michael Manring A walking encyclopedia of 1000 things you can do with a fretless in crazy tunings. Hard to believe Randy Jackson went the route he did, a great, very capable player just submerged in all this CRAP!! What anyone sees in a bimbo like Pariah Scarey is beyond me! Edited by The Owl |
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People are puzzled why I don't dig the Stones, well, I listened to the Stones, I tried, and I tried, and I tried, and--I Can't Get No Satisfaction!
www.myspace.com/theowlsmusic |
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Certif1ed
Special Collaborator Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
Posted: May 11 2004 at 15:43 |
Colin Hodgkinson - how could I have left him out!!! Awesome player, awesome sound |
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Dick Heath
Special Collaborator Jazz-Rock Specialist Joined: April 19 2004 Location: England Status: Offline Points: 12813 |
Posted: May 11 2004 at 15:44 |
Colin Hodgkinson: Back Door's master of chordal strums, melody and extreme bluesiness. Very innovative player.
Good choice - but why did Jan Hammer only employ him as a vocalist until those Neil Schon albums - wasteful? And why whilst in Whitesnake, did he sound ordinary? CH is best playing the blues, (as with Back Door - thank goodness Warners reissued the first two albums on CD - and there is an excellent video of Hodgkinson and great late Alexis Korner playing live). My bass hero Jonas Hellborg is on record stating: Hodgkinson rather than Pastorius influenced him most. |
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The Owl
Prog Reviewer Joined: February 19 2004 Location: United States Status: Offline Points: 363 |
Posted: May 11 2004 at 16:02 |
Jonas has great taste in bassists alright! As much as I dig Jaco's whole unique musicality, what I can't stand is when people mindlessly copying the surface aspects of Jaco's playing but having NONE of the depth or soul of Jaco. Plus, it's just refreshing to hear someone like Jonas Hellborg go against the popular grain. Edited by The Owl |
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People are puzzled why I don't dig the Stones, well, I listened to the Stones, I tried, and I tried, and I tried, and--I Can't Get No Satisfaction!
www.myspace.com/theowlsmusic |
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