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rushfan4 View Drop Down
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Direct Link To This Post Posted: December 23 2009 at 10:31
Ginger Baker was also involved in a project called Masters of Reality.  He played drums on their album Sunrise on the Sufferbus.  It was somewhat progressive.
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Direct Link To This Post Posted: December 25 2009 at 00:09
I like Cream, but I'd say they're psychedelic rock not progressive rock.  That being sad, I hate labeling music to an extent.  Psychedelic rock has progressive tendencies, and prog has psychedelic tendencies.  As far as I can see prog is for the most part the continuation of the same movement as psych rock.  
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Direct Link To This Post Posted: December 25 2009 at 00:15
Originally posted by moshkito moshkito wrote:

Hi,
 
This is the problem with forcing bands to be a part of a group/grouping they are not ... bands like Cream were highly influential (I really think John Mayall was much more, btw) in expanding the musical tastes into areas that are not known as pop music anymore ... and the ability to expand music like that had a side effect in that it helped, later, the progressive bands do what they did and well ...
 
I can't possibly say that some of these long cuts and jams, were not influential to Yes, Genesis and many other bands ... it was the norm in those days to expand things ... and I think that many people felt they could do a lot better than just a guitar solo, ... in any piece of music ... but the combination of the three, away from the 3 minute songs, is actually very good ... but invariably really tough and not something they could sustain after a few years and more ego problems all around ... it was no longer about the music!
 
I would consider Jack Bruce the only progressive one in the bunch, and he easily verifies this by having the guts to play with Frank Zappa and doing a lot of different things, which you can not say for the other two in teh group ... one is a very good drummer that can not get past his ego and the other is a god ... that is not big enough to tell his fans ... I'm tired of that designtation ... I just play guitar ... plz!
 
The combination has a lot of details that you and I might consider prog ... but in essence, as a whole ... they were simply a rock band that made it big ... and the rest is unnecessary ... and even Eric will never buy it either!
Hi,

This all seems really irrelevant to the point.  And if anything I would say Ginger Baker ended up being the most progressive, he certainly played with more progressive bands than either of the other two later in his career.   And people are heavily misconceived about Jack Bruce's contribution to Zappa's work.  His only contribution was a certain noise on his cello in the song "Apostrophe".  He played none of the bass on the song, it's faulty crediting, and if you disagree you can find an interview in which he discusses this.

EDIT: I forgot i already commented on here, thats why it's two separate comments.


Edited by himtroy - December 25 2009 at 00:15
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Direct Link To This Post Posted: December 25 2009 at 06:36
Originally posted by Ghostmojo Ghostmojo wrote:

In a time like right now - when nothing seems to quite mean what it used to (take R&B which used to be 1950s/60s rhythm & blues to me) does progressive actually mean what it used to?
 
No. absolutely not. If a younger progger were to take the H.G.Wells time machine back to the year of 1965, they could then see for themselves. When King Crimson, Genesis, ELP, Yes and Jethro Tull put a stamp on prog, the ideology itself took a wide turn. They as artists decided to take this so called plunge into a progressive writing style that really hadn't much to do with blues and maybe jazz? Well, a small portion. Doing an album between 1965 and 1968? Bands added elements from various styles of music. Canned Heat for example, would have harmonica improvising over ambient drone tone traditional Indian instruments. Or they would improvise a jazzy style of harp playing over a rapid shuffle beat. Maybe the kind of beat one would hear in the music of Zappa. While Genesis put out a record that sounded like the commercial pop group, The Bee Gees. It was common practice to add progressive elements to your music during those years. The Beatles White Album, Cream, Wheels of Fire and many others. I was only 12 years old at the time and I do remember the definition of progressive being to move foward. For musicians to move foward and not stay in the realm of 3 and 4 chord changes. Cream were one of the first to do this.
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Direct Link To This Post Posted: December 25 2009 at 10:12
I was twelve when I first saw the album cover to "Disreali Gears" and thought, this is what drugs must be like and that song "Swablar" How did they come up with a name like that? Progressive, absolutely. 3 reasons why,  Eric Clapton  Ginger Baker  Jack Bruce   oh and one more reason;
 
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Direct Link To This Post Posted: December 25 2009 at 17:16
Wheels of fire has to be one of the best albums on the 60s. It's a step ahead of nearly any other rock album of  the time.
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Direct Link To This Post Posted: December 29 2009 at 06:13
I agree with the person who said you can categorise too much. Cream were never that far away from a hit single, so were they a pop band?

Yes they stretched out on a few tracks. So did The Yardbirds.

I guess the problem this site has is that you have to draw the line somewhere, or it will lose credibility for many.
 

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Direct Link To This Post Posted: December 29 2009 at 06:48
Originally posted by halabalushindigus halabalushindigus wrote:

I was twelve when I first saw the album cover to "Disreali Gears" and thought, this is what drugs must be like and that song "Swablar" How did they come up with a name like that? Progressive, absolutely. 3 reasons why,  Eric Clapton  Ginger Baker  Jack Bruce   oh and one more reason;
 
The picture has a mustacheCool
Isn't SWLABR an acronym or something?
 
I do know where the name "Disraeli Gears" comes from though (a roadie's mispronounciation of the phrase "Derailleur Gears" (as on a bike).
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Direct Link To This Post Posted: December 29 2009 at 06:52
Thanks for all those interesting responses. What I think it underlines (as some of you detected) is the semantic arguments surrounding the definition. In other words - it is quite clear that the word PROG has assumed a quite different conotation to its original usage PROGRESSIVE. 'Prog' has its own magazine these days (courtesy of Classic Rock) and is a blanket term for music that possibly fuses rock with classical with elements or flavours of jazz and/or folk. It is not easy to sum it up - but we can say that bands like Yes, Marillion, ELP, Transatlantic, King Crimson etc. all comfortably sit within its perameters, whereas the likes of Deep Purple, Motorhead, U2, REM, The Rolling Stones and god knows how many other variations of rock formats don't. But there are of course always overlaps.
 
Perhaps Cream occupies one of those overlaps? As a genuinely progressive band of the late sixties alongside, Floyd, The Doors, Hendrix and Traffic they were certainly pioneers. Indeed the territory occupied by Cream - which they lay claim to - really has few if any other tenants. Cream were also (as Bruce and others tirelessy point out) two distinct bands - one for the recording studio - one for the concert hall. Not many bands had/have that schitzophrenia nor that ability.
 
When discussing Cream you really have to distinguish if you are analysing their studio or their live material.
 
Cream were not PROG. In many ways such a term would have been too restrictive. The Yes/Genesis approach to extended material relies upon strict discipline and memory. Cream played upon their wits every night. I have many bootlegs of their gigs and no song was ever played the same twice. For me that dexterity is quite remarkable. Few bands would dare take the risk. Few bands possessed the verve, skill or sense of adventure.
 
Cream remain utterly unique. Not even Zeppelin come close. The latter did long jams but they were essentially vehicles for Page to show off with Jones and Bonham knowing when to start and stop and when to join back in again. They were a consumate rhythm section - disciplined and reliable. But they did not take the risks Cream did. Bonham and Jones never attempted to match Page or duel with him in the way Clapton, Baker and Bruce did.
 
Cream deserve their own bracket. I don't know what you would call it. I would call it Progressive Jazz/Blues/Rock Hybrid. What they proved beyond doubt was that it wasn't just up to the 'featured' lead player to provide all the excitement. Indeed the credo of Weather Report - "we never solo, we always solo" could easily be applied to Cream.
 
In Eric Clapton they had one of the most dazzling guitarists of that or any age. In Ginger Baker they had a rhythmic genius way ahead of his time who was probably the first to bring world music into his drumming. Finally, in Jack Bruce they had their ultimate secret weapon. Not only did the man (alongside Entwistle) redefine what the bass guitar was all about, but he was a powerful vocalist; considerable musical talent who had mastered cello, harmonica, piano, acoustic guitar; and of course (with Pete Brown) a phenomenal songwriter. I would put Bruce/Brown alongside Lennon/McCartney; Jagger/Richards; John/Taupin; as one of the greatest songwriting duos ever.
 
There was never any band like Cream and probably never will be again.
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Direct Link To This Post Posted: December 29 2009 at 06:52
SWLABR - The title stands for "She Walks Like A Bearded Rainbow."
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Direct Link To This Post Posted: December 29 2009 at 06:56
Originally posted by chopper chopper wrote:

 
I do know where the name "Disraeli Gears" comes from though (a roadie's mispronounciation of the phrase "Derailleur Gears" (as on a bike).


I only found out a couple of days ago, when we were listening to the album during the housework, and I asked Micky if he knew why it had such a curious name. He didn't, so I turned to Wikipedia, and finally cleared the mysterySmile.

Anyway, it is a common misconception that ProgArchives is too inclusive. It actually is much less so than most other prog sites, which feature bands and artists that would probably never be allowed to set foot here. Even a magazine like Progression features a much wider variety of music, at least as regards its reviews section. It seems this is the only place in which the addition of bands or artists that do not conform 100% to some guidelines becomes a matter of life and deathWink.
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Direct Link To This Post Posted: December 29 2009 at 13:14
As you are aware, Raff, but just to make the general point for a greater audience, one of the reasons why this site is less inclusive than some other sites is because this site includes bands/artists and not just albums.  There are many albums that could be included by bands/artists where the band or artists is excluded because of the majority of the work. 

Cream is a different case, of course, and if it were to be included, as I think it should be, it would be in Proto-Prog, not ina Prog-proper category.  Certainly, as noted, it was progressive rock, but is not considered part of the Prog-proper "genre".  I really think it has a lot in common with Prog, though. Although it's been discussed at great length, I don't know that it's ever been formally suggested to the admins (which are in charge of Proto-Prog and Prog-Related).  The Proto-Prog/ Prog-Related team works differently from other teams and suggestions require a more involved process though sometimes acts can go through quite easily and quickly.

There will always be those that consider PA too inclusive in some ways and those that consider it too exclusive in/ with others.  I'm one of the more inclusive members, and on the extreme side one might find Prog Purists who might bemoan having anything in the archives that is not usually considered part of the Prog proper genre (and would like to remove various categories from the site including Proto-Prog and Prog-Related but also other categories and bands/ artists listed under the Prog umbrella).
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Direct Link To This Post Posted: December 29 2009 at 13:22
Or even Eric Clapton, right ? :-D or Yardbirds :-) I wouldn't mind having them here, even they're what, blues ? Rock ?
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Direct Link To This Post Posted: December 29 2009 at 13:39
Originally posted by Marty McFly Marty McFly wrote:

Or even Eric Clapton, right ? :-D or Yardbirds :-) I wouldn't mind having them here, even they're what, blues ? Rock ?


Though I like Derek and the Dominos, and "Layla" has a kind of progginess about it, from what I know, I wouldn't support Clapton's entry into Prog-Related.  I believe that the The Yardbirds (for Proto-Prog) would have more merit (I'd have revisit the music) than a Clapton addition (for Prog-Related) -- from what I know, but I haven't listened to either much in many years (neither projects had the same effect on me as Cream did).
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Direct Link To This Post Posted: December 29 2009 at 15:02

I know Logan man, it was more like childish though. I wouldn't mind having more "typical" rock bands here if only just to write review about their albums and OK agree, there are elements in their music I consider good enough to get them here.

Because IF this, THEN this is a good rule (as I stated few times). Why ? Because you can say it in other words: IF there was REASON that get Band 1 here, than there should be Band 2 included too if it's from the same reason.

And when we're at it, this reminded me one youtube conversation I had two years ago (my knowledge in music were VERY LOW). Because being guitar virtuoso isn't good enough to bring these artists here, I know. But if they do good music, mostly prog related, they should be here. Jeff Beck is here, but not Yngwie (he was suggested many times). Steve Vai is here, but Joe Satriani isn't. Same with Eric Johnson.

There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless,"

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Direct Link To This Post Posted: December 29 2009 at 20:21
I didn't think you were being that serious -- far too simplistic, and flawed, for someone of your experience.  The thing is, as I think I made clear on the first page of this thread, I don't consider Cream to have been a "typical" rock  (yes I notice the quotes around typical) band, nor was it just a blues rock/ jam band.  There was a fusion of styles incorporated (obviously including psych) and there is contrast. 

And I also don't think it's about being good as making music that you think fits (for Proto-Prog one must consider the music itself and the historical context). I believe that Cream fits the Proto-Prog criteria.  As I've often said, I think it's perfectly reasonable to make associations and make an if x is then why not y case provided that the musical comparisons (as opposed to say, shared musicians) are valid/ relevant and sufficient for suggestion purposes. Too often for my tastes I have seen X is not in so Y should not be in either or fearmongering if X is included then there will be calls for Y -- a la surely we don't want Y in so we should be very wary about letting X in.  Each case must also be evaluated on its own merits, and a similar case must also be evaluated on its own merits even if some precedents are set.  I don't care about adding (or supporting) bands so I can review them as I'm not a reviewer. I believe in supporting bands if I think they belong. 

Cream isn't in.  While I think it's fair to discuss similar cases already in as a supplement to making a case, I think making the case against them by throwing out names like Clapton solo and the Yardbirds is weak (to use those as examples even if you weren't being that serious).  Let's focus on Cream itself, both the music and its historical place, and worry about those later (I see the cases as being quite different, and I suppose that some might have said that if Led Zep was added, what next, the Yardbirds?).  You might want to talk about bands already in based in blues-rock and say why their cases are stronger than Cream's.

That's my two cents, anyway, Marty. Hope my cents make some sense.

EDIT: Incidentally, have you listened to both Wheels of Fire and Disraeli Gears?


Edited by Logan - December 29 2009 at 21:41
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Direct Link To This Post Posted: December 29 2009 at 21:37

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   

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Direct Link To This Post Posted: December 29 2009 at 21:43
Originally posted by jammun jammun wrote:

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   



Ah, but the Cream always rises to the top.
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Direct Link To This Post Posted: December 29 2009 at 21:51
Originally posted by Logan Logan wrote:

Originally posted by jammun jammun wrote:

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   



Ah, but the Cream always rises to the top.
Let's hope it's not lead cream. 
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Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: December 29 2009 at 21:59
Originally posted by jammun jammun wrote:

Originally posted by Logan Logan wrote:

Originally posted by jammun jammun wrote:

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   



Ah, but the Cream always rises to the top.
Let's hope it's not lead cream. 


Or even iced Cream as in "Oh my god, they iced Creamy! You b*****ds!"
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