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Topic ClosedPortnoys Growls ?

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Poll Question: Portnoy's Growl vocals in "A Nightmare to remember"
Poll Choice Votes Poll Statistics
13 [34.21%]
25 [65.79%]
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StyLaZyn View Drop Down
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Direct Link To This Post Posted: July 14 2009 at 12:38
Originally posted by Equality 7-2521 Equality 7-2521 wrote:

Are you suggest that John Cage do something ordinary?????@??!?!?!?

I don't know him, so the answer is no. Seems like quite the character.
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Direct Link To This Post Posted: July 14 2009 at 12:45
Originally posted by Equality 7-2521 Equality 7-2521 wrote:

Are you suggest that John Cage do something ordinary?????@??!?!?!?


He could try growling like Mike Portnoy.  I'm just sayin'








PS:  Yeah, I know Liquid Eternity, I just wanted to give you another chance to rant Big smile


Edited by Roland113 - July 14 2009 at 12:47
-------someone please tell him to delete this line, he looks like a noob-------

I don't have an unnatural obsession with Disney Princesses, I have a fourteen year old daughter and coping mechanisms.
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Direct Link To This Post Posted: July 14 2009 at 12:54
Originally posted by Roland113 Roland113 wrote:

Originally posted by Equality 7-2521 Equality 7-2521 wrote:

Are you suggest that John Cage do something ordinary?????@??!?!?!?


He could try growling like Mike Portnoy.  I'm just sayin'


OMG!! LOL
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akamaisondufromage View Drop Down
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Direct Link To This Post Posted: July 14 2009 at 13:28
 
Portnoy is a groundhog and doesn't growl! 
But he has a baseball bat
Help me I'm falling!
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Direct Link To This Post Posted: July 14 2009 at 13:34
At least you can understand what he's saying.
Unlike that "throwing up into your throat" sound that ruins most death metal.
To me, barf vocals seems like an excuse for not being able to come up with a decent melody.
Trust me. I know what I'm doing.
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Direct Link To This Post Posted: July 14 2009 at 13:36
I'd rather not hear him growl.
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Direct Link To This Post Posted: July 14 2009 at 13:41
Originally posted by birdwithteeth11 birdwithteeth11 wrote:

Originally posted by LiquidEternity LiquidEternity wrote:

Again, silly gooses. Geese. A Nightmare to Remember has NO growls in it. John Petrucci specifically told Portnoy NOT to growl. This is just emphatic speaking. Y'all are ridiculous.

Seconded. I don't think some people understand what true "growling" is (no offense meant to anyone). I tend to think of growling as something more associated with certain extreme genres of metal. Portnoy does have some really raw singing from time to time, like on Nightmare, but it's faaaaaaaar from growling.
 
Oh believe me I know what growling is and I'm sure most people here know it, too. In a way Portnoy's horrible "emphatic speaking" as one of you called it may not be actual growling in the strictest sense of the word (if we ever find a musical-ready definition of that word) but what else could we call it then? Portnoy in the bathroom with constipation? Portnoy angry? Portnoy upset? Is just terrible, tragic growling.
 
For true growling, check Amorphis' latest. Or check any Incantation, Benediction, Deicide album. Or any of more than wo82938279372837190`92- bands that play extreme metal today.
 
Portnoy's growling is neither deep growling nor the ridiculous screamo-growling of modern metalcore bands... Is the nothingness of all nothingness...
 
wrong experiment
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Direct Link To This Post Posted: July 14 2009 at 14:24
Originally posted by The T The T wrote:

Originally posted by birdwithteeth11 birdwithteeth11 wrote:

Originally posted by LiquidEternity LiquidEternity wrote:

Again, silly gooses. Geese. A Nightmare to Remember has NO growls in it. John Petrucci specifically told Portnoy NOT to growl. This is just emphatic speaking. Y'all are ridiculous.

Seconded. I don't think some people understand what true "growling" is (no offense meant to anyone). I tend to think of growling as something more associated with certain extreme genres of metal. Portnoy does have some really raw singing from time to time, like on Nightmare, but it's faaaaaaaar from growling.
 
Oh believe me I know what growling is and I'm sure most people here know it, too. In a way Portnoy's horrible "emphatic speaking" as one of you called it may not be actual growling in the strictest sense of the word (if we ever find a musical-ready definition of that word) but what else could we call it then? Portnoy in the bathroom with constipation? Portnoy angry? Portnoy upset? Is just terrible, tragic growling.
 
For true growling, check Amorphis' latest. Or check any Incantation, Benediction, Deicide album. Or any of more than wo82938279372837190`92- bands that play extreme metal today.
 
Portnoy's growling is neither deep growling nor the ridiculous screamo-growling of modern metalcore bands... Is the nothingness of all nothingness...
 
wrong experiment


Portnoy Hulk?
-------someone please tell him to delete this line, he looks like a noob-------

I don't have an unnatural obsession with Disney Princesses, I have a fourteen year old daughter and coping mechanisms.
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Direct Link To This Post Posted: July 14 2009 at 14:34
Leave it to Opeth Porty, their the only ones who can make growls sound like singing.
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Direct Link To This Post Posted: July 14 2009 at 16:01
Originally posted by KingCrimson250 KingCrimson250 wrote:

Originally posted by frbassdevil frbassdevil wrote:


Maybe Portnoy should let Petrucci do these kind of vocals. Works a lot better with him (hence The Glass Prison).


Are you serious? That part of The Glass Prison has got to be the most laughable thing the band has ever done. I honestly cannot listen to it without cracking up. It is just so over-the-top and ridiculous, not to mention pretty poor sounding.

I haven't listened to BC&SL yet though so I can't comment on the poll, except to say that the prospect of Portnoy growling (okay, fine, speaking emphatically) isn't one that makes me want to rush out and buy the album.


Yeah, I'm serious. Smile
Well, that's just a matter of opinion. Some people (like me) are fine with that part while some do not. I think the same thing happens with Portnoy's vocals on A Nightmare to Remember.
I personally like that part of The Glass Prison way more than Portnoy's attempt at harsh singing. Petrucci at least sound more convincing to my ears.
But as I said before, it's just personal taste.

In fact, it's hard to explain. I found Portnoy's vocals to be out of place on ANTR, but I like when he does that on The Shattered Fortress. Two different songs, the same vocal style, and for me it works in just one of them.

If you ask me about the most laughable thing the band has ever done I'd say that would be the robot-like vocals in the chorus of Burning My Soul. Tongue
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Direct Link To This Post Posted: July 14 2009 at 16:42
Quote "I knew my vocals in A Nighmare To Remember would surely spark some controversy...looks like I was right!  
 
As The Count Of Tuscany once said:
"wait a minute man....that's not how it is...let me please explain!"
 
1. The original melody that JP had to this section I felt did not work with the music. This section of the song has a really heavy, driving Judas Priest/King Diamond vibe musically...and JP had a melody that was more melodic and James' high voice I felt REALLY softened up the music to this very important dramatic section of the song.
 
(mp3 not available for this example)
 
 
2. I really kept hearing a Mikael Akerfeldt type Opeth death growl (yes, cookie monster vocals - sorry Setlist Scotty!) Like em or hate em, the section was really calling for it to my ears (listen to the instrumental version and you'll hear what I mean...)
The thought crossed my mind to ask Mikael himself to do it, but then I figured I'd end up having to do it live every night on tour, so it might as well be me on the CD....
 
So I gave it my best shot and here's what it was:
 
 http://www.mikeportnoy.com/mp/ANTR%20MP%20Cookie.mp3
 
In the end, JP and I discussed it and he just couldn't hang with the cookie...he thought it was just TOO radical for DT fans to swallow...
 
 
3. So I agreed to try adding James doing a bit of a "counterpoint" to my cookie monster version to possible help soften the blow and add a little melody to the part....so here's what it sounded like:
 
 http://www.mikeportnoy.com/mp/ANTR MP & JLB.mp3
 
I did not dig this approach as
a) James' clean vocals were still softening up the music to me
b) the counterpoint approach made it all too confusing and distracted from the drive of the music
 
 
4. So John and I went back to the idea of keeping my vocals for the section to keep it heavy and driving, but getting rid of the Opeth cookie monster approach and going for a more Robb Flynn/Machine Head approach instead (kind of like my "Constant Motion" voice)
 
In the end, that is what we went with:
 
 http://www.mikeportnoy.com/mp/ANTR%20Final.mp3
 
I did indeed know that no matter what, we wouldn't please everybody with the idea, but I really felt a "heavy" approach was needed to keep the heaviness of the section (and hey...look at Roger Waters, Wayne Coyne, Neil Young, Dave Mustaine, Jeff Tweety, James Hetfield, etc etc. the truth is *anybody* can sing...it's all about having personailty and emotion in the expression... )
 
I know my voice my not be everybody's cup of tea (especially the heavy side), but sometimes
a contrast to James' cleaner vocals are needed with some of the heavy riffs and I believe "character" or "personality" in a voice is just as important in music and the expression of your art, it's not always about
virtuoso, operatic range...
 
Ultimately, if you really are bothered by em then I suppose you can at least thank me for making the instrumental mixes and isolated stems available!

 
MP
 
 
PS - On a side note as this thread is really aimed to clear up my side of the street amongst the bashers: I must say the amount of hatred and negativity towards me on other DT "fan" sites is truly incredible (you know who you are)...my skin is not as thick as you may think!
 
It baffles me that as the member of DT (or any band for that matter) that must be one of the most fan-driven musicians in the industry, I am so slammed by our "fans"...while other artists (who will go unnamed) that could care less our fans are put on a pedestal....sorry, I am still human and can read these forums and it indeed hurts sometimes...
 
Please feel free to post this on those sites as well..."



Just so y'all know, as much as I might sound like I'm defending the vocals... I'm not. I hate them. But then A Nightmare to Remember is the second weakest song on the new album, right behind A Rite of Passage. Everything else is much better.


Edited by LiquidEternity - July 14 2009 at 16:44
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Direct Link To This Post Posted: July 14 2009 at 18:26
After giving the album a couple listens, I have to say that the 'growling' on the album certainly isn't growling. It's just shouting basically, though a bit harsher. I don't care for them in any event.
 
Though I sort of like the growl element in the chorus of "Count of Tuscany" even though I really don't care for the chorus to that song, or the song in general anyways.

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Direct Link To This Post Posted: July 14 2009 at 19:13
Honestly, I preferred the real 'growls' from the link you posted. They worked better with the song, and the instrumentation seemed better as well: it included organs.
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Direct Link To This Post Posted: July 14 2009 at 19:26
Originally posted by Plankowner Plankowner wrote:

I'd rather not hear him growl.

I'd rather not hear him sing at all. He should stick with his sticks.Wink Still love the band though.


Edited by JayDee - July 14 2009 at 19:31

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Direct Link To This Post Posted: July 14 2009 at 22:52
1) Is not growling, that is clear.

2) I don't like it, and I don't like any of the two alternate versions either. While MP singing is not technically good, it never bothered me before (well maybe a little in TDET), this time he sounds more forced than ever, and I think the vocal line itself is poor, and what's even more important in this case, the lyrics are terrible in that part (as in many parts on the album), making MP sound even worse. "It's a miracle he lived, is a blessing no one died, by the grace of god above, everyone survived..... uuuuuuhhhhhhh". JP you can do better than that.

3) Also, the second "uuuuuuuhhhhh" doesn't help a bit. Pinch

4) I love DT, and to me growling and pissed-off-harsh singing like this doesn't belong in DT's music, it sounds forced and unnatural in the DT environment, I hardly think Rudess or Myung likes that kind of singing either (not to mention James).

5) But hey!!! luckly it doesn't last for long! well, then we have bits in The Count Of Tuscany, with exactly all the features listed in point 2 Tongue

DT: get rid of this artifacts, please.


Edited by mistertorture - July 14 2009 at 22:54
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Direct Link To This Post Posted: July 14 2009 at 22:58
Originally posted by JayDee JayDee wrote:

Originally posted by Plankowner Plankowner wrote:

I'd rather not hear him growl.

I'd rather not hear him sing at all. He should stick with his sticks.Wink Still love the band though.
Yeah me too!
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Direct Link To This Post Posted: July 14 2009 at 23:51

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Direct Link To This Post Posted: July 15 2009 at 04:42
Can't see what the fuss is about. Its fine.
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Direct Link To This Post Posted: July 15 2009 at 07:21
They should have had a guest vox spot if they wanted a growl. 
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Direct Link To This Post Posted: July 15 2009 at 12:27
Thank you rpe9P--that was the funniest thing I've heard in days.

I got no problem with Portnoy being creative and trying new things, but that sequence is a perfect storm of cheese:

Hilariously tame lyrics, the generic quarter note delivery, and all topped off with a gigantic spew at the end!


Edited by Flucktrot - July 16 2009 at 07:26
Thank you, God of Rock, for this chance to kick ass
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